OCKERT, Carl Friedrich(1825 Dresden - 1899 München) Jagdhund mit Fuchs in WinterlandschaftÖl/Leinwand. Rechts unten signiert. 20 x 27,5 cm. Gerahmt : 30 x 38 cm. Der Hund mit dem erlegten Tier im Schnee nahe dem Waldrand. Leichte Altersspuren. Maler in Dresden und München, Zögling der Akademie Dresden, seit 1853 in München tätig. Literatur : Thieme/Becker. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 18:54 Uhr (CET) OCKERT, Carl Friedrich(1825 Dresden - 1899 Munich) Hunting dog with fox in winter landscapeOil/canvas. Signed lower right. 20 x 27.5 cm. Framed : 30 x 38 cm. The dog with the hunted animal in the snow near the edge of the forest. Slight traces of age. Painter in Dresden and Munich, pupil at the Dresden Academy, active in Munich from 1853. Literature : Thieme/Becker. Aufrufzeit 26. | Oct. 2024 | probably 18:54 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
We found 74922 price guide item(s) matching your search
There are 74922 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
74922 item(s)/page
LORENZ, Willi(1901 Köln - 1981 Köln) Fasane in LandschaftAquarell, weiß gehöht. Signiert. 34 x 51 cm. Gerahmt & hinter Glas : 46 x 63 cm. Zwei farbenprächtige Fasanenhähne und eine brütende Fasanenhenne in bräunlicher Tarnfärbung. Passepartout, verglaster Rahmen. Lorenz (Wilhelm): Jagd- und Tiermaler, studierte an der Kunstgewerbeschule in Köln. Schüler von Robert Seuffert, nähere Lebensdaten unbekannt * Partnerauktion Bergmann. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 18:58 Uhr (CET) LORENZ, Willi(1901 Cologne - 1981 Cologne) Pheasants in landscapeWatercolor, heightened in white. Signed. 34 x 51 cm. Framed & behind glass : 46 x 63 cm. Two colorful pheasant cocks and a brooding pheasant hen in brownish camouflage. Passepartout, glazed frame. Lorenz (Wilhelm): Hunting and animal painter, studied at the Kunstgewerbeschule in Cologne. Pupil of Robert Seuffert, further details unknown * Partner auction Bergmann. Call time 26 | Oct. 2024 | probably 18:58 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Pendants Elfenbeinreliefs mit Jagdmotiven. 19. Jh. Afrikanisches Elfenbein, ebonisiertes Holz. 5 x 18,5 bzw. 5 x 18 cm, Rahmen je 13,5 x 27 cm. 492 bzw. 270 g (mit Rahmen). Im Stil der Renaissance fein geschnitzte Szenen einer Hirschjagd bzw. der Heimkehr von der Jagd mit erlegtem Schwarzwild und Federwild. Die höfischen Jagdgesellschaften bestehen aus Damen und Herren zu Pferd sowie zahlreichem Fußvolk mit Hunden. Je in profiliertem Holzrahmen. Je etwas verschmutzt, Rahmen teils offene Leimfugen mit Klebespuren. Für jede Tafel liegt eine Cites-EU-Handelsgenehmigung sowie ein Gutachten des Sachverständigen Matthias Streckfuß vor. Kein Export außerhalb der EU. Möglicherweise gelten Import-EinschränkungenAufrufzeit 23. | Okt. 2024 | voraussichtlich 17:18 Uhr (CET)Pendant ivory reliefs with hunting motifs. 19th century African ivory, ebonized wood. 5 x 18.5 and 5 x 18 cm respectively, frame 13.5 x 27 cm each. 492 and 270 g (with frame). Finely carved Renaissance-style scenes of a stag hunt and the return home from the hunt with wild boar and feathered game. The courtly hunting parties consist of ladies and gentlemen on horseback as well as numerous foot soldiers with dogs. Each in a profiled wooden frame. Each somewhat soiled, frame partly open glue joints with traces of glue. Each panel has a Cites-EU trade license and a certificate from the expert Matthias Streckfuß. No export outside the EU. Import restrictions may applyCall time Oct. 23 | Oct. 2024 | probably 17:18 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Bleiglasfenster-Einhängebilder mit Motiven aus dem Codex Manesse. Um 1900. Farbiges und farbloses Glas, teils farbig bemalt/gebeizt, Bleiruten, Hängehaken mit kurzen Ketten. Je 82 x 61 cm. Minnebild nach der berühmten Liederhandschrift aus dem frühen 14. Jh. mit reitendem Paar bei der Falkenjagd sowie Bezeichnung "Herr Werner von Teufen". / Wohl in dem Stil nachempfundenes Bild mit König und Königin sowie Walther von der Vogelweide(?). Einige Gläser gesprungen, Alters-/Gebrauchsspuren. Abholung erforderlich.Aufrufzeit 23. | Okt. 2024 | voraussichtlich 17:56 Uhr (CET)2 stained glass hanging pictures with motifs from the Codex Manesse. Around 1900. Colored and colorless glass, partly painted/stained in color, lead rods, hanging hooks with short chains. 82 x 61 cm each. Minne painting after the famous song manuscript from the early 14th century with a couple on horseback hunting falcons and the inscription "Herr Werner von Teufen". / Probably in the style of the painting with king and queen and Walther von der Vogelweide(?). Some glasses cracked, signs of age/use. Collection required.Call time 23 | Oct. 2024 | probably 17:56 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Hirschfänger mit Hirschhorngriff, in Scheide. Gesamt L 50 cm. Einschneidige, gerade Klinge mit geätzter Jagdszene und Devise "Gott mit uns". Stichblatt mit Tierrelief. Schwarze Lederscheide mit Eichelknauf und Flachrelief auf der Spitze. Aufrufzeit 23. | Okt. 2024 | voraussichtlich 18:41 Uhr (CET)Deer hunter with staghorn handle, in sheath. Total length 50 cm. Single-edged, straight blade with etched hunting scene and motto "God with us". Guard plate with animal relief. Black leather scabbard with acorn pommel and bas-relief on the tip. Call time 23 | Oct. 2024 | presumably 18:41 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Hirschfänger. L 70 cm. Breite, flache Klinge mit Spitze in der Mittellinie und einseitigem, seitlichem Hohlschliff. Messinggriff mit Tier- und Jagddarstellung. Aufrufzeit 23. | Okt. 2024 | voraussichtlich 18:42 Uhr (CET)Deer catcher. L 70 cm. Broad, flat blade with a point in the midline and a hollow grind on one side. Brass handle with animal and hunting depiction. Call time 23 Oct 2024 | probably 18:42 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Großes Tafeltuch Ende 19. Jh. Halbleinen. 275 x 155 cm. Tuch mittig mit Jagdschlossmotiven, umgeben von Hirschen. In den Ecken Jäger mit Hund. 2 große gestickte Monogramme GH. Aufrufzeit 23. | Okt. 2024 | voraussichtlich 19:28 Uhr (CET)Large tablecloth, late 19th century. Half linen. 275 x 155 cm. Cloth with hunting lodge motifs in the center, surrounded by stags. Hunter with dog in the corners. 2 large embroidered monograms GH. Aufrufzeit 23. | Oct. 2024 | voraussichtlich 19:28 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A 19th Century English porcelain Bowl, with gilt rim, and transfer pattern design on interior and exterior depicting flowers and hunting scenes, approx. 23cms (9") diameter; together with a porcelain 19th Century Derby Jug, with royal blue and gilt highlighted rim and gilt monogram, the base with inscription "The gift of E.|L. 1801" makers mark, approx. 18cms (7 1/2"). (2)
Follower of Frans Snyders (1579-1657) “Stag Hunt by a River, c. 1650,” O.O.C., 83.8cms x 132cms (33” x 52”). (1) Provenance: Dating probably from the mid seventeenth century, this painting of a stag hunt depicts a scene of terror taking place within a bucolic landscape. In the foreground, a mounted huntsman and pack of hounds are in close pursuit of a stag. Wild eyed, the unfortunate quarry rears up, with one of the hounds fastening its teeth into its throat. On either side, other hounds racing along, baying and baring their fangs. Mounted on a white horse and wearing a red coat, the huntsman has his arm raised, in readiness to throw a spear. In the right foreground, silhouetted against river and hills, two more hounds are held, close-leashed, by a huntsman, with a horse and rider following. The overall effect is both terrifying and dramatic; with animals and huntsmen in stark contrast with the placid background of water, hills and sky. In the distance, beyond the river and hills, the sky pales from blue to golden yellow, with clouds massed on the horizon. The painting is reminiscent of the work of the Flemish artist Frans Snyders, a pupil of Breughel and assistant to Rubens, whom he helped paint many hunting scenes at Phillip IV’s lodge near Madrid. It is also similar to the work of Paul de Vos (1595-1678), a pupil of Snyders, a painter also noted for his ferocious hunting scenes, and for his manner of elongating the bodies of the animals he depicted. Dr. Peter Murray, 2024
Charles "Snaffles" Johnson Payne (British 1884-1967) "Merry England, and Worth a Guinea a Minute," cold. print, signed, approx. 44cms x 41cms (17" x 16); "1915-1916 - That Far, Far-Away Echo," cold. print, signed, approx. 38cms x 48cms (15" x 19"); "The Gunner - Good Hunting Old Sportsman," cold. print, approx. 44cms x 33cms (17" x 13"), as a lot. (3)
Circle of George Morland (1763-1804) “Dasher and Slasher, Famous Hounds of Duke of Grafton Pack”, a pair, O.O.C., each approx. 99cms high x 125cms wide (39" x 49"). (2) According to an original label on the back, these two engaging canvases, by ‘Morland’, depict foxhounds of the Duke of Grafton Pack, a long-established hunt that still thrives in Northamptonshire. In the first painting, the hound is shown standing on a rocky ledge, with a master of hounds standing below. Wearing a black riding helmet, white cravat and red jacket, the master has longish brown hair and holds a whip in his gloved hand. The hound stands on all four legs, head up, as if sniffing the air for a quarry. In the background is a Scots Pine tree, silhouetted against a cloudy sky. The master’s face is slightly asymmetrical, and he has a determined expression, which lends the portrait a compelling quality. An accomplished artist, Morland was also a noted dandy, who delighted in associating with jockeys, punks and pugilists, and it is possible that the figure of the master is a portrait of him. Some aspects of the paintwork are slightly naif, indicating that this is a copy after an original. In terms of identifying the artist, while an old label attributes the work to ‘Morland’, the style is more in keeping with the work of George Stubbs. It has also been suggested that it maybe by a little-known painter named John Everard. In the second portrait, a huntsman is portrayed, again on the same level as the foxhound. Dressed in black helmet and red jacket, the huntsman is behind the hound, resting his hand on the animal’s back. The hound has its nose raised and tail curled, ready to spring into action. Again there is a tree in the background—an oak this time--and a cloudy sky, tinged with pink. A more appealing portrait than the first, huntsman and hound are portrayed in a closer, friendly pose. The man holds a hunting horn, and has a cord, tied in a bow, around his leg. The hounds in the portraits have the attributes of the best hunters: good shoulders, straight legs and strong backs. Based at Wakefield in Northamptonshire, the Grafton Hunt is named after its founder, the 2nd Duke of Grafton, who commissioned William Kent to design Wakefield house and gardens. Another family seat, Euston Hall, some eighteen miles from Newmarket in Suffolk, home to the 12th Duke, remains a centre for horse racing. The house and grounds at Euston were embellished by John Evelyn, and Sir Samuel Morland, the latter providing an engine to raise water to supply the fountains and a corn mill. Born in 1763, the painter George Morland is said to have been a descendant of Samuel Morland. The 2nd Duke commissioned William Kent to build a banqueting house at Euston, while the head gardener, ‘Capability’ Brown, added ornamental lakes. The 3rd Duke, Augustus Henry Fitzroy (1735-1811), was an avid huntsman, while his wife was an even more avid gambler. When he took up with a mistress, Fitzroy’s private life became a public joke, as retailed in letters by “Junius”. An associate of William Pitt, Fitzroy had a disastrous political career; during his term as prime minister, he alienated New England colonists, and set the stage for the American War of Independence. He was also notorious for absenting himself from a Cabinet meeting on Ireland, so as not to miss a race at Newmarket, where a horse of his was running. He resigned as prime minister in 1770, aged 34. The Grafton Hunt was continued by his successors, and, apart from a period between 1842 and 1861 when the hunt was in the hands of a relative, Lord Southampton, the pack name has remained unchanged to the present day. Nowadays it is owned by trustees, but the bloodlines of the present pack can be traced back to the original hounds, including Dasher and Slasher, the dogs depicted in this pair of portraits.
Ramsay Richard Reinagle RA (British, 1775 - 1862) Spaniel and Pointers, Circa 1790 A pair Oil on Panel Provenance: Captain Gilbey, and thence by decent Son of the painter Philipp Reinagle (1749 – 1833), Ramsay Richard was so accomplished by the age of 13 he had begun exhibiting at the Royal Academy. The sure handling of composition and chiaroscuro belies the artist’s youth. Taught by his father, Ramsay Richard was strongly influenced by 17th century Dutch painters of nature such as Ruisdael, Potter and Wouwerman, and he occasionally reproduced their works. Reinagle was an adept painter of animals, hunting scenes and landscapes, and the influence of these earlier artists is often detectable in his paintings during a period when earlier Dutch art was highly collectable in Britain. Adapting these modes to appeal to a contemporary audience, Reinagle made sure to depict subjects and themes which could appeal to the English country gentleman and often portrayed hunting scenes prominently featuring English breeds of dog. Dimensions: (Panel) 19.75 in. (H) x 23.25 in. (W)
WW1 German Mauser 98/05 Bayonet, with two piece grips, housed in leather and steel mounted scabbard with leather bayonet frog attached. Swollen blade with acceptance stamp to the edge; Mauser 98/05 bayonet in steel scabbard with leather frog attached. Swollen blade with makers details and acceptance stamp to the spine; WW1 German deer hoof type fighting knife without scabbard and a small German deer hoof hunting knife. Both bayonets with surface rusting to the exterior and wear to the frogs. (4 items)
![Medieval, 15th century bronze Laver pouring spouts (3), all in the form of a moulded dog’s head with upright fluted ears [3].](https://cdn.globalauctionplatform.com/d5a388d9-54c4-481a-aa99-b1fe00ea34d2/abd041fe-0bc4-430b-b56b-b1fe00ec5841/468x382.jpg)
Medieval, 15th century bronze Laver pouring spouts (3), all in the form of a moulded dog’s head with upright fluted ears [3]. All fine or better with green patinas £80-£100 --- Provenance: All found at Hillesden (Buckinghamshire). The patron saint of dogs, Saint Roch was healed of the plague by a hunting dog licking his wounds, whoch is why dogs feature so prominently on spouts in Medieval times.
A carved and painted group of fox hunting figures, comprising nine horses and riders, two ponies and riders and nine hounds, the largest 18cm highLady rider - Chip to foot/leg, crack to her neckMale riders - signs of wear/play worn, and evidence of glue Horses - signs of wear, play worn, paint rubbed, some bridles broken, some evidence of glue, general condition with age okHounds - play worn, painted rubbbed, general condition with age ok
ARR Lionel Dalhousie Robertson Edwards (1878-1966)Old Berkeley Huntsigned in pencil to lower right marginoffset lithograph in colours24.5cm x 36cmwith another signed offset lithographic hunting print by the same artist (2) Framed and glazed. Both prints are quite faded, with undulation to the sheets. The paper mounts are clearly foxed; these are inetgral to the artworks as they bear the artist's signature in both cases.
A 19th Century South German carved walnut musical cuckoo clock, likely Black Forest, surmounted by hunting dogs and with fruiting branches and birds around the dial, the base fitted a musical movement with a 24cm comb, 58cm wide, 23cm deep, 80cm highNot working. Both fusee going trains overwound and drums appear to be jammed. Both bellows with split leather and showing signs of later sellotape. Condition of woodwork on movement good. Musical movement operable with 24cm comb. All teeth appear in good condition. Playing six airs. Pendulum and keys present. Cuckoo with working wings. No sign of any woodworm.
A Victorian silver-mounted glass hunting flask,by Thomas Johnson II, London 1883,oval glass body, a screw-off mounted cover with a hinge closing clasp and a central straw, in a fitted leather case, plus an Art Deco silver-mounted decanter by Mappin & Webb, Birmingham 1931, tapering rectangular form, plain mount with a faceted stopper, height 26.6cm. (2)
Loading...-
74922 item(s)/page