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A CHAMBERLAIN'S WORCESTER SPIRALLY FLUTED BLUE AND GILT TEA AND COFFEE SERVICE, TEAPOT AND COVER 17CM H, PAINTED MARK IN GILT SCRIPT (ON UNDERSIDE OF COVER) AND PATTERN No 60, C1797 (21) Chip on rim of teapot, one saucer riveted; two coffee cups damaged. Note the service includes six later matching replacement teacups
A SET OF SIX ROYAL WORCESTER SHELL MOULDED SHOT ENAMEL DESSERT PLATES, PRINTED AND PAINTED WITH IRIS AND OTHER FLOWERS ON A SHADED PINK AND YELLOW GROUND, 22CM D, PRINTED MARK INCORPORATING WORCESTER SHOT ENAMELS, RD NUMBER AND THAT OF THE RETAILER HENRY GRELNE AND SONS LONDON BRIDGE, PATTERN W4611, C1895 One plate with internal hairline crack
A Royal Worcester compressed ovoid vase, painted by C H Chivers, signed, with peaches and blackberries, on a mossy ground, gilt line rim, 7.5cm high, printed crown and circle mark, date code for 1939Note - Chivers worked at Coalport and Derby, his time at Worcester was short lived and his work is rare
Worcester Art Museum. European Paintings in the Collection of the Worcester Art Museum, 2 volumes (Text/Plates), University of Massachusetts Press, 1974, monochrome illustrations, original grey cloth gilt, 8vo, together with: Schilling (Rosi). Die von Edmund Schilling gesammelten Zeichnungen, privately printed, 1982, monochrome illustrations, original green half cloth, large 8vo, plus: Adriani (Gotz). Degas, Pastels, Oil Sketches, Drawings, New York, Abbeville Press, 1985, colour and monochrome illustrations, original green cloth in dust wrapper, with card slipcase, folio, and other art reference, various, mostly Renaissance interest, but including some 20th century artists, including Katharine A. Lochnan, The Etchings of James McNeill Whistler, 1984, Eugenia Parry Janis, Degas Monotypes, Essay, Catalogue & Checklist, Fogg Art Museum, Harvard University, April 25-June 14, 1968, Ole Sarvig, Edvard Munch Graphik, Flamberg Verlag, 1965, Tadeusz Chrzanowski, Le Retable Marial de Wit Stwosz, Warsaw, 1985, etc., all 20th century publications, original cloth or original printed wrappers, some in dust wrappers, mostly 4to/8vo, but including some folios (Qty: 6 shelves)
Flint (Sir William Russell). The Lisping Goddess, Worcester: Stanbrook Abbey Press, 1968, two colour plates, monochrome illustrations, top edge gilt, remainder untrimmed, original blue quarter morocco gilt by Mansell, lightly spotted, spine marked, original glassine dust jacket, somewhat creased, edge-frayed and chipped, some loss to foot of spine, adhesive tape repair to rear panel, with slipcase and in original card box, folio (Qty: 1)NOTESLimited edition 77/275 total copies, signed by the artist. Rare with the glassine dust jacket.
Six Royal Worcester porcelain limited edition figures from the 'Victorian' series, c/w boxes and certificates: Caroline, 309/500; Rebecca, 25/500; Louisa, 25/500; Rosalind, 124/500; Melanie, 124/500 and Beatrice, 312/500 (6) All good condition - no chips or cracks, all boxed mint with certificates (appear unused)
An early 20th Century Royal Worcester shape 1215 vase of globe and shaft form, transfer printed and painted with flora springs over a blush ground with gilded highlights, date code for 1905, together with a similar period Locke & Co vase hand painted by C. Morris with a Pheasant to a landscape setting over blush ground beneath a reticulated border, tallest 16cm. (2)
A small early 20th Century Royal Worcester vase, Hadley shape 285, hand painted with rose sprays above a relief moulded and gilded base, printed mark and date for 1912, together with a further Royal Worcester bud vase hand painted with wild flowers over a graduated pink and gilt blush ground, puce mark and date for 1914, height 13.5cm.

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