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A Gold and Enamelled Full Hunting Cased Lady's Fob Watch by Henry Capt of Geneva, Serial No. 27482, 18ct gold case, 36mm diameter, decorated with floral enamel work,18ct gold dust cover marked Henry Capt and demi-chronometer, white enamel dial with black Roman baton numerals and subsidiary seconds dial, total gross weight 45.3g The item presents in excellent overall condition showing wear commensurate with age and light usage. All the enamel appears to be in good order, likewise the case appears free from any obvious dent to the front, to the rear there is two pieces of enamel showing chipping to 50% of two of the leaves. The case itself has only some very minor marks and functions correctly, the hinges are good, the enamel dial is free from any hairline cracks or other signs of damage, likewise the glass. the watch winds, runs and sets but should be regarded as untested.https://www.dropbox.com/scl/fo/7qzca0cqo0w4tg0299fwp/h?dl=0&rlkey=yx73hh1owdo92q0l7wi3icsuq Buyers should be advised that the images within this Dropbox link constitute part of the condition report.  Please inspect the images carefully.

Art Deco Chrome Twin Handled Serving Tray, the mirrored surface inset with a hunting scene picture, raised on four ball feet, 37cm long

19th century 8 day Longcase Clock, constructed of mixed woods, the arched painted face decorated with hunting scenes, Roman numerals, seconds dial and date aperature, indistinctly signed, 210cm high

Late Victorian hunting watch with a circular white enamelled dial, inscribed James Murray, Royal Exchange, London, seconds dial and black Roman numerals enclosing a keywind fusee movement, in a silver case by Charles Harris, London 1880, (not working when catalogued), on a metal Albert, also a chromed metal stopwatch by Wyler (working when catalogued) (2)

Victorian 9ct gold brooch set oval amethyst, gross 1.5 grams, boxed, a yellow metal bar brooch set seed pearls and amethyst, gross 1.3 grams, cased, and a 9ct gold stickpin hunting horn and horseshoe design on a metal pin, gross 0.9 grams, boxed (6)

A 20thC hanging tapestry depicting a Tudor hunting scene. edged with gold brocade and green velvet. Approx. 160 x 120cm (171cm with loop).

A miscellany to include three silver plated frames, figure of a fox in hunting attire, three clocks, three vintage Rathbone wooden rulers, an embroidered and gold metal dressing table set, oak cased mantle clock and clock movement.

A late 19thC Hebdomas full hunter Swiss made 8 day pocket watch. Hunting scenes to front and back. Completely refurbished in 2008. 5cm w.

Mixed china including a Fox Hunting tea set, decorative tea pots, commemorative china, Poole duckling, Wedgwood Jasperware pot, Mason's lidded vase, etc. **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**

Luke Sykes, rural fox hunting landscape, oil on canvas, framed

William Rowland, set of three fox hunting scenes, oil on board, framed

An interesting lot of vintage kitchenalia including Sylvac, hunting scene plates plus coat hooks and other wooden items COLLECT ONLY

Splendid bone-decorated gun with wheellock and arquebus-type stock, long brass trigger guard, late 17th century. A shortened butt, not adapted for a shoulder rest and simply pressed against the cheek. Hunting or combat weapon of a privileged rider, designed to fight heavily armed cavalry. It was used as an alternative to a spear in knightly combat. Made as a forged faceted barrel, with an expensive wheel mechanism on a walnut lodgment, with decorative bone inserts. At the butt end there is a pin for vertical storage of the gun. Length: 100 cm. Weight: 3811 gr. Width: 24cm, Height: 100cm, Depth: 8cm, Weight: 3.811kg, Condition: Good, Material: Bone

A rectangular wooden box, pear wood, upholstered in silver-plated metal, with an offset picture of hound hunting in Britain. Early 20th century. Dimensions: 5X13.5X9.5 cm. Width: 9.5cm, Height: 13.5cm, Depth: 5cm, Weight: 0.274kg, Condition: Good, Material: Wood

Mikhail Alexandrovich Zichy. Watercolor. Horse hunting of Alexander II near St. Petersburg. Depicts the emperor`s dog hunting in favorite Baltic places. The composition is formed by a triangle, inside of which sleds in red uniforms with a pack of dogs are moving. On the right, closer to the center, a mighty pine stands out the figure and significance of the emperor. In his entourage, escort officers, horse rangers and Cossacks are excellently discharged. Beaters with a pack of dogs rush past the emperor, as if on parade, as if waiting for an order. Superbly found angles of horses and their noble silhouettes add lively credibility and documentary integrity to the work. The subtlest color of changeable autumn unites the work and adds sharpness of authenticity. Mikhail Alexandrovich Zichy, 1827-1906 Academician of the Russian Academy of Arts, court artist and documentary filmmaker of the hunts of Alexander II and the royal family in the second half of the 19th century. Sheet size: 40X53.5 cm. Pencil, watercolor, whitewash, gouache.Provenance: Christies 29.10.2006 London Important Russian Pictures Lot 108 Width: 86cm, Height: 72cm, Depth: 3cm, Weight: 6kg, Condition: Good, Material: Watercolor

Two large Victorian brass and copper hunting horns H123 and 134

A late 19th Century French Garniture clock set retailed by Benetfink of London, Paris maker. With hand painted porcelain front depicting a hunting scene.

Royal Doulton stoneware hunting harvest series coffee set with coffee pot, two milk jugs, sugar bowl and five cups with saucers

Eastern European painted wood dish, a hunting horn and an 18th c. wood and iron torch holder

A Victorian silver and enamel vesta case, of rectangular form, with a hunting scene in polychrome enamel featuring horses, riders and hounds, with suspension loop, the base with integral striker, the interior of the hinged cover with retailer's inscription, "A. Barrett & Sons / 63 & 64 Piccadilly", the obverse engraved, "Hastings / from / Betty, Georgie & Artie", Sampson Mordan & Co, London 1892, length 5.7cm, weight 44.19g/1.42ozt gross approx

Cecil Aldin (2) and Dorothy Hardy - Hunting Scene Prints, 26.5 x 70.5cm; Carl Fogarty and other framed prints.

Two hunting related prints after Cecil Charles Windsor Aldin, both mounted and framed under glass, approximately 32 cm x 67 cm. [2]. [W]

Richardson of Huddersfield, 19th century, 8 day, mahogany cased longcase clock, with broken swan neck pediment, the 13 inch white painted with two subsidiary dials painted with black Roman numerals and a hunting scene, with plain central trunk raised on plinth base, 235cm high.

Beswick huntsman on horse figurine, together with ten hunting hounds and a fox, four dogs with restorations

A late 19th century hunting crop - with horn handle, length 63cm, together with a wooden boot hook.

Fine, minute-repeating, fob watch signed ‘Js Calame Robert Chaux-de-Fonds’, with engine-turned, gold and enamelled, hunting-case. Early 20th century.Full white enamel dial with arabic numerals and subsidiary seconds at 6 o’clock, gilt brass ‘Louis XVI’ hands; bridge movement in polished steel marked ‘Brevet + 216 Pat. Aug 9. 87’, anchor escapement, cut bimetallic oversprung compensated balance with flat blued steel spring, repetition on gongs activated by a push-piece on the band; engine-turned and engraved gold hunting case incorporating a banderol in royal blue enamel and the monogram ‘MJC’. D.Established in La Chaux-de-Fonds from 1880 onwards, Jacques Calame Robert, who had a subsidiary branch in London, remained active until the 19820sExpert: Mr. Anthony Turner (24 rue du Buisson Richard. 78600 Le Mesnil Le Roi. France)  

Reuben Powell Departure Oil, graphite and rust on tin-plate Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ed Cross About Reuben Powell's discipline focuses on paintings on tin-plate steel with a strong relationship to drawing. The themes explored in his work are industrial and maritime. These themes explore his own family history and a broader history. Figures rarely appear in his landscapes and seascapes. People are significant by their absence. Reuben has in the past and still does make many figurative works and this seeming contradiction in his work underlies much of Reuben as an artist. Reuben has been working on tin-plate for many years. The surface allowing for a greater depth to the picture plane and by scribing and burning the opportunity to reduce the painting back to the drawing stage is established throughout it's making. Lines are cut back through the paint and tin layer and allowed to rust and then reworked. This process repeated until resolution. It is perhaps impossible to reinvent painting though it is certainly worth. Education Born 1966 England 1982-1984. Foundation Course Bournemouth and Poole college of Art and Design Shelley Park. 1984-1987. Degree in Illustration. Harrow College of Higher Education Select Exhibitions/Awards Solo Exhibitions. The Morley Gallery London APT Gallery London Hotel Elephant Gallery London Beaux Arts Bath Royal Society of Marine Artists The London Group. Menier Gallery Hunting Art Prize London Festival of Architecture 120 Bermondsey Street. Etched stainless steel gates. Permanent installation Southwark Art Collection commission. Ariel View of Elephant and Castle. 4m x2m painting on tin-plate Statement about AOAP Submitted Artworks These are four are all very recent, made specifically for the exhibition, taken from research conducted around the Solent from Reuben's 101-year-old yacht Charm which is depicted in the picture made up of rust and tin only. Here she is cutting through the choppy sea of the Solent. The coloured oil painting of Gins Farm slipway where Charm is moored on the peaceful Beulieu River is a scene that has little changed since wooden sailing warships were built on the river many years ago. The raw reflective surface of the tin sheet breaking through in places. In contrast to this, only a short distance away is Fawley oil refinery on Southampton Water. Here we can see a gas carrier loading. The ship underlines the current reliance on oil and gas and the great lengths taken to transport the fuel. In the other picture from Southampton Water an oil tanker is docking to unload crude oil for the refinery as a huge rusting container ship leaves the river heavily loaded. The water between the two ships is heavily churned up. Fawley and other sites on Southampton Water will soon become free ports again underlining the reliance on the trade and the sea, both alien environments little understood by the vast majority of people.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Reuben Powell Loading Gas Southampton Water Oil, graphite and rust on tin-plate Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ed Cross About Reuben Powell's discipline focuses on paintings on tin-plate steel with a strong relationship to drawing. The themes explored in his work are industrial and maritime. These themes explore his own family history and a broader history. Figures rarely appear in his landscapes and seascapes. People are significant by their absence. Reuben has in the past and still does make many figurative works and this seeming contradiction in his work underlies much of Reuben as an artist. Reuben has been working on tin-plate for many years. The surface allowing for a greater depth to the picture plane and by scribing and burning the opportunity to reduce the painting back to the drawing stage is established throughout it's making. Lines are cut back through the paint and tin layer and allowed to rust and then reworked. This process repeated until resolution. It is perhaps impossible to reinvent painting though it is certainly worth. Education Born 1966 England 1982-1984. Foundation Course Bournemouth and Poole college of Art and Design Shelley Park. 1984-1987. Degree in Illustration. Harrow College of Higher Education Select Exhibitions/Awards Solo Exhibitions. The Morley Gallery London APT Gallery London Hotel Elephant Gallery London Beaux Arts Bath Royal Society of Marine Artists The London Group. Menier Gallery Hunting Art Prize London Festival of Architecture 120 Bermondsey Street. Etched stainless steel gates. Permanent installation Southwark Art Collection commission. Ariel View of Elephant and Castle. 4m x2m painting on tin-plate Statement about AOAP Submitted Artworks These are four are all very recent, made specifically for the exhibition, taken from research conducted around the Solent from Reuben's 101-year-old yacht Charm which is depicted in the picture made up of rust and tin only. Here she is cutting through the choppy sea of the Solent. The coloured oil painting of Gins Farm slipway where Charm is moored on the peaceful Beulieu River is a scene that has little changed since wooden sailing warships were built on the river many years ago. The raw reflective surface of the tin sheet breaking through in places. In contrast to this, only a short distance away is Fawley oil refinery on Southampton Water. Here we can see a gas carrier loading. The ship underlines the current reliance on oil and gas and the great lengths taken to transport the fuel. In the other picture from Southampton Water an oil tanker is docking to unload crude oil for the refinery as a huge rusting container ship leaves the river heavily loaded. The water between the two ships is heavily churned up. Fawley and other sites on Southampton Water will soon become free ports again underlining the reliance on the trade and the sea, both alien environments little understood by the vast majority of people.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Reuben Powell Gins Farm Summer '23, 2023 Oil on tin plate Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ed Cross About Reuben Powell's discipline focuses on paintings on tin-plate steel with a strong relationship to drawing. The themes explored in his work are industrial and maritime. These themes explore his own family history and a broader history. Figures rarely appear in his landscapes and seascapes. People are significant by their absence. Reuben has in the past and still does make many figurative works and this seeming contradiction in his work underlies much of Reuben as an artist. Reuben has been working on tin-plate for many years. The surface allowing for a greater depth to the picture plane and by scribing and burning the opportunity to reduce the painting back to the drawing stage is established throughout it's making. Lines are cut back through the paint and tin layer and allowed to rust and then reworked. This process repeated until resolution. It is perhaps impossible to reinvent painting though it is certainly worth. Education Born 1966 England 1982-1984. Foundation Course Bournemouth and Poole college of Art and Design Shelley Park. 1984-1987. Degree in Illustration. Harrow College of Higher Education Select Exhibitions/Awards Solo Exhibitions. The Morley Gallery London APT Gallery London Hotel Elephant Gallery London Beaux Arts Bath Royal Society of Marine Artists The London Group. Menier Gallery Hunting Art Prize London Festival of Architecture 120 Bermondsey Street. Etched stainless steel gates. Permanent installation Southwark Art Collection commission. Ariel View of Elephant and Castle. 4m x2m painting on tin-plate Statement about AOAP Submitted Artworks These are four are all very recent, made specifically for the exhibition, taken from research conducted around the Solent from Reuben's 101-year-old yacht Charm which is depicted in the picture made up of rust and tin only. Here she is cutting through the choppy sea of the Solent. The coloured oil painting of Gins Farm slipway where Charm is moored on the peaceful Beulieu River is a scene that has little changed since wooden sailing warships were built on the river many years ago. The raw reflective surface of the tin sheet breaking through in places. In contrast to this, only a short distance away is Fawley oil refinery on Southampton Water. Here we can see a gas carrier loading. The ship underlines the current reliance on oil and gas and the great lengths taken to transport the fuel. In the other picture from Southampton Water an oil tanker is docking to unload crude oil for the refinery as a huge rusting container ship leaves the river heavily loaded. The water between the two ships is heavily churned up. Fawley and other sites on Southampton Water will soon become free ports again underlining the reliance on the trade and the sea, both alien environments little understood by the vast majority of people.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Jennifer McRae RSA Infanta Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Jennifer McRae studied at Gray's School of Art, Aberdeen from 1987 to 93. Since 1988 her work has appeared in group and solo exhibitions in Britain and America, and she has won numerous awards including the BP Travelling Scholarship in 1999. Best known for her distinctive portraits, she has had work commissioned from the National Portrait Gallery, London and the Scottish National Portrait Gallery. Jennifer is also an enthusiastic printmaker and continues to work with both studio models and commissioned portrait sitters. She currently lives in London. Education 1st Class Honours in Fine Art, Grays School of Art, Robert Gordon's University BA (first class hons) Fine Art Select Exhibitions/Awards SOLO EXHIBITIONS INCLUDE: Fine Art Society Beaux Arts, Bath Bohun Gallery, Henley on Thames Gomez Gallery, Baltimore USA Scottish Gallery Edinburgh Thackeray Gallery London GROUP EXHIBITIONS INCLUDE: Barber Institute Birmingham, Terms of Engagement. Hunting Art Prizes, RCA London Singer & Friedlander, Mall Galleries, London Worshipful Society of Painter stainers, Painters' Hall London Royal Society of portrait painters, Mall Galleries Royal Academy Summer Exhibition New English Arts Club, Mall Galleries Threadneedle Prize, Mall Galleries Mirror, mirror self-portraits by women artists NPG Being Present, 8 painters, Jerwood Space Things standing still, Browse & Darby, London Small is Beautiful, Flowers Central, London Fine Art Society, Edinburgh Fine Art Society, London COLLECTIONS National portrait gallery London, National portrait gallery of Scotland Edinburgh, Royal Collection Windsor, Reading Museum AWARDS Royal Society of Portrait Painters, 1st prize, Gold Medal / Painter Stainers Award 1st prize, Gold Medal/ Royal Soc of Watercolour: Singer and Friedlander Sunday Times Awards 1st Prizewinner Statement about AOAP Submitted Artwork I wanted to reflect on both the fragility and the strength in human life (especially in these current times) by conveying the delicate studio light and working with a very young relative of mine as model. Infanta is the title because the young have significant presence, even when wearing a cardboard home-made crown.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Reuben Powell Charm 1922 Tin plate steel | Oxide Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ed Cross About Reuben Powell's discipline focuses on paintings on tin-plate steel with a strong relationship to drawing. The themes explored in his work are industrial and maritime. These themes explore his own family history and a broader history. Figures rarely appear in his landscapes and seascapes. People are significant by their absence. Reuben has in the past and still does make many figurative works and this seeming contradiction in his work underlies much of Reuben as an artist. Reuben has been working on tin-plate for many years. The surface allowing for a greater depth to the picture plane and by scribing and burning the opportunity to reduce the painting back to the drawing stage is established throughout it's making. Lines are cut back through the paint and tin layer and allowed to rust and then reworked. This process repeated until resolution. It is perhaps impossible to reinvent painting though it is certainly worth. Education Born 1966 England 1982-1984. Foundation Course Bournemouth and Poole college of Art and Design Shelley Park. 1984-1987. Degree in Illustration. Harrow College of Higher Education Select Exhibitions/Awards Solo Exhibitions. The Morley Gallery London APT Gallery London Hotel Elephant Gallery London Beaux Arts Bath Royal Society of Marine Artists The London Group. Menier Gallery Hunting Art Prize London Festival of Architecture 120 Bermondsey Street. Etched stainless steel gates. Permanent installation Southwark Art Collection commission. Ariel View of Elephant and Castle. 4m x2m painting on tin-plate Statement about AOAP Submitted Artworks These are four are all very recent, made specifically for the exhibition, taken from research conducted around the Solent from Reuben's 101-year-old yacht Charm which is depicted in the picture made up of rust and tin only. Here she is cutting through the choppy sea of the Solent. The coloured oil painting of Gins Farm slipway where Charm is moored on the peaceful Beulieu River is a scene that has little changed since wooden sailing warships were built on the river many years ago. The raw reflective surface of the tin sheet breaking through in places. In contrast to this, only a short distance away is Fawley oil refinery on Southampton Water. Here we can see a gas carrier loading. The ship underlines the current reliance on oil and gas and the great lengths taken to transport the fuel. In the other picture from Southampton Water an oil tanker is docking to unload crude oil for the refinery as a huge rusting container ship leaves the river heavily loaded. The water between the two ships is heavily churned up. Fawley and other sites on Southampton Water will soon become free ports again underlining the reliance on the trade and the sea, both alien environments little understood by the vast majority of people.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

India, Kashmir & elsewhere.- Hailey (Alessandra, wife of (William) Malcolm Hailey, Baron Hailey, administrator in India and writer on Africa, 1872-1969, d. 1939) [Diary and letters with copies], manuscript, c. 183pp., copy letter to Lord Hardinge tipped-in, slightly browned, original cloth, gilt, slightly rubbed, 4to, 1916-19.⁂ An account of various trips in India, including Kashmir and the Punjab, mentioning Bandipura, Nambal and Baramulla. With an account of bear hunting etc. "Tuesday 20th. We went out in the white mullah. Balu came I let him get very near perhaps 20 yard it was dark I & Balu were in the shade & there was a streak of moonlight was between us. I did let him get near in spite of Shaikur elbow hits. It was nice at that short distance I had to kill him first bullet or leave him alone. However I was lucky & dropped him where he stood. She is a lovely bear 6 ft from nose to tail with a lovely mane of fur on her neck. I am all tingling & throbbing, - I came in at 7 45 & sat in my chair first. Mushraf offered me a drink - 'No, first pour a jug of water on my head!'... he did so after I had taken of coat & collar." - Alessandra Hailey.".... Andreina Alessandra Balzani (d. 1939)... married in 1896, was the daughter of a Roman count. She was beautiful, athletic, musically talented, and possessed of considerable courage, as for example when she went up in a small aeroplane at Lahore, crashed, and walked away vowing to go up again as soon as possible. But she was a foreigner, and never really fitted into British colonial society." - Oxford DNB.

Africa.- Chapman (James) Travels in the Interior of South Africa, comprising Fifteen Years' Hunting and Trading, 2 vol., first edition, half-titles, errata leaf in each volume, wood-engraved frontispieces and 6 plates, illustrations, 2 folding maps with routes in red, one badly torn and soiled (loose), some stains and soiling to text, original pictorial cloth, gilt, [Czech p.61], 1868 § Parke (T.H.) My Personal Experiences in Equatorial Africa as Medical Officer of the Emin Pasha Relief Expedition, second edition, wood-engraved portrait and 16 plates, 32pp. publisher's catalogue, folding colour map in pocket at end, very occasional spotting, [c.1891], both original pictorial green cloth, gilt, the first rather rubbed and stained, 8vo (3)

MIDDLE EASTERN BLUE GROUND RUG, SILK AND WOOL depicting hunting scenes157cm long x 92cm wide

An English Combined Hunting Sword And 54-Bore Flintlock Pistol Mid-18th CenturyWith tapering blade fullered over most of its length on each side and double-edged towards the point, the pistol with turn-off cannon barrel, external steel, steel-spring and pan (cock replaced), hilt comprising downbent shell-guard, knuckle-guard with swelling central moulding, and dark horn grip of slightly tapering circular section (pommel and brass button replaced, ferrule incomplete, old pitting overall), private Birmingham proof marks 70.2 cm. bladeFor further information on this lot please visit Bonhams.com

Hornby Railways 00 Gauge Goods wagons consisting of R242 Vent Van, R129 Redline Tanker, R240 GW open, R502 SR Banana Van, R118 Emlyn Open, R149 Hunting Open, R036 DCA open, R719 Roberts Davy Coke Wagon, R713 Esso Tanker, R025 Regent Tankers and many others including duplicates, Good/Plus to Excellent, 8 in reproduction style plain boxes. (65)

Hunting Hill Chardonnay 2009, Kumeu River x 4 bottles. 17- points Jancis Robinson. 92 points Vinous. New Zealand white wine.

A pair of 19th century oil on panel, hunting scenes with figures on horse back and hounds, 7.5ins x 9.5ins 

A VINTAGE OAK FRAMED PRINT, HUNTING PRINT AND A PAIR OF LANDSCAPE PRINTS (4)

A TRAY OF ASSORTED CERAMICS TO INCLUDE MANY HUNTING THEME EXAMPLES

A Victorian silver mounted glass claret jug, mark of Elkington & Company (Frederick Elkington), Birmingham 1878, the tapering circular body acid etched with a hunting scene in the countryside, silver collar, 7cm, with scalloped edges and integral spout, part marked hinged cover with pineapple finial, rustic branch and leaf handle, 30cm highOverall in good condition with no obvious sign of repair. Some light surface scratches, nicks and pitting to the silverware, as to be expected and commensurate with age and use. Hallmarks a little rubbed but still readable. Hinge very loose and the hinge pin falls out easily. No apparent damage to the glass other than some scuffing to the underside, as to be expected.

Arthur Reginald Willett, R. A. (British, 1868-1951) Fox hunting scenes, a pair (2)

A 19th Century African Lion / Maasi Hunting Spear double edged blade with central ridge to one end, spike to other, central wooden grip, 69½in. long. *Wooden handle section probably later.

Hunting interest - Three stevengraph embroidered silks by Thomas Stevens, titled - The Meet; Full Cry; The Death, wooden frames 12 x 9¼in. (30.6 x 23.5cm.). (3) * Slight spotting, mainly to mounts, overall good.

A silver miniature hunting horn maker's mark indistinct, Chester, 1908, engraved initials, 12in. (30.5cm.) long, weight 1.45 tr.oz. * Maker's mark rubbed in places, light wear, overall good.

A Chinese inlaid black lacquer brush pot probably late 19th or early 20th century, inlaid and applied around exterior with various hardstones and mother-of-pearl, depicting a hunting scene amongst pine trees and rocky outcrops, Chinese characters below the rim, red four character seal mark to base, 6 1/8in. (15.6cm.) diameter, 6½in. (16.5cm.) high. *Small chip to base rim and surface wear to underside. Surface of lacquer dulled and with light scratches. Small patch of possible old glue residue just below rim. No losses or restorations visible to inlays. Good overall.

Qty of badges inc AVH hunting badge, East Lancashire Railway, trading jetons, driving etc

A collection of mixed late 19th or 20th century brass, leather or copper powder flasks to include; two leather cased, one with animals (hunting interest) design, two brass with embossed hunting related animal designs, a copper flask with embossed hunter with gun in hand and dog in front etc. Along with a small wooden and bone screwable handle end. (7) Further Details: Some denting, general wear etc.

A collection of nine Royal Doulton character  plates to include The Parson, The Mayor, The Squire, The Admiral, The Falconer, The Bookwork, The Jester, The Doctor and The Hunting Man.

Hunting Interest: a 19th Century French cast bronze seal, the top with boar and wolf mask above spiraling tree trunk with horses and riders between, the shield cartouche engraved: 12 Avril 1879 St Jules, the base with initials in script (1) 

A collection of various early to mid 20th Century World War I era advertising chromo-lithographs to include; two Soldier related - "The Warriors Return" and "For Britain Home and Beauty", both published by F Carl. Along with two for advertising Frisby's Boot Sales Leicester and (other places locally), both with figural scenes, one being Hunting related, one dated 1909 the other 1915. (4) Further Details: All with foxing, wear and tear, both War related and one Frisby one are in very poor condition with major tearing and damage. 

A mixed collection of 20th century South American items to include; a Peruvian mask, a long wooden hand made Bagpipe style musical instrument, other musical instruments including guitar like and flute like, along with various arrow heads with feather ends, a single long spear, a copper long horn (possibly from hunting), three pieces of South American most likely Columbian pottery with masked faces, one a drum (one figural top broken off one). another an incense burner. a small quantity of fabric items and others. (1 box, cylindrical box with arrows in, figure in bag and spear)

A collection of three 19th century hard stone seals to include a loose carnelian intaglio depicting a hunting scene, length approx 20x17mm, long with a banded agate seal with yellow metal top assessed as 9ct gold, depicting a male bust together with a metal mounted carnelian intaglio depicting two tied birds (3) Further details:  wear and tear commensurate with age 

Late 19th century treacle ware twin handle mug with hunting and country life detail also an early 20th century continental glass biscuit barrel with pewter top and small glass rouge/powder pot.

A 19th Century style Oriental hunting rose bowl, six character marked bowl,

A Doulton & Co stoneware jug, the with a silver rim, the body decorated with figures and a stag hunting scene, impressed mark, 24cm high

PHILLIPS-WOOLEY (CLIVE)Big Game Shooting, 2 vols., bookplates of Julia Jordan Dumaresq and L.P. Unsworth, contemporary blue half morocco, spine tooled in gilt with hunting motifs, 1895 - GRIMBLE (AUGUSTUS): Deer-Stalking, publisher's pictorial cloth gilt (some staining, a few plates loose) 1886 - CHALMERS (PATRICK R.): Mine Eyes To The Hills, publisher's pictorial cloth gilt, 1931 - EDWARDS (LIONEL) & HAROLD (FRANK WALLACE): Hunting & Stalking The Deer..., publisher's cloth gilt, 1927 - EDWARDS (LIONEL): My Scottish Sketch Book, modern green morocco, spine gilt with staghead motif, 1929 - BALFOUR-BROWNE (V.R.): The Stalking Letters And Sketches, 1 of 950 copies, publisher's faux leather gilt, e.g., in original slipcase, 1978 - BREADALBANE (THE MARCHIONESS): The High Tops Of Black Mount, 31 of 275 copies, signed by the illustrator Robin Fleming, publisher's blue morocco gilt, e.g., in original solander box, 1987 - and three other related publications (11)For further information on this lot please visit Bonhams.com

An Austrian Huntsman's BaldricMid-19th CenturyOf dark green velvet faced in silver threads, the silvered mounts comprising the arms of Austria suspended on three chains from a stag's head, the latter cast and chased in the round, and with a silver mount with embossed and chased border of rocailles and bearing an applied coiled hunting horn, buckle, loop and terminal mounts en suite, and suspension straps each with silvered buckle and sprung hook 89 cm. Footnotes:ProvenanceSold in these Rooms, Fine Antique Arms And Armour..., 20 April 2011, lot 178For further information on this lot please visit Bonhams.com

A French 22-Bore Flintlock Silver-Mounted D.B. Sporting GunBy Portie, Orleans, Provincial Silver Marks, Dated 1776With two-stage barrels retaining traces of gilding at the starburst around the silver fore-sight and at the turned girdles, octagonal breeches becoming polygonal and engraved with flowering foliage (refreshed) retaining faint traces of gilding, the rib decorated en suite and signed in gold-inlaid capitals, the underside of the breeches engraved 'Merley Berlier' and stamped with a heron mark, and stamped 'TORDU' with a fleur-de-lys mark respectively, dated deeply grooved border engraved tang partly engraved with foliage against a punched and gilt ground, signed border engraved rounded locks (top jaws and screws replaced), steels each engraved with a frond, figured moulded half-stock carved with foliage in relief on the fore-end (old splits) and behind the barrel tang, the comb of the butt with leather-covered cheek-pad, mounts cast and chased in relief against finely punched grounds retaining some original gilding, and comprising butt-plate of shaped outline decorated with flowering foliage and involving a stag hunting trophy on the heel tang, crowned vacant trophy of arms escutcheon, trigger-guard with scrolled tang and decorated with a sporting trophy hung from a ribbon on the bow, the finial with flowering foliage, spirally-grooved ramrod-pipes, the near one (expertly replaced) with terminal en suite with the trigger-guard finial, sling loops, and later silver-tipped ramrod (some wear overall) 81 cm. barrelsFootnotes:LiteratureJean-Jacques Buigné and Pierre Jarlier, Le ''Qui est qui'' de l'arme en France de 1350' à 1970, Vol. I, 2001, p. 329For further information on this lot please visit Bonhams.com

A French 25-Bore Flintlock Silver-Mounted D.B. Sporting GunThe Locks By Junker A Grumback, Late 18th/Early 19th CenturyWith two-stage barrels with two gilt lines around the muzzles and a gilt starburst around the silver fore-sight, part octagonal breeches each with oval gold-lined maker's stamp of Leclerc, probably Jean Nicholas (Neue Støckel 182), blued rib inscribed '..CANON ... TORDU ... FER ... ETOFEE ..' within a punched and gilt foliate border, the underside of the breeches indistinctly inscribed and stamped 'FERTOFEE' and 'TORDU' respectively, grooved border engraved tang, border engraved rounded locks (steels old replacements) signed in capitals, lightly engraved cocks, figured moulded half-stock carved with foliage in relief on the fore-end (minor old repair in front of the right lock), behind the barrel tang and at either end of the cheek-piece, mounts cast and chased with foliage in low relief, partly against finely punched grounds and comprising butt-plate of shaped outline bordered by rococo shells, the retaining screws each centred on an engraved garland, trigger-guard with scrolled tang and engraved with a hunting trophy and foliage on the bow, and with foliate finial, rear ramrod-pipe with terminal en suite, sling loop (the other missing), and horn-tipped ramrod 84.7 cm. barrels Footnotes:Juncker A Grumback appears to be unrecordedFor further information on this lot please visit Bonhams.com