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Lot 374
Seventeen Ca Mau 'fisherman' pattern blue and white saucers and twelve tea bowls, circa 1725, with a lone fisherman at the water's edge, a sampan moored on the shore opposite, buildings in the background, the rim with a narrow hatched border, the tea bowls 6.3cm diameter, saucers 10.8cm (29)Provenance: A private collection, purchased Sotheby's, Amsterdam, part lot 290, 29th-31st January, 2007This pattern was copied at Worcester and Caughley约清1725年 越南金瓯沉船青花渔夫图茶碗12件及茶碟17件拍品来源：英国私人收藏，2007年1月购自苏富比阿姆斯特丹，拍品编号290号Condition Report: some glaze degradation some chips and cracks typical of shipwreck porcelain Condition Report Disclaimer
Lot 318
Huddleston, John, Father (1608-1698), Catholic priest and monk Fitzherbert, Thomas The First Part of a Treatise Concerning Policy and Religion. [Douai:] Printed with licence of Superiors, 1615. Part 1 only, second edition, Father John Huddleston's copy, signed by him four times, signed twice and inscribed with a a Latin motto on title, also signed and dated 1688 on B4 verso ('John Huddlestons Book 1688') and C4 recto ('John Huddlestons Book'), title within woodcut border, lacks R1-4, numerous leaves loose, title soiled, some slight worming to inner margins, browned throughout, ink inscription on front free endpaper ('1630 decemb; 6s 6d. JB'), contemporary boards, leather removed from boards, lacks spine, some edges creased or frayed, [STC 11018); sold not subject to return Note: John Huddleston helped King Charles II escape after the Battle of Worcester on 3rd September 1651, hiding with the king in a priest hole at Mosely Old Hall, and cleaning and bandaging his feet. When Charles II lay dying on the evening of 5 February 1685, Huddleston heard the King's confession, reconciled him to the Catholic Church and absolved him, afterwards administering extreme unction.
Lot 371
Private Press Bibliography 58 works including Ransom, Will Selective Check Lists of Press Books. New York: Philip C. Duschnes, 1963. 2 volumes, 8vo, American Book-Stratford Press reprint edition, original red cloth gilt; Cave, Roderick & Thomas Rae Private Press Books 1959 [-1979]. North Harrow: Private Libraries Association, 1960-1984. 20 volumes, 8vo, lacking volume for 1978, original wrappers; and a facsimile copy of 1958; The British Library Modern British and American Private Presses (1850-1965). London, 1976. 8vo, original red cloth gilt; Tomkinson, G.S A Select Bibliography of the Principal Modern Presses Public and Private in Great Britain and Ireland. London: The First Edition Club, 1928. 8vo, one of 1000 copies, original quarter cloth; Ridler, William British Modern Press Books. London: Covent Garden Press Ltd., 1971. 8vo, original green cloth gilt, one of 1500 copies; Bellamy, B.E. Private Presses & Publishing in England since 1945. New York, 1980. 8vo, dust-jacket; Anderson, Alan The Tragara Press 1954-1979. Edinburgh, 1979. 8vo, original boards; Morris, Ann The Private Press in Leicestershire. Loughborough: Plough Press, 1976. Large 8vo, original wrappers; The Private Press Today. Kings Lynn Festival, 1967. Large 8vo, original wrappers; Glasgow School of Art The Page Right Printed. Glasgow, 1973. 8vo, original wrappers; Swiss Cottage Library Catalogue of an exhibition of books and printed ephemera from twenty-eight contemporary Private Presses. London, 1977. 4to, original wrappers; Lieberman, Elizabeth Koller The Check-Log of Private Press Names. New York: The Herity Press, 1963. Fourth edition, 8vo, original wrappers; Walters, Mary Dawson A Catalog of the Exhibition of Selected Private Presses in the United States August 1-31, 1965. Ohio: Ohio State University Libraries, 1935. 4to, original wrappers; Graham, Rigby and Peter Hoy, editors Private Printer and Private Press. Oxford, 1968. Number 1, 8vo, original wrappers; Appleton, Tony A Typographical Tally. Brighton, 1973. 8vo, dust-jacket; The British Museum Printing and the Mind of Man. Catalogue of an Exhibition at Earls Court. 1963, 8vo, original wrappers; The National Book League The Cuala Press 1903-1973. 1973, 8vo, original wrappers; Blumenthal, Walter Hart Eccentric Typography Worcester, Massachusetts, 1963. 8vo, original black cloth gilt; Chambers, David and Christopher Sandford Cock-a-Hoop. Pinner: Private Libraries Association, [n.d.]. 8vo, dust-jacket; Putnam, George Haven Books and their Makers during the Middle Ages. New York: Hillary House Publishers Ltd., 1962. 2 volumes, 8vo, original red cloth gilt, slipcase; and 17 others (58)
Lot 235
Three Coalport ornithological dessert plates, early 20th century, painted by Percy Simpson with three differing moorland birds in landscape settings, signed, reserved on a rich blue ground with gilt foliate scroll motifs, titled 'Woodcock', 'Plover 'and 'Mallard' respectively, and a Worcester plate painted with a robin within a raised gilt border, printed marks, 23.7cm max. (4)
Lot 256
A pair of Barr, Flight & Barr (Worcester) sauce tureens and covers, c.1805-10, of rounded bowl shape, richly decorated in the Imari manner with Chinese figures carrying parasols and catching birds amidst large flowering plants, applied with ring handles issuing from eagle masks, the covers with gilt flame finials, printed and impressed marks, 16.8cm. (4)
Lot 261
A Flight, Barr and Barr (Worcester) dish, c.1810-20, painted in puce and red with a single swan swimming amidst flower sprays, a spiral-moulded sucrier painted in pattern 202 with a stylized floral band, inside the cover inscribed for 'Shew, Yeovill, together with a matching teabowl, coffee can and two saucers, and a teapot and cover painted with gilt berried foliage on a blue band, 31.5cm max. (9)
Lot 264
A Spode basket, c.1800, the circular form decorated in pattern 967 with formal Oriental flowering plants, a Coalport vase decorated in the Worcester style with flower panels on a blue scale ground, an English porcelain bough pot painted with a band of oak leaves, and a Paris bough pot with gilt swags on a claret ground, 20.2cm max. (4)
Lot 305
Two Worcester blue and white pickle dishes, c.1758-65, one of scallop shell form and painted with the Two Peony Rock Bird pattern, workman's mark, the other of deep vine leaf shape and painted with Fruit Sprays, a Worcester blue and white slop bowl, printed with the Plantation pattern, and a strap-moulded sauceboat painted with panels of fisherman in chinoiserie landscapes, the sauceboat with a section broken and restuck, 20cm max. (4) Provenance: the Robert and Celia Morris Collection.
Lot 306
A Worcester blue and white teabowl and saucer, c.1755-60, painted in the Prunus Root pattern, a tall Worcester mug printed with the Bouquets pattern, hatched crescent mark, a Worcester leaf dish painted with the Floral Sprays pattern, and a bowl decorated with the Late Rock Floral pattern, various marks, the mug restored, 22.3cm max. (5) Provenance: the Robert and Celia Morris Collection. Formerly in the Larry and Betty Douglas Collection (the teabowl and saucer).
Lot 307
A Worcester blue and white teabowl and saucer, c.1758-60, painted with the Prunus Root pattern, a Liverpool small bowl moulded with flowering peony branches, a small Chinese porcelain bowl painted with panels around a central tied scroll, and a larger Chinese bowl painted with panels of figures in the Mandarin palette, 20.2cm max. (5)
Lot 312
A Worcester blue and white two-handled sauceboat, c.1756, painted with the Two-Handled Sauceboat pattern, the interior with a fisherman beside a two-storey pagoda, the moulded exterior with four small vignettes of further figures, birds and flowers, workman's mark, 19cm. Provenance: formerly in the Professor Richard Clarke Collection. Purchased from Simon Spero in 1998.
Lot 324
A Worcester blue and white water bottle or guglet and basin, c.1760-65, each printed with the Pinecone pattern within a honeycomb trellis border, open crescent marks, 28cm max. (2) The term 'guglet' is believed to derive from the sound made by liquid pouring out of the wide neck of such shaped bottles.
Lot 326
A large Worcester blue and white sauceboat and a butterboat, c.1760-75, the sauceboat of generous fluted form and painted with the Rose pattern, the inside rim with a continuous cell diaper border, open crescent mark, the butterboat formed of overlapping geranium leaves and painted with flower sprays, workman's mark, 22.5cm max. (2)
Lot 332
A previously unrecorded Worcester blue and white slop bowl, c.1785, painted with a variant of the Formal Rose Spray pattern, with a large sprig including a star-shaped narcissus or passion flower, the reverse with a flying insect and two smaller sprigs, the interior rim with a leaf and flowerhead garland border, open crescent mark, 12cm dia. Cf. Branyan, French & Sandon, Worcester Blue and White Porcelain 1751-1790, I.E.54 for a discussion of the Formal Rose Spray, which is in itself very rare.
Lot 339
An early and rare Worcester blue and white small mug, c.1754-55, the cylindrical form painted with the Warbler pattern, a single bird perched on reeds beside a flowering peony branch issuing from holey rockwork beside an ornamental fence, with a triple turned base above the slightly flared foot, workman's mark beneath the handle, 7.6cm. Cf. Brian Haughton Gallery, The Paul and Helga Riley Collection, Item No. 1130 for a mug of the same shape.
Lot 342
A large Worcester bell-shaped King of Prussia mug, c.1757, printed in black with a head and shoulders portrait of Frederick II of Prussia, titled and dated 1757, the reverse printed with Fame blowing trumpets, both flanking a design of pennants and military trophies, signed in the print RH Worcester for Robert Hancock, a short crack near the handle, 14.5cm. Provenance: the Property of a Noblewoman.
Lot 343
A Worcester bell-shaped King of Prussia mug, c.1757, printed in black with a head and shoulders portrait of Frederick II of Prussia, titled and dated 1757, the reverse printed with Fame blowing trumpets, both flanking a design of pennants and military trophies, signed in the print RH Worcester for Robert Hancock and with an anchor rebus for Richard Holdship, 11.8cm. Provenance: the Property of a Noblewoman.
Lot 346
A Worcester Blind Earl dish, c.1760-65, moulded in relief with rosebud sprays and leaves extending from the crabstock handle, printed in black with figures before Classical Ruins and a tall fountain, and a large Worcester cylindrical mug printed with the Whitton Anglers design, the reverse with The Fortune Teller, 15.7cm max. (2) Provenance: the Robert and Celia Morris Collection. The Whitton Anglers is taken from a small detail of an engraving by William Woollett showing the garden of the Duke of Argyll's home at Whitton in Middlesex. The Fortune Teller, also known as 'La Diseuse d'Aventure' is after a painting by Watteau.
Lot 348
A Worcester bell-shaped mug, c.1760, printed in black with a Windmill and other buildings to one side, the reverse with, figure fishing before a water mill, and a Worcester hexagonal teapot stand, printed in purple with a figure fishing beneath a tree before a ruined Classical obelisk, restoration to the mug, 14.4cm max. (2) Provenance: the Robert and Celia Morris Collection. The stand formerly in the Perry Collection and the Ridley-Day Collection.
Lot 350
A Worcester high-footed sauceboat, c.1754-55, printed in the Smoky Primitive manner with Chinoiserie scenes of figures reserved in moulded panels edged in puce scrolls, the interior with Bubbles, the foot and internal rim with flower sprays in the famille verte manner, 19cm. Provenance: the Robert and Celia Morris Collection.
Lot 356
An early Worcester reeded coffee cup, c.1753-55, the rounded form moulded with a band of narrow vertical ribbing, painted with a peony spray and other Oriental flowers, the rim with iron red flower motifs reserved on a band of grisaille trellis, applied with a scroll handle, 5.5cm. Provenance: the Robert and Celia Morris Collection.
Lot 358
A Worcester cauliflower tureen base and associated cover, c.1757-60, naturalistically modelled with white florets enclosed by leaves shaded in tones of green, the base printed with scattered butterflies, 10.5cm across. (2) Cf. John Sandon, Worcester Porcelain, the Ewers-Tyne Collection, fig. 34.
Lot 367
A Worcester sauce tureen with cover, stand and ladle, c.1768, the oval forms painted with panels of flowers in the Chinese famille rose manner, the stand with a European flower spray, reserved within gilt rims on a wet blue ground, open crescent marks, the ladle repaired, the stand associated, 18.8cm. (4)
Lot 368
A Worcester chestnut basket with cover and stand, c.1770-75, the basket moulded with hexagonal floral panels, with crabstock handles issuing from applied flowers and leaves, the stand painted with a bold flower arrangement, restoration, the cover associated, 25cm. (3) Provenance: the Robert and Celia Morris Collection.
Lot 369
A Worcester fluted 'Fable' dessert dish and a plate, c.1775-80, the dish of square form, each painted after Jefferyes Hammet O'Neale, the dish with an ox, a sheep and an elephant standing above a recumbent lion, the plate with three hounds attacking a stag in a woodland setting,27.7cm max. (2) Provenance: the Robert and Celia Morris Collection. The plate formerly in the collection of Sir Peter Crossman of Tetworth Hall, Cambridgeshire. This type of animal decoration was previously attributed Fidelle Duvivier but is now thought to be by a more amateur hand. The service mixes animal decoration with fables.
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182975 item(s)/page