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Lot 2511
EMIL HERMANN, u.a., 8 Schnapsbecher auf Tablett, 925 Silber, 20. Jh. EMIL HERMANN 8 Becher mit jagdlichen Tierapplikationen, H. ca. 4,5 cm und ein Rundtablett mit Kordelrand, punziert 'ABC' (nicht gedeutet), D. ca. 14, Gewicht ca. 299 g. Leichte Kratz- und Gebrauchsspuren, leicht gedellt.| EMIL HERMANN, a.o., 8 cups on tray, 925 silver, 20th cent. EMIL HERMANN 8 cup with hunting animal appliqués, h. approx. 4.5 cm and a round tray with corded rim, marked 'ABC' (not interpreted), d. approx. 14, weight approx. 299 g. Slight signs of scratching and use, slightly dented.
Lot 752
ZWEITEILIGES GLASKONVOLUT, bestehend aus einem Becher mit Schliffdekor und großer Schnupftabakflasche mit jagdlichem Dekor, Widmung, Datierung 1827 und Monogramm. H: 12 cm bzw. 21,5 cm. Alters- und Gebrauchsspuren, part. bestoßen.| TWO-PART GLASS CONVOLUTION, consisting of a beaker with cut decoration and a large snuff bottle with hunting decoration, dedication, date 1827 and monogram. H: 12 cm and 21.5 cm respectively. Signs of age and use, partially chipped.
Lot 63
Medieval Dagger Pommel. Â Circa 15th century AD. Copper-alloy, 93.02 grams. 37.66 x 27.78 mm. A pommel in the form of a dog's head, possibly a spaniel and from a single edged knife like a hunting dagger. The details of the dog are engraved rather than cast which gives this piece its own identity, its very unlikely there would be another exactly the same. For similar see: Ref: PAS, LON-3C6C02.
Lot 64
Medieval Dagger Pommel  A Post Medieval copper alloy knife pommel in the form of a dog's head, a spaniel (AD1500-1600). John Clark identified this as the pommel from a single edged knife like a hunting dagger. The spaniel is usually associated with the Talbot family. He notes that single-edged knife pommels are often asymmetrical like this example. This pommel is hollow and is cast to form a three-dimensional dog’s head. There is a sub-oval perforation at the peak, probably the point to secure the pommel with the blade and the handle. The ears and the nose of the dog have cast details. Details of the eyes, fur and probably a collar have been engraved. The lower edges of the pommel are dished where it would sit adjacent to the grip. Dimensions: length: 35.37mm; width: 38.07mm; thickness: 22.05mm; weight: 84.74g. Identified by John Clark Senior Medieval Curator, Museum of London. PAS:LON-3C6C02.
Lot 142
Two vintage Bowie style hunting / bush knives comprising a German Carl Schlieper (Solingen) ' African Hunter ' with a grooved wooden grip and brass crossguard and another homespun / crude example with a Japanese Katana style grip and clipped blade. Largest measures approx 36cm. If this lot is required to be posted please see sale notes regarding age verification.
Lot 128
A WWII Second World War Third Reich Nazi German Hunting Club cigar cutter. Stag horn construction imprinted with Hunting Society logo and a metal cutting mechanism. Measures approx 28cm. Due to the nature of these items, we politely remind buyers of the need to satisfy themselves as to the condition / originality of all lots prior to bidding irrespective of any description. If this lot is required to be posted please see sale notes regarding age verification.
Lot 1065
Maynard Reece (1920-2020) American Duck Stamp Design, 1959Signed and inscribed, black and white print of the design for the Migratory Bird Hunting Stamp, US Department of the Interior, together with a further etching, signed Edward A Morris "Federal Duck Stamp Design, 1962-63", 16.5cm by 22cm and 18cm by 24cm respectively (2)
Lot 202
Beswick Hunting Group, comprising: Huntsman on Rearing Horse, model No. 868, and Huntsman (Standing), Style Two, model No. 1501, both brown gloss; together with Huntsman (Standing), Style Two, model No. 1501, grey gloss; a large fox, and five fox hounds (9)The huntswoman on grey has a chip to one ear of the horse. Other models with fine crazing but otherwise good condition.
Lot 3403
An early 20th century periscope walking stick, adapted from a Great War trench periscope, with ebonised tapering shaft, 86cm, one further novelty Malacca walking cane enclosing a long glass vile, 88cm and two silver plated telescopic hunting cups in leather cases (4) Condition Report: Length of glass tube 34cmDiameter at large end/handle 2.5cm
Lot 102
AN OPENWORK STEEL INDIAN FLINT STRIKER WITH HUNTING ANIMALS AN EYE FOR DETAIL: PROPERTY FROM A PRIVATE ESTATE IN NORTHERN LONDON Northern India, late 19th centuryOf typical upward-turned and curled shape, with a thick, flat base, pierced and engraved with three feline predators attacking a mythical creature, reminiscent of a makara, a water buffalo, and a snake or dragon, 11.5cm x 9cm. 11.5cm x 9cm Qty: 1 Evidence of wear, rubbing, superifical marks and gentle rusting especially around the base. No clear evidence of major damage, breaks, or dents. Overall in good condition.
Lot 122
* JOHN EVERARD KINGSLEY RSW DA PAI (SCOTTISH b. 1956), MEDITERRANEAN TREES oil on board, signed framed and under glassProvenance: The Late Jack McLean image size 11.5cm x 11.5cm, overall size 27cm x 27cm Note: John Kingsley was born in Glasgow in 1956. He studied drawing and painting at Glasgow School of Art from 1973-77. His art tutors included James Downie Robertson, David Donaldson and Geoffrey Squire. From 1980-86 he exhibited in one-man shows at the annual S.N.O. Promenade Concerts at the Kelvin Hall, Glasgow and in 1986 he was elected a member of Group 81 Artists, who exhibited regularly at the McLellan Galleries, Glasgow. John Kingsley has established a reputation as a leading Scottish contemporary artist. He was a finalist in the Hunting Art Prizes competition in London in 1989, 1993 and 1998, and was highly commended in the same competition in 1996. In 1991 Kingsley won the William Bowie Landscape Prize and in 1992 the Mary Armour Award at the Paisley Art Institute. Kingsley has an international reputation with art works in many public and private art collections across Europe, Australia, Canada and the USA. His paintings are found in the art collections of HRH The Duke of Edinburgh, Argyll and Bute District Council and the Royal College of Physicians and Surgeons, Glasgow and in numerous corporate collections throughout the UK.
Lot 114
* JOHN EVERARD KINGSLEY RSW DA PAI (SCOTTISH b. 1956), THE VIOLINIST oil on canvas, signed framedProvenance: The Late Jack McLean image size 39cm x 39cm, overall size 56cm x 56cm Note: John Kingsley was born in Glasgow in 1956. He studied drawing and painting at Glasgow School of Art from 1973-77. His art tutors included James Downie Robertson, David Donaldson and Geoffrey Squire. From 1980-86 he exhibited in one-man shows at the annual S.N.O. Promenade Concerts at the Kelvin Hall, Glasgow and in 1986 he was elected a member of Group 81 Artists, who exhibited regularly at the McLellan Galleries, Glasgow. John Kingsley has established a reputation as a leading Scottish contemporary artist. He was a finalist in the Hunting Art Prizes competition in London in 1989, 1993 and 1998, and was highly commended in the same competition in 1996. In 1991 Kingsley won the William Bowie Landscape Prize and in 1992 the Mary Armour Award at the Paisley Art Institute. Kingsley has an international reputation with art works in many public and private art collections across Europe, Australia, Canada and the USA. His paintings are found in the art collections of HRH The Duke of Edinburgh, Argyll and Bute District Council and the Royal College of Physicians and Surgeons, Glasgow and in numerous corporate collections throughout the UK.
Lot 221
A collection of pictures, prints etc to include D. JEFFRIES "Still life" study of fruit on a tablecloth, signed and dated '77 middle left, 35.5 cm x 46 cm, SMOLENSKI "Study of a man with bottle" oil on board, signed lower right, 54.5 cm x 53 cm, repro Spanish advertising poster, two hunting engravings, an embroidered panel depicting various Middle Eastern figures in landscapes, together with a folio containing various decorative, mainly mid 20th Century and later, pictures, prints etc
Lot 683
Shepard (Ernest H, illustrator). Cheddar Gorge, A Book of English Cheeses, edited by John Squire, signed limited edition, London: Collins, 1937, double signed to limitation by both editor and illustrator, full-page illustrations, top edge gilt, remainder untrimmed, original yellow buckram gilt, marked and some soiling, 4to, together with:Carroll (Lewis). The Hunting of the Snark, an agony, in eight fits, 1st edition, London: Macmillan and Co, 1876, 9 full-page illustrations by Henry Holiday, neat ownership inscriptions to head of front blank, original pictorial brown cloth, lacking half of backstrip, rubbed, 8vo, plusDrayton (Michael). Nimphidia, The Court of the Fayrie, newly printed from the folio of 1627, Stratford-upon-Avon, 1924, contemporary green morocco-backed boards, spine worn, 12mo, with 22 other children's and illustrated booksQTY: (25)
Lot 253
Romano-British, 2nd century AD, a bronze wine strainer, 28.7cm in length including handle, the bowl 11.3cm in diameter, sheet-bronze of fine workmanship 4.5cms deep with perforations arranged in rows vertically from the centre in a rosette pattern. Towards the rim the piercings are horizontally arranged. The handle is solid and rectangular in section. A smooth turquoise patina covers most of the strainer, professionally restored with a metal sheet shaped to fill the missing areas around the bowl which is reversible £100-£150 --- Provenance: Found in August 2000 at a detecting rally in Wendover (Buckinghamshire) close to a Roman cremation burial of glass fragments, three Samian dishes and an iron adze dating to the 2nd century AD, recorded as monument record 0637400000. Loaned by the finder to the Buckinghamshire County Museum and published in Treasure Hunting magazine September 2002, pp66-69. This strainer would have been used to filter sediment from wine
Lot 318
14th century, a bronze seal matrix, measuring 20mm x 17mm, by 19mm high, shield-shaped with central loop behind, central motif of stag’s head facing with cross between antlers, inscription above reads ‘lelsv’ (I am loyal [?]). Very fine with an olive green patina £60-£80 --- Provenance: Found at Corhampton in Hampshire Saint Hubert was the patron saint of hunting and highly venerated in Medieval Europe
Lot 218
Western Sahara Neolithic, c. 10,000-6,000 BC stone ritual spheres (37), diameters range from 4.2 cm- 0.9 cm. Hand shaped from quartz and Jasper stone. [37]. All intact with varied surface wear £60-£80 --- Provenance: All from the Shlomo Gabbay (1919-1995) collection acquired in the 1950s and 60s. The balls were thought to be used for gaming or hunting and are also considered as funeral offerings to help with the journey to the afterlife.
Lot 25
Five pieces of mid-20th century fox hunting subject pottery by Adams - comprising a 'Titan Ware', printed factory marks, comprising a graduated pair of jugs and three large mugs, with moulded fox hunting decoration, the mugs 12.4cm high; together with a milk jug with fox mask spout and riding crop handle, 9.8cm high. (6)
Lot 712
A French 16 piece polychrome 'hunting' service with Rambouillet design by Jean Bertholle for Gien, 2nd half 20th C.44 x 33 cm (the largest dish) Designed by Jean Bertholle in 1955 at the request of the French President, Rene Coty, this hand-painted service was created to furnish the prestigious homes that hosted the Presidential Hunts (link).
Lot 506
dating: circa 1700 provenance: Germany, Body with a flat back face, on the front side a semicircle divided into three segments by longitudinal staves. The flat side with beautiful carving of a hunter with his dogs blowing a horn, surmounted by a large cartouche with a hunting theme inscription; on the convex side a large deer in the woods, flanked by eagles with cartouches featuring hunting mottos; above the deer a bird, at the edges floral frames. In the background an effigy of a peacock surrounded by flowers. Round fuse made of dark horn. Minor missing parts. height 17,5 cm.
Lot 528
dating: Mid 19th Century provenance: Vienna, Smoothbore, round, 12 gauge barrels (clean, with pitting), made of fine damask, the rib marked 'F. BARTUSCH IN WIEN' in gold and numbered '1' and '2'. The bases engraved with birds and with gold frame, foresight. Long, finely engraved tangs numbered '1' and '2' and with red-gold shield featuring the monogram under a Count's crown. Backward spring locks signed 'F.BARTUSCH' and 'IN WIEN' and engraved with hunting and floral motifs. Wooden, half stocks with checkered grip and palm rest. Mounts decorated en suite, horn trigger guards extensions. One with wooden ramrod (the other one missing). Defects and signs of use and time. One double-barreled shotgun with restorations at the grip and at the fore-end cap. length 110.5 cm.
Lot 497
dating: Mid 19th Century provenance: Southern Italy, Small, straight, single-edged blade shaped as hunting daggers with tang carved with floral motifs in bas-relief. Long, thin horn grip (big missing parts) sculpted with balusters and coils with engraved, white metal ring nut. length 23.4 cm.
Lot 620
dating: 1840 circa provenance: Turin, Round, smoothbore, browned,16 mm cal barrels, signed 'D. FERINA - A TORINO' at the base, with gold frame marked 'CANON TORDU' among branches, rib engraved at the base and with front sight tangs with sight; forward spring locks engraved with birds and floral motifs. Wooden full stocks with knurled butts. Steel mounts engraved with hunting and floral motifs. One of two ramrods is incomplete. Small, oval, yellow-gold shield on the back. length 36 cm.
Lot 527
dating: Early 19th Century provenance: France, Smoothbore, round, 15 mm cal. barrels, with square base marked '24' on the left side, with rib and foresight; engraved tang and broad sight. Locks signed 'Buchet' and 'Chalon' engraved with floral motifs and provided with anti-friction and sealing systems. Working mechanism. Wooden half stock with checkered palm rest and grip, the butt finely sculpted with a boar's head. Iron mounts engraved with floral and hunting motifs. Brass-tipped, wooden ramrod. length 131.5 cm.
Lot 539
dating: about 1870 provenance: Vienna, Smoothbore, round, 17 mm cal. barrels (bores need cleaning, pitting), made of damask, the rib signed in gold 'J. KALEZKY IN WIEN', the base with gold flowers, silver foresight; long tang engraved with hunting and floral motifs with gold shield featuring a monogram under a count's crown. Backward spring locks signed 'KALEZKY' and 'IN WIEN', the first part engraved with floral motifs, the long narrow ends with fox, hound and birds. Wooden butt and fore-end with checkered grip, mounts decorated en suite. Small defects and signs of use and time. length 116.5 cm.
Lot 540
dating: 1865 provenance: Vienna, Round, rifled, 15 mm cal. barrels (clean bores, clearly visible rifling), made of fine damask, rib signed in gold 'J. SPRINGER VORM NOWOTNY IN WIEN', rear sight and foresight; long tang engraved with deer and floral motifs, with foldaway peep sight and small, oval, silver shield. Backward spring locks signed 'SPRINGER' and 'IN WIEN', finely engraved with hunting and floral motifs. Butt (abrasions, restoration around the tang) and fore-end made of wood with checkered grip and iron mounts decorated en suite. Lever marked in gold 'DIE BRIGADEEQUITATION ZU UDINE 1864/65 IHREM COMANDANTEN'. Serial number '23xx'. Triggers with set trigger. length 104 cm.
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74922 item(s)/page