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Click here to subscribeA Grainger's Worcester pot pourri vase and cover, c.1825, painted probably by David Evans with a basket of flowers including primrose, tulip, rose and forget-me-not, reserved on a blue ground, the ogee-shaped cover pierced with three bands of holes, 31.5cm. (2) Cf. Henry & John Sandon, Grainger's Worcester Porcelain, no.108.
A Worcester leaf dish, c.1755-60, of vine leaf shape, painted with flying insects and moths on a ground of puce veining, and a Worcester double leaf dish, painted with fancy birds, the rim with colourful moths, damages and restoration, 26.7cm max. (2) The former with a paper label for the J & S Wyatt Collection.
A Worcester chocolate cup and saucer and a teacup and saucer, c.1770-75, the former of ogee shape, both painted with panels of colourful flower garlands and smaller cartouches of single sprigs, all reserved on a blue scale ground, square seal marks, 15cm max. (4) Provenance: from a private collection in London.
A Worcester partridge tureen and cover, c.1765, naturalistically moulded with incised feathers, the base with an applied band of leaves and twigs, the bird's head slightly turned to the right, unusually left in the white, 18.5cm. (2) Paper labels for the T. Grant Dixon Collection, no. 75. Cf. Bonhams. The Zorensky Collection of Worcester Porcelain Part I, lot 222 for a pair formerly in the Rous Lench Collection.
A Worcester cabbage leaf jug, c.1765-70, printed in black by Robert Hancock with the May Day print beneath the spout, the sides with a milking scene and Rural Lovers, the neck with floral garlands, 21cm. Provenance: the Joseph M. Handley Collection. Purchased from the collection of Fred Tongue, Santa Monica, California in 1970. Illustrated: Simon Spero, 18th Century English Transfer-Printed Porcelain and Enamel, The Joseph M. Handley Collection, no.2.24. The May Day print derives from a Charles Grignon engraving after a painting by Francis Hayman.
A Worcester leaf-moulded butterboat, c.1755-56, formed from overlapping geranium leaves with a short stalk handle, the interior painted in polychrome enamels with Oriental flower sprays, 8.3cm. Cf. Bonhams, The Zorensky Collection of Worcester Porcelain Part II, 23rd February 2005, lot 5 for an identical example.
Two Worcester dessert dishes, c.1765-75, the larger painted with panels of floral garlands, the smaller with fancy birds and colourful insects, all within shaped gilt-edged panels on a blue-scale ground, square seal marks, the larger with a chip to the footrim, 29cm max. (2) Provenance: from a private collection in London.
A Worcester part tea service, c.1770-80, richly decorated with a Scarlet Japan type pattern of alternating panels of flowers in the Kakiemon palette, between blue bands with small floral panels. Comprising: two cake plates, two saucers, a spoon tray, a teapot stand, eight tea cups and two coffee cups. (16) Provenance: from a private collection in London.
A Worcester cylindrical mug, c.1760, printed in black with the Whitton Anglers of two ladies fishing beside a small summerhouse, the reverse with the Fortune Tellers, a 1.5cm hairline, 12cm. Provenance: the Joseph M Handley Collection. Purchased from Simon Spero in 1977. Illustrated: Simon Spero, 18th Century English Transfer-Printed Porcelain and Enamels, The Joseph M. Handley Collection, no. 2.25. The Whitton Anglers is taken from a small detail of an engraving by William Woollett showing the garden of the Duke of Argyll's home at Whitton in Middlesex. The Fortune Teller, also known as 'La Diseuse d'Aventure' is after a painting by Watteau.
Two Worcester dessert plates, c.1780, the wells painted with star-shaped floral arrangements reserved within scrolling gilt borders on a wet blue ground, square seal marks, and a coffee cup with a five-lobed saucer bearing similar decoration, open crescent marks, 20cm max. (4) Provenance: from a private collection in London.
A Worcester coffee cup and saucer, c.1770, painted with arrangements of spotted fruit and single scattered sprigs within a shaped border of green enamel edged in gilt rococo scrolls, blue crossed swords and 9 mark, 13.4cm. Cf. Bonhams, The R. David Butti Collection, 10th May 2006, lot 96 for a similar example.
Two Worcester blue and white teabowls and saucers, c.1770, one printed with the European Landscape pattern of figures beside a fence regarding a village beyond, the other printed with the Circled Landscape pattern reserved within fluted borders, hatched crescent and disguised numeral marks, 12.3cm. (4)
Three English porcelain blue and white pickle dishes, c.1760-80, one Worcester of vine leaf shape and painted with flower sprays, one Caughley of deep leaf shape and printed with the Fisherman pattern, and a Pennington's (Liverpool) double-leaf dish with a moulded flower spray, together with Spode pearlware leaf-shaped spoon, 13.2cm max. (4) Provenance: from a private collection in the Cotswolds.
Three Worcester blue and white bowls, c.1770, a punch bowl painted with pagodas and a bridge in The Precipice pattern, open crescent mark, a sugar bowl painted with the Candle Fence pattern, and a slop bowl printed with the Three Flowers pattern, hatched and open crescent marks, 21.5cm max. (3)
A group of English porcelain blue and white teawares, c.1765-80, including a hexagonal Worcester teapot stand and a Lowestoft saucer printed with the Three Flowers pattern, a Worcester saucer printed with the Fisherman pattern, a coffee cup printed with the Fence pattern, a coffee cup painted with the Waiting Chinaman pattern, a large teabowl painted with buildings beside a flowering tree, a coffee cup with a dwelling beside a low bridge, and a New Hall teabowl printed with figures in an Oriental landscape, the last with a lion crest mark, some faults, 14.5cm max. (8) Provenance: from a private collection in the Cotswolds.
Three English porcelain blue and white teabowls, c.1770-80, one Seth Pennington (Liverpool) printed with the Rural Lovers pattern, one Worcester printed with the Fence pattern, the last printed with the European Landscape Group, and a Worcester leaf-shaped pickle dish printed with the Pickle Leaf Fruit pattern, disguised numeral mark, 8.8cm max. (4) Provenance: from a private collection in London.
Four Worcester blue and white slop bowls, c.1770-80, one printed with the Fence pattern, one painted with the Peony pattern, another with the Mansfield pattern, the last printed with the Mother and Child and Man Fishing pattern, open and hatched crescent marks, 15.5cm max. (4) Provenance: from a private collection in London.
Three Worcester blue and white bowls, c.1754 and c.1770, one painted with the Plantation pattern, one painted with fruit sprigs, the last printed with the Three Flowers pattern, a Philip Christian (Liverpool) saucer painted with the Cannonball pattern, and Lowestoft saucer similarly decorated with characteristic round rocks, 15.5cm max. (5) Provenance: from a private collection in London.
Four English porcelain blue and white bowls, c.1760-70, one a large Worcester bowl painted with The Precipice pattern, a Richard Chaffers (Liverpool) bowl painted with the Dragon pattern, and two other Liverpool bowls (probably Philip Christian) painted with Chinese landscape scenes, some damages, 21.2cm max. (4) Provenance: from a private collection in the Cotswolds.
Two Worcester blue and white teapots and covers, c.1760-70, one painted with the Mansfield pattern, the other with the Cannonball pattern, each with an open floral finial, open crescent mark to the latter, and a larger Caughley teapot printed with the Three Flowers pattern, the cover broken and restuck, 19.5cm max. (6) Provenance: from a private collection in the Cotswolds.
A Worcester fluted blue and white teabowl and saucer and a matching plate, c.1765, painted with the Hollow Rock Lily pattern, open crescent and script W marks, and a Worcester teabowl with a Lowestoft saucer painted with the Mansfield pattern, 18.5cm max. (5) Provenance: from a private collection in London.
A Lowestoft blue and white teabowl, c.1770, printed with a figure standing on a bridge before a pagoda on a small island, a further figure fishing in the background, and a Worcester blue and white small mug or coffee can printed with the Plantation pattern, a restored rim chip to the mug,, 7.8cm max. (2)
A rare Worcester blue and white fluted sauceboat, c.1765, painted with the Mission Church pattern, one side with an arched bridge beside a pagoda, the reverse with a figure in a boat beside an island, open crescent mark, 18cm. Cf. Branyan, French and Sandon, Worcester Blue and White Porcelain 1751-1790, I.B.6.
Twelve Royal Worcester candle snuffers, late 19th/early 20th century, variously modelled as The Witch, The Owl, Mr and Mrs Caudle, a girl with a fan from the Town Girl series, three versions of a Japanese girl with chopsticks, an old woman, the French Cook, two of the girl in the feathered hat, impressed and printed marks, some restoration, 9.5cm max. (12)
Nine Royal Worcester candle snuffers, most 20th century, two modelled as young girls in bonnets from the Town Girl series, one as a monk frowning over his Bible, one as a nun, a Mandarin gentleman, a kneeling Japanese girl, two as an old woman with hands outstretched, the last as 'Confidence' modelled as Jenny Lind with the head of a nightingale, some restoration, 13cm max. (9)
Seven Royal Worcester figures modelled by James Hadley, late 19th century and later, including The Warrior and Cobbly, the other four modelled with hands deep in their trouser pockets and wearing sullen expressions, and a blush porcelain Royal Worcester group of two boys on a bench, some restoration, 15.5cm max. (7)
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