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3 Teile Porzellan. Vase und Schale mit farbigen Craquelé-Glasuren (Schalenrand besch.) und Dose mit buntem, floralen Dekor über gelbem Fond. Royal Copenhagen, Szeptermarke Berlin bzw. Limoges, 30er Jahre. D. bzw. H. 14 bis 15,5 cm. Beigegeben: Egg-Coddler, Royal Worcester, im Originalkarton.
Torrense. Hieronymo (Jerome Torres / Hieronymus Torrensis), Confessio Augustiniana, ex D. Aurelii Augustini operibus compilata in qua theologiae capita controversá …( The Augustinian Confession, compiled from the works of D. Aurelius Augustinus, in which theological chapters are controversial), Latin, Apud Arnoldum Quentelium (Arnold Quentel), Coloniae (Cologne) 1611, rebound in quarter calf with gilt tooled banded spine, bearing stamp for St George’s of Sansome Place, Worcester
A collection of eleven late 19th/early 20th century Coalport and Royal Worcester coffee cans, each having gilt heightened decoration on a blue groundOne Coalport saucer crazed to reverse.One Coalport saucer cracked.One Worcester can has a minute chip to the rim.One Worcester saucer with white bead border crazed to reverse.The all have light scratches to the gilt as expected.
A late 19th century Royal Worcester blush ivory figural comport, the basket weave dish above a stem modelled as children beside a tree, puce mark to the underside, No. 1325, h.32.5cmThere is a small crack to the border.The interior of the bowl is quite scratched.Small loss to the rim.Gilt lightly rubbed.Otherwise appears OK.
A circa 1912 Royal Worcester jug, shape 1507, decorated with roses, puce mark to the underside, h.22cm, together with a circa 1912 Royal Worcester blush ivory specimen vase, shape 1661, decorated with flowers, puce mark to the underside, h.23.5cm, and a further Royal Worcester old ivory jardiniere, decorated with flowers, puce mark to the underside, h.14cm (3)
Royal Doulton Dickens ware tea set to include a teapot & cover (lid a/f), sandwich plate, twin-handled sugar bowl, 5 teacups, 4 saucers, 6 tea plates, water jug and a small circular dish, together with 3 other Royal Doulton transfer printed plates (including a 'Gaffers' example), a Mary Gregory style green glass jug, 18cm high, a Royal Worcester 'Thursday's Child' porcelain figure, no. 3260, and a Burleigh Ware jug - a reproduction of 'Old Feeding Time' jug made by Samuel Alcock, 25cm high
Royal Worcester Evesham Gold pattern ceramics comprising teapot & cover, 6 teacups & saucers, 6 cereal bowls, 2 lidded storage jars, a large lidded biscuit barrel, fruit bowl, flan dish, small flan dish, butter dish & cover, 2 water jugs and a crudité dish, together with a boxed set of 6 Royal Worcester Evesham pattern table mats, boxed set of 6 coasters and a set of 6 napkins
Collection of eight Royal Worcester figurines six modelled by F G Doughty. Two "The Parakeet" 3087, one yellow, one green, two "Grandmother's Dress" 3081, one pink, one green and two "Only Me" 3226, one white, one green along with two "Polly put the Kettle on", one 15cm h and one 11cm h 3303.
Collection of 7 commemorative plates to include Wedgwood Anniversary of the Charter of Queen Elizabeth I Beverley 1573-1973, Royal Worcester 50th Anniversary Coronation of Queen Elizabeth II 1953-2003, Royal Worcester HM Queen Elizabeth II Silver Jubilee 1952-1977, Coalport Marriage of Prince Charles and Lady Diana Spencer 1981, Wedgwood "Dickens Characters", Wedgwood Silver Jubilee 19152-1977, Spode Battle of Britain Anniversary Plate 1940-1990, largest diameter 27.5 cm, along with a Royal Worcester two handled cup to commemorate York Minster Restored 1988 16 x 15cm at widest, Spode beaker to commemorate Silver Jubilee and a Spode Octagonal Bowl to commemorate the Golden Jubilee of Queen Alizabeth II 1952-2002 (Limited edition 154/250)
An interesting selection of 19th and 20th century ceramics and decorative ornamental wares to include: two Naples cherubs;a 19th century hand-decorated box and cover, the lid modelled as a shepherd and shepherdess with lambs;three Royal Worcester-style blushware miniature pots;a pair of late 19th century continental porcelain figures;a 19th century miniature vase decorated with cherubic figures. (Some items with damage.)
An early 20th century Royal Worcester porcelain figure 'The Bather Surprised': modelled after Sir Thomas Brock, the figure as a semi-nude maiden leading against a tree trunk with gold cloth draped around her midriff and falling to the ground, on a naturalistic rectangular gilt base with canted corners, model No. 486, printed marks to underside, circa 1918 (26.5cm high) Condition Report: This is not in 'perfect' condition. The right hand has the fingers off (at halfway stage) and also the tip of the thumb. There is also a small pinhead sized piece away at the front mostly visible on the underside. Otherwise it appears in good original condition, a little dirty, but no other damage or restoration noted.
Early 20th century Royal Worcester vase decorated by Harry Davis, the swollen cylindrical body with reticulated rim, hand painted with sheep against a highland landscape, signed Harry Davis, upon four scroll feet, with green printed marks beneath including shape number G42, and date code for 1909, H22.5cmCondition Report:A faint crack runs thrrough the centre of the vase which is only visible when inspected under UV light. Other small areas appear when inspected under UV but don't seem to be restoration, possibly residue from the main repair work. General light wear throughout. Green stain to one of the scroll feet.
Early 20th century Royal Worcester vase decorated by Harry Davis, the ovoid form body with pierced shoulder and short flared neck, hand painted with sheep against a highland landscape, signed H Davis, upon a circular gilt and leaf moulded foot, with puce printed marks beneath including shape number G935, and date code for 1910, H22.5cmCondition Report:The neck and upper section of the vase has been restored and illuminates when inspected under a UV light. Small areas on the body of the vase also illuminate when inspected under UV light. General light wear throughout. Some white marks to the gilt foot and minor wear to gilding.
Early 20th century Royal Worcester blush ivory vase by H. A. Stinton, ovoid form with twin satyr mask handles and flared neck, hand painted with Pheasants in a highland landscape, signed H. A. Stinton, upon square foot, puce printed marks beneath including shape number 1716 and date code for 1911, H21cmCondition Report:General light wear throughout, otherwise good condition.
Royal Worcester coffee pot and sugar bowl by James Stinton, the coffee pot of baluster form, hand painted with Pheasants in a woodland landscape, the sugar bowl painted with a Barn Owl perched on a branch, with gilt interior, each signed JAS Stinton, with puce printed marks beneath and date codes for 1934 and 1937, H18.5cm maxCondition Report:Surface wear and minor scratches to both pieces along with general wear commensurate with age. Inspected under UV light.
Six Royal Worcester coffee cups and saucers by Albert Shuck and Reginald Austin, the cups painted with birds in a landcape including an Eagle, Heron, Barn Owl, Pigeon and Pheasant, signed A. Shuck, and Peacock signed R. Austin, all on matching landscape painted saucers, with puce printed marks beneath and date codes for 1926, 1933 and 1936 Condition Report:Peacock: (1926) Coffee cup: Surface scratches and wear commensurate with age. Saucer: Some minor losses to the paint and some minor wear commensurate with age.Heron: (1933) Coffee cup: Surface scratches and wear commensurate with age. Saucer: Some minor losses to the paint, small chip to the underside and surface scratches and wear commensurate with age.Eagle: (1933) Coffee cup: Surface scratches and wear commensurate with age. Saucer: Some minor losses to the paint, small glaze chip to the underside and surface scratches and wear commensurate with age.Pigeon: (1936) Coffee cup: Surface scratches and wear commensurate with age. Saucer: Some minor losses to the paint and some minor wear commensurate with age.Owl: (1936) Coffee cup: Surface scratches and wear commensurate with age. Saucer: Some minor losses to the paint and some minor wear commensurate with age.Pheasant: (1936) Coffee cup: Surface scratches and wear commensurate with age. Saucer: Some minor losses to the paint and some minor wear commensurate with age.All inspected under UV.
Pair of Royal Worcester tea cups and saucers by Edward Townsend, George Moseley and Harry Ayrton, each hand painted with a still life of fruit, signed H. Ayrton, H.G. Moseley and E. Townsend, with puce printed marks beneath and date codes for 1926 and 1928, saucer D12.5cm Condition Report:Ayrton cup (1926): Surface scratches and wear commensurate with age. Townsend cup (1926): handle and rim of cup repaired. Surface scratches, crazing and wear commensurate with age. Moseley saucer (1928): Five hairline cracks, visible from both sides. Surface scratches and wear commensurate with age, losses to central gilding. Moseley saucer (1928): Surface scratches and wear commensurate with age, losses to central gilding.
Early 20th century Royal Worcester vase by William Ricketts, of slightly lobed ovoid form with twin acanthus and scroll mounted handles, hand painted with a still life of fruit against a mossy ground, signed Ricketts, upon a gilt circular moulded foot, with puce printed marks beneath including shape number H313, and indistinct date code, probably 1925, H29.5cmCondition Report:Neck, shoulder, handles and foot all restored. General light wear throughout.
Mid 20th century Royal Worcester twin handled vase and cover by B. A. Schwarz, the body of ovoid form hand painted with a still life of fruit, signed B. A. Schwarz, upon a circular gilt foot, with black printed marks beneath including shape number 2701, H17cm Condition Report:Restoration to upper section of vase. Handles possibly re-gilded. Surface wear and some losses to the gilding.
Royal Worcester vase by George Mosely, of bottle form with slender neck, hand painted with a still life of fruit, signed Mosley, with puce printed marks beneath including shape number G702 and date code for 1933, H13.5cm, together with a Royal Worcester pot pourri vase and cover and vase, each painted with a still life of fruit, signed Roberts, with black printed marks beneath including shape number 291A and 2491 (3)Condition Report:All three pieces have general surface wear. Pot pourri: Gilding darkened over time, giving the vase and cover a bronze finish in areas.The bottle vase has a rough pitted finish to the glaze, appears fine under UV light.
Pair of Royal Worcester vases by Roberts, each of ovoid form hand painted with a still life of fruit upon a mossy ground, signed Roberts, with black printed marks beneath including shape number G461, H11cm together with a similar Royal Worcester hand painted spill vase, with black printed marks beneath, signed Roberts (3)Condition Report:Some surafce wear, otherwise good condition.
Early 20th century Royal Worcester pot pourri vase and cover by E. Lewis, the compressed quatrelobed body with scroll pierced lid, branch form finial and handles, decorated with a thatched cottage and figure, signed E. Lewis, upon naturalistic moulded base, green printed marks beneath including shape number 241 and date code for 1911, H20cmCondition Report:Cover cracked and repaired with some losses. One handle cracked and repaired and one foot chipped. General light wear throughout including some rubbing to the gilding.
Royal Worcester vase decorated by Harry Ayrton, the cylindrical form body hand painted with a scene of Raglan Castle, signed H. Ayrton, upon a circular pierced base, with 'Raglan Castle' and printed marks beneath including shape number 161, H26cmCondition Report:General light wear throughout. Wear to the pierced base including some losses to the gilding. Crazing to the underneath.
Early 20th century Royal Worcester vase by Sedgley, of ovoid form with twin acanthus and scroll mounted handles, the body hand painted with roses, signed Sedgley, upon pedestal base, faded blue printed marks beneath, H31cmCondition Report:General light wear throughout and two small nibbles to the base rim, otherwise good condition.

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182975 item(s)/page