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Lot 601
A Selection of Ceramics to include Wedgwood 'Kutani Crane' Lidded Ginger Jar, Wedgwood 'Moonflower' Oval pin dish, Minton 'Haddon Hall' pin dish, Royal Worcester pin dish, Two Royal Stafford Lidded Tureens, Colclough part Tea set Patt No. 7433, to include tea cups, saucers, Sugar Bowl and Milk Jug. (1 Tray)
Lot 74
A small collection of 19th and early 20th century blue and white tea ware - including an 18th century earthenware pedestal salt, 3.7cm high; three Royal Worcester tea cups and saucers plus a fourth cup; a set of three Chinese export porcelain blue and white tea bowls, painted with buildings in lake landscapes, 5.7cm high (two cracked); a set of four pearlware saucers, 14.4cm diameter; four Boy on Buffalo pearlware tea cups (one a/f); a pair of small pearlware bowls, 9.2cm diameter; a Japanese porcelain bottle vase, 15cm high; etc.
Lot 67
An assembled cobalt blue and gilt part dinner service - including a set of eight Royal Grafton 'Warwick' pattern soup plates, 21.75cm diameter; eight Royal Worcester 'Howard' pattern 27cm dinner plates together with a gravy boat and stand; and a part-set of small plates, cups and saucers by Sutherland Bone China in a similar pattern.
Lot 23
A Victorian loving cup by Grainger & Co., Worcester - with foliate capped scroll handles, one side with an oval reserve painted with a view of Worcester from the river, the other with the inscription 'Thomas Brown Dec. 25. 1879', 12.8cm high.* Small firing crack to top of one handle and another vertical firing crack to the centre line of the same handle. A few small scattered nicks and tiny scratches to the magenta ground. A few glaze scratches to the sky on the painted reserve. No chips, scratches or restoration.
Lot 60
A small group of porcelain and bone china - comprising a Royal Doulton HN1706 'The Cobbler' figure, dark green printed and black painted factory marks, 20cm high; a Royal Doulton D6202 Monty toby jug, 15.5cm high; a Rosenthal 'Studio Linie' 4036 rose-gold lustre covered jar, 14cm high; a Royal Worcester cabinet cup and saucer in claret red and gilt, date code 1922; a set of five @home harlequin glazed espresso cups and saucers; and a Royal Doulton figure of a Staffordshire Bull Terrier (chip to ear). (16)
Lot 59
A Royal Worcester plate painted by Leighton Maybury, 1955 and with 'Austin of England' inscription - with a pheasant in a landscape within a twelve-pointed reserve, signed, on a richly gilded ground with acid-etched foliate and floral decoration, gold printed marks and also inscribed in gilt 'Austin of England with all Good Wishes' with facsimile signature and Austin Cars logo, 27.75cm diameter.
Lot 114
Angelina May Davis Untitled, 2025 Gouache and pencil crayon on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Angelina May Davis is a contemporary painter and member of Contemporary British Painting. Her paintings are fabrications, plundering imagery from childhood TV and art history. She is interested in what shapes us, using the transformative act of painting to reflect on history and culture as well as her own sense of belonging. She has been restoring the English Elm as depicted in remembered films, archival footage and English landscape painting as a metaphor for loss and longing, recalling a nostalgic and insincere past. Her paintings are claustrophobic worlds in which there is ambiguity, artifice, and the possibility of things just out of view. Education 2020-2022 Turps Correspondence Course 1996-1998 MA in Fine Art University of Central England 1985-1988 BA Fine Art Coventry Polytechnic Solo Exhibitions 2024 Model Village, United Reformed Church, Long Buckby 2022 PAL, Division of Labour, Salford, Manchester Coming up for Air, Oxmarket Gallery Chichester 1993 Living on the Ceiling, MAC, Birmingham 1992 Behind Closed Doors, City Gallery, Leicester Lanchester Gallery, Coventry Polytechnic Group Exhibitions 2024 Stop the Chaos, Turn the Page, Paradise Works, Manchester Librarian Services, Manchester Contemporary, Manchester Cassart Finalists Exhibition, Copeland Gallery, London Scrit, Terrace Gallery London Jackson's Shortlist Exhibition, Bankside, London Assembly, Contemporary British Painting, Rye 2023 Leaf and Tree, Division of Labour, Salford, Manchester Plein Air A site for resistance and remedial action, Pitt Studio, UOW 'X', Contemporary British Painting, Newcastle Contemporary, Newcastle Unnatural Women, Curated Rowena Easton, WIA Fair, Mall Galleries, London New Worlds with Daisy Collingridge, DOL and TJ Boulting Art Brussels 2022 Catalyst, Turps Banana Painters, Oriel Canfas, Cardiff Fare Share Fare, Whitworth Gallery Manchester P U L P, Pitt Studio, The Art House Worcester 2021 Bloomberg New Contemporaries, Firstsite Colchester Bloomberg New Contemporaries, South London Gallery Without Borders Touring Exhibition, Elysium Gallery, Swansea Ikon for Artists, Ikon Gallery Birmingham 2020 BEEP, Elysium Gallery, Swansea Hinterland 3, Birmingham Artspace, Medicine Gallery, Birmingham 2017 Elsewhere, Lanchester Gallery, Coventry University 2017 Hinterland 2, Rugby Gallery 2016 Elsewhere, Rugby School Bourne, Stryx Gallery, Birmingham 2015 Hinterland, Birmingham Art Space, Telsen Centre, Birmingham Coventry Drawing Prize, Rugby School Drawing Parallels, Eagle Works, Wolverhampton 1991 Secret Life of Objects, Ikon Gallery, Birmingham Awards Bloomberg New Contemporaries 2021 Outstanding Water Colour Award, Jackson's Art Prize, 2020 Gallery Representation Division of Labour, Manchester, UK Public Collections Government Art Collection, London and Manchester UK Manchester Art Gallery, Manchester, UK Isaac Newton Collection, Cambridge University. Statement about AOAP Submitted Artwork Tattered ribbons hang from a bright upright tree, a TV set is on in the corner, and fragments of landscape are contained, framed and slide out of view in what is probably an artist's studio. Painting allows me to think about ideas simultaneously and constructed landscapes provide the settings for me to ruminate about history, pop culture, and my own sense of belonging. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 260
Anne Desmet RA Dawn Flight, 2024 Digital print on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Anne Desmet RA was born in Liverpool. She has BFA and MA degrees in Fine Art from Oxford University and a Postgraduate Diploma in Printmaking from Central School of Art, London. In 2018 she was elected Honorary Fellow of Worcester College, Oxford University, for 'distinction in the world of art'. She exhibits wood engravings, linocuts, lithographs and mixed-media printed collages widely, has won over 40 national and international awards (including a Rome Scholarship in Printmaking; Pollock-Krasner Foundation Award, USA; three Elizabeth Greenshields Foundation Awards, Montreal, Canada; and the London Original Print Fair Prize at the RA Summer Exhibition) and has works in major public and private collections worldwide. The Ashmolean Museum, Oxford, the Whitworth Art Gallery, Manchester, and the V&A all have substantial holdings of her work. Over 50 solo shows include two major museum retrospectives at the Ashmolean (1998) and Whitworth (2008) respectively: each toured UK museums for two years. She had an earlier retrospective at Moscow's Ex Libris Museum, Russia (1995); and different solo exhibitions of recent works at the Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); Pallant House Gallery, Chichester (2022-23); and Guildhall Art Gallery, London (2024-25). Desmet is author of seven published books on printmaking and drawing (published variously by Bloomsbury, the RA and Ashmolean Publications) and was editor of Printmaking Today magazine from 1998-2013. Commissions include engravings for the British Museum; National Gallery; British Library; V&A; Balliol and Worcester Colleges, Oxford; Sotheby's and the Royal Mint. She is only the third wood engraver ever elected to membership of the UK's Royal Academy of Arts (RA) in its 256-year history and she curated an historic exhibition celebrating 100 years of the art of wood engraving for the Ashmolean (2020). She lives and works in London and is represented by Eames Fine Art. www.annedesmet.com Instagram: @anne_desmet You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 259
Anne Desmet RA Star/Scaffolding, 2024 Digital print on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Anne Desmet RA was born in Liverpool. She has BFA and MA degrees in Fine Art from Oxford University and a Postgraduate Diploma in Printmaking from Central School of Art, London. In 2018 she was elected Honorary Fellow of Worcester College, Oxford University, for 'distinction in the world of art'. She exhibits wood engravings, linocuts, lithographs and mixed-media printed collages widely, has won over 40 national and international awards (including a Rome Scholarship in Printmaking; Pollock-Krasner Foundation Award, USA; three Elizabeth Greenshields Foundation Awards, Montreal, Canada; and the London Original Print Fair Prize at the RA Summer Exhibition) and has works in major public and private collections worldwide. The Ashmolean Museum, Oxford, the Whitworth Art Gallery, Manchester, and the V&A all have substantial holdings of her work. Over 50 solo shows include two major museum retrospectives at the Ashmolean (1998) and Whitworth (2008) respectively: each toured UK museums for two years. She had an earlier retrospective at Moscow's Ex Libris Museum, Russia (1995); and different solo exhibitions of recent works at the Holburne Museum, Bath (2017); Gainsborough's House Museum, Suffolk (2018); Pallant House Gallery, Chichester (2022-23); and Guildhall Art Gallery, London (2024-25). Desmet is author of seven published books on printmaking and drawing (published variously by Bloomsbury, the RA and Ashmolean Publications) and was editor of Printmaking Today magazine from 1998-2013. Commissions include engravings for the British Museum; National Gallery; British Library; V&A; Balliol and Worcester Colleges, Oxford; Sotheby's and the Royal Mint. She is only the third wood engraver ever elected to membership of the UK's Royal Academy of Arts (RA) in its 256-year history and she curated an historic exhibition celebrating 100 years of the art of wood engraving for the Ashmolean (2020). She lives and works in London and is represented by Eames Fine Art. www.annedesmet.com Instagram: @anne_desmet You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 294
Worcester silver shape sauceboat, circa 1755, painted in polychrome enamels with birds amongst flowering foliage, within moulded cartouches on each side, a wading bird amongst foliage to the interior, the rim with floral sprays, together with a porcelain sauce boat, of shell form with reeded moulding to the body painted with floral sprays, and an ovoid jug with mask head spout painted with floral sprays, 13cm high and smaller (3)
Lot 377
A COLLECTION OF WORCESTER PORCELAIN, to include a sparrow beak jug and cover, with fretted square mark, a small lobed jar and cover, shallow circular dish with crescent mark, three cabinet cups and saucers, one cabinet cup - many with professional restoration - Sparrow beak jug and cover has been extensively restored, there is a hole in the base. The Worcester Queens pattern cup & saucer plus the Queen Charlotte cup , the Queens patter saucer dish and kakiemon blue scale cup all appear in good order, the balance of items have been restored
Lot 700
* Moon Flask. An English Aesthetic period porcelain moon flask, circa 1870, the blue ground flask with one side with a circular panel painted with two robins, one perched on a branch the other in a nest, within a faux opal jewelled border, the opposite side gilt painted decoration showing a butterfly amongst foliage, the flared neck with two ornate handles in cream and gold, on four ball feet, the base numbered in purple '1072', no other marks but probably Royal Worcester, 20.5 cm high QTY: (1)
Lot 685
* Coffee Pot. A George III porcelain coffee pot attributed to Philip Christian, Liverpool, circa 1770, of baluster form decorated with flowers, the moulded spout with c-scroll decoration, with domed cover and teardrop finial, in very good condition with no obvious sign of restoration or damage, 26 cm highQTY: (1)NOTE:Philip Christian worked for the Shaw's Brow porcelain factory in Liverpool from 1765. He was able to buy the factory in 1769 bringing his son into the business. They began printing in underglaze blue and many designs were based on Worcester examples.
Lot 21
A pair of Flight Barr & Barr Worcester porcelain named view tripod urns, circa 1825, one with Ullswater, Cumberland, the other with The Straits of Menai from Anglesea (sic), against blue grounds enriched with beading and gilt, impressed FBB and crown, script mark in iron red, 9cm high; and a larger pot-pourri vase painted with two panels of a mother with children in a landscape, on gilded winged maiden mask monopodiae, script mark in red, 14cm highrepair to one of the urns with some wear to gilt decoration to both
Lot 1120C
A collection of six mixed porcelain coffee cans and saucers, one green ground, one yellow ground and gilt, one gilt and white example and others, manufacturers to include; Royal Worcester, Paragon, Crescent, Shelley, Aynsley and others, all encased in hallmarked silver holders, makers including Docker & Burn, ES Barnsley, William Comyns, and others. (6) Further details: some loss to gilding; wear and minor stains, silver tarnished.
Lot 1280
A collection of Ceramic, metal ware and glass items, metal ware to include WMF, Mappin & Webb , with brass & copper items, ceramics to include items by Moorcroft (AF), Royal Doulton , Royal Worcester , a continental Nouveau style vase and others & a Clarice Cliff tribute watercolour by artist Michael Slaney, some items with wear.
Lot 1078
Royal Worcester - a blush ivory large pot-pourri, with painted floral design and reticulated cover (broken & reglued)and inner cover, no. 1286 to base, approx. 19cm H, together with three hand painted Royal Worcester plates with floral design and a signed T. Lockyer Royal Worcester Fruits dish (broken in half and chipped and sprung), (5) Further details: dish broken as mentioned; some loss to gilding and wear.
Lot 1076
Royal Worcester - a pair of hand painted and gilt cups and saucers, each with Fruits pattern and central powder blue ground, all signed, both cups and one saucer by Harry Ayrton, other saucer by E. Townsend, with two imported hallmarked silver and enamel demitasse spoons, each with fruit designed enamel backs to bowls and guilloche stems, by Henry James Hulbert. Further details: slight loss to gilding; general wear to all, slight crazing.
Lot 1118
Four early 20th century Royal Worcester coffee cans and saucers, varying designs of foliage, flowers and colours, all with gilt detail and with hallmarked silver mounts, two by William Comyns, one by Mappin & Webb, along with a Minton cobalt blue and gilt can and saucer in hallmarked silver mount by Walker & Hall. (5) Further details: some loss to gilding and wear.
Lot 1286
A collection of mixed ceramics to include; Royal Crown Derby Old Avesbury plates; Posies pattern plates; 8687 Crown Derby Imari plates; a pair of Aynsley hexagonal lamp bases (one badly damaged and needing re-wired); a Worcester figure of a child by Doughty (broken finger ends and glued legs), along with a selection of other Aynsley including urn and cover, pair of small urns, sugar bowl and milk jug, two tea cups (one broken handle), one with saucer, oblong pen trays, two plates; along with an Abbeydale trinket pot; Derby Posies trinkets and a boxed Worcester trinket dish.
Lot 1276
A quantity of Royal Worcester "Sahara" patterned tea / dinnerware to include: 13 dinner plates; 13 cereal bowls; 10 cups; 10 saucers; covered sugar and cream jug; 13 soup bowls; 12 sandwich plates; 12 tea plates; gravy boat and stand; oval tray; 2 oval platters; 3 large oval bowls; tea pot; veg tureen, along with three other similar Sahara patterned plates and two other Worcester bowls. (3 boxes)
Lot 1087
Worcester Porcelain Sucrier/ Lidded Sugar Bowl Tea Bowl c.1780-1800 Segmented alternating floral and solid decoration, with bud finial to lid and trailing leaves. Moon mark to base. Height 11.5 cms, diameter 10 cms Bud finial is a restoration and then restoration and repairs throughout. Lowestoft Porcelain Tea Bowl c.1775-80 Painted oriental landscape decoration Height 4.5 cms, diameter 7 cms Very good. Provenance: Mercury Antiques and thence a Private Owner Collection See pictures. Provenance: Russell Sprake and thence a Private Owner Collection
Lot 1098
A small collection of ceramics to include; a Coalport India Tree Coral small urn and cover; a Spode vase; a Coalport plate in rouge with gilt bird design; a matching twin handled dish and a similar in cobalt blue ground; along with three Worcester floral decorated plates, only one with impressed stamp, some with faults / damages
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