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Click here to subscribeCeramic reference: a group of 'Antique Collectors' Club' titles comprising 18th Century English Porcelain Figures, The Dictionary of Minton, Mason China and Ironstone Wares, Wedgwood, Black Basalt, British Glass 1800-1914, Coalport, Royal Crown Derby, The Glaisher Collection vols I & II, English Pottery, English Earthenware Figures, English Porcelain Animals, Pratt Ware, Lowestoft Porcelains and Flight & Barr Worcester Porcelain. (16)
A pair of Worcester porcelain coffee cans and deep saucers: painted in blue in the 'Royal Lily' pattern within gold borders and red line rims, blue open crescent marks and additional solid gold crown and crescents, circa 1788-90, saucers 13.5 cm diameter.*Notes - According to R.W. Binns when George III and Queen Charlotte visited Worcester in 1788, they ordered a service of Lily pattern porcelain, thereafter named by the factory as Royal Lily in their honour. The original service did not survive in the Royal Collection although a facsimile service was presented to H.M. Queen Elizabeth II. As these pieces are of the highest quality and bear the highly unusual additional mark of a gold crowned crescent, it is logical to assume that these formed part of the original royal order. Since 2004 only a small handful of pieces have been offered for sale. These pieces are illustrated and discussed at length by Richard Burt, The Melting Pot no.11, Autumn 2007, pages 6-9.
A First Period Worcester teapot and cover: of baluster shape with flower finial and entwined branch handle, transfer printed and coloured with 'The Two Bridges' print after Robert Hancock to one side and 'Ruins' to the other, underglaze blue crossed swords mark with numeral 9 and dot, circa 1770, 15 cm. high.
A First Period Worcester dessert plate: with scalloped rim, decorated in the workshops of James Giles with three brightly coloured 'fancy' birds perched amongst branches and foliage, circa 1765-70, 20 cm. diameter [mirror firing flaws to rim].* Provenance Paper labels for the 'J.W. Goldsmith Collection no. 152' and Tilley & Co.
Ceramic reference: a group of Herbert Jenkins/Barrie & Jenkins monographs comprising Coalport and Coalbrookdale Porcelains, Worcester Porcelain, Lowestoft Porcelain, Minton Pottery and Porcelain of the First Period, Rockingham Pottery and Porcelain, Masons Patent Ironstone China, Staffordshire Salt-Glazed Stoneware and Ridgway Porcelains. (8)
A First Period Worcester coffee cup: of bell shape with wishbone handle, painted in famille rose enamels with a continuous scene of Chinese children playing by a fence watched by a seated lady, a yellow vase and a screen to one side, two rabbits in the foreground, circa 1758-60, 6 cm. [minor rubbing to gilt line rim].
A First Period Worcester 'Pu Tai' pattern coffee cup and saucer: the cup of bell shape with wishbone handle, painted in famille rose and iron red colours with the seated monk and two attendant figures, the rims with iron red and gilt crowsfoot borders, circa 1765, diameter of saucer 11.5 cm.
A First Period Worcester blue and white coffee cup and one other: the first of bell shape with fluted scroll handle with thumb rest, painted with the Cannonball pattern, workman's mark, circa 1760-65, 6.5 cm high; the second with grooved loop handle and painted with the Mansfield pattern, workman's mark, circa 1760-65, 6 cm high.
A First Period Worcester coffee can decorated in the workshops of James Giles: with a grey, pale pink and puce bird perched on a leafy branch, the reverse with a colourful butterfly, circa 1770-72, 6.5 cm. high.*Notes Cf. Stephen Hanscombe 'James Giles, China and Glass Painter' 2005 section IV for illustrations and a discussion of the Giles decorated 'Naturalistic Birds.'
A First Period Worcester tea cup: of reeded form with ear-shaped handle, probably decorated in the workshops of James Giles with floral sprays and sprigs in 'dry' blue on a yellow ground, gilt dentil border to the rim interior, circa 1770, 10 cm. wide [footrim ground].*Notes Cf. Dinah Reynolds 'Worcester porcelain in the Ashmolean Museum' pages 76/77, plate 34, for a cabaret with 'dry' blue and yellow ground decoration.
A First Period Worcester tankard: of waisted form with grooved strap handle, painted with the 'Beckoning Chinaman' pattern of a Mandarin wearing puce, yellow, iron red and blue robes, a smaller figure below and both in an Oriental landscape, the reverse with a large peony and orchid spray, circa 1756-58, 14 cm. [some scratching to enamels].
A First Period Worcester mug: of bell shape with ridged loop handle, painted in the Kakiemon style with the 'Quail' pattern, the two birds between a flowering prunus tree and a large floral spray, scattered insects and sprigs to either side, circa 1765, 8.5 cm. high [faint firing crack to interior].
A First Period Worcester tea cup: probably painted in the workshops of James Giles with a thatched cottage and brick buildings in a woodland setting within an elaborate gilt cartouche, two vignettes of a recumbent goat and cow on either side, gilt dentil rim, gilt dots of diminishing size to the handle and a solid band to the base, underglaze blue crossed swords mark with numeral 9 and dot, circa 1765, 9.5 cm. wide across handle.* Notes This pattern would appear to be unrecorded and could possibly be the work of the painter Jefferyes Hamett O'Neale.
A First Period Worcester coffee can decorated in the workshops of James Giles: with a bullfinch perched on a leafy branch, a colourful butterfly to the reverse, circa 1770-72, 6 cm. high*Notes Cf. Stephen Hanscombe 'James Giles, China and Glass Painter' 2005 section IV for illustrations and a discussion of the Giles decorated 'Naturalistic Birds'.
A pair of First Period Worcester blue and white high-footed sauceboats: each of silver shape with scroll handle, painted with 'The Triangular Platform' pattern within moulded cartouches, the interiors with floral sprays and insects, one with workman's mark, circa 1755, 19.5 cm long [one with section lacking].
A Flight Barr & Barr (Worcester) porcelain part tea service: comprising five tea cups, four cans, six saucers, a two handled sugar bowl and stand, two milk jugs and a waste bowl each decorated with a salmon and gilt vermiculi decorated band, impressed crown and FBB, circa 1813-40, {cracked cup and can, wear to saucers].
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