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Click here to subscribeA Porcelain Model of a Percheron Stallion, modelled by Doris Lindner, transfer printed and factory mark, title and modeller's name in black, also "1965 Royal Worcester", model number 13 of a limited edition of 500 copies, 23.5cm, inserting into a wooden stand, sold with signed Royal Worcester limited edition certificate.
A Porcelain Model of a Clydesdale Stallion, modelled by Doris Lindner, transfer printed and factory mark, title and modeller's name in black, also "1976 Royal Worcester", model number 45 of a limited edition of 500, 24cm high, inserting into a wooden stand, sold with signed Royal Worcester limited edition certificate.
A Porcelain Model of Foxhunter and Lt Col H M Llewellyn CBE, modelled by Doris Lindner, transfer printed and factory mark, title and modeller's name in black, also "1960 Royal Worcester", model number 450 of a limited edition of 500 copies (not facsimile signature type), 27.5cm high, inserting into a wooden stand, sold with signed Royal Worcester limited edition certificate, and with original purchase invoice, 7.3.72, Kendal Milne & Co (Harrods Ltd).
A Porcelain Model of a Bulldog, modelled by Doris Lindner, printed factory mark, title, artist's signature in black and "1968 Royal Worcester", model number 370 of a limited edition of 500 copies, 18.3cm high, inset into a wooden stand and sold with a Royal Worcester framed limited edition certificate and a retailer's certificate of Heredities Ltd, Kirkby Stephen, also sold with original receipt dated 23.10.71, Kendal Milne & Co, (Harrods Ltd)
A Pair of Royal Worcester Vases, painted by Freeman, 20th century, each elongated cocoon body resting on four scroll feet, the sides painted with apricots, pears, berries and other fruit under a pierced strapwork gallery rim, black printed crowned circle mark and date code, shape no G42l/s, 22.2cm.
A Royal Worcester Pot Pourri Vase, Cover and Outer Cover, 1917, the ribbed ovoid body decorated with gilt outlined wild flowers against an apricot blush ground, the pierced outer cover moulded with gilt architectural strapwork incorporating shells, beads and acanthus motifs, gilt 'spire' knop, puce crowned circle mark and date code, shape number 2295, 27cm high.
A Royal Worcester Porcelain Large Jardiniere, with leaf pierced inverted rim, painted to the front and reverse with sprays of full blown peach and red roses, divided by moulded scrolls and strapwork, enriched in gilt, green printed crowned circle mark in green, numbered 295/H 127.54, date code for 1910, 22cm high (hairline crack in base).
A Pair of Royal Worcester Vases, circa 1902, each ovoid body finely enamelled with sprays of summer flowers between raised complex strapwork borders flushed in bronze and purple 'shot' enamels picked out in gilding, green printed crowned circle mark and date code, shape number 1553, 15.5cm high.
A Royal Worcester Porcelain Pot Pourri Vase and Cover, decorated by James Stinton, of ovoid form, the cover with acorn and leaf finial, the fascia finely painted with two cock pheasants near a copse, signed Jas Stinton, the reverse with a misty landscape, raised upon satyr and scroll tripod feet picked out in gilt against a blush ivory ground, triconcave moulded plinth, printed crown and wheel mark in black, date code for 1905, and numbered 123G, 20.5cm high.
A Royal Worcester Porcelain Cabinet Cup and Saucer, each piece internally painted with a still life of apples and purple grapes on a mossy bank, signed W H Austin, the cup with gilded exterior, transfer printed mark in puce, date code for 1923 (handle restored, possible hairline crack); A Cabinet Cup, internally painted with a still life of peaches and purple grapes on a mossy bank, signed W Hale, gilded externally, mark in puce and date code for 1925; and A Saucer, decorated with two plums and four strawberries, signed I Flaxman, printed mark in puce, date code for 1922 (3)
A Pair of Royal Worcester Porcelain Cabinet Plates, decorated by Richard Seabright, one with a central circular reserve depicting pears and blackberries, the other of two plums and redcurrants, against mossy banks, signed, within gilded frames against a midnight blue ground, the borders of six scroll bordered panels, pink tinted and gilded with swags of husks, printed mark in puce, date code for 1918, 22cm diameter.
A Pair of Chamberlain's (Worcester) Pudding Plates, circa 1820, the dove-grey rims embossed with white rose, thistle and shamrock between finely painted flower panels, a flower spray within, rare grey printed mark, crowned palmate border, "Chamberlain's Worcester & 135 New Bond Street, London, Royal Porcelain Manufacturers", 20.5cm diameter (2)
A Garniture of Three English Porcelain Ruby Ground Topographical Vases, each of pedestal baluster shape with richly gilded stylised dolphin and anthemion shoulder handles, the central larger vase with a frontal vignette depicting "Sion House, Middlesex, the seat of the Duke of Northumberland", titled in puce script on the base, within a foliate gilded frame, the two flanking vases with untitled river scenes, each decorated to the reverse with a lozenge enclosing a butterfly motif, each upon black enamelled imitating black slate square integral plinths, probably Flight Barr & Barr Worcester, circa 1830, 27cm and 22.5cm high respectively (the two smaller vases loosely connected where the foot and stem attaches to the ovoid body).
A John Pennington (Liverpool) Blue and White Cream Jug, 1780's, of flattened helmet form painted under the beaded edge with trails of dotted leaves over the moulded acanthus border, angular 'snake bite rim' handle; and A Worcester 'Mansfield' Pattern Sparrow Beak Jug, 10.7cm and 7.8cm high (2).
A pair of early 19th century Chamberlain's Worcester cabinet coffee cups, one of the cylindrical bodies painted with Isabelle from 'Measure for Measure' and the other with the princes in the tower from 'King Richard III', each on three gilt paw feet, Shakespearean quotes and marks in puce, 8cm high (D) (2)
EUROPEAN TOUR: The manuscript journal of an unidentified traveller who departs London on 21st July 1869 for Ostend, St.Moritz, Lausanne , Geneva, Paris, & Le Havre. Returning to Southampton and thence to the Isle of Wight, Oxford, Worcester, Malvern, & London on 24th Oct. The writer, traveling in the company of one Mary Digby, has charmingly illustrated the journal with 92 sepia pen & wash drawings of scenes and events en route . 184-pages, small 8vo, contemporary quarter roan.
A selection of English porcelain, comprising: a Chamberlain's Worcester oval sugar box and cover painted in colours and gilt with the 'Dragon's in compartments' pattern; an oval teapot stand ensuite; a Coalport part tea service painted with flowers reserved in a cell-pattern ground; a Worcester fluted baluster hot water jug and a cover; and a similar trembleuse saucer, various dates late 18th and early 19th centuries (some damage)
Six English porcelain 'London' shape teacups and saucers, painted with panels of single pink roses within gilt and blue anthemion borders, painted iron-red pattern no. 1423, circa 1815 (some wear); and a small Grainger's Worcester pale-blue-ground vase painted with a band of pink roses, 7.5cm high, script mark, circa 1820 (restored rim chip)
Various items of Royal Worcester ivory-ground porcelain, variously printed and painted with floral sprays, comprising: a globular jug, shape no. 1094; a pair of small mugs; a circular patch box and cover; a pair of solifleur vases, shape no. 1728 and a pin tray, shape no. 1648 (small rim chip), mostly puce marks throughout, date codes circa 1900
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