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Ceramics - a Queens China Rose pattern part dinner service, including dinner plates, side plates, bowls, gravy boat, meat platter, etc; a pair of Royal Worcester egg coddlers; a Wedgwood bud vase, etc; a Queens China Yuletide part tea service, cups, saucers, cruet, bread and butter plate; etc
A Worcester porcelain blue and white cream boat circa 1770, of dolphin ewer type, the rococo shell-moulded helmet-shaped jug on a pedestal foot with a lamprey handle and a pair of entwined dolphins to the spout, painted with floral sprays and small sprigs below a 'crowsfoot' border inside the rim, unmarked, 11cm high For a similar example, see Bonhams, ' The Zorensky Collection of Worcester Porcelain, Part 2 ', Lot 313.
INTERESTING EARLY NINETEENTH CENTURY OXEN HORN, WITH INTRICATE INSCRIPTION AND DETAIL with flowering calligraphy and upper case wording 'James Fannaway is my name England is my Nation - Worcester in Oxfordshire these lines my relations' with various emblems and images below including Cathedral, Prince of Wales feathers, Masonic emblems and dated Cartaxo, Portugal April 28, 1827, the wide end capped in etched plated metal, the other with turned horn spout or mouthpiece, approx 22" (56cm) long overall
A small Worcester teapot and cover c.1756-60, the baluster body printed in black with the Tea Party No 3 pattern, a couple seated at a table in a garden and taking tea, the reverse with the Maid and Page print, the faceted spout and handle with pencilled motifs, a few tiny nibbles to the floral finial, 15.5cm across. (2) Cf. The Joseph M Handley Collection, 18th Century English Transfer-Printed Porcelain and Enamels, p.62 for a mug bearing the same prints.
Literature: Dr Chris Girton, The Two Quail Pattern; Simon Spero, Lunds Bristol and Early Worcester Porcelain 1750-58; Stephen Hanscombe, Jefferyes Hamett O'Neale, China Painter and Illustrator; Henry Sandon, Flight and Barr Worcester Porcelain 1783-1840; Aileen Dawson, The Art of Worcester Porcelain; and 19 other books and catalogues on English porcelain. (24)
An early Worcester octagonal teabowl and saucer c.1754, painted in the Kakiemon manner with bamboo issuing from behind an ornamental fence, beside a banded hedge and further Oriental plants, the saucer of a deep octagonal form, a small nick to the teabowl's rim, 11.6cm. (2) Provenance: the Miles collection.
A large Worcester blue and white sauceboat c.1755, the high-footed body moulded with foliate cartouches and painted with the Fisherman on a Towering Rock pattern, the interior with a similar scene of a fisherman in a pagoda landscape, with flowering prunus branches to the rim, workman's mark, a small rim chip, 23.6cm. Paper label for the Simon Spero Collection.
Literature: Spero and Sandon, Worcester Porcelain - The Zorensky Collection; Edwards and Hampson, White Salt-Glazed Stoneware; Ulla Stafford, Custard Cups; Excavations in Southwark 1973-76 and Lambeth 1973-79; John Bedford, Talking About Teapots; and 31 other books, pamphlets and catalogues on pottery and porcelain. (36)
A Worcester mug c.1756-58, the slightly tapering cylindrical form painted with the Beckoning Chinaman pattern, the standing figure gesturing towards a colourful bird in flight above rockwork, the reverse with a colourful flowering branch, a small footrim chip, 8.5cm. Provenance: The Raymond Dennis Collection, Woolley and Wallis, 25th February 2014, lot 74. Purchased by Mr Dennis from Tilley & Co. on 25th February 1972.
A good Worcester printed punch bowl c.1770-75, the exterior printed in black with a continuous scene of the The Fox Hunt after a painting by James Seymour, the interior with After the Hunt and four vignettes of hounds with their spoils, a little wear to the interior, 28cm. Cf. Simon Spero, 18th Century English Transfer-Printed Porcelain and Enamels from the Joseph M. Handley Collection, p.104-105 for a similar example.
A Worcester coffee cup and saucer c.1760-70, the fluted forms painted with small sprays of spotted fruit, the rim with panels of bright moths or butterflies within a turquoise line rim, and a Worcester hexagonal teapot stand decorated in blue, gilt and turquoise with a stylized sunburst design, 14.9cm max. (3)
An early Worcester quatrefoil vase c.1753-55, the lobed baluster shape painted with a floral arrangement to one side amidst scattered leaves and other flower sprigs, applied with shaped handles either side of the neck, cracked, 16.7cm. Paper label for The Amos Collection, W25. Cf. Simon Spero, Lund's Bristol and Early Worcester Porcelain 1750-58, p.222 for the shape, which was loosely derived from Chinese porcelain.
A collection of mainly Royal Doulton figurines, comprising the Pretty Ladies collection 'Laura', 'Soiree', 'Elaine' HN4718 and 'Elaine' in pink, Pretty Ladies Best of the Classics 'Susan', Pretty Ladies Petite of the Year 'Natalie' HN5545, plus Royal Worcester Les Petites collection 'Hannah' and High Society collection 'Lady In Red'. (8)

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182973 item(s)/page