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![1111 AD. BMC type vii. Obv: facing bust with [HENRI RE] legend. Rev: design of four arcs linked with piles with [+ ]ALD[? ] f](https://cdn.globalauctionplatform.com/775f2958-7d7f-4c6e-8eb4-a59a00dec3ba/5d943cba-95e6-408e-de9b-09a07a79d950/468x382.jpg)
Lot 2220
1111 AD. BMC type vii. Obv: facing bust with [HENRI RE] legend. Rev: design of four arcs linked with piles with [+ ]ALD[? ] for an uncertain moneyer (H/Aldene? at Nottingham?"). Found Luton, Bedfordshire, UK. S. 1268; N. 863. See Early Medieval Corpus, Cambridge, reference EMC 2015.0214 (this coin"). See Allen, Dr. Martin, The Mints and Moneyers of England and Wales, 1066-1158, BNJ 82, pp.53-120 and table for latest available published list of moneyer names, mints and types; the letter sequence ALD only appears in this type for the moneyer H/Aldene at Nottingham (other moneyer names, such as Ailwald, Aldred, Aldwine, Aldret and Baldwine are known at mints including Bristol, Lincoln, Pevensey, Salisbury, Shaftsbury, Totnes and Worcester but none of these known for this type"). The spacing of the lettering does not orientate with the reverse design so the details remain uncertain; possibly a new moneyer name or the first appearance of this type at another mint. 0.55 grams. [No Reserve] Very fine for issue.
Lot 8
A pair of late 19th Century Royal Worcester blush porcelain Cabinet Plates, each Plate moulded in relief as a flower head, hand gilded and decorated in enamels with various flowers, printed puce marks and painted/impressed marks to underside, each Plate approx. 23.5cm diameter, together with a trio of Royal Worcester dished Coffee Can Saucers, each typically decorated with a beaded "jeweled" border and each finely hand decorated with three vignettes depicting exotic birds amongst foliage and flowers etc., also with puce and impressed marks to underside, the Saucers 12.5cm diameter (5)
Lot 1828
Oak eight day longcase clock, the 11" square brass dial signed Sam Bradley, Worcester to the chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long moulded rounded arched door, the hood surmounted by a stepped caddy top, 86" high (at fault)
Lot 381
ROYAL WORCESTER BONE CHINA EQUESTRIAN STUDY OF ARKLE modelled by Doris Lindner, limited edition number 400/500 being raised on oval wooden base with limited edition details in frame. 27cm high overall. CONDITION REPORT: Good overall condition, no obvious damage/cracks or restoration. Sponge material on inside of plinth is perishing & making base of model grubby.
Lot 246
A Worcester part tea and coffee service c.1775, decorated in the Hop Trellis pattern with berried swags between trellis panels in gilt and red. Comprising: a sucrier and cover, four coffee cups, two teabowls and eight saucers. (16) Provenance: Diana Keppel, Countess of Albemarle (1909-2013).
Lot 139
An English porcelain bough pot and cover early 19th century, probably Worcester, painted with three panels of flowers attributed to William Billingsley, separated by fluted and gilded columns, the tall domed cover with a similar band of flowers beneath three holes, raised on five ball feet, the pinecone finial broken and repaired, 26.7cm. (2) Cf. The Victoria and Albert Museum, Accession No. C.42&A-1928, for a very similar pot with near identical decoration.
Lot 293
A rare and early Worcester reeded coffee cup c.1753-54, the flared lobed form moulded with a fine band of ribbing, delicately painted in polychrome enamels with a Chinese lady holding a flower in each hand, standing beneath weeping willow, with a small boy dancing beneath leafy bamboo and a tall vase containing a single peacock feather, with a small scroll handle, some rim faults, 5.2cm high. Cf. Bonhams, The Billie Pain Collection of English Porcelain, 26th November 2003, lot 111 for a similar example. Another example in the collection of Dr Bernard Watney featured the same figure holding a sword and a flower.
Lot 260
A Worcester dessert dish c.1785, decorated in the manner of the Stormont service with swags of puce drapery suspended from bows within a gilt dentil rim, some wear, 28.7cm. In the early 1780s Worcester produced a tea service for David Murray, 7th Viscount Stormont, which copied a Sèvres pattern of turquoise fabric festoons. This puce version occurs on both tea and dessert wares.
Lot 131
A good Chamberlain Worcester basket c.1840, the well painted with a bold arrangement of fruit including fig, pineapple, grapes, lemon, pear and plum on a marble table top, the rim applied with a variety of shells on a bed of bright green seaweed, raised on a scroll moulded base, 22cm across.
Lot 256
A rare Worcester teapot and cover c.1765, painted in the atelier of James Giles with the arms of the Elsley family, a centaur with a bow and arrow atop a shield quartered in gilt and white with five flowerhead motifs, within a floral scroll cartouche and beneath a gilt spearhead border, a little nibbling to the spout, 18.5cm. (2) Exhibited: The English Ceramic Circle, Armorials Exhibition, 2008.
Lot 271
A Worcester trio c.1770, the Warmstry fluted bodies richly enamelled with the Dragons in Compartments pattern, the interiors of the cup and teabowl with a cell diaper border and flowerhead panels, 14.2cm. (3) Cf. Woolley and Wallis, The Raymond Dennis Collection, 25th February 2014, lot 109 for a near identical trio.
Lot 248
Four Worcester coffee cups and two saucers c.1775, the fluted forms decorated in a version of the Hop Trellis pattern, with berried swags alternating between gilt and red trellis above a turquoise band, one cup handle lacking, another cup cracked, 12.5cm. (6) Provenance: Diana Keppel, Countess of Albemarle (1909-2013).
Lot 134
A Chamberlain Worcester basket c.1840, the large circular dish painted with a central view of a boat race on the river in Worcester, other figures in boats watching on, the rim moulded and gilded with overlapping leaves, with an overhead handle, iron red script mark and titled 'Worcester' to the underside, 25.5cm across.
Lot 233
A rare Worcester saucer dish c.1760, printed in black with an unusual variation on the Tea Party design, a couple seated on an elaborate canopied bench with a servant standing in the shade behind, a small dog and a large cat in the foreground, 17cm. While the bulk of this print bears a marked resemblance to Tea Party No. 2, the inclusion of the scrolled bench with garlanded canopy does not appear to be recorded elsewhere.
Lot 150
A small pair of Grainger Lee & Co. Worcester topographical plaques c.1825-30, the rectangular forms finely painted, one with a view of Worcester showing the Severn bridge and cathedral, the other with a distant view of Malvern, two figures promenading in the foreground with the town nestling before hills behind, iron red script marks and titled to the reverse, some clean crazing, the plaques 7cm x 10.5cm. (2)
Lot 209
A good Worcester blue and white water bottle or guglet c.1760-65, painted with the Willow Bridge Fisherman pattern, a figure traversing an arched bridge with two further figures fishing from a sampan beneath, the reverse with a figure and a bird beside a small pagoda beneath pine, the ovoid body rising to a knopped neck, open crescent mark, 24.5cm.
Lot 188
A Chamberlain Worcester model of a pug dog c.1820, seated on a low rectangular base with head turned to sinister, wearing a red and gilt collar, script factory mark, and a Chamberlain figure of Madam Vestris as the Broom Girl, wearing a striped bodice and with her right arm outstretched, incised mark, some restoration to the latter, 13cm max. (2) The pug with an exhibition label for the London Ceramics Circle, 2014.
Lot 138
A Chamberlain Worcester plate in the Princess Charlotte pattern c.1816-17, the well painted with a fruit and flower spray, the wide border probably painted by George Davis with six diamond-shaped panels of exotic birds reserved on a pale blue ground with an elaborate gilt design of shells, scrolls and seedheads, black script mark with a foliate cartouche, 21.7cm. Princess Charlotte Augusta was the only legitimate child of George IV, and ordered a service of this pattern to celebrate her marriage to Prince Leopold of Saxe-Coburg-Saalfield. She died in childbirth in November 1817 and was greatly mourned by the family and public alike. In 1814 she had appointed Chamberlain as her porcelain manufacturer and was a significant patron, ordering several services in the three years before her death, including this one which included some 144 plates alone.
Lot 143
A Chamberlain Worcester tea and coffee service c.1810, richly decorated in the Imari palette with pattern 544, a formal design of red and gilt flowering plants within shaped blue and gilt foliate panels, painted script mark to some pieces, painted pattern number, minor damages. Comprising: a teapot with cover and stand, a sucrier and cover, a milk jug, a slop bowl, two plates, twelve tea cups, twelve coffee cups and twelve saucers. (45) Cf. Geoffrey Godden, Chamberlain Worcester, p.325 for a record of this pattern listed as 'Scarlet with blue and gold curtains'.
Lot 267
A Worcester armorial plate c.1772, painted in the atelier of James Giles with the arms of Gavin impaling Hearsey, with scattered flower sprigs in a dark purple monochrome around, gilt line rim, 22.5cm. The arms relate to David Gavin of Langton House, Berwickshire who married first Miss Hearsey of Middleburg and secondly, on 9 April 1770, the Lady Elizabeth Maitland. However, the plate would appear to post-date his second marriage. Cf. Gerald Coke, In Search of James Giles, pl. 28(a) for a similar but smaller plate from the same service.
Lot 226
A Worcester large teabowl and a saucer c.1765, both printed in purple, the teabowl with scenes of Classical ruins and a scene of figures in a boat before a wall, the saucer with the Obelisk and Temple of Minerva Medica, 12.8cm max. (2) Provenance: The Zorensky Collection of Worcester Porcelain Part I, lot 271 (the saucer). Paper labels for the Sir Jeremy Lever Collection. The print on the saucer is considered to be by James Ross, a pupil of Robert Hancock. The source of the print is after an engraving by J.S. Muller after Pannini, dated 1753.
Lot 275
A rare and early Worcester spoon tray c.1754, the long octagonal shape painted with a version of the Stag Hunt pattern, with a red stag being chased by a black dog behind bowing Chinese figures between low islands, the border pencilled with a continuous band of ruyi heads, a few filled rim chips, 15.3cm. Provenance: The Zorensky Collection, part 1, lot 15, the Sir Jeremy Lever Collection, lot 15, and the Crane Collection, lot 26.
Lot 149
#Seven Chamberlain Worcester botanical plates c.1815-20, each plate finely painted with a single floral specimen, titled to the reverse with Saffron Coloured Ixia, Strawberry of Versailles, Campion, Woodbine, Fox-Glove, Love in a Bush, and French Marigold, the rims moulded with a shell and ovolu design highlighted in gilt, script factory marks, some faults, 21.5cm. (7)
Lot 234
A Worcester printed slop bowl c.1765, one side printed in black with L'Amour, a couple courting on a bench while the maid looks on, the reverse with Rural Gambols, a couple seated on the grass and watching two dogs at play, the interior with swans swimming, L'Amour signed in the print with RH Worcester and an anchor for Richard Holdship, 15.5cm dia. Paper label for the E & J Handley Collection.
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182975 item(s)/page