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DEAN, Bashford, Catalogue of European Court Swords and Hunting Swords (1929); BEZDEK, Richard H., German Swords and Sword Makers: Edged Weapon Makers from the 14th to the 20th Centuries (2000); BOSSON, Clement, Le Morgenstern (1963); BOTETT, Maurice, L'Arme Blanche De Guerre Francaise Au XVIII Siecle (1910); COE, Michael D., CONNOLLY, Peter, HARDING, Anthony, HARRIS, Victor, LAROCCA, Donald J., RICHARDSON, Thom, NORTH, Anthony, SPRING, Christopher, & WILKINSON, Federick, Swords and Hilt Weapons (1989); CRONAU, Rudolf, Geschichte der Klingenindustrie Solingens, Reprint of 1885 issue (1993); HAEDEKE, Hans-Ulrich, Blankwaffen (1982); HUTTON, Alfred, The sword and the centuries (1901); LENKIEWICZ, Z., 1000 Marks of European Blademakers (1991); MÜLLER, Heinrich & KÖLLING, Hartmut, Europäische Hieb- und Stichwaffen aus der Sammlung des Museums für Deutsche Geschichte (1981); OAKESHOTT, EWART., The archaeology of weapons, arms and armour from prehistory to the age of chivalry (1960); OAKESHOTT, EWART., The sword in the age of chivalry (1964); SONDERAUSSTELLUNG DES MUSEUMS FUR DEUTSCHE GESCHICHTE, Alte Hieb-Stich- waffen (1986); STUBER, WETTER, Stuber, Hans, Blankwaffen Armes Blanches, Armi Bianche, Edged Weapons (1982); TANNER, Heinrich, Flammberg-Schwerter aus der Sammlung des Verfassers (1994); UHLEMANN, Heinz R., Kostbare Blankwaffen, aus dem Deutschen Klingenmuseum Solingen (1968); WAGNER, Eduard, Hieb Und Stichwaffen (1966); WILKINSON, F., Edged weapons (1970)
DEAN, Bashford, Catalogue of European Court Swords and Hunting Swords (1928); Catalogue of European Daggers (1928); Catalogue of a loan exhibition of Arms and Armor (1911); Collection of Arms and Armor (1930); Collection of Arms and Armor including the William H. Riggs Donation (1915); Collection of Arms and Armor including the William H. Riggs Donation (1921); ALLENTOWN ART MUSEUM, Arms and Armor (1964); FLIEGEL, Stephen N., Arms and Armour - The Cleveland Museum of Art (1988); GRANCSAY, Stephen V., Catalogue of Armor: the John Woodman Higgins Armory (1961); KARCHESKI, Walter J. (Jr.) with Preface by WARDROPPER, Ian, Arms and Armor in the Art Institute of Chicago (1995); VON KIENBUSCH, Carl Otto, The Kretzschmar von Kienbusch Collection of Armor and Arms (1963)
Lucette de la Fougere, R.B.A., R.O.I. (French, 1921-2010):'Back Gardens - Snow', oil on board, signed lower right, titled & inscribed extensively verso, H 55 x W 94 cm. Provenance: Hunting Group Art Prize 1986 at the Mall Galleries, their label verso; Cheffins, 22nd September 2010, Lot 919, where acquired by the present vendor.
A 19th Century cast spelter figural mantel clock modelled as a medieval mounted-huntsman and two hounds hunting a wild boar, the base with trophies and foliate draped swags, Japy Freres eight-day movement striking a bell, white enamel dial with Roman numerals marked 'Davison, Newcastle, (lacking pendulum, dial bezel and glass, 47cm high
A large colour print of ships in a choppy swell off Gibralta, 42.5 x 62cm, together with another large colour print of women and children crossing a stream with horses, 42.5 x 63cm, a pair of colour prints of figures by the coast after A. Delacroix, each 17 x 23cm, a pair of colour prints of hunting scenes, 16 x 30cm, and a pair of oleographs of pheasant, 20 x 27cm (8).
A 19th century gilt framed oil, hunting scene, under glass, indistinctly signed CONDITION REPORT: Painting measures 44cm by 36cm. In unrestored condition. Covered with a layer of dirt and discoloured varnish. Craquelure to surface. Small areas of paint flaking off to bottom edge of canvas. Frame distressed. See images.
A late 19th century oil painting on canvas of scene at Snuff Mills with figure on a bridge, signed bottom right WV Tippet, 23 x 30cm, together with a similar oil painting on board of Frenchay Church (signature obscured under slip) 22 x 30cm both in moulded gilt frames and gilt slips, together with a pair of early 20th century oil painting on board, one of a hunting scene with startled shire horses, the other of a coaching scene with passing hunt, both signed Victor F Bowen, 31 x 46cm unframed
A rare and large Chinese archaic bronze ritual drinking vessel, Hu, Warring States period 5th-3rd century B.C., carved in relief with three registers of ancestral figure scenes of sacrifice, worship and hunting, taotie mask ring handles, brown patina with areas of malachite and cuprite encrustation, approx. 50cm high, repairsLiterature:see Jessica Rawson, Chinese Bronzes: Art and Ritual, British Museum Press, 1987, Fig. 28e with an illustration of a smaller bronze Hu vessel in the Palace Museum Beijing decorated with similar figure scenes.A bronze fanghu (square wine vessel) decorated in the same style but with an inlay technique around the decoration is in the Rietberg Museum, accession no. RCH9A and is illustrated in the Museum Rietberg Zurich Museum Guide, Zurich, 2000, p. 75, fig. 59.A fanghu of this type and style with pictorial decoration in flat relief restricted to three horizontal registers, now without any of the background inlay material remaining, in the National Palace Museum, is illustrated in Catalogue of the Special Exhibition of Shang and Chou Dynasty Bronze Wine Vessels, National Palace Museum, Taipei, 1989, p. 217, plate 77. A third, smaller fanghu decorated in the same technique with silhouetted figures and animals in flat relief shown in various hunting scenes, also now lacking the inlay material which filled the background, in the Freer Gallery of Art, is illustrated by Lawton in Chinese Art of the Warring States Period, Change and Continuity 480-222 B.C., Washington D.C., 1982, p. 33, no. 5The decoration is similar to scenes carved on to later Eastern Han dynasty stone tomb reliefs such as The Wu Family Ancestral Shrine found on the north of Wuzhai Mountain in Zhifang Township, Jiaxiang County of Shandong Province, China.Provenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.
A Doulton Lambeth Victoria commemorative beaker, a similar 1911 Coronation mug and five other items, comprising a Victoria 'Queen & Empress' stoneware jug (small rim chip), a jug with applied hunting and toper sprigs (handle restored), a similar beaker and a teapot, both with silver rims and a Silicon Ware simulated leather jug (crack)
Three Los Castillo silver objects. One ovular curved tray resting on three feet. One bowl with three curved crushed stone feet. The undersides of both pieces are stamped Los Castillo Taxco, Hecho en Mexico. The tray is additionally stamped Hand Wrought, and the bowl is stamped with number 511. Lidded box with hinged lid inlaid with blue and green hardstones and decorated with a mixed metal duck hunting scene. Interior is lined with wood and contains sticks. Set on silver base with feet. Base is stamped Los Castillo Taxco, Plateado. Dimensions: Bowl: Height: 4 in. x Diameter: 7 3/4 in. Tray: Height: 2 1/4 in. x length: 9 1/4 in. x Width: 7 1/4 in. Lidded Box; Height: 2 1/4 in. x length: 12 1/4 in. x Width: 8 1/4 in. Condition: Good condition.Images: To view larger images, please visit https://www.dropbox.com/sh/8ed9nhnm5wknrh8/AACsurKHrYImqDg3T-dvZrR1a?dl=0
Original vintage poster published by the British Field Sports Society to encourage people to help the organisation protect countryside sports: If they ban hunting They will also stop your point-to-point races - Help the British Field Sports Society to protect your country sports. Great artwork of a point-to-point steeplechase horse race showing the riders jumping over a hedge fence and water obstacle with spectators visible in the background, the text above and below in red and black letters with the address 137 Victoria Street London SW1 and space for the Honorary Local Secretary's details. BFSS Poster No 13. The British Field Sports Society, Countryside Business Group and Countryside Movement merged to form the Countryside Alliance in 1997. Printed by Langham, Herald Press, Farnham and Haslemere. A small piece of paper has been added to correct the address number. Good condition, minor tears and creases in left and right margins. Country: UK, year: 1949, artist: J. Thomas, size (cm): 63.5x50.5.

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74924 item(s)/page