We found 74922 price guide item(s) matching your search

Books - fox hunting - history of Belvoir, Quorn hunt etc. (27)

Sundry prints - Quorn Country, Faithful Retriever, Bryn, Hunting print - Cawthorne etc.(5)

Hunting prints - Herring, Leicestershire map - Morden etc. (5)

A Kathleen Wheeler studio pottery fox hunting group

Two framed monochrome multi-image hunting prints

An early 20th century photograph album containing many albumen type photographs detailing Parmoor House in Frieth the county of Buckinghamshire and the 1st Lord Parmoor and his family, including hunting scenes, Sandhurst, early motor cars and aeroplanes and many others. Together with a large leather scrap album and a loose folder of photographs.

A Black forest carved wall bracket, circa 1900, the shaped self above hunting trophies, leaves and branches, 27.7cm wide, 33.5cm high, together with a well carved Black Forest architectural element, carved with vegetables and fruits on a bed of leaves, 69cm

Two similar 19th century salt glaze Doulton Lambeth tankards; typically decorated in relief with hunting and tavern scenes etc., impressed marks to underside (13.5cm) (2)

20th century Persian School in the 17th century style - a series of three miniature paintings: polo players, a hunting party and nobles reclining in a garden. Watercolour and gouache on ivorine, mounted within decorative cartouche. Miniature size 4 ½ x 10 ins (11.5 x 25.5 cms). Decorative bone-inlaid frames. Overall size 10 ½ x 15 ½ ins (26.5 x 39.5 cms)  (3)(CONDITION REPORT:  Condition good)

A late 19th century French papier-mâché snuff box; the hinged lid decorated with a deer hunting scene (7.5cm)

Circle of Arthur Devis - portrait of Isaac John Webb Horlock (according to a nameplate). Small full-length, standing in a landscape wearing hunting pinks. Oil on canvas 24 x 18 ins (61 x 45.5 cms)(CONDITION REPORT: Craquelure & retouchings throughout)

CHARLES JOHNSON PAYNE (1884-1967) - a colour fox hunting print, 'Merry England, and Worth a Guinea a Minute'. Monochrome remarque lower right, blind stamp and signed 'Snaffles' in pencil lower left. Original ebonised frame and original paper label ofHarrods Ltd, Knightsbridge, London SW1 verso. (Frame size 47cm x 44cm) 

CHARLES JOHNSON PAYNE (1884-1967) 'Snaffles' - a  colour hunting print, 'If there is Paradise on Earth it is this!  It is this !! It is this !!!', signed in pencil lower right (frame size 52cm x 69cm)

A large colour fox hunting (harriers) print after Lionel Edwards, 'The High Peak on Flagg Moor 1930', reproduced from the original by HR Turner Esq., framed and glazed (image size 32cm x 50.5cm)

A interesting heavy glazed ceramic Continental beaker of conical form; probably stoneware, hand-decorated with a continuous hunting scene, single mounted rider, two hounds and fox etc., single hand-painted red trident mark to underside (discolouration, crazing and probable restoration etc.) (13cm high)

The British Sporting Art Trust a catalogue raisonné of the prints of CHARLIE JOHNSON PAYNE (1884-1967) (Snaffles) with an account of his life and work prepared for the exhibition at the Alpine Gallery, South Audley Street, London W.1. to be opened by Her Royal Highness The Princess Anne, Mrs Mark Phillips, G.C.V.O. 26th October 1981, together with one further hardback volume 'Snaffles on Hunting' by John Welcome & Rupert Collens (2)

Hunting and Sporting interest, Horlock Knightly William [Scrutator, London 1852] 'Letters on the Management of Hounds' with folding plate of Hunt Kennels, red pictorial cloth, Collins, Charles Palk Collyns 'Notes of the Chase of the Wild Red Deer in the Counties of Devon and Somerset...' Lawrence & Bullen 1902, front is with tissue guard, plates with tissue guards (a little foxed), pictorial cloth and gilt titles, small folioEvered, Philip 'Stag Hunting with the Devon & Somerset' 1887-1901, Chatto & Windus 1902, illustrated by HM Lomas, photographic plates (front hinges cracked), red cloth with gilt titles but the back strip is separatedThe Badminton Library 'Hunting', 'Fishing' Horlock, Knightly William 'The Master of the Hounds' five volumes and two volumes of 'The Country Gentleman', 'Horses & Hounds a Practical Treatise...Taming of Wild Horses by JS Rarey' Routledge, Warne & Routledge 1862Sassoon, Siegfried 'Collected Poems' Faber & Faber 1947, green clothVarious other related titles

Two pairs of curtains in a heavy, lined, tapestry-style fabric decorated with medieval-style hunting scenes of riders with falcons, longbows, crossbows etc. (approx. 252cm hem x 204cm drop; 180cm hem x 223cm drop), together with a single curtain (approx. 123cm hem x 212cm drop) and a pair of short curtains/pelmets (approx. 260cm x 116cm)

A large selection of curtains and pelmets in a heavy, lined, tapestry-style fabric decorated with medieval-style hunting scenes of riders with falcons, longbows, crossbows etc.; two pairs of curtains (approx. 182cm hem x 210cm drop; 122cm hem x 220cm drop) and two singles (approx. 184cm hem x 233cm drop; 245cm hem x 240 drop) together with a large box pelmet (294cm x 57cm), four other pelmets (60cm x 114cm; 89cm x 127cm; 45cm x 94cm; 88cm x 85cm - tallest arched pelmet 89cm), two small castellated hard-backed pelmets and four pairs of small curtains (largest 117cm hem x 96cm drop)

A modern lined wall-hanging tapestry 'Depart pour la Chasse'; a copy of an original French 16th century tapestry woven in the Loire Valley depicting noblemen setting out on a hunting expedition with their falcons (145cm x 156cm) 

Josef Heintz d. J., um 1600 – um 1678 DIE CACCIA AI TORI AUF DEM CAMPO DI SAN POLO Öl auf Leinwand. 61 x 91,5 cm.Es ist eine Eigenart Josef Heintz d.J., dass in seinem Werk ein gewisser Eklektizismus vorherrscht, der einem gleichzeitigen Interesse an verschiedenen Stilen geschuldet ist, und der Tatsache, dass sich sein Schaffen mitunter auch an der jeweilig herrschenden Mode orientierte. So sind einerseits noch stark dem Manierismus verpflichtete Werke seiner Hand bekannt, andererseits dem durch den Dänen Bernardo Keilhau (1624-1687) in die Lagunenstadt eingeführten Naturalismus verpflichtete Werke, während gerade das hier angebotene Gemälde mit der Stierjagd im Campo San Polo von dem farcenhaften Impetus des Callot erfüllt ist – dadurch erhielt er auch den Beinamen „pittore di più pennelli“. Viele seiner Gemälde erinnern an die Holzschnitte Pieter Brueghels d.Ä. (um 1525-um 1569) und Jacques Callot (1592-1635) und in dem vorliegenden Gemälde erhält der Letztere in seiner Bedeutung den eindeutigen Vorrang. Dargestellt ist hier die Jagd auf die Stiere auf dem Campo di San Polo, welche die gotisch-maurische Fassade des Palazzo Garzoni hervorhebt, der jedoch im frühen 19. Jahrhundert abgerissen wurde. Es ist das beliebteste, aber auch das blutigste tradtionelle venezianische Fest, das während des Karnevals zelebriert wurde. Es war eine Hatz auf Stiere und oft auch Ochsen, zu denen die eingesetzten Hunden speziell ausgebildet wurden. Stiere, die sich losrissen, konnten unter den umherstehenden Schaulustigen eine – nicht immer ungewollte – Panik hervorrufen, die bei Zuschauern, die das Treiben auf Balkonen und von Fenstern aus beobachteten, natürlich ausblieb und in Belustigung umschlug. Ein weiteres Spektakel ist zu sehen: Turner nehmen an der Forze d‘Ercole teil, einem Wettkampf zwischen den Castellani und Nicolotti, deren Rivalität auf das 12. Jahrhundert zurückgeht, bei dem es darum ging, mit Hilfe von Stäben eine menschliche Pyramide zu bauen. Joseph Heintz d.J. war Sohn des Joseph Heintz d.Ä. (1564-1609) und war ab 1617 in der Werkstatt von dessen Schüler Matthäus Gundelach (um 1566-um 1653) tätig. 1621, bevor es Heintz nach Italien zog, besuchte er vermutlich auch die Werkstatt des bekannten Buchmalers Johann Matthias Kager (1575-1634), der bereits Schüler von Hans Rottenhammer in Venedig war. 1625 war er jedoch schon in Italien, namentlich in Venedig und Rom, tätig und führte sogenannte „capricciosissimi“ aus, also dramatische Gemälde, in denen Ungeheuer mit Heldendarstellungen kombiniert wurden. Im Jahr 1632 hielt er sich in Venedig auf, wovon das Votivaltarbild in der Kirche San Fantino zeugt. Von 1634 bis 1639 war er in der Zunft (Fraglia) der Maler eingeschrieben. Am 30. November 1655 wird der Maler zusammen mit Nicolas Régnier (1590-1667) beauftragt, die Sammlung von Giovanni Pietro Tiraboschi zu schätzen. Im Jahre 1663 gab Graf Czernin, Bevollmächtigter von Kaiser Leopold I, mehrere Werke bei ihm in Auftrag.Provenienz: Privatsammlung Vereinigtes Königreich. (1271582) (13) Joseph Heintz the Younger,ca. 1600 – ca. 1678Joseph Heintz the Younger was the son of Joseph Heintz the Elder (1564-1609) and since 1617 he was active in the workshop of Matthäus Gundelach (ca. 1566-ca. 1653), a pupil of his father.THE BULL HUNT IN CAMPO Di SAN POLO Oil on canvas.61 x 91.5 cm.This is a depiction of The Bull Hunt on Campo San Polo in Venice with the Gothic-Moorish façade of the Palazzo Garzoni, which was demolished in the 19th century. This is one of Venice’s most popular, but also its bloodiest traditional festivity of the Carnival season. The Bull Hunt entailed hunting bulls and sometimes also oxen with specially trained hounds. The depiction shows another spectacle: acrobats are taking part in a sports tournament, the “Forze d’Ercole”, a contest between the “Castellani” and the “Nicolotti”, whose rivalry dates back to the 12th century. This involved creating a human pyramid with the use of sticks.Provenance:Private collection, UK.

Drei jagdliche SilberdeckelbecherHöhe: 23 cm. Gewicht zus.: 1230 g. Bodenseitig punziert 800er Feingehalt sowie Halbmond und Krone. Deutschland, um 1910.Runder profilierter Fuß mit konisch auslaufendem Korpus, dieser mit reliefiertem Cabochon und Spiraldekor. Stülpdeckel mit plastischer Ausformung eines röhrenden Hirsches. Laut Einlieferertradition aus der Sammlung Thyssen stammend. Minimal gedellt. (1271015) (1) (13)Three lidded silver tankards with hunting motifsHeight: 23 cm.Total weight: 1230 g. Hallmarked on underside: 800 silver with crescent moon and crown. Germany, ca. 1910.According to the tradition of the current owners formerly Thyssen collection.

Large quantity of metalware to include copper kettle, copper/brass hunting horn, silver plated items etc

Charles Leslie (1839-1886) an oil on canvas in ornate gilt frame, Highland hunting scene by moonlight, signed Chas Leslie to the reverse. H.25 W.30cm

A set of six vintage silver plated ram's head hunting cups and matching frosted glass claret jug. Cups have gilded interiors. The ram's heads are intricately detailed. H.19cm

An antique tan leather cased James Dixon & Sons hunting saddle canteen set with a pair of antique farriers hoof clippers in leather case. H.21 W.15cm

The 1873 Ascot 'Gold Cup': a Victorian silver centrepiece candelabrumRobert Garrard, London 1873 Modelled as the moment Elizabeth Woodville met Edward IV and pleaded for the return of her family estates, the central oak trunk leading to the ten lights hidden amongst the foliage, on an ebonised wood base applied in silver lettering 'Won by Cremorne' and 'Ascot 1873'. The historical scene depicts the king on horseback facing the kneeling figure of Elizabeth Woodville embracing her son, their hands clasped together, with her other elder son standing closely behind her, behind the imposing central oak tree is the king's hunting companion on horseback with two hunting dogs, on a naturalistic woodland ground, height overall 110cm, height without plinth 93cm, length overall 76cm, weight 788oz.Footnotes:The current lot is one of the largest and finest examples of the Victorian craze for diorama racing trophies. They first became popular in the 1840s and were typically manufactured by the leading silversmiths at the time: Garrard and Hunt & Roskell, the former employing designers and modellers such as Edmund Cotterill and William F. Spencer. One commentator in 1850 was highly impressed by that year's Ascot trophies and reported:'In no branch of the Fine Arts have the artists of this country made greater progress than in the art of modelling statuettes, and more particularly in modelling groups in which horses and animals are introduced; and in nothing have the artisans employed in the higher branches of manufacture reached a higher reputation than in the manufacture of the designs of artists in the precious metals. It may, indeed, be called a national art, and a national manufacture, by which such beautiful and classic illustrations of ancient fables and historical events have been the means of decorating vases, cups, and such prizes...Elizabeth Woodville (1437-1492) had married John Grey, a Lancastrian knight who was later killed in the Second Battle of St Albans during the War of the Roses. The legend goes that she waited under an oak tree in Whittlewood Forest hoping to meet King Edward IV while he was out hunting. When he passed by Elizabeth threw herself at his feet and pleaded for the return of her late husband's estate which had been confiscated by the Yorkist forces. The king was so taken with her beauty that he attempted to persuade her to become his mistress. She replied, 'My liege, I know I am not good enough to be your queen, but I am far too good to become your mistress.' The king was so moved by the entreaty that he proposed marriage, the first king to have married one of his subjects since the Norman Conquest and was the first such consort to be crowned queen.The story appealed to the Victorians who saw it as a fine example of motherly devotion and marital purity, and it served as the subject in Ambrosini Jerome's 1838 painting 'Lady Jane Grey, pleading to Edward IV'.Cremorne (1869–1883) was one of the most successful colts of his generation, becoming the second of six horses to win both The Derby and the Grand Prix de Paris. His victories at Ascot in 1873 were to be his last, having developed a swollen hock shortly afterwards. In 1886 a poll ranked him as the 11th best racehorse of the 19th century.Cremorne was buried in the grounds of Rufford Abbey by his owner Captain Henry Savile, and his gravestone can still be seen today. The unusual act was done in gratitude: Savile had been heavily in debt and wagered his family estate on Cremorne winning the 1872 Derby. He was the second favourite in a field of 23, and after running neck and neck with Pell Mell through the final stages Cremorne prevailed by a head.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

AN INDIAN LINEN PRINTED PANEL depicting a procession of soldiers hunting animals beneath a foliate border and above six floral niches, 95cm x 270cm The estate of The late Robert and Lyndsay Brydon, Edinburgh Condition Report: Available upon request

AFTER LUCY KEMP-WELCH (BRITISH 19TH/20TH CENTURY) COLT HUNTING IN THE NEW FOREST Oil on canvas, 76 x 152cm (30 x 60") Condition Report: The canvas has been lined and there is an area of craquelure evident around the middle area of the top right quarter section. Some retouching work has probably been carried out generally.

Three Bohemian engraved goblets and a Lithyalin beaker, 19th centuryComprising a pair of goblets overlaid in translucent blue and cut with three oval panels variously depicting deer in woodland and a hunting dog, the third panel on each with the initials 'W.J.S.' within a chaplet of vines, 16.5cm high, a ruby-stained goblet of campana shape engraved with rococo scrollwork and landscape vignettes, 19cm high, and a faceted beaker marbled in tones of blue and green, 12.2cm high (4)Footnotes:ProvenanceProperty of the late Eveline NewgasFor further information on this lot please visit Bonhams.com

A Finnish Puukko hunting knife 'Imatra 1893' to handle, together with another small Puukko knife with green and orange banded handle and horse head finial and two small Kukri knives

A decorative picture, of a cockerel, 19cm x 24cm; another, Pheasants, 12cm x 16cm; a Hunting picture, 11cm x 16cm (3)

W Britain (Britains) Hunting Series lead figures, comprising of mounted huntswoman with moveable arm holding a whip, two mounted huntsman each with moveable arms holding whips, four hunting hounds and a fox (8)

A Victorian relief moulded ovoid hunting jug, c.1860; two Staffordshire Clematis pattern breakfast cups and saucers; Spode Italian pattern bowl; a similar mug; a mid 19th century English landscape blue and white plate, c.1860; a jelly mould; commemorative; etc

George Finch Mason, a set of three coloured prints, Hunting caricatures, 38cm x 25cm, glazed and framed.

Five prints including hunting scenes

Five: Colour Sergeant A. J. Winser, Welsh Guards, a recipient of the rare E.II.R, 1st type Meritorious Service Medal Defence and War Medals 1939-45; Coronation 1953, unnamed as issued; Army L.S. & G.C., G.VI.R., 1st issue, Regular Army, with Additional Award Bar (5615274 Cpl. A. J. Winser, W. G.); Meritorious Service Medal, E.II.R., 1st issue (5615274 Sgt. A. J. Winser. W.G.) mounted court-style as worn, nearly extremely fine, the last rare (5) £600-£800 --- Only 125 Meritorious Service Medals, E.II.R., 1st issue awarded 1953-55. Albert John Winser was born at Newton Abbot, Devon, on 10 June 1907. He first enlisted into the 5th Battalion the Devonshire Regiment, being allocated service number 5615274, not part of the Welsh Guards block, and transferred into the Welsh Guards in July 1928, remaining with the regiment for thirty nine years before finally retiring with an exemplary record in 1967. Despite having over 39 years’ service with the Welsh Guards he did not see service overseas, stationed throughout the Second World War in the United Kingdom, and serving with the Training Battalion and No. 7 Company (Regimental Headquarters). He was awarded the Coronation Medal as a Sergeant, and was awarded the Meritorious Service Medal per Army Order 28 in February 1955. He retired in 1967, his testimonial on retirement reading: ‘Most of his 39 years service, except during the War, he had been in charge of horses; for the last 14 years he has been in sole charge Of the Household Brigade Saddle Club Hunting Stables with up to thirty horses in his charge. He is one of the most experienced grooms in the Country. He is an expert judge and has considerable veterinary knowledge. He inspires devotion in those who work under him and is popular everywhere. He has been in a position of great responsibility and trust and has shown himself to be completely reliable honest and sober. He is a tireless worker who will be a great asset to any employer.’ He died on 8 November 1983.

Large Masons Ironstone jug with relief decoration of hunting dogs, H: 27 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133Condition Report: Hairline crack to top of handle but no other visible damage.

Two Extol rubber handled hunting knives, blade L: 16 cm and 10 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Safavid style bronze model of an elephant Iran, 18th Century engraved to the body with an hunting scene intertwined palmettes and other symbols, supported by a later wooden base, 19.5cm across Condition: appears to be missing the tail, it has been made in sections which is evident across the top, some small holes and cracks in the casting, the bronze is rubbed away in parts

A PAIR OF GEORGE BAIN (1881-1968) FOR QUAYLE & TRANTER LTD, KIDDERMINSTER CELTIC "HUNTING " RUGS, the machine woven beige field with central red octagonal Celtic knotwork medallion surrounded by huntsmen with dogs, deer, boar and horses within red and polychrome strapwork border, 194cm x 121cm (2) The estate of The late Robert and Lyndsay Brydon, Edinburgh Condition Report: Available upon request

A GEORGE BAIN (1881-1968) FOR QUAYLE & TRANTER LTD, KIDDERMINSTER CELTIC "HUNTING " RUG, the machine woven beige field with central red octagonal Celtic knotwork medallion surrounded by huntsmen with dogs, deer, boar and horses within red and polychrome strapwork border,272cm The estate of The late Robert and Lyndsay Brydon, Edinburgh Condition Report: The rug will require some degree of restoration. Many areas are badly moth damaged causing bear patches and loose pile. The rug would benefit from a full clean.

Whitby 1960's Hunting Knife made Solingen Edgebrand No.51, with Leather Sheath having the design of a deer impressed, measures 8" overall length.

A broad bladed military knife having composition grip, oval single sided blade and in brown leather scabbard, blade 28cms; together with two hunting knives with antler handles and leather sheaths (3)

A 19th Century Qajar lacquered papier-mâché qalamdan (pen box), the sides decorated with hunting scenes, the top with various figures in a garden setting, the base, red lacquered with gilt floral spray decoration, 22 cm long x 3.8 cm wide x 3.8 cm high, together with an Indonesian kris with typical wavy blade and garuda carved wooden handle, 40.6 cm long (no scabbard)

One volume “The Master of Game” by EDWARD II DUKE OF YORK, “The Oldest Book of Hunting”, edited by William A and F Baillie-Grohman with a foreword by with 52 facsimile photogravure plates and monotint reproductions, published by Ballantyne, Hanson & Co., London 1904, limited edition of 600 (this one un-numbered), bears inscription to front page by William A Baillie-Grohman “As a memento to my dear son Tom I have had this book bound in the skin of the first chamoix I killed quite alone. I shot the buck..?.. the grave wound in Brandenburg with my muzzle loader rifle at a great distance and carried it home to Metzen myself. The spot where I shot it can be seen from our corridors(?) at Metzen , dated London May 15 1905 and signed

A box of various china and glass wares to include Royal Doulton figurine "Alison" (HN2336), a Royal Doulton flambe ware vase decorated with "Camel in a landscape", 8 cm high, a Jasper ware biscuit barrel, collection of Coalport Christmas plates including 1976-1985 and 1987, a Royal Doulton Series ware fruit bowl decorated with hunting scene, small quantity of Derby "Posies" tea wares, Royal Doulton match striker, two Caithness glass vases, three various paperweights and a West German tapered vase

A 19th century French porcelain clock, depicting a Turk on horseback hunting a leopard, over an enamelled dial inscribed Hry Marc a Paris, on a scrolling purple and gilt base with a panel painted with an exotic bird and roses, the twin train Henry Marc movement striking on a bell, (parts missing including pendulum), 52 cm high, 36 cm wide

A MIXED SELECTION TO INCLUDE A MODEL OF A YELLOW LABRADOR , QUEENS TANKARD, SPODE HUNTING DOGS BLACK LABRADOR PLATE

A BOXED STAINLESS STEEL BOWIE HUNTING KNIFE

A FRAMED OLD HUNTING PRINT

THREE FRAMED HUNTING THEMED PRINTS

A COLLECTION OF FOUR MOUNTED PRINTS OF HUNTING SCENES

P. W. Firmston, Llanybyther Market Square circa 1910. Oils on board. Framed. Together with a hunting scene at Llanybyther market square by Canley 1992, oil on canvas, in gilt frame and slip. (2)(B.P. 21% + VAT)

KLEINER JAGDLICHER FLAKON. Wohl Thüringen. Datierung: 19. Jh. Technik: Holz gedrechselt und geschnitzt, Horn, Knochen. Maße: H.11cm. Zustand B. Erläuterungen zum KatalogWohl Thüringen Deutschland Kunstkammer 19. Jahrhundert Flakon Holz SMALL HUNTING FLACON. Presumably Thuringia. Date: 19th century. Technique: Wood turned and carved, horn, bone. Measurement: H.11cm. Condition B. Explanations to the Catalogue

Beineingelegte Radschlossbüchse, deutsch, um 1700 Achtkantiger, in rund übergehender und sechsfach gezogener Lauf im Kaliber 14 mm. Kimme fachmännisch entfernt. Glattes eisernes Radschloss mit (defektem, abgebrochenem) Nadelstecher und nicht mehr identifizierbarer Meistermarke. Reich beschnitzter Nussholzvollschaft mit dunkler Hornnase, Schuber. Mit Szenen der berittenen Jagd gravierten, geschwärzten Beineinlagen (die Einlage einer Daumenauflage und jene auf der Kolbenunterseite ergänzt). Kleiner Riss am Vorderschaft, dieser mit kleinen Restaurierungen. Abzugsbügel und Pfeifen aus Messing (das Holz um den Abzugsbügel teilweise mit kittähnlicher Masse ausgebessert). Lauf leicht narbig. Ergänzter Ladestock, Dopper fehlt. Länge circa 114 cm.Sehr ansprechende Radschlossbüchse, welche wahrscheinlich unter Verwendung eines vorhandenen Laufes gefertigt wurde. Durch behutsame Reinigung noch stark zu verbessern. Aufgrund des defekten Stechers wurde die Funktion des Schlosses nicht überprüft und dieses nicht ausgebaut.Zustand: II - IIIA German wheellock rifle with bone veneer, circa 1700 Octaganol to round barrel, rifled with six grooves. calibre 14 mm. Front sight professionally removed. Smooth iron wheellock with dual trigger (front is set trigger - defective, broken). Unknown maker's mark. Nicely carved walnut full length stock with dark horn cap and sliding patch box lid. Engraved and blackened bone inlays with hunting scenes (a thumb rest and an insert on the lower side of the butt replacements). Small crack on the fore-end (with some minor repairs). Trigger guard and ramrod pipes of brass, with some repairs to the stock at the trigger guard with wood putty. Barrel with some pitting. The ramrod (no tip) a modern replacement. Length circa 114 cm.A very nice wheellock rifle, that can be significantly improved by cleaning and some restoration. Lock function not tested, lock not disassembled.Condition: II - III

A mid 20th century three-piece glass and white metal hunting flask set, each of faceted form with plain polished white metal mounts and screw on lids, each 17.5cm high, all in a fitted brown leather case

DECORATIVE BINDINGS: A miscellany of poetry and plays, to include: Addison, CATO A TRAGEDY, ¾ leather, marbled boards, Kenyon bookplate to inside cover, engraved frontispiece, J. and R. Tonson, London 1744, Warburton (R.E.E.), POEMS, unbound in red cloth A5 folio and red leather slipcase, printed by J. Seacome for the benefit of the Chester Infirmary, 1833, Warburton (R.E.E.), THREE HUNTING SONGS, first edition, full red leather, applied title label to cover, marbled boards, engraved plates by H.K. Browne throughout, Prichard, Roberts, & Co, Chester and Chapman & Hall, London, 1855, Egerton-Warburton (R.E.), TWENTY-TWO SONNETS, first edition, full leather, embossed gilt title to cover, laid paper, engraved plates and illustrations throughout, Pickering And Co., London 1883, SOUTHEY?S POETICAL WORKS, from the Harrow School library, Longman, Brown, Green & Longman, London 1845, BYRON?S POETICAL WORKS, from the Harrow School library, John Murray, London 1852, SCOTT?S POETICAL WORKS, Robert Cadell, Edinburgh 1844, THE POETICAL WORKS OF JOHN DRYDEN, Edward Moxon, London 1851, and Mrs Inchbald, A COLLECTION OF FARCES AND OTHER AFTERPIECES, WHICH ARE ACTED AT THE THEATRES ROYAL, DRURY-LANE, COVENT-GARDEN, AND HAY-MARKET, first edition, 7 vols, ¾ leather, marbled boards, inscribed to inside cover, Longman, Hurst, Bees, And Orme, London 1809 (Qty) Provenance: The Estate of Lord Kenyon, Gredington.

Four framed and glazed hunting related prints. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

EXTREMELY RARE 9CT GOLD HUNTING CASE QUARTER REPEATING WITH CALENDAR POCKET WATCH