A 19th century continental hunting sword, broad, shallow fullered SE blade 22”, etched with simple antelope on stand at forte, squared Roman style crossguard with central panel and small turn down shell, curved horn grip with 3 studs to the front, cap shaped pommel decorated with studded vine leaf panels, en suite with crossguard, in its leather scabbard with chape and locket en suite with hilt, single ring and provision for companion knife (missing). GC, the mounts retaining a little original gilt (some wear to scabbard leather )
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A mid 18th century German hunting sword, SE shallow fullered blade 21½”, with narrow back fuller, DE at point, 11 line German inscription in panel on one side at forte and traces of etching in panels overall, all brass hilt, the turn down shell guard bearing a scene in high relief of maiden and nymph bewailing a dead hero, cherub head finial to crossguard and cherub panels to centre of knucklebow, cap shaped pommel embossed with squirrels and busts of bewigged gentlemen, shallow pistol shaped grip engraved with stylized flowers in panels. Basically GC for age (wear and some heavy pitting patches to blade). Plate 6
A silver cigarette case with enamel hunting scene 3.7oz. Overall dimensions 7.6cm across (excluding push button), 9.3cm down. Fair to good condition. Back of case with three large dents. Push button in working order. Minor surface scuffs/dents to silver and some minor scratches. Enamel is in good condition, all in tact, but with some fine surface scratching visible under 10x magnification. The edges of the enamelled area are not perfectly crisp. Interior with discolouration, specks and signs of wear
Set of four hunting prints ``Making a Cast at a Fault``, ``Going to Cover``, ``The Chance of a Fox`` and ``The Death of the Fox``, hand coloured engravings 31.5cm by 38.5cm each (4) The frames are not of recent manufacture: 19th century, possibly early. Making a cast: paper is heavily stained. Canvas to the rear possibly stuck down, not examined out of frame
A blue & white pottery meat platter, early 19th century, transfer decorated in blue and white with farmyard animals and classical ruins 48 by 37cm, a water jug printed with an Asian hunting scene, 23cm high, blue & white cabbage leaf jug printed with a chinoiserie landscape, 14cm high, and a Masons blue and white wash bowl printed with a chinoiserie garden, 31cm diameter. (4)
A box containing an Indian white metal shaped trinket dish, richly embossed with figure boar hunting within stylised scroll borders, together with another white metal Indian dish, a 20th Century silver "Old English" caddy spoon, plated ice tongs and a silver matchbox holder CONDITION REPORTS All with wear, scuffs, knocks and dents, total weight including white metal items etc. approx. 300 gms. Circular plate approx. 15 cm wide.
SEARLE RONALD: (1920-2011) British Artist and Satirical Cartoonist. A.L.S., Ronald, two pages, 4to, Paris, 21st June 1975, to Nicolas Bentley ('Dear Nick'). Searle states that he was delighted to hear from his friend and remarks 'I don't know a thing about the OMNIBUS film & haven't seen it....So it was marvellous to have a spontaneous reaction like that from you & to know that you didn't consider it a waste of time to have chatted out once and for all some of those thoughts that go round in the head - but are usually kept out of sight. I must confess I hesitated over the idea for a long time because I much prefer to remain a private person. People call it 'secretive'. But it is not. I'm all for cutting out the inessentials & getting some peace & quiet.' Searle continues to refer to his wife's illness and further adds 'By the way - she is a great detective fiction buff. A couple of weeks ago she tracked down a first edition of Trent's Last Case through a second hand bookseller & she asked me to tell you how much she enjoyed Floating Dutchman. Now she is chasing your others as it made her thirst to read more. She combs almost every second hand bookseller's catalogue in GB. Her form of regular treasure hunting.', also commenting on his own work, 'I get tired too easily now. I work more tranquilly now - & the work may be better for it. But noise drives me mad & I am obviously showing signs of wear.' In concluding Searle reflects 'And why didn't they knight you instead of the amateur Lancaster? Shaming I thought, that the only signs of recognition to the profession - apart from Low on his deathbed - in the last 20 years, should be Giles & Osbert. Or do they only read the Daily Express? Pathetic.' A letter of interesting content. Some very slight creasing and a few minor, small tears to the edges, not affecting the text or signature, otherwise VG Nicolas Bentley (1907-1978) British Author and Illustrator, best known for his humorous cartoon drawings in books and magazines of the 1930s and 1940s. His father, Edmund Clerihew Bentley (1875-1956) was the author of the detective novel Trent's Last Case (1913).
Pierre Jules Mene, a 19th century cast bronze group of a huntsman and dog, he is dressed in formal hunting attire with sword at his side, holding a branch of oak leaves, the dog is on the scent and straining at its harness. Impressed signature and Susse Foundry stamp and incised mark, 47 x 36cm on an integral stepped oval plinth.
After Snaffles, 'Blighty-And Only five and twenty percent of the Danger', a pencil signed print, 50.5 x 40cm, together with an unsigned print 'The Gunner', a pencil signed Lionel Edwards hunting print, a framed set of six hunting postcards and an Edwardian hunting print of The Meet, outside a stately home.

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