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A fine Charles II silk embroidered dressing boxLate 17th centuryOf typical rectangular form edged with silver and silk woven braid, the whole elaborately decorated with embroidered polychrome silk, with painted and embroidered oval portrait of a noblewoman to the lid, enclosed by three dimensional delicate brass wire and silk leaves, the outer sides, with silk and covered wire stylised flowers, satin stitch animals and leaves with French knots, the sides satin stitched and couched satin stitched, with fitted mirror and silver braid, secret drawers and pin cushion to compartmented pink silk lined interior, raised on wooden bun feet, the base with Inventory number D976, with modern perspex cover and shallow plinth, velvet topped, support,16.5cm high, 36.6cm wide, 27cm deep overallFootnotes:ProvenanceProperty of a London Collector.Out of the various methods of textile production, it was embroidery that remained domestically produced. It was a task considered appropriate for the home and was undertaken by women of all levels of society, from daughters of professional families to aristocratic women including Bess of Hardwick. The techniques were learnt by completing samplers before developing into more elaborate pieces used for clothing and as decoration for luxury items, the skills to be admired and the subject matters serving as moral lessons. Subjects being naturalistic, pastoral and often being biblical, and at this time of political and religious upheaval, and loyalties were sometimes implied through the inclusion of particular figures. Several included crowned figures of Kings and Queens, representing Charles I or Charles II and Henrietta Maria or Catherine of Braganza. For a similar example see Christies The Longridge Collection Needlework Casket, 29th Oct 2019.For other recently offered larger embroidered caskets, designed as compartmentalised work or dressing boxes, with tops lifting to reveal a mirrored internal lids, see Sotheby's London, 21 March 2003, lot 27, and another similar example was offered at Christie's New York, 15 April 2005, lot 25, and notes a coffer top with mirror reflecting a hand coloured transfer printed hunting scene. Other similar caskets, beautifully worked with more elaborate appliqué and raised work, were offered at Sotheby's London, 30 November 2001, lot 3, Phillips London, 11 February 1997, and Phillips North East, 2 February 1993, this later example dated 1662 in seed pearls and the initial B.P. All have similarly designed lockplates and are applied with the metal braid.For further information on this lot please visit Bonhams.com
Mathurin Moreau (French, 1822-1912): A patinated bronze figure of 'Venus au Bain'The draped nude maiden clad in trailing diaphanous drapery and standing beside a hunting hound amongst the rushes and reeds, signed to one side math moreau, and withSociété des Bronzes de Paris pastille, raised on a rotating circular socle base, and mounted on a green veined marble circular moulded plinth, 88cm high overall, 36cm diameter overall, the marble plinth 8cm highFootnotes:ProvenanceSotheby's, 26 November 1996, lot 33.Mathurin Moreau, the son of sculptor Jean-Baptiste Moreau, emerged as a prominent sculptor in the latter half of the 19th century and the early 20th century. He trained in his father's workshop and enrolled at the École des Beaux-Arts in Paris in 1841, studying under Ramey and Dumont. In 1842, he earned the second Prix de Rome. He went on to receive several prestigious awards, including medals in 1855 and 1878, and in 1897, he was honored with a medal of honor for his contributions to the Salon.Moreau completed many public commissions, particularly for commemorative monuments, and contributed to the decorations of notable buildings such as the churches of Saint-Augustin and Trinity, the courthouse, the Hôtel de Ville, and the Tuileries. Additionally, he created numerous classical, historical, and genre works, often depicting elegant female figures that were very popular among his patrons. Today, many of his sculptures are held in public collections across France, including the Musée des Arts Décoratifs in Paris and the museums of Caen, Dijon, and Reims.Related LiteraturePierre Kjellberg, 'Les Bronzes du XIXème siècle - Dictionnaire des sculpteurst, Les Editions de l'Amateur', Paris 1987, pp 511-515 For illustrations of works see Stanislas Lami, 'Dictionnaire des Sculpteurs de l'Ecole Française au dix-neuf'This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
GB: FILE BOX COVERS AND CARDS, ESSEX POSTAL HISTORY, 1820 CONVEX 'INGATESTONE', 1857 PRICES CURRENT EL LIVERPOOL TO VIRGINIA BEARING 1/- CANCELLED 'LIVERPOOL/466' SPOON, FORES' HUNTING ENVELOPE NO.4 DERAEDEMAEKER REPRINT, 1861 ENV MANCHESTER TO EVESHAM WITH 'MISSENT TO / WORCESTER' H/S ETC., APPROX 40 ITEMS.
Circa 6th century B.C. Comprising a broad hoop of gold filigree ropework with wire borders, applied filigree rosette to underside; rectangular plaque with band of filigree loops to both long edges, applied filigree meander to centre; two hollow-formed model stags' heads each with applied filigree meander to both sides of the neck and to the spine, filigree and granule facial and other features, filigree antlers; disc dangle and filigree shank and hoop attaching to right stag's head. Cf. Marshall, F.H., Catalogue of the Jewellery, Greek, Etruscan and Roman, in the Department of Antiquities, British Museum, London, 1911, items 1166, 1228-1230, for type of jewellery with similar rosettes and filigree work; similar forms of rosette and filigree work in gold jewellery of the period in Despini, A., Greek Art. Ancient Gold Jewellery, Athens, 1996, e.g. pl.5, p.52 (earring with identical rosette); see also Castor, A.Q., ‘Archaic Greek Earrings: An interim survey’ in Archäologischer Anzeiger, 2008,1, pp.1-34. 7.59 grams, 38.13 mm overall, 18.63 mm internal diameter (approximate size British P 1/2, USA 7 3/4, Europe 16.86, Japan 16) (1 1/2 in.).Private collection formed in Europe in the 1980s. Westminster collection, central London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12355-225025.The presence of stags on the ring is a clear reference to the cult of Artemis, the hunting goddess, whose favourite animal was the deer. A particular cult of Artemis was celebrated at Brauron, in Attica. According to some stories, this was the place where Iphigenia, daughter of Agamemnon, was sacrificed to the goddess after Agamemnon offended the goddess by killing one of her sacred stags.
Mesolithic Period, circa 5000 B.C. Triangular in section with straight cutting edge, pointed butt. Cf. similar tool in MacGregor, A. (ed.), Antiquities from Europe and the Near East in the Collection of Lord MacAlpine of West Green, Oxford, 1987, item 3.1, for type. 375 grams, 18 cm (7 in.). [No Reserve]From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.These objects were produced by the hunting and gathering groups living in Europe during the early phases of the present interglacial period. The piece seems to be a core axe of Thames pick type, with pointed butt and rounded cutting edge. Core tools, now hafted, were used for woodworking in an environment now increasingly forested.
Woodland Period, circa 7900-6900 B.C. Including scrapers and a triangular obsidian arrowhead. Cf. similar arrowpoints in Horter, Bennett W., NRCS East Region, Projectile Point identification Guide, Dover, 1997, p.12. 125 grams total, 33-84 mm (1 1/4 - 3 1/4 in.). [4, No Reserve]From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.When the first arrowheads were developed in the Woodland culture, the bow and arrow began to replaced the spear and atlatl in hunting and warfare. The collection comprises a very interesting and old Amos type of arrowhead, This kind of tip was corner notched, with often serrated blade and the tip slightly off-center
Tang Dynasty, 618-907 A.D. Modelled in the round in an alert pose with raised head, flaring nostrils and pricked ears, the folds on the body indicated in red pigment. See Schafer, E.H. The Golden Peaches of Samarkand: A Study of T'ang Exotics Berkeley, 1963, pp. 83–84 for discussion of rhinoceros hunting and habitat in China. 5.35 kg, 51 cm wide (20 in.).[A video of this lot is available to view on Timeline Auctions Website]Ex Hong Kong collection, 1990s. From a London, UK, collection. Accompanied by thermoluminescence analysis report no.01C26042024 from Laboratory Kotalla. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12453-226134.
English. A gold hunting cased watch, 1874. Movement: gilt full plate, lever escapement, engraved balance cock, no. 9367. Dial: white enamel, Roman numerals, subsidiary seconds. Case: 18ct gold, gilt cap, engraved inscription to the inside cover, engraved cartouches to the covers. Signed: unsigned. Dimensions: diameter 48.5mm. £1,000-£1,500 --- Condition Report Movement: running at the time of cataloguing. Dial: in good condition. Case: worn and scuffs throughout, dents to the back cover. Inscription - ‘John Williams from his friends of the L.H.S.C. as a mark of esteem and regards 28th January 1876’. Gross weight: 109.1gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.
An mid-18th century continental silver and niello work snuff box, with two interior comportments and concealed hinges giving access to the contents via the front and rear panels, the rectangular body with chiselled wavy borders separating each panel from the adjacent one, the whole decorated with stag hunting scenes through landscapes with flora fauna and architectural follies, unmarked, probably French, circa 1750, 9cms long – 6.3oz.
A large collection of 20th cloth and other badges relating to overseas shooting, game hunting and other related advertising, including a Remington Power Piston cloth badge, a Ruger Firearms cloth badge and a Stewart & Walker Winnipeg Deer Lodge white metal advertising badge. Provenance: the property of a Hampshire private collector.
A group of six various late 19th/early 20th century shooting and hunting knives with nickel plated bodies, including a Thornhill's New Shooting Knife with combination tools and extractor for 12 and 16-bore cartridges, the body with engraved personalization to 'F.A. Darwin', body length 11cm, and a smaller example with combination tools and 12-bore extractor, the small hooked blade marked 'G. Butler & Co', body length 9cm. Provenance: the property of a Hampshire private collector.
Two early 20th century trigger-pull spring balance testers by Salter, together with a group of nickel plated brass and brass gun oil bottles of cylinder form, one marked 'W.J. Cummins, Patent No. 26280, Auckland', two other Salter spring balance testers, two spring type combination gun tools, marked 'B.S.A.', a 20th century gamebird dispatching tool, possibly by Lightwood, and two hunting calls. Provenance: the property of a Hampshire private collector.
A large collection of early 20th century ephemera relating to shooting and game hunting, including billheads, invoices, advertising inserts, letters, workers' time sheets and other documents, including a Thomas Gill London 1808 billhead, a Gough & Son Limited Birmingham billhead, a W.W. Greener Limited billhead and a William Griffiths Gun & Rifle Manufacturer Manchester billhead, dated 1897, all within two albums.
Two rare late 19th century tooled red leather game hunting ledgers/registers relating to Red Rice near Andover, Hampshire, and probably the property of Red Rice House and park, one album relating to shooting, the other to fishing, detailing the estate's hunting at home and away, with entries circa 1881, 1882 and 1883 mentioning the Best family name until taken over by the Grantley family in the 1900s, entries continue to 1942, detailed with numbers, names and types of animals hunted. Provenance: the property of a Hampshire private collector.
An early 20th century blue leather and part cloth bound game hunting ledger/register belonging to James M. Carnegie (1908-1985), given to him by his father Lancelot D. Carnegie (1861-1933), part-filled with ink-written hunting records from 1928 to 1938, some with photographic inserts, including Forebank House and Kinnaird Castle. Provenance: the property of a Hampshire private collector.
A collection of 19th and 20th century ephemera relating to shooting, hunting and rural affairs, including shopping lists, bill and letter heads and invoices, including three for Harrison's Reliable Rat Poison, dated 1909, all within three albums. Provenance: the property of a Hampshire private collector.
A large collection of mainly early to mid-20th century trade catalogues relating to shooting and game hunting, including W.J. George Dover, Dixon Sheffield, John Dickson & Sons Edinburgh, Westley Richards, W. Darlow Bedford, Gun-Craft, G. & S. Holloway Birmingham, Lightwood & Sons Ltd, Webley & Scott and Frank Dyke & Co Ltd, part loose, part within an album. Provenance: the property of a Hampshire private collector.
Two similar large late 19th/early 20th century combination multi-tool hunting/shooting knives, each with nickel plated body and an arrangement of tools, including blades, corkscrew and awl, one with hook shaped boot or hoof cleaner, main blade length 8cm, the other with engraved measurement scale to body and 12-bore cartridge extractor, main blade length 7.7cm (lacking tip), both with suspension rings. Provenance: the property of a Hampshire private collector.
A late Victorian red leather bound game book/ledger, possibly relating to the Dundreggan Estate in Scotland, with comprehensive records of both hunting and fishing around Scotland from 1887 to 1947, detailed pencil sketches of game and rural affairs and photographic inserts with names of areas hunted. Provenance: the property of a Hampshire private collector.
A large collection of mainly late 19th century and early to mid-20th century ephemera relating to shooting and game hunting, including billheads, invoices, trade catalogues and advertising material, including Alex Martin, Thomas Owen & Co Ltd, Dean, Adams and Dean, W. Darlow Bedford and Chilworth Gunpowder Co Ltd, all within two albums. Provenance: the property of a Hampshire private collector.
A large collection of scarce 19th and 20th century photographs relating to shooting, game hunting and rural affairs, including cabinet and portrait type cards, real photographs, some mounted on card, including a 1930s album of photographs, titled in ink to inside page 'For the Laird of Corrybrough. Souvenir of a day's shooting at Corrybrough on 2nd September 1937', and a 1960s picture book album, detailed with a shooter on a day's hunting, the majority loose in three albums and two smaller albums. Provenance: the property of a Hampshire private collector.
A small collection of 19th century shooting relating items, including an air cane box of boarded construction, bearing interior label, an embossed copper powder flask, decorated with hunting dogs and gamebirds, another powder flask, probably for a pistol, and a group of cleaning rods. Provenance: the property of a Hampshire private collector.
A group of early to mid-20th century game books and registers, including leather and part cloth bound, including an example detailed 'A. Millard, Bombay 1924, with entries for game hunting in England, including shooting at Sacombe Park, Hertfordshire, and entries for exotic game hunting in Bhandup, Vadgaon, near Poona, detailing game hunted and dates, and another example detailed 'Millard Valley Syndicate 1973'. Provenance: the property of a Hampshire private collector.
A collection of mainly early to mid-20th century ephemera relating to shooting, game hunting and cartridges, including billheads, invoices, trade catalogues and advertising inserts, including James Purdey & Sons Ltd, Parker-Hale Limited, William Powell, William Franter, Trent Guns and Cartridges Limited and E.M. Reilly & Co, all within a folder. Provenance: the property of a Hampshire private collector.
A large collection of scarce later 19th century and mainly early to mid 20th century shooting related ephemera connected with game hunting estates, including letters and correspondence regarding purchase and rental, including the Highland Sportsman Shooting and Estate Agency "The Scottish Register" Walker, Fraser & Steele, letters regarding game hunting, including examples concerning poaching and the illegal killing of game, various rent reminders and tenancy correspondence. Provenance: the property of a Hampshire private collector.
A collection of early to mid-20th century ephemera relating to shooting and game hunting, including billheads, invoices, trade catalogues and advertising inserts, mainly of ammunition interest, including Eley Brothers, William Griffiths and Imperial Chemical Industries Ltd, all within an album. Provenance: the property of a Hampshire private collector.
A collection of mainly early to mid-20th century ephemera relating to shooting, game hunting and cartridges, including billheads, invoices, advertising books and inserts, including E.J. Churchill, Cogswell & Harrison Ltd, Brady Bros Ltd and Henry Atkin Ltd, all within two folders. Provenance: the property of a Hampshire private collector.
A small group of game hunting related figures and models, including a Border Fine Arts resin model of a Golden Retriever standing with gun and cartridge bag, height 10.5cm, mounted on a wood plinth stand, and a Heredities Limited bronzed resin model of a gamekeeper standing with dog. Provenance: the property of a Hampshire private collector.
A large collection of early to mid-20th century ephemera relating to shooting, game hunting, explosives and cartridges, including billheads, invoices and advertising inserts, including Nobel's Explosives Company Limited, Nobel Industries Limited, Parker-Hale, Schultze Gunpowder Co Ltd, Trent Guns and Cartridges Grimsby, Western Cartridge Company and Joseph Long & Sons, all within two albums. Provenance: the property of a Hampshire private collector.
11.25inch sighted etched damascus barrels, inlaid in white metals with panels of stylised scrolling foliage, rear leaf sights, the tangs engraved with a B, stepped and bevelled locks chiselled with hounds chasing deer, the cocks with a figure of a huntsman, set triggers, full stocks carved about the ornate gilt brass rococo mounts, these decorated with foliage and hunting scenes to match, horn fore-end caps, horn topped wooden ramrods. One rear leaf sight lacking and one damaged on one pistol, the other with restored hairline crack to the butt. (2)
36inch tapering barrel with raised sighting rib engraved with the maker's details, decorated with a small panel of foliage and an acorn at the breech, border engraved lock decorated with a flash behind the pan and a small hunting vignette at the tail, rainproof pan, half stock with foliate carved cheek rest, chequered fore-end and wrist set with white metal studs, Continental style white metal mounts finely formed in the classical fashion and engraved with flowers and foliage, horn topped wooden ramrod.

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