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Click here to subscribeA DRESDEN FLUTED AND FLORAL PAINTED COFFEE CUP AND SAUCER, A CHAMBERLAIN'S WORCESTER GADROONED COFFEE CUP, A FRENCH MINIATURE CABINET CUP AND SAUCER AND THREE OTHERS, C1825 AND LATER various sizes++Chamberlain cup with crack across base of handle, the other items generally good with slight wear
A Royal Worcester pot pourri and cover, date code for 1910, decorated with Highland cattle in a mountainous landscape by John Stinton, a loch scene to the reverse, having a moulded leafy scroll lid and shoulder with similar handles and base, all on a gilt foot, printed marks, shape 1515 (lid broken and glued) height 20.5 cm (see illustration). CONDITION REPORT: There is a good 60% of the interior lower rim missing on the lid. The lid has been broken one third across and this broken piece has been further broken in half, it has been poorly glued together but appears to be all intact with no obvious losses. Please see further images re damage. The main vase appears to be in good order throughout with no obvious chips, cracks or restorations. The vase rings out nicely when lightly tapped. The decoration is free from any scratches or surface marks. The handles are intact and again free from any flaws.
A Royal Worcester porcelain pot pourri vase and cover, date code for 1912, cylindrical form, with four pierced foliate scroll vertical panels, with applied serpent handles, painted with a stork on a rocky outcrop beneath vine fronds, by William Powell, green printed marks, shape G431, 17.5 cm high. CONDITION REPORT: The body of this vase has been extensively cracked and glued on the side with the stork. The panel to the left of the stork has also been cracked and broken and shows small chips along the cracks. The lid is in good order throughout. Large fine cracks to the body.
A Royal Worcester pot pourri and cover, date code for 1909, decorated with sheep in a mountainous landscape with lake, signed by Harry Davis, the reverse with a fellside view, with leafy moulded lid and shoulders, scrolling handles with a moulded base upon a gilt circular foot, printed marks, shape 1515. Height 20.5 cm (see illustration). CONDITION REPORT: This item is in good order throughout with no obvious chips, cracks or losses. The painted decoration is free from any surface scratches or faults. There is a very fine amount of gilt rubbing on the top part of the rim but otherwise all intact and in good order.
A pair of Royal Worcester twin handled vases painted by Harry Davis, date code for 1908/09, each painted with sheep in a mountainous landscape, the reverse with a fellside view all beneath a moulded bellflower band neck upon a circular foot, printed marks, shape 2247, 19 cm high. CONDITION REPORT: The vase with the sheep illustrated on the left hand side of the lake has a large circular crack which is visible on the exterior and the interior. There are two minor chips in this crack which should be visible from online images. Issuing from the bottom right of this crack is a further fine hairline crack which goes down to the base. The base has been broken off and glued. The gilding is 20% rubbed on the rim. The vase with the sheep on the right hand side of the main scene appears to be in good order throughout. There is light rubbing on the gilding on the rim. Other than that there are no obvious chips, cracks or losses. There is a very faint and fine surface scratch approximately 1.5 cm to the right of the uppermost sheep, this is not instantly obvious but is there all the same. There are two very small patches to the foot rim where the gilding has come off.
A set of ten Royal Worcester handpainted lepidoptery dessert plates, date code for 1874, each of octagonal form and decorated with a variety of butterflies and moths amongst blossoming branches and flowers, with moulded gilt rims and printed and impressed marks, pattern number 9338, 22 cm diameter (see illustration). CONDITION REPORT: The plate with the blue butterfly rings out nicely when lightly tapped. There are small patches of enamel missing from the blue butterfly. There is very light gilt rubbing to the rim specifically at the top and bottom edges. The plate with the two butterflies and dragonfly has excessive gilt rubbing to four sides on the rim. A further side has slight rubbing. The main decoration appears to be in good order. The plate rings out nicely when lightly tapped. The plate with the orange butterfly with blue tips has very light gilt rubbing on the pointed edges. The yellow moth in the main picture has very light enamel rubbing. The main orange butterfly has lost the blue colour from its bottom wing tips. The plate rings out nicely when lightly tapped. The plate with the red butterfly and small yellow butterfly appears to be in good order, it rings out nicely when lightly tapped. There is gilt rubbing on all edges. The main enamel decoration appears to be in good order. The plate with the butterfly with red spots rings out nicely when lightly tapped, the main butterfly has lost the majority of its colour and that which remains is faded. All other enamels appear to be in good order. The gilt rims also appear to be in good order. The plate with prunus and lotus flowers has very light gilt rubbing to the edges. The main decoration enamel appears to be in good order throughout. The plate rings out nicely when lightly tapped. The plate with the small butterfly with pink and yellow wings has light gilt rubbing to each corner point. The main butterfly appears to be in good order but the colours are ever so slightly faded. The floral decoration with the white flowers has lost the colour in the flowers. There is a 6 cm very fine hairline crack within the glaze on the underside of the rim just below the pattern number. This crack can also be seen on the top side. The plate with the small lavender butterfly has excessive gilt rubbing to three sections of the rim. The main brown and red butterfly colours are faded and lightly scratched. Otherwise the plate appears to be in good order and rings out nicely when lightly tapped. The plate with the red and white butterfly with purple insect rings out nicely when lightly tapped. The enamels appear to be in good order on the butterflies, flowers and insect although there is slight rubbing on the branches. There is very light rubbing on the points of the rim. The plate with the large butterfly and wasp rings out nicely when lightly tapped, the main butterfly colours are faded. The remaining enamel decoration on flowers and wasp appear to be good. There is very light gilt rubbing on the rims.
Various English ceramics, to include a small Royal Worcester trefoil shaped box and cover, decorated with flowers, a similar vase decorated with birds, flowers etc., (AF), an aesthetic style white glazed jug of tapering form, green mark to underside and a Minton porcelain two handled vase and cover. (4)
A GRAINGER & CO WORCESTER TWIN HANDLED URN AND COVER, of squat baluster form, blush ivory ground, painted with floral sprays, on a short pedestal with wavy circular foot, printed brown marks to lid and base, height 36cm (condition: extensive restoration to foliate moulding around underside, some light wear to gilding)
A ROYAL WORCESTER 200TH ANNIVERSARY COLLECTION QUEEN CHARLOTTE LIMITED EDITION VASE AND COVER, gilt pineapple finial with gilt details and grey marbled border, the twin handled vase similarly decorated and painted with panels of birds to front and back, stepped square base, No.107/200, printed gold marks to base, height approximately 37cm, with certificate (2) (condition: good overall, no signs of chips, cracks or restoration)
A ROYAL WORCESTER FRUIT STUDY PART TEASET, comprising teapot and cover, six tea cups and six saucers, all pieces with gilt gadrooned rims, the teapot, all six saucers and one teacup signed J. Smith, another teacup signed C. Smith and the remaining four teacups signed Lewis, all pieces with printed black marks and most with gilt C55, height of teapot approximately 15cm (condition: no signs of chips, cracks or restoration but some glaze scratches and slight wear to decoration in places)
A PAIR OF ROYAL WORCESTER CHINA SMALL DISHES, 1933, of shaped quatrefoil form, painted in polychrome enamels by E. Townsend with a still life of apples and grapes, peaches and cherries on a mossy bank within a gilt scroll rim, signed, puce mark, 4 1/2" wide, together with an earlier miniature tyg, 1909, painted with pink roses and buds, unsigned, green mark, shape H/282, 2" high over handles (pair & one) (Est. plus 21% premium inc. VAT)
A PAIR OF ROYAL WORCESTER CHINA BLUSH IVORY VASES, 1899, of slender ovoid form with collared neck and flared rim and satyr mask handles, painted in typical palette with a loose posy of flowers, puce mark, shape 1716, 8" high, together with a similar figure of a peasant modelled by Hadley, wearing a cape and dress in shot enamels, carrying a basket in her left hand, on a canted base, puce mark, model 1874, 6 1/2" high (pair & one) (Est. plus 21% premium inc. VAT)
AN UNUSUAL PAIR OF EARLY 1950's ROYAL WORCESTER PORCELAIN 'CHINOISERIE' FIGURES, both kneeling on oblong scroll end bases, one holding a fan, the other with outstretched handles, their robes in black and turquoise blue, black printed marks, date codes for 1951 and 1952, model numbers 3398 and 3397 respectively
A LATE VICTORIAN GRAINGER AND CO., WORCESTER PORCELAIN OVOID TWO HANDLED PEDESTAL VASE, ribbed and moulded with dog roses and leafage in bas relief picked out in pale colours enriched with gilding, printed mark, 10 1/4" (26cm) high ALSO A LATE VICTORIAN ROYAL WORCESTER PORCELAIN SQUAT FORM POT POURRI with inner flat cover and outer pierced cover, the ivory gourd floral decorated in muted colours enriched with gilding, puce printed mark, date code for design registration No. 14300, model No. 1326, 4 1/4" (11cm) high (2)
LATE NINETEENTH CENTURY THIRTY SIX PIECE ROYAL WORCESTER CHINA PART TEA SERVICE, now suitable for eight persons, printed and painted in the Oriental taste with rockwork, butterflies, vases and baskets, comprising: TEAPOT (a/f), TWO SUGAR BOWLS, TEN CUPS (two a/f), ELEVEN SAUCERS and TWELVE SIDE PLATES, printed marks (36)
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