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Lot 259
Eight Royal Worcester Victorian Ladies figurines, together with a Royal Doulton model Condition Report: Elaine - cracked through baseCharlotte & Jane - bush broken offElizabeth - Good conditionMadeleine - Good conditionBeatrice - Good conditionCharlotte - Good conditionLisette - Good conditionRoyal Doulton Genevieve - Good condition No boxes or certificates
Lot 7276
The Beatles Memorabilia collection, comprises: Applecorps 1995 Moonlight Boat, Limited edition sericel, one of 500 copies, reproduction of a production cel used in the episode of Mister Moonlight, originally aired on January 1, 1966, lithograph background, 46 x 46cm overall, with accompanying COA; Beatles Worcester Ware tin tray, c. 1964, 33 x 33cm; 1960s Ballito ladies stockings featuring The Beatles faces within the pattern on both legs (as new); The Beatles: Applecorps Timepieces, a group of three watches, comprises: WBTLO3, 1993, within sliding wooden guitar case lettered with the bands name in black; WBTL04, 1993, within black zipped leatherette guitar case with the bands name on leather panel; WBTL04, 1993, The Beatles: Yesterday, within sliding wooden guitar case lettered with the bands name in black, each watch with brown leatherette strap and loosely inserted guarantee; Sound of the Stars, 7 Flexi Disc, Disc and Music Echo, 1966, interviews include, The Beatles with Tom Lodge, Dusty Springfield with Spencer Davis, and others; The Beatles Mersey Beat paper 1963, Vol.3, No. 63, December 19, 1963-January 2, 1964, Limited edition reprint, numbered 04533, first imprint, 1994; The Times Beatles Songbook, 2009; The Beatles 100 Stamp Set, Hallmark Merchandisers Inc., USA/NEMS; 1964, sealed promotional shop display, features five pages of 20 stamps each; a group of ten 8 x 10 inch black and white photographs, depicted the band playing their instruments during a recording session or rehearsal; Pete Best Autographed black and white photograph, Signed in blue marker pen by the former drummer with The Beatles from 1960 to 1962, 25 x 20 inches within mount, 15 ¼ x 12 inches overall; with a related 6 x 4 inch colour photograph taken of Pete Best whilst signing the black and white photograph. (18) Condition Report: overall good conditions, with strong signatures.
Lot 65
A group of 19th century ceramics, comprising Worcester gilded 2-handled urn, with hand painted panel depicting Montpellier Spa Cheltenham by Doe & Rogers, height 20cm (handles repaired), 3 various hand painted spill vases, and a pair of 18th century blue and white transfer leaf design pickle dishes, length 15cm2-handled vase - both handles have been broken and re-glued poorly, no other damage. Vase with flared rim - good condition, gilding around base rubbed. Cylindrical vase with fruit and flowers - slightly stained, no chips or cracks. Smallest vase is Spode - light staining but no damage. Pickle dishes - both have small rim chips, 1 has chip on the foot, no cracks or restoration
Lot 284
Flint (Sir William Russell) The Lisping Goddess, one of 275 copies signed by the artist, plates and illustrations, scattered faint spotting, original morocco-backed boards, slip-case, a little rubbed, Worcester, Stanbrook Abbey Press, 1968; Breakfast in Périgord, one of 525 copies signed by the artist, frontispiece, illustrations, many full-page, original morocco-backed boards, slip-case, a little rubbed, 1968; In Pursuit, one of 1050 copies signed by Francis Russell Flint, illustrations, many full-page, original morocco-backed boards, slip-case, a little rubbed, 1969; folio (3).
Lot 85
Wales.- Hoare (Sir Richard Colt) A Collection of Forty-Eight Views of Noblemen's and Gentlemen's Seats...in North and South Wales, 48 engraved plates, most by W.Byrne after Moses Griffiths & Colt Hoare, text browned but plates generally clean, slight worm track to lower margin at beginning, contemporary ink inscription "Chadwick Worcester College Oxford" to front free endpaper and another "H.L. 1828" to front pastedown, handsome contemporary burgundy straight-grain morocco with foliate border in gilt & blind and central vignette of ecclesiastical ruin in gilt, spine gilt, g.e., a little rubbed, [cf. Abbey, Scenery 393, 16 plates only by Griffiths], oblong 4to, John & Josiah Boydell, [c.1806].⁂ A compilation of Moses Griffiths's Gentlemen's Seats, etc. in North Wales of 1792 with additional plates of South Wales by Colt Hoare.
Lot 387
A Worcester small bowl, circa 1752-53Of almost eggshell thinness, painted in blue with a version of the 'Willow Root' pattern with a 'Long Eliza' figure standing on a promontory beside a triangular fence, and a willow tree and four pylon trees on rockwork, the reverse with a figure fishing from a sampan and a distant island, a single floating rock in the interior, 10.5cm diam, workman's markFootnotes:ProvenancePauline and David Tate CollectionA related, thinly-potted example from the Watney and Zorensky collections also included the unusual motif of a fisherman in a sampan on the reverse, see Ray Jones, The Origins of Worcester Porcelain (2018), p.449, fig.x.For further information on this lot please visit Bonhams.com
Lot 457
A pair of Barr, Flight and Barr Worcester shell-painted square dishes, circa 1805Of square lobed form, circular panels finely painted with a variety of shells, coral and colourful seaweed, against a shaded background, wide 'Barr's orange' borders highlighted with a gilt geometric design, 22.4cm wide, incised B marks (2)Footnotes:ProvenanceWith Albert AmorCharles Dawson CollectionFour similar dishes, possibly from the same dessert service, from the Lord and Lady Flight Collection were sold by Bonhams on 21 March 2023, lot 191.For further information on this lot please visit Bonhams.com
Lot 547
Two Royal Worcester 'Painted Fruit' plates by Brian Leaman and David Scyner, circa 1975Of circular form with gold rims, painted with an arrangement of fruit including pears, grapes and a strawberry, on leafy mossy grounds, signed 'B Leaman' and 'D J Scyner', 27cm diam, printed black marks (2)For further information on this lot please visit Bonhams.com
Lot 479
A small Flight, Barr and Barr Worcester vase and a spill vase, circa 1820The goblet shaped vase applied with a row of 'pearls' between gold fixed ring handles, painted with a titled view of a 'mill near Llangollen', reserved on a white ground with dendritic gilding, 11cm high, the cylindrical spill vase with a flared gadroon rim, painted with two large floral sprays, a neoclassical border below the inside rim, both vases on square feet picked out in gold and bronze, 7cm high, title and script marks with Coventry Street address (3)Footnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com
Lot 352
A Worcester scallop shell dish, circa 1757-58Crisply moulded in the form of an open shell, painted in blue with the rare 'Bird on a Floral Branch' pattern, one bird perched on a flowering prunus spray, another bird and an insect in flight, 12.2cm wide, workman's markFootnotes:ProvenanceRobyn Robb exhibition, 2008, no.28Pauline and David Tate CollectionThis design was only recognised in 1984 and included by Branyan, French and Sandon in the revised edition of their Blue and White pattern book as I.C.18A. The painting uses differing tones of underglaze blue and is remarkably successful given the difficulty the factory experienced controlling blue painting on this sharply-fluted shape.For further information on this lot please visit Bonhams.com
Lot 443
A Flight, Barr and Barr Worcester cabinet cup and stand, circa 1825The cup with gilt high handles, bands of applied white 'pearls' around the neck and cavetto, the cup printed and hand-coloured with a portrait of 'Futteh Ali Shah, King of Persia', raised enamel highlighting the detail on his ornate reserved on a green ground within a raised gold border, cup 8.7cm high, cup with title and script mark, stand with printed mark, both referring to Coventry Street address (2)Footnotes:ProvenanceBonhams, 2 May 2018, lot 432Charles Dawson CollectionThe source for the portrait of Fath-Ali Shah Qajar was an engraving published in 1821, after the sketch made from life by Sir Robert Ker Porter.For further information on this lot please visit Bonhams.com
Lot 418
Two Caughley eyebaths, circa 1780-90One of plain oval shape on a tapering stem, printed in blue with random sections from the 'Fisherman' pattern, the associated cell and dagger border around the top rim, 4.9cm high, the other moulded with acanthus scrolls and set on a fluted foot, printed with 'Dark Sprigs' and cellular borders top and bottom, 5.6cm high (2)Footnotes:For similar eyebaths see the Bicentenary Exhibition catalogue of Caughley Porcelain (1999), figs.50 and 351, and also Geoffrey Godden, Caughley and Worcester Porcelain (1969), pls.121 and 122 where matching eyebaths are shown with corresponding wasters from the Caughley site.For further information on this lot please visit Bonhams.com
Lot 433
A Chamberlains Worcester plate from the Duke of Cumberland service, circa 1806-07The central panel decorated with the full arms of the Duke of Cumberland including the Order of the Garter, lion and unicorn supporters and the motto 'Suscipere et Finire', the border elaborately decorated with the 'Rich Queens' pattern including panels of Japan-style chrysanthemums and wheatsheaves, 21.8cm diam, marked Chamberlains Worcester in purple scriptFootnotes:The patronage of the royal family was vital to the fortunes of the Chamberlain factory. In 1806 Ernest Augustus, Duke of Cumberland visited Worcester and toured the Chamberlain manufactory, placing an important order for an armorial service. This lavish set took more than a year to produce, for it was noticed by the Prince of Wales who visited Chamberlains in September 1807. See R W Binns, A Century of Potting in the City of Worcester (1865), p.153. With the agreement of their distinguished royal patrons, from 1808 Chamberlains proudly marked their best porcelain with 'manufacturers to their Royal Highnesses the Prince of Wales and Duke of Cumberland'. A specimen plate created by Chamberlains as part of the preparations for this set was in the Charles Wentworth Wass Collection, sold by Phillips on 6 December 1995, lot 299. This specimen differed from the present lot in the use of a shaded background to the arms and the absence of a motto. A single cup from the Duke of Cumberland set was sold by Bonhams on 7 June 2006, lot 224. Prior to this, a large part of the service was sold by the Hanoverian descendants of the Duke of Cumberland, later King of Hanover (1771-1851), in Sotheby's sale of Works of Art from the House of Hanover, 1-15th October, 2005, lot 2311.An elaborate jug painted with a view of Worcester and the arms of the Duke of Cumberland was sold by Bonhams on 10 December 2003, lot 189. It is possible this jug was intended to be presented to the Duke during his 1806 visit.For further information on this lot please visit Bonhams.com
Lot 472
A Barr, Flight and Barr Worcester teacup and saucer, circa 1805Octagonal panels finely painted with a variety of feathers, the white ground with a striking gilt geometric 'zig-zag' borders, 14cm diam, incised B marks, script mark for F&B and BFB with Coventry Street address and Royal patronage (2)Footnotes:ProvenanceCharles Dawson CollectionMany of the feathers are identifiable as those of gamebirds, which would have been recognisable to the early 19th century viewer. Like the painting of shells at the factory, it is likely that the artists had access to paint these from life.For further information on this lot please visit Bonhams.com
Lot 421
A Worcester 'Blind Earl' sweetmeat dish, circa 1758Of lobed circular shape, applied with a rustic stalk handle issuing two pink rose buds, moulded in low relief with leafy rose stems, enamelled in shades of green and pale yellow, the rim picked out in brown, 16.2cm wideFor further information on this lot please visit Bonhams.com
Lot 469
A pair of Flight, Barr and Barr Worcester 'Warwick vases', circa 1825-35Painted with titled panels, probably by John Pennington, one with 'The Gipsey [sic] Girl', a young girls with short cropped hair sitting on the grass, the other with 'The Morning Walk', a mother and child taking a stroll, fine gilt and white reserve borders on a green ground, the square plinth bases picked out in gold and bronze, 17cm high, titles and script marks referring to Coventry Street address (2)Footnotes:ProvenanceCharles Dawson CollectionThe Gipsy Girl is taken from an engraving by William Finden, after the painting by Henry Howard. See the garniture of vases also attributed to Pennington and sold by Bonhams on 3 October 2012, lot 194.For further information on this lot please visit Bonhams.com
Lot 450
A Barr, Flight and Barr Worcester vase, circa 1810Of classical form, applied with gilt birds' head and foliate handles, painted with a large panel with a titled Welsh view of 'Pont Yr Eden, over the River Mowddrdeh near Dolgelly, Merionethshire', probably by Samuel Smith, the salmon ground with elaborate neoclassical gilt borders, 25cm high, title and script mark with Coventry Street address and Royal patronageFootnotes:ProvenanceCharles Dawson CollectionAfter a painting by Thomas Walmsley, the source for the panel was engraved and published by Francis Jukes in 1799. The combination of this attractive salmon and gold ground and topographical painting appears to have been a popular one, favoured by Samuel Smith.For further information on this lot please visit Bonhams.com
Lot 429
A pair of Worcester plates, circa 1770Of silver shape, painted in the London workshop of James Giles with classical urns carefully shaded in grey and yellow, the borders with green leafy tendrils coiled around a brown line, the rims picked out in gold, 22.5cm diam (2)For further information on this lot please visit Bonhams.com
Lot 477
A Flight, Barr and Barr Worcester pen tray, circa 1825Painted by Samuel Astles with a profusion of colourful flowers including thorny pink roses and delicate forget-me-nots, the shaped gadrooned rim and four ball feet picked out in gold, 24cm wide, black script mark referring to Coventry Street addressFootnotes:ProvenanceBonhams, 8 April 2009, lot 166Charles Dawson CollectionIllustrated by Charles Dawson, Worcester Flight & Barr Porcelain (2023), p.189, fig.18.5.For further information on this lot please visit Bonhams.com
Lot 463
A rare Flight and Barr Worcester teapot and cover, circa 1795-1800Of spirally fluted double ogee form, painted in a restrained palette of pale orange and black with panels of figures in landscapes, the ground sparingly decorated with sprigs and gilt stars, borders picked out in gold, the cover similarly decorated, 17cm high, red script mark (2)Footnotes:ProvenanceCharles Dawson CollectionThis early form was inspired by French porcelain, as was the sprigged decoration. Henry Sandon illustrates a similar shaped teapot without the unusual landscape panels found on the present lot, which take little notice of the moulded surface upon which they are painted.For further information on this lot please visit Bonhams.com
Lot 446
Four Barr, Flight and Barr Worcester coffee cans, circa 1804-07With gilt ring handles, one probably painted by William Billingsley with large pink roses and gilt weed, another with gilt ornament and a central band of 'Barr's orange', the thirds with wild strawberries above gilt stars on a salmon ground, the last with paterae and leafy ovals on a deep blue and gilt ground, 6.2cm high, two with incised B marks, two with impressed crowned BFB marks, one also with printed BFB mark incorporating Prince of Wales feathers (4)Footnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com
Lot 552
A Royal Worcester 'Painted Fruit' pot pourri vase and covers by John Freeman, circa 1950-70Of globular form, the lower section moulded with basketweave picked out in gold, the pierced outer cover with a pointed finial, the inner cover with a button finial, painted all around with autumn fruits on a mossy ground, signed 'Freeman', 19.5cm high, shape number 1286, printed black mark (3)For further information on this lot please visit Bonhams.com
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182969 item(s)/page