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GOLD ENGRAVED SEAL RING, CIRCA 1550, AND A SILVER SEAL, CIRCA 1650-17001st: Engraved with the Ingilby family armorial crest incorporating the boar's head couped and erect above a shield emblazoned with an estoile beneath the motto, 'Mon Droit' (My Right), mounted in gold, 2nd: Similarly engraved without the motto, the surmount composed of two intwined dolphins, ring size J, length of silver seal 2.0cm (2)Footnotes:From the Collection of the Ingilby Family of Ripley CastleLots 209 - 221 Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest (see lots 209 and 213). Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.The seal ring was used as long ago as 3500 BC and is believed to have originated in Mesopotamia. The ancient Greeks and Romans used seal rings widely and elevated them beyond their functionality to decorative and beautiful jewels.There are references to seal rings in the Bible and they continued to be used throughout Europe during the Middle Ages when heraldry became an important form of authority and identification. The growing merchant class of the Renaissance period led to new levels of embellishment and an increasing need to mark goods, sign letters and seal legal documents. Some of the most important documents in history have been stamped with the initials or crest of the wearer in wax from a seal ring. In its day, the seal of a ring was considered more authentic than a signature (see Scarisbrick, D., 'Rings: Jewelry of Power, Love and Loyalty', London, 2007, pp.9 and 28).The vast majority of seal rings dating from these periods were usually destroyed upon the owner's death to avoid any possibility of forged documents appearing, so it is rare for an armorial seal ring of this age to come to market directly from the family to whom the crest belongs.The practice of wearing a seal ring engraved with a heraldic crest became common in England during the 15th century. However, from the mid-16th century it became more common for a nobleman to wear his family's full coat of arms, as seen in these two seals, which are each engraved with a complete shield.For a similar seal ring, see Bonhams, London, 27th April 2022, lot 53.For further information on this lot please visit Bonhams.com

AMETHYST RIVIÈRE NECKLACE AND PENDENT EARRING SUITE, 19TH CENTURY1st: The graduation of oval-cut amethysts in pinched collet settings, 2nd: Each pear-shaped amethyst drop suspended from a millegrain-set old brilliant-cut diamond surmount, 1st: pendant drop deficient, 2nd: composite, lengths: necklace 43.0cm, pendent earrings 2.5cm, fitted case (2)Footnotes:From the Collection of the Ingilby Family of Ripley CastleLots 209 - 221 Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest (see lots 209 and 213). Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

DIAMOND BANGLE, CIRCA 1880Set with a graduation of cushion-shaped and old brilliant-cut diamonds, accented by rose-cut-diamonds, the base engraved, Alberta. 10. Feb. 1883, old brilliant-cut and old cushion-shaped diamonds approximately 5.80 carats, bangle inner diameters 4.8cm x 5.7cm, fitted case by Carrington & Co., To His Majesty The King and Her Majesty The Queen Alexandra, 130 Regent Street, London, W.Footnotes:From the Collection of the Ingilby Family of Ripley CastleLots 209 - 221 Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest (see lots 209 and 213). Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

AMETHYST AND DIAMOND BANGLE, CIRCA 1890The oval-cut amethyst within an openwork surround of foliate and knifewire detail, set with old brilliant and rose-cut diamonds, on a hinged trifurcated frame, mounted in silver and gold, amethyst approximately 13.75 carats, bangle inner diameters 5.0cm x 5.7cm, fitted case by D & J Wellby Ltd, Garrick Street, LondonFootnotes:From the Collection of the Ingilby Family of Ripley CastleLots 209 - 221 Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest (see lots 209 and 213). Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

PINK SAPPHIRE AND DIAMOND RING, CIRCA 1900The oval-cut sapphire, weighing 3.89 carats, within a millegrain-set old brilliant-cut diamond surround, between trifurcated shoulders, mounted in gold and platinum, ring size L, cased by William Pearsall, Goldsmith & Jeweller, BirminghamFootnotes:From the Collection of the Ingilby Family of Ripley CastleLots 209 - 221 Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest (see lots 209 and 213). Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.Accompanied by a report from The Gem & Pearl Laboratory stating that the sapphire is of Sri Lankin origin, with no indications of heat treatment. For further information, please refer to the department,For further information on this lot please visit Bonhams.com

DIAMOND CLUSTER BROOCH/PENDANT, MID 19TH CENTURYSet throughout with cushion-shaped and old brilliant-cut diamonds, the central cushion-shaped diamond, weighing approximately 1.45 carats, within an openwork surround with scrolling motifs, suspended from a detachable surmount, similarly-set with foliate detail, mounted in silver and gold, diamonds approximately 2.70 carats total, composite, length 4.0cmFootnotes:From the Collection of the Ingilby Family of Ripley CastleLots 209 - 221 Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest (see lots 209 and 213). Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

DIAMOND-SET LOCKET PENDANT, CIRCA 1880The heart-shaped pendant, centrally set with an old pear-shaped diamond, weighing approximately 1.35 carats, within a surround of cushion-shaped diamonds, hinged with a glazed compartment to the reverse, suspending from a similarly-set surmount, mounted in silver on gold, diamonds approximately 3.20 carats total, length 3.5cm, fitted case by Hancocks, 59 Bruton Street, London, Jeweller and Silversmith to the Principal Sovereign of EuropeFootnotes:From the Collection of the Ingilby Family of Ripley CastleLots 209 - 221 Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest (see lots 209 and 213). Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

DIAMOND CLUSTER BROOCH/PENDANT, LATE 19TH CENTURYOf openwork form with quatrefoil and fleur-de-lys motifs, set throughout with cushion-shaped and old brilliant-cut diamonds, suspended from a similarly-set surmount, mounted in silver and gold, detachable brooch fitting, length 5.0cm, accompanied by a screwdriver, fitted case by R&S Garrard & Co, Goldsmiths and Jewellers to the Crown, Haymarket, LondonFootnotes:From the Collection of the Ingilby Family of Ripley CastleLots 209 - 221 Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest (see lots 209 and 213). Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

DIAMOND, RUBY AND NATURAL PEARL BOW BROOCH/PENDANT, MID 19TH CENTURYThe openwork ribbon bow with fluttering tails, set throughout with cushion-shaped diamonds, accented by a central row of similarly-shaped rubies, graduating in size towards the centre, suspending a 10.7mm x 21.0mm natural pearl drop, via a cushion-shaped diamond-set cap and surmount, mounted in silver and gold, detachable brooch fitting, diamonds approximately 5.10 carats total, length 5.5cm, fitted caseFootnotes:From the Collection of the Ingilby Family of Ripley CastleLots 209 - 221 Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest (see lots 209 and 213). Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.Accompanied by a report from The Gem and Pearl Laboratory stating that the pearl is of natural, saltwater origin. Report number 22299, dated 25th October 2022.For further information on this lot please visit Bonhams.com

*** Please note, the description of this lot has changed ***Sassoon (Siegfried) Memoirs of a Fox-Hunting Man, first edition, 1928; Memoirs of an Infantry Officer, first edition, jacket with near and expert repairs and restorations to spine tips and corners, 1930, original cloth, dust-jackets, 8vo (2)⁂ Excellent copies of the first two volumes of Sassoon's autobiographical trilogy, without Sherston's Progress.

Whittington Press.- [Milton (John)] On the Morning of Christ's Nativity: Milton's Hymn with illustrations by William Blake, out-of-series specially-bound copy with an additional suite of plates, from an edition limited to 325 of which 25 specially-bound, tipped-in colour plates, original dark green morocco, t.e.g., others uncut, additional mounted plates loose as issued in original marbled board folder, together in original cloth drop-back box, 1981 § Kipling (Rudyard) The Glory of the Garden, number XXI of 25 copies with an additional suite of hand-coloured linocuts and signed by the artist, from an edition limited to 125, hand-coloured linocuts of Whittington Court Garden by Judith Verity, folding concertina style, original wrappers, additional cuts each signed in pencil by the artist and loose as issued in board folder, together in slip-case, 1989 § Mattioli's Herbal, number XLVII of 50 specially-bound copies with an additional hand-coloured woodcut in pocket at end, from an edition limited to 350, original half morocco, uncut, spine slightly faded, slip-case, New York & Gloucestershire, 2003 § [Dodgson (C.L.)], "Lewis Carroll". The Hunting of the Snark, number V of 30 specially-bound copies signed by the artist, from an edition limited to 750, illustrations by Harold Jones, original black morocco, gilt, by Hunter and Foulis, t.e.g., others uncut, 1975, most Andoversford, Whittington Press; and c.20 others from the press, including some prospectuses and ephemera, v.s. (c.25)

(Pytchley Hunt, Northamptonshire), a manuscript minute book for the Pytchley Hunt committee meetings held at Althorp House 1923-c.1939, predominantly chaired by Albert Edward John Spencer, 7th Earl Spencer (1892-1975), known less formally as Jack Spencer, British Peer, Army Colonel, and the paternal grandfather of Diana, Princess of Wales, 340 pages of manuscript minutes from committee meetings covering the period 28 December 1923 to circa September 1939, each meeting with m/s entries detailing date, those present, description of matters discussed and decided, and signed off by the chairman etc, the first entry for 18. Dec. 1923 "Present: Lord Spencer, Chairman, Sir C.E. Frederick & Messrs J.W. Thornton, R.B. Loder, J.L. Cross, G.W. Jebbitt and J.Y. Castell...Mr Loder proposed...that Lord Wimborne be asked to serve on the committee in place of Lord Downe resigned, and that he be thanked for his purchase of Bramerton Covert...It was decided to form a small sub committee for dealing with subscriptions and claims for damage...A discussion took place with reference to members of the Pytchley Hunt being capped when hunting with the Woodland Pytchley...The masters having recommended the following names for the White Collar, it was decided that it be given accordingly:- the Hon. Mrs Verney Cave, Mr T.A. Verney Cave...Mr R. Jenkinson...Spencer", various other topics discussed at following meeteings, including Woodland Pytchley Capping, Foot & Mouth Disease suspension of capping, Brownings Claim, creation of Coverts, White Collar, wire fund, Guarantors, Subscriptions, etc etc, approx 50 separate signatures of Lord Spencer signing off meetings between 18 Dec. 1923 & February 20th 1935, with a few autograph letters sent by committee members to Lord Spencer during this period paper clipped in, and one or two other bits of associated ephemera also paper clipped in, plus two typed letters signed by Lord Spencer February/March 1935 regarding his resignation from the Chairmanship of the Pytchley Hunt, both on Althorp headed paper "Dear Freddie, I am grateful to you and Lancaster for your kindness in asking me to reconsider from resigning...I have given the matter my utmost consideration and have definitely come to the conclusion that in the present circumstances it will be quite impossible for me to continue to act as Chairman under any conditions whatsoever. Yours sincerely Spencer", dated February 20th 1935, the following period 1935 to c.1939 pages 262-340 with Sir George Stanley as Chairman and signing off meetings, a few relevant items/letters paper clipped in etc, 4to (24 x 19cm), contemporary half black leather gilt (worn)

Major William Robert Foran: 'Kill: Or Be Killed. The Rambling Reminiscences of an Amateur Hunter', London, Hutchinson & Co, 1933, 1st edition, signed & inscribed to FFEP "Miss Whitaker With all good wishes from W. Robert Foran. Padworth. Berks 1934", frontis + 50 illustrations from photographs as called for, original cloth gilt (worn at head and foot and edges of spine). Big game hunting book which includes stories about fellow big game hunters James H. Sutherland, Arthur Henry Neumann, W. D. M. Bell and Chauncey Hugh Stigand, by William Robert Foran (1881-1968), British Army officer, big game hunter and travel writer, later recruited by the British East Africa Police in Nairobi in the early 1900's, becoming one of its six original officers.

(XIX). A hunting scene with huntsmen, horses and a pack of hounds, unsigned, oil on board, framed, 45 x 66 cm

AN EARLY 20TH CENTURY HORN HANDLED SILVER COLLARED LADIES HUNTING / RIDING CROP, the silver collar hallmarked for London 1905 and engraved dedication 'LUCY DALY CHRISTMAS 1905', with plaited leather thong

(Cambridgeshire), Emanuel Bowen: An Accurate map of Cambridgeshire divided into its hundreds', engraved map, hand coloured in outline, published London, Robert Wilkinson, c.1750, engraved inset prospect of Ely, engraved vignette illustration of eel catching/hunting, approx 72 x 52cm, framed and glazed 91 x 70cm

A small hunting knife with wood grips in leather sheath; military jack knife by Rodgers and one other Nimrod Inox knife (3)

An original Second War German hunting cutlass/dagger by Stock of Eisenach with 13½" singled edged blade etched with hunting scenes, clam shell and hoof decorated guard and natural antler grip mounted with swastika emblem in steel mounted leather scabbard with suspension strap

A collection of copper and brass wares, comprising a late 19th century copper hunting horn, length 122cm, a 19th century Arts and Crafts brass bowl with enamelled Tudric rose decoration, diameter 21cm, a late 19th century Indian brass collection pot, height 25cm, and a Victorian copper teapot.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

An Iranian cream-ground rug, the central lozenge and borders decorated with hunting scenes. 215cm x 154cmCarpet in fair overall condition. One corner has had a previous repair. Light areas of wear.

22 various Antique coloured hunting prints, including Herring's foxhunting scenes etc

26 various Antique prints, all hunting scenes

A collection of various silver and white metal dishes, including four with world coins, a hand painted porcelain hunting scene dish with silver frame and an oriental repousse design dish. (7 pcs) Dia. 11cm.(largest.) Weight.343g.

19TH CENTURY AFTER HENRY THOMAS ALKEN (1784-1851) SET OF FOUR HUNTING SCENES Coloured engravings, published by PollardEach 28cm x 35cmQty: 4

To be sold without reserve 17 volumes Edited by J. A. Hammerton With 120 illustrations by H. Stacy Marks, Sir John Tenniel, George du Maurier, Charles Keene, Phil May, E. T. Reed, L. Raven-Hill, J. Bernard Partridge, A. S. Boyd, Tom Browne, G. D. Armour, W. F. Thomas, and others Punch Library of Humour London Bradbury, Agnew & Co The Educational Book Co Ltd. 1905 In Wig & Gown At the Seaside Cockney Humour With the Children Life in London Mr. Punch Afloat Mr Punch at Home Irish Humour With Rod & Gun In the Hunting-Field Railway Book In Society Scottish Humour After Dinner Stories Book of Sports On the Continong There are 25 volumes in this series. Note our collection holds 17 volumes.  Dimensions: 7 in. (H) x 4.5 in. (W)

A VERDURE TAPESTRY PANEL PROBABLY FLEMISH, LATE 17TH CENTURYFragment from a larger example with animals hunting on the ground and in the trees155.5 x 169.5cm overallProvenance: Private Collection, East SussexCondition Report: Wear to surface as per age, handling and use, colour muting and signs of old stitch repairs notably to upper section. Details have become a little lost- possibly has had a wash at some stage- possibly when rebacked and borderedPlease refer to additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A FLEMISH PASTORAL HUNTING TAPESTRY LATE 17TH CENTURY Fragment- figures on horseback watching birds in flight, standing figure with dog 215 by 252cm Provenance: Private Collection, HampshireCondition Report: Fragment- later border- colours still quite fresh with pinks, paler blues and green variances still visible. Later backing but with signs of scattered spot repairs Condition Report Disclaimer

ACM Sir Michael Graydon and Richard H Hunting Signed Battle of Britain 60th Anniversary First Day Cover. British stamp with 10 July 2000 Postmark. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

An Edward VII set of six enamelled silver menu stands/place markers, by Sampson Mordan & Co Ltd, Chester 1904, decorated with hen pheasant, cock pheasant, woodcock, partridge, hunting hound and an Irish Wolfhound, each 4cms high, cased.

An African 9ct gold and elephant hair articulated bracelet, with alternate links of deeply etched African hunting scenes on brushed gold, and polished gold with elephant hair stripes, with fold over clasp, hallmarked '375 Hand Made', 7¼ in. (18.4cm.) long..

Indian School (probably early 20th century) - five gouache miniature paintings, each with script to the top division on a gilt ground, three depicting hunting scenes, the other two noble couples in landscapes, four 7 5/8 x 3in. (19.5 x 7.5cm.), the other very slightly larger, framed and glazed. (5) Not examined out of frames. In good condition with no damage. A few dirty smudges to outer margins from handling.

A Victorian brown stoneware Stilton dish and cover, with applied white hunting scene and bands of oak leaf decoration in the manner of Wedgwood Jasperware, 12in. (30.5cm.) base, the cover 8 5/8 (21.9cm.) diameter, 10½in. (26.7cm.) high.. * Tiny flea-bite nibble to the edge of the base, some small shrinkage cracks to decorated bands, good.

A Doulton Lambeth ale jug and beaker, with applied figural, hunting and drinking scenes and silver top rim mounts by Cornelius Desormeaux Saunders & James Francis Hollings, London, 1897, the jug 6 5/8in. (16.8cm.) high, the beaker 5in. (12.8cm.) high. (2). * No chips or cracks found, needs polish, good.

A small bronze of two hunting dogs, together with a figure of a classical athlete Condition Report:Available upon request

LINDSAY Hunting through woodland, signed, oil on board, 52 x 39cm Condition Report:Available upon request

CASED HUNTING DESIGN SILVER SERVIETTE RINGS, set of 6 silver serviette rings decorated with hunting related animals, London possibly 1983

VICTORIAN MAJOLICA, figure of Dog hunting Mouse, 9cm height

RHENDISH POTTERY JUG, large Rhendish pottery jug decorated hunting scenes of bears and bulls, with mask decorated spout, 45cm height, with crude handle repairs

ANIMAL BRONZES, limited edition bronze Stag, 13cm height; together with hunting dog group, 14cm

A silver hunting horn of plain form, 22.5cm, Kohler & Son, London 1969, marked Dunhill, Made in England, ___3.56oz.

PETER BECKFORD "Thoughts on Hunting..." with illustrations by G. Denholm Armour, published Hodder & Stoughton, London, one volume, with red leather and cloth board cover and an Ambrotype picture of a young woman in mid 19th Century dress, 6.5 cm x 5.5 cm

A collection of four CECIL ALDIN prints to include "Follow my leader", 26 cm x 71 cm, "Mother Hen", 27 cm x 71 cm and "Leapfrog", 26 cm x 71 cm and a hunting print, 27 cm x 71 cm (4)

A large free-standing model of a Fox in hunting uniform by Anna Fraser, painted in colours, with hinged back support, signed 104cm. high

Circular oil on board, 'Lewis Carroll, Hunting of the Snark', 106cm diameter

PAIR OF ALKEN HUNTING PRINTS. PLATE 1 THE MEETING, PLATE 2 BREAKING COVER. HAND COLOURED AND PUBLISHED IN 1841, APPROX. 11” X 14”

PAIR OF HUNTING PRINTS ON SILK, IN DECORATIVE METAL FRAMES, 6” X 5” TOGETHER WITH AN OVAL OF HORSES ALSO ON SILK WITHIN A DECORATIVE ITALIAN METAL FRAME, 8” X 5”

A 19TH CENTURY HORSESHOE BACK FOLDING HUNTING CHAIR POSSIBLY HUANGHUALI having curved top rail without scrolling arms above a pierced carved splat depicting two qilins amongst clouds, the slatted seat over a scroll carved frieze, the slender legs united by a foot rest.73cm wide 110cm high The top back rail has a crack, extra images have been uploaded, otherwise in good condition with no restoration.

AN 18TH/19TH CENTURY JAPANESE RED LACQUER WORK AND ENGRAVED BRASS MOUNTED HORSESHOE BACK FOLDING HUNTING CHAIR with gilt panelled back splat, leather seat and folding footrest - signature character marks to backrest and foot rail83cm wide 104cm high

AN EARLY 18TH CENTURY FRENCH 13 BORE FLINTLOCK SPORTING GUN SIGNED THIOSSIERE FRERES with 50" octagonal to round browned sighted barrel with engraved breech and gold inlaid tang, signed blued lockplate with recessed tail engraved with a goose and boar, gold inlaid and engraved swan neck hammer, the pan and frizzen also gold inlaid, the brass side plate finely engraved with a hunting scene, highly figured walnut full stock finely carved behind the tang and to the ramrod aperture with silver inlay surrounding the engraved brass butt plate, brass engraved trigger guard surrounded by raised carved edge, original steel ramrod167cm overall

A 19TH CENTURY HUNTING TAPESTRY PICTURE depicting a dog sat with shot gun and dead game - mounted and in glazed gilt frame.51cm high 63cm wide

A group of Indian hand painted watercolour silk panels, depicting hunting scenes, and a small cloisonne pot pourri jar and cover, and another

A Crown Devon Fieldings "John Peel" musical hunting jug, a cased gimballed compass, silver plate, Beatrix Potter books etc (boxful)

Baron Carl Reille (1886-1974), hunting society, watercolour on paper, signed bottom right, 35 x 54 cm, framed under glass

Grey top hat size 7 1/8 and a black felt hunting top hat size 7 1/8

Early C20th Stilton bell depicting a hunting scene

Two pairs of black ladies leather hunting boots by Rowell and Sons, Melton Mowbray both with wooden trees

Pair of black leather hunting boots by Rowell and Sons Melton Mowbray with wooden trees

Quantity of china to include Wedgwood early morning tea set, 3 lobster footed salt cellars, pair of Bridgwater breakfast cups and saucers, pair of Italian ceramic dogs, pair of Minton plates decorated with fishing flies and 4 Copeland Spode plates decorated with hunting scenes, quantity C19th china to include 6 plates, a porter mug and sundry others, C19th sugar bowl decorated with roses, saucer dish decorated with flowers and saucer dish decorated with a Chinese scene; Flight Barr and barr Oval meat platter, decorated sea shells and gilt, 50.5cm L, gilding rubbed, and another platter, Derby, decorated Roses, 50cmL, cracked

After D Wolstenholme, Set of 4 coloured aquatints, "Stag Hunting", 29 x 38 Framed and glazed

Set of 6 vintage hunting prints, framed and glazed, titled to mount, Bachelor's Hall