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Click here to subscribeA Worcester bell-shaped coffee cup c.1760-65, printed in black with Les Garçons Chinois, the reverse with a rare print of The Solitary Fisherman, wishbone handle, 6.2cm. Provenance: the Professor Richard Clarke Collection. Paper label for the Watney Collection. Cf. Phillips, The Watney Collection Part III, lot 950.
A large Worcester blue and white sauceboat c.1755, painted with the Fisherman on a Towering Rock pattern within moulded panels, the reverse with a figure in a boat beside another standing before a bridge, the interior with a further fisherman, workman's mark, 23.5cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 1998.
A Worcester small bowl c.1755-58, pencilled in black with the Boy on a Buffalo pattern, the eponymous pair depicted in a continuous Chinese landscape with two junks on a river, the interior with bamboo tendrils, a bird in flight and a central flower spray, a short scratch mark to the base, 12.2cm dia. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2001.
A large Worcester teapot and cover c.1760, of Warmstry fluted form, painted in polychrome enamels with The Beckoning Chinaman to one side, the reverse with The Lady and Child, the cover and around the spout painted with bright floral sprays, the knop broken and restored, 21.5cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from the Silver Shop, Dublin in 2000.
Two Worcester teapots and covers c.1770-75, the smaller painted with two Chinese boys and a female attendant beside a red leafy tree, the other with Chinese figures taking tea and a low table, each with foliate motifs and panels around the spout and handle, the spout and finial of the larger teapot restored, 18.3cm max. (4) Provenance: the Professor Richard Clarke collection. The smaller with a paper label for the Calowhill Collection, and purchased from Stockspring Antiques in 1998.
A rare Worcester blue and white octagonal dish c.1754-55, the elongated form painted with the Two-Level Fence and Rock pattern, with twisted flowering branches issuing from holey rockwork and a zig-zag fence, the underside with simple leaf sprigs, workman's mark, 31.8cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2004. Cf. Branyan, French and Sandon, Blue and White Worcester Porcelain 1751-1790, No. I.D.27.
A Worcester blue and white teabowl and saucer c.1758, finely moulded with a continuous floral design within a hatched diaper border and a flame scroll roundel, workman's marks, and a coffee can or small mug painted with the Cannonball pattern, open crescent mark, 11.9cm. (3) Provenance: the Professor Richard Clarke Collection.
A Worcester King of Prussia mug dated 1757, printed in black with a titled portrait of Frederick II of Prussia pointing towards an arrangement of victory motifs, the reverse with a print of Fame blowing a trumpet, signed in the print R H Worcester for Robert Hancock, and with an anchor rebus for Richard Holdship, 8.8cm high.
A Worcester scallop-edged dessert plate c.1770, painted with polychrome flower garlands and single sprigs reserved within shaped panels on a blue scale ground, square seal mark, and a bone china copy of a Worcester plate, with a central floral spray on a wet blue ground,22.2cm max. (2) Provenance: the Professor Richard Clarke collection. The Worcester plate purchased from Simon Spero in 1998.
Four English porcelain coffee cups 2nd half 18th century, one Bristol and painted with polychrome sprays of European flowers, blue X and 21 mark, one Bow and decorated in the Kakiemon palette with the Two Quail pattern, incised X and red E mark, a Worcester cup richly painted with two attendants waiting on a reclining Chinaman, and a flared Worcester cup with panels of birds on a blue scale ground, square seal mark, 6.5cm max. (4)
A Worcester teapot and cover c.1768, printed in black with The Fortune Teller to one side, three maidens encountering a palm reader with a child and dog, the reverse with Tea Party No. 2, the cover with vignettes of Ruined Tower and a Windmill, a small footrim chip, 18.5cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Klaber & Klaber in 1998. Paper label for the Frank Arnold Collection, no. E625.
A rare Worcester moulded teapot and cover c.1760, the barrel shape embossed with a Chinese landscape including a man fishing beneath a flowering prunus tree, with willow on the opposite bank, the reverse with large prunus sprays, all picked out in colours with gilt highlights, the puce running scroll borders also embossed, the cover painted with flowers sprays and a matching scroll border, a horizontal body crack, 17.7cm. (2) Cf. Bonhams, The Zorensky Collection of Worcester Porcelain Part II, 23rd February 2005, lot 51 for a similar example with the prunus and willow tree reversed. Also H Rissik Marshall, Coloured Worcester Porcelain, pl. 6, fig. 95.
A Worcester polychrome coffee cup c.1756, boldly painted with the Beckoning Chinaman pattern, a single standing figure with his left arm raised, the reverse with a colourful flower spray, 5.7cm. More frequently found on mugs and teapots, the Beckoning Chinaman is only recorded on a handful of cups, and no saucers or teabowls are recorded.
An early Worcester teabowl c.1755, printed in black in the 'Smoky Primitive' manner with La Cascade, a courting couple promenading in a garden while further figures recline in the background, the reverse with a fountain from the original print, 8cm dia. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2001. This print derives from an engraving by G Scotin, after a painting by Jean-Antoine Watteau, which is in the Wallace Collection.
A rare Worcester two-handled sauceboat c.1755, printed in 'Smoky Primitive' manner to the interior with swans swimming and other aquatic birds, the exterior with four printed roundels of ships within moulded panels picked out in green, the shell moulded ends of the sauceboat highlighted in manganese, the rims with borders of Kakiemon flowers, 19cm. Cf. H. Rissik Marshall, Coloured Worcester Porcelain of the First Period, pl.5, no.72 for a similar example.
A Worcester high-footed moulded sauceboat c.1753-54, one side painted with a chinoiserie scene of a figure crossing a bridge, the sun coming out from behind a cloud above, the reverse with a Long Eliza holding a fan, the interior rim with flower sprays and flying insects, the foot broken off and restuck, 19.5cm.
A Worcester blue and white two-handled sauceboat c.1756, painted with the Two-Handled Sauceboat pattern, the interior with a fisherman beside a two-storey pagoda, the moulded exterior with four small vignettes of further figures, birds and flowers, workman's mark, 19cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 1998.
A good Worcester trio c.1765, comprising a teabowl, coffee cup and saucer, brightly painted in the Meissen manner with large sprays of European flowers including pink rose, the rims bordered with pink and red petals alternating with green diaper bands, 12cm. (3) Provenance: the Barbara Leake Collection. The Nina Weil Collection. Paper label for Klaber & Klaber.
Two Worcester dessert dishes c.1770, one painted with the Joshua Reynolds pattern of a long-tailed bird in Kakiemon colours, reserved on a deep blue ground, the other of twelve-sided shape and painted in polychrome enamels with a spray of European flowers including a large fritillary head, blue square seal mark to one, 29.7cm max. (2)
A Worcester blue and white pickle dish and a butterboat c.1760, the former painted in the Pickle Leaf Vine pattern, the butterboat formed of moulded geranium leaves and painted with the Butterboat Mansfield pattern, workman's marks, 9cm max. (2) The pickle with a paper exhibition label for the Ceramic Society of Australia, Old English China Exhibition, 1959, No. 420.
A Worcester blue and white sauceboat c.1765, painted with the Man with a Bomb pattern, a solitary Chinese figure holding his charge and looking back over one shoulder, the reverse with a fisherman beneath bamboo, within strap moulded panels, open crescent mark, 17.5cm. Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 1999.
A Worcester blue and white coffee pot and cover c.1770-75, printed with the Three Flowers pattern, a butterfly in flight above, with further flower sprays to the spout, handle and domed cover, hatched crescent mark, tiny nicks to the floral finial, 23cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 1998.
A pair of 19th century Grainger Worcester dark blue ground vases with painted and gilded butterfly, dandelion and other botanical decoration, with gilded mask handles and printed marks to base, 13 cm tall approx, together with a Royal Doulton figure of Chloe M9, registered number 764558, also together with a continental tin glazed earthenware ewer with painted cherub and mask decoration and serpent handle, with painted mark to base M Pasaro (?)
A quantity of various trinket boxes including Hammersley trefoil shaped example, a Royal Worcester black and white printed example with landscape detail, etc together with a 19th century Stone China basin with chinoiserie style floral decoration, a Doulton Watteau pattern blue and white printed teapot and stand, a Caithness glass vase with engraved stag decoration, a 19th century glass mug with ruby coloured overlay and etched decoration inscribed Love the Giver, etc
A Royal Doulton model of a brown and white spaniel puppy in a basket HN2586, a Royal Worcester model of a Corgi 3243, a Royal Worcester vase with pierced rim and painted rose decoration with green printed mark to base with initial H, 11 cm tall approx, a small Royal Worcester jug with coopered moulding and fruit detail and a Royal Doulton figure of The Old Balloon Seller
A collection of 19th century blue and white ceramics including a set of six dessert plates with chinoiserie style decoration and shaped rims, 23 cm diamater approx, an early 19th century tankard of cylindrical form with printed oriental style decoration of women and children in a garden setting, further blue and white dishes, an early 19th century famille rose dish with harbour scene decoration, a small collection of Royal Worcester blue dragon pattern wares, etc
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