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Emile Désiré Lienard (1842-?): Hunting dog with pheasant, brown patinated bronzeH 55 - L 73 - D 28 cm

Jean Bulio (1827-1911): The goddess of the hunt Diana with one of her hunting dogs, brown patinated bronzeH 65 cm

Henry Schouten (1857-1927): Dogs while hunting, oil on canvasWork: 100 x 73,5 cm Frame: 131 x 104 cm

A Persian Qom (Qum/Ghom) rug with a hunting scene, wool on silk, 20th C.220 x 137 cm

Hippolyte François Moreau (1832-1927): Hunter with his hunting dog, brown patinated bronze on a marble base, 20th C.H 165,5 cm (incl. the stand) Ref.:- P. Kjellberg, Les bronzes du XIXe siecle, Paris, 1989, pp. 508-510.

Pierre-Jules Mene (1810-1879): Hunting dog, gilt bronze on an onyx marble base, foundry mark 'Susse Freres Paris'H 9 - L 17,5 - D 8 cm (with base) H 7 - L 13,5 - D 5,5 cm (without base) Ref.: - P. Kjellberg, Les bronzes du XIXe siecle, Paris, 1989, pp. 469-486.

AFTER ANTOINE-LOUIS BARYE, GILT BRONZE DOG FIGURE, LATE 19TH / EARLY 20TH CENTURY modelled as a gun or hunting dog seated, signed "BARYE. FilS"20cm high

Ledray Tactical 500 Gun Light, in case, BSA 250 bar PCP Stirrup pump (no hose), Bisley air rifle cleaning kit, targets and an assortment of hunting and shooting books, including Hunting with Air Rifles by Matthew Manning, Practical Pest Control George Hogg & Ferrets D. Brian Plummer.

Frank Vernon Martin (1921 - 2005)"Amazone", a study of a woman on horseback flanked by three hunting dogs, advancing through a dense forest, drypoint, artist's proof, signed in graphite, in contemporary ebonised frame under glass, 23 cm x 29 cm overall[Martin was born in Dulwich, South London in 1921 and grew up attending the theatre alongside his mother, who worked as an actress in the 1920s-1930s. This sparked a lifelong fascination with the acting profession and reinforced his love of the movies, making him an avid filmgoer and inspiring numerous works later in life.The artist began studying history at Oxford, but decided to pursue an artistic career after being commissioned into the Royal Artillery in 1941. Upon his return, he enrolled in the printing department of Saint Martin's School of Art, London where he was taught by prominent etchers and wood engravers; Clifford Webb and Gertrude Hermes.He began his professional career as a freelance illustrator, wood engraver and commercial artist; illustrating fashion for The Sunday Times. He also produced works for other books, magazines and private clients; receiving eight major Folio Society commissions, designing a letterhead for British author/journalist Evelyn Waugh and creating cover illustrations for the Oxford Standard Authors series. One such Folio Society rendering, for Stendhal's Scarlet and Black, was praised as "the best series of post-war English illustrations". He taught his craft at the Camberwell School of Art, becoming Senior Lecturer and later Head of Department. He retired in 1980, devoting the last 25 years of his life to his art and producing limited-edition prints. His favourite and most renowned works, those of Hollywood actresses of the silent movie era, ooze nostalgia and present an adoration of women, their intelligence and beauty. No doubt inspired by a childhood immersed in his mother's aura and the glamour of her profession.His work is held in public and private collections worldwide. These include Tate and Victoria and Albert Museum, London and in the private collections of actor Sir Michael Caine and musician Sir Elton John.Numerous solo exhibitions include locations such as Folio Society, National Film Theatre, Lyric Theatre Hammersmith, Editions Graphiques Gallery, Atrium Gallery and the Leeds International Film Festival. ]

Two metal figures of Ganesh, other figures, a set of four brass hunting horn candlesticks a Precolumbian taste terracotta figure, a mask, a pottery head, etc.

A 19th century leather hunting/cartridge bag with fitted metal interior and contents, 'The Victor' embossed label

A Victorian chromolithograph of a hunting dog, 15 x 20.5cm and three 19th century hunting prints

A box of various brass and copper including hunting horn, trivet, candlesticks, hand bell etc.

A 19th century leather hunting/cartridge bag wtih impressed name to reverse

A collection of brass including oriental box, copper hunting horn, horse brasses etc.

A pair of Victorian cast silver napkin rings, decorated in relief with a hunting scene, featuring a stang and hounds, Wakeley & Wheeler, London 1899, diameter 4.8cm, combined weight 139g/4.46ozt approx (2)

Glassware to include a large glass jug with silver plated mount and handle, height 32cm, a clear glass decanter with spherical stopper, jars, preserve pots, sugar caster, knife rests, a miniature three-piece cruet set, vintage shot glasses with hunting scenes, a Caithness paperweight, a large acid green vase with flared rim, etc.

A quantity of vinyl LPs to include Peter Cetera 'Solitude/Solitaire', Gerry Rafferty 'North and South', Ozzy Osbourne 'Bark at the Moon', Bon Jovi '7800° Fahrenheit', Ozzy Osbourne 'The Ultimate Sin', Starship 'Knee Deep in the Hoopla', Journey 'Raised on Radio', Mr. Mister 'Welcome to the Real World', Meat Loaf 'Blind Before I Stop', Pat Benatar 'Seven the Hard Way', Van Morrison 'No Guru, No Method, No Teacher', Alice Cooper 'Constrictor', Styx 'Cornerstone', Tears for Fears 'The Hurting', Bonnie Tyler 'Secret Dreams and Forbidden Fire', Madonna 'The First Album', The Rolling Stones 'Emotional Rescue', with two posters, Blue Oyster Cult 'Cultosaurus Erectus', Elton John 'Jump Up', Bon Jovi 'Slippery When Wet', Magnum 'Marauder', The Alan Parsons Project 'Ammonia Avenue', Genesis 'Abacab', Dire Straits 'Love over Gold', Eric Clapton 'Money and Cigarettes', Kim Wilde 'Water on Glass', ACDC 'Who Made Who', Mr. Mister 'I Wear the Face', Eurythmics 'Revenge', George Benson 'While the City Sleeps...', A-ha 'Hunting High and Low', Sting 'The Dream of the Turtles', Icehouse 'Man of Colours', The The 'Infected', Alice Cooper 'Special Forces', Meat Loaf self-titled album, Warren Zevon 'The Envoy', Eurythmics 'Touch Dance', Mike Oldfield 'Ommadawn', Kool & The Gang 'Emergency', David Essex 'All the Fun of the Fair', Jackson Browne 'Lives in the Balance', The Tubes 'Outside Inside', Journey 'Departure', Rainbow 'Straight Between the Eyes', Van Morrison 'Beautiful Vision', 'Toto IV', Bryan Adams 'Cuts Like a Knife', Talking Heads 'Stop Making Sense', Eric Clapton 'Behind the Sun', Tom Petty and the Heartbreakers 'Southern Accent', ZZ Top 'Afterburner', Bryan Adams 'Reckless', Southside Johnny & The Asbury Jukes 'Love is a Sacrifice', Supertramp '...Famous Last Words...', Dan Hartman 'Relight My Fire', Kevin Rowland and Dexys Midnight Runners 'Too-Rye-Ay', the Steve Miller Band 'Abracadabra', etc.

2 x hand painted Islamic pictures depicting polo & hunting in Persian Khātam frames - largest 23cm x 15.5cm

Hunting theme qty of porcelain dinner / teaware ~ Regency, F R Gray & Sons (Aldridge) etc ~ largest oval platter 41cm across

Edward VII vesta case cast with duck hunting scene to both sides, makers mark indistinct HC, Birmingham 1903

Victorian combination vinaigrette-scent bottle in the form of a hunting horn on suspension chain, by Samson Mordan, London 1874, 1ozt 34gmCondition Report: wear to the internal gilding. light wear and scratching overall, no obvious faults.

Jacques d‘Arthois (1613 – 1686) und Peeter Bout (1658 – 1719), zug.BERGIGE LANDSCHAFT MIT REISENDEN UND JAGDGESELLSCHAFTÖl auf Holz.74 x 105,5 cm.In dekorativem teilvergoldeten Holzrahmen.In bergiger, teils sandiger Landschaft zwei beladene, von Pferden gezogene Planwagen auf einem schmalen Weg, während rechtsseitig, unmittelbar vor einer Anhöhe, eine elegante Jagdgesellschaft mit Hunden und einem Treiber unterwegs ist. In der Mitte des Hintergrunds erstreckt sich eine weite Landschaft mit einer Kirche in diffusem, türkisfarbenem Licht, deren Turm in den hohen, weiß-grauen Himmel mit wenig fliegenden Vögeln ragt. Qualitätvolle, harmonische Malerei in überwiegend beige-braunen und grau-weißen Farbtönen. Anmerkung: Der Maler und Radierer Peeter Bout war als Staffagemaler für mehrere andere Künstler tätig, so auch bei dem vorliegenden Gemälde für Jaques d‘Artois. (1431591) (18)Jacques d’Arthois (1613 – 1686) and Pieter Bout (1658 – 1719), attributedMOUNTAIN LANDSCAPE WITH TRAVELLERS AND HUNTING PARTY Oil on panel.74 x 105.5 cm.Notes: The painter and etcher Pieter Bout worked as a staffage painter for several other artists, including Jacques d’Artois as is the case in the present painting.

Giovanni Antonio Guardi, 1698/99 – 1760GemäldepaarAUFBRUCH ZUR JAGDsowieRAST BEI DER JAGDÖl auf Leinwand.23 x 33 cm.Beigegeben eine Expertise von Dario Succi, Gorizia, vom 28. Februar 1997, in Kopie.Der Malstil des Italieners unterscheidet sich völlig von dem holländischer oder deutscher Meister bei der Behandlung derartiger Jagdszenen. Guardi hat bewusst auf akribische Details verzichtet, um stattdessen das Wesentliche in den Vordergrund zu rücken: die dynamischen Bewegungen und die subtilen Lichtstimmungen, die seine Werke durchdringen. Damit kommt der Zeitverlauf der Handlungen in diesen Darstellungen in jedem Detail zur Wirkung. Auch versteht es Guardi hier, das Weiß des Schimmels mit Wolkenbildungen farbkompositorisch in Verbindung zu setzen, anders als etwa der Holländer Wouwerman. Guardi verzichtet hier auch auf detaillierte Wiedergabe etwa des Bauernhauses in der „Rast“, wohingegen die Aufmerksamkeit weit mehr auf das Herumspringen der Hunde gerichtet ist. Auch im Gegenstück, das den „Aufbruch zur Jagd“ zeigt, liegt alle Spannung in der Spontanität der hoch- und vorspringenden Pferde. Das Gesamtwerk des Malers zeigt, dass er sich weit mehr als seine venezianischen Kollegen neben der Vedute auch den figürlichen Szenerien gewidmet hat. Hierin war er ein Meister in der Wiedergabe des flüchtigen Augenblicks. Dies zeigen auch seine Bilder religiöser Themen.Literatur:Antonio Morassi, Guardi, Bd. II., Venedig 1973, Abb. 161-162. Neuauflage 1984. (14116614) (11)Giovanni Antonio Guardi,1698/99 – 1760A pair of paintingsSETTING OFF THE HUNTandRESTING WHILE HUNTINGOil on canvas.23 x 33 cm.Accompanied by an expert’s report by Dario Succi, Gorizia, dated 28 February 1997, in copy. Literature:Antonio Morassi, Guardi, Venice 1973, vol. II. ill. 161, 162, new edition 1984.

Three graduating mid 19th century Victorian caneware lidded game dishes by Copeland / Wedgwood. Each featuring prey finial, two with birds & one with rabbied, woven edges, and relief scenes of hunting dogs, strung birds and grapes. The largest signed Wedgwood, the smallest Copeland (with historic damage & repair. Each complete with removeable central warming dish.Largest measures approx. 15cm x 24cm x 16cm.

Paranormal interest. A collection of vintage reference books on British ghosts and spectres. The lot to include A Bottomless Grave and Other Victorian Tales of Terror ed. Hugh Lamb, Ghosts of Cornwall by Peter Underwood, Burke & Hare - The Year of the Ghouls by Brian Bailey, The Maul and the Pear Tree - The Ratcliffe Highway Murders 1811 by T. A. Critchley & P. D. James, Haunted Houses by Joseph Braddock, Haunted Churches of England - Ghosts Ancient and Modern by Graham J. McEwarn, Witchcraft out of the Shadowsds by Leo Ruickbie, A Natural History of Ghosts - 500 Years of Hunting for Proof by Roger Clarke, Haunted Britain by Anthony D. Hippisley Coxe, The Encyclopaedia of Ghosts and Spirits by John and Anne Spencer, and Britain's Haunted Heritage by J. A. Brooks. Those issued in smart dust wrappers, a spooky collection. 8vo.

Authentic signed index card featuring the autograph of Matt Damon, the Academy Award-winning actor, producer, and screenwriter known for his roles in Good Will Hunting, The Bourne Identity series, The Martian, and Saving Private Ryan. Damon's career has spanned decades, making him one of Hollywood's most recognizable and acclaimed talents. This signature comes with a Certificate of Authenticity (COA), ensuring its legitimacy for collectors and fans alike.Issued: 20th centuryDimensions: 10"LCondition: Age related wear.

John Shinnors (B.1950) Fox Hunting Sheep Oil on canvas, 91.5 x 113cm (36 x 44½") SignedShinnors delights in moments of visual ambiguity and confusion, something he traces back to a moment when, having established himself as a virtuoso painter of magic realist compositions, he became dissatisfied. One morning at a fishmongers he was transfixed by the sight of mackerel laid out on a tray, translated into an abstract arrangement of pattern, light and contrast. It was as though he was really seeing them for the first time. The idea of the familiar, tangible world transformed into a complex pictorial abstraction, while retaining the power of the source image, stayed with him.In this work we have a birds-eye view of the pictorial plane. The fox ‘pencil like’ in appearance, lays waiting, as the sheep traverse across the top part of the canvas, while his palette is typically monochromatic. He did not set out with the aim of becoming a professional artist. His attendance at Limerick School of Art could be described as casual - though the school was then overseen by Jack Donovan, an exemplary influence. After time spent wandering in England he returned to Limerick and taught art for a while. His early, highly realist style was usurped by the sudden realization that a painting could be more than a representation as such, that it could enshrine that magical, inexplicable moment of "dynamic interaction." A master of a monochromatic palette, endlessly inventive with a distinctive visual wit, he's never looked back since.

Beguelin Houriet. A gold and enamel hunting cased watch, circa 1860. Movement: jewelled lever escapement. Dial: white enamel, Roman numerals, subsidiary seconds. Case: 18ct gold, hinged covers, engine-turned, blue, black and white enamel decoration, gold signed cuvette, no. 19231. Signed: cuvette signed Beguelin Houriet, Tramelan. Dimensions: diameter 41.5m. Accessories: fitted presentation case, gold plated fob chain £1,200-£1,800 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Provenance: Property of Captain James Keaton Latty. Captain Lacey was born in 1846 in Quebec. He received the Canada General Service Medal in 1903. Condition Report Movement: running at the time of cataloguing. Dial: small crack to the edge between VI & VII. Case: slight dents, scuffs throughout, some losses to the enamel. Gross weight: 56gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Swiss. A gold hunting cased keyless watch, 1926. Movement: lever escapement. Dial: white enamel, Roman numerals, subsidiary seconds. Case: 9ct gold, gold cuvette, hinged back, Chester hallmark for 1926, maker’s mark BB, no. 3178. Signed: unsigned. Dimensions: diameter 49mm. £400-£600 --- Condition Report Movement: running at the time of cataloguing. Dial: in good condition. Case: scuffs throughout, indentations to both covers. Gross weight: 84.4gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

J. R. & W. Laing. A gold hunting cased keyless watch with stop/start slide, 1905. Movement: gilded three quarter plate, lever escapement, no. 154088. Dial: white enamel, Roman numerals, centre seconds, outer minute track. Case: 18ct gold, cover with engraved monogram, crest to the rear cover, gold cuvette with inscription, stop/start slide to the band. Signed: dial and movement signed J. R. & W. Laing, chronometer makers to the Admiralty. 10 Gordon St. & 53 & 55 Brunswick St. Glasgow. Dimensions: diameter 53mm. £1,000-£1,500 --- Condition Report Movement: running at the time of cataloguing, stop/start slide not working. Dial: hairline cracks to the chapter ring and the centre of the dial. Case: scuffs throughout and wear to the engraving. Inscribed - Presented to Mr Andrew P. Hamilton on the occasion of his marriage by the members of ‘The lodge of Glasgow St. John No. 3 Bis’ As a mark of esteem and in appreciation of his services to the lodge as secretary 26th June 1906. Crest inscribed - Non Deficit Alter. Gross weight: 137.2gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Swiss. A gold half hunting cased wriswatch, 1910. Movement: jewelled lever escapement. Dial: white enamel, Arabic numerals. Case: 12ct gold, hinged back, cover with glazed aperture and black enamel Arabic numerals, gold cuvette with inscription, back with engraved initials, no.116372, maker’s mark A.L, Glasgow import mark for 1910. Signed: unsigned. Dimensions: diameter 31mm. Together with a later gilt metal expanding bracelet. £100-£150 --- Condition Report Movement: running at the time of cataloguing. Dial: cracks. Case: scuffs throughout, some enamel lacking to the numerals on the cover. Cuvette inscribed - 27 August 1917. Gross weight: 32.3gms Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Sir John Bennett Ltd, London. A gold half hunting cased keyless watch, circa 1900. Movement: gilded three quarter plate, lever escapement. Dial: white enamel, Roman numerals, subsidiary seconds. Case: 18ct gold, glazed aperture, black enamel Roman numerals, engraved floral and foliate decoration, blank cartouche to case back. Signed: dial, movement and cuvette. Dimensions: diameter 34.5mm. £400-£600 --- Condition Report Movement: not running, balance not rotating. Dial: in good condition. Case: lacking glass to dial. Light scuffs. Gross weight: 36.8gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Swiss. A gold hunting cased keyless watch, circa 1900. Movement: jewelled lever escapement. Dial: white enamel dial, Roman numerals. Case: 18ct gold, gold cuvette with engraved inscription, hinged covers with engraved monograms. Signed: unsigned. Dimensions: diameter 33.5mm. £600-£800 --- Condition Report Movement: running at the time of cataloguing. Dial: in good condition. Case: scuffs throughout, missing bow. Cuvette inscribed - June 25th 1902. Gross weight: 33.4gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Group of five Inuit or indigenous Canadian First Nations carved soapstone sculptures. One depicting two turning whales, three depicting figures hunting, and one depicting a goose or waterfowl. The three hunting figures with "Eskimo Art Canada" igloo stickers affixed to the underside. One hunting figure holding up a seal by Samwillie Quarak (Great Whale River/Kuujjuaraapik, b. 1942). All figures signed with syllabics or disc numbers along the underside.Height ranges from 3 1/4 in to 7 1/2 in; width ranges from 3 1/4 in to 8 in; depth ranges from 1 1/2 in to 8 in.Condition: To most of the carvings, there are no major breaks or losses. There are some small chips along high points including the fins of the dolphin and the apex of the tallest figure. There is a loss to the beak or bill of the waterfowl carving. Some scratches throughout. Light wear to the undersides.

RAOUL MILLAIS (BRITISH, 1901-1999)Hunting signed and dated 'Raoul Millais 46' (lower right) oil on panel 25 x 30.5cm ARR Provenance Fine Art Society, New Bond Street, London; Private collection, UKCondition ReportPanel very slightly bowed outwards; paint surface in good, clean condition; no sign of retouching under ultraviolet light; held in a painted frame with chips to paint work.

A GOOD LATE 16TH/EARLY 17TH CENTURY CARVED TOP RAIL. Carved with cherubs playing musical instruments at each end together with cherubs hunting wolves throughout the panel, and with a lunette lower frieze, 187cm wide. *CR Good and deep carving, nice colour and patina, general marks and wear, scuffs.

PIERRE-JULES MÊNE (1810-1879), AN ANIMALIER BRONZE GROUP 'CHASSE À LA PERDRIX' MID 19TH CENTURY Two hunting hounds, a setter and a pointer, flushing a partridge in the undergrowth, signed to cast P.J.Mene 22cm high, the base 41.3cm wide Literature: Christopher Payne; Animals in Bronze, Woodbridge, 1986, p. 206. Mêne's original wax group of this subject was exhibited at the Salon of 1848 in bronze in 1850. The dogs are Sylphie the setter and Tac the pointer. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. With some wear to raised ears of top dog and some wear to patina along exposed extremities of anatomy and composition raised elements. Several screws/nuts to underside look to have been replaced base 41.3cm wide, 21cm deep Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

FERDINAND PAUTROT (1832-1874), AN ANIMALIER BRONZE 'SETTER AND GAME' LATE 19TH CENTURY Study of a seated setter holding a game bird in its mouth, signed to cast F Pautrot 30cm high, the base 24cm wide Literature: Illustrated page 534, Les Bronzes Du XIXe Siecle, P. Kjellberg, les editions de l'amateur, Paris Illustrated page 275, Les Animaliers, J. Horswell, Antique Collector's Club, 1971, Suffolk Ferdinand Pautrot was born in Poitiers and his first recorded exhibition at the Salon in Paris was in 1861 with three entries. He continued to exhibit at the Salon until 1870 with work consisting mostly of hunting dogs, birds, horses, and wild animals. This well detailed dog was conceived by the artist as one of a pendant pair, the other dog a pointer holding a hare. For similar see Sworders, The selected contents of The Old House, Aspley Guise, Bedfordshire, 3 December 2024, Lot 15 (£4,000 excl. BP). Condition Report: With mild wear, marks, knocks and scratches as per age, handling, use, and cleaning. Slightly paler patination from handling but generally good condition Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

Two sets of four hunting scene engravings to include an early 20th century set by Samuel Howitt Location:If there is no condition report shown, please request

A pair of oils on canvas depicting rural hunting scenes, both in gilt frames and signed Brian Tovey Location: LABPRIf there is no condition report shown, please request

An early 20th Century silver hunting horn. By Sampson Mordan. Approx. 22 grams. Est. £40 - £60.

A framed embroidery panel, 18th century, metal and silk threads on a silk cloth, the central vignette with scrolling frame and stylised shells depicting The Annunciation, the whole flanked by a border of medieval figures, daffodils or narcissus, hunting dogs and roses, set within a carved giltwood frame decorated with trail of oak and bay leaves42 x 50cm

A group of Bohemian ruby-flashed glassware, to include a pair of decanters with grape and leaf vine central band, 37cm high; a squat facetted bottle with swirled stopper, 18cm high; a small bell shaped vine leaf etched decanter, 14cm high; a conical vase painted with hunting scenes; and a small dish 19cm high (6) Provenance: 8 Stanley Crescent, London, W11

A group of Spode blue and white pearlware from the 'Indian Sporting' series, early 19th Century, comprising a meat plate printed with 'Dooreahs Leading out Dogs', 46.5cm long, a warming plate printed 'Death of the Bear' a soup plate 'Chase after a Wolf', oblong tureen cover 'Shooting at the Edge of a Jungle', a small oblong platter 'Hunting a Civet Cat', and a side plate with horse and groom, printed and impressed marksWarming plate has a small repaired chip at 1 o'clock. No other items with damage or repair. The large meat plate does have some staining.

A 19thC terracotta wine jug with stoneware hunting jug, tallest 29cm.

A Wedgwood majolica part dessert service, 19th century, comprising; a pair of tall tazza's, the octagonal plate with a central scene of hunting hounds, within a swag border, raised on a quatrefoil dolphin base, impressed marks 'AXS' for 1864, 22.5cm wide, the accompanying pair with a central scene of cloaked men on a rowing boat, and two smaller tazza's, similarly decorated with hounds and a farm girl, also dated for 1864, 22.9cm wide (4) (at fault) CONDITION REPORT:One tall tazza shows a chip to the rim approximately 2cm long.  One short tazza shows rivet repairs to two of the legs.  All show crazing to the central green panels, and the odd firing pit and frit.

Nine antiquarian bindings, to include THE DIARY OF MR JAMES MELVILL 1556-1601, printed at Edinburgh 1829; Steinlen, DANS LA VIE, Sevin Et Rey, Paris 1901; Thackery (William M), THE HISTORY OF SAMUEL TITMARSH, Bradbury & Evans, London 1849; Gilbert (W.S.), THE 'BAB' BALLADS, George Routledge & Sons, London 1870; Bowers (G) MR CROP'S HARRIERS, Day & Son, London; Edwards (Lionel), MY HUNTING SKETCHBOOK, Eyre & Spottiswoode Ltd, London 1928; etc (9)

An Italian Maiolica blue and white table centre of large proportions, 19th century, of navette form, the body extensively decorated with wild boar and deer hunting scenes, the flared shaped rim set with four mythical masks and two illustrated cartouches, to one side depicting a lighthouse, and to the other a heraldic cross, the scrolled handles formed as gaping maws with mythical birds below, 85cm wide

An early 20th century oak twin rail whip rack, 68cm H x 84cm W, a Cottam & Willmore saddle rack, four Edwardian ceiling hanging tack cleaning hooks, 68cm high, a horn handled riding crop and a brass hunting horn (8) (at fault)

A group of silver including a pair of silver coasters. M. C. Hersey & Son, London, 2004 & 2005.Of circular form, with turned wooden bases, 9.1cm dia., 3.7cm high; together with a pair of George III silver peppers, London 1805, the urn-shaped bodies repousse decorated with bow garlands and swags, raised on square bases, 10.2cm high; a set of six novelty silver cocktail sticks with duck terminals, stamped sterling silver; a pair of silver napkin rings decorated with fox hunting scenes, Sheffield, 1899, Joseph Rodgers & Sons; a cased pair of hexagonal silver napkin rings, Chester, 1911, Cornelius Desormeaux Saunders & James Francis Hollings; and a silver waiter by William Hutton & Sons, one foot deficient, 21cm dia., total weighable silver approx. 20.2ozt (a lot)

A Burmese provincial silver 'upside down' bowl.c.1910. Of circular form, the sides embossed with hunting scenes and animals framed by intertwining trees and arches against a ring punched ground, the base chased with seven animals from the Burmese 'Mahabote' Zodiac including an elephant, a snake, a lion and a bird, 8.8cm high, rim dia. approx. 10.7ozt, approx. weight 7.6ozt  

Six Chinese School hunting illustrations in watercolour/gouache, framed, mounted and under glass, each 38cm x 53cm overall

An Indian silk rug, decorated with hunting scenes, with multiple line border and centre rectangular panel, principal colours dark blue, blue and beige.  128 cm x 182 cm excluding fringed ends (see illustration).

A pair of Swiss hall chairs, with inlaid Alpine hunting scenes to backs the figures in Bavarian clothing, the bases decorated with inlaid Goat and Chamois, raised on carved legs.  Height 93 cm, width 46 cm, seat height 43 cm (see illustration).

Two books on Gamebirds and Hunting, "Gamebirds and Wild Fowl of Sweden and Norway" by L Lloyd, published by Frederick Warne & Company, hard cover first edition 1867, with green boards and gilded decoration, together with "The English Sportsman The Western Prairies" by Grantley Berkeley, published by Hurst & Blackett London 1861, rear board detached but still present and spine damaged top and bottom but still securely attached.

A good collection of various GUN related books, to include, Guns on the early frontiers by Carl P. Russell; The Identification of firearms and forensic ballistics, Major Sir Gerald Burrard; Colt's Old model Pocket Pistol 1848-1872, P. L. Shumaker; Antique Firearms, L. Tarassuk; Spanish Guns and Pistols, W. Keith Neal; Duelling Pistols, John A. Atkinson; Colt Automatic Pistols 1896-1955, Donald B. Bady; pictorial History of the Rifle, G.W.P. Swenson; Shooting, Fishing and Gun book, Sidney Du Broff; Introduction to Shooting, Douglas Service; Firearms, Howard Rickets; Masterpieces of Russian Hunting Arms, etc, etc. (20)

A VINTAGE BRITAINS HUNTING SET, FIVE COCO CUBS, and a selection of lead and diecast figures from various makes, motorcycle riders, lifeboat man, tractor drivers, football goalkeepers no name a few (2 tray)

A vintage Scottish Highland Sgian Dubh together with an American Old Timer / Schrade ' Sharpfinger ' USA 152 hunting knife. Both housed in leather scabbards. Schrade measures approx 18cm.

A collection of 19th Century Indian hunting arrows. All steel construction with pointed tips, brass and copper collars and slender shafts. Largest measures approx 38cm.