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John Willis Good (British, 1845-1879). The Tired Hunter, signed `J. Willis Good` (on the base), bronze, with brown patina, height: 14¾ in.Specializing in animalier and hunting groups, John Willis Good frequently exhibited works at the Royal Academy during the 1870s. The Tired Hunter is an excellent example of Willis Good`s ouevre as a talented sporting portraitist. The identity of the horse represented in this particular portrait has been cleverly executed by the artist in the addition of a fox`s mask on the saddle, indicating this hunter possibly belonged to Fred Gregory, a renowned master of foxhounds during the 1870s (see C. Payne, Animals in Bronze, Woodbridge, 1986, p. 300).
LARGE MEISSEN CHARGER 19TH CENTURY centrally painted depicting a hunting party within a green and burgundy gilt decorated border marked with oval classical portraits en grisaille, signed `nach Wouvermann`, blue crossed swords mark to reverse 39cm diam Provenance: Property of an Edinburgh estate
FOUR FRAMED ASIAN MINIATURE PAINTINGS 19TH / 20TH CENTURY comprising a Persian hunting scene, 24.5cm x 13.5cm; another Persian scene of a ruler receiving gifts under a canopy, 19.5cm x 13cm; an Indian night scene with a royal couple and attendant, 14.5cm x 10cm; and an Indian scene of a tiger attacking an elephant and rider, 17cm x 24cm (4)
An 18ct gold half hunting cased free-sprung keyless lever centre seconds chronograph, the three quarter plate movement signed Goldsmiths & Silversmiths Company, 112 Regent St, London, no. 31862, raised barrel, blue steel spiral spring with overcoil free-sprung, in a plain heavy case, the chronograph button in the band, case by F. Toms, London 1911, 54mm diam.
A Swiss silver hunting cased centre seconds chronograph, white enamel dial with twin subsidiaries for running seconds and 60 minute recording, the gilded keyless lever movement in a plain case with gold joints and the chronograph button in the band, 55mm diam; with purpose made fitted case. (2)
A good French porcelain mounted ormolu mantel clock, the striking movement by Japy Freres in a break arch case with bowed sides, the whole set with plaques of hunting scenes against a dark blue ground, the dial and urn finial similarly decorated, acanthus cast case with scrolled foliate mounts, circa 1880, 19½in (50cm) high.
A French silver covered goblet, probably 19th Century, the cover decorated with hounds and quarry in a woodland, the finial of a huntsman blowing a horn, the goblet bowl with leaf design and wreath below flared rim, the main the Diana, Goddess of hunting in a carriage being drawn by stags and attended by huntsmen, cherubs, hounds and others, the stem with two stags' heads, the base decorated with design to match lid, 16 1/2in. (42cms) high, 28oz.
Meissen: two dot period 'Trembleuse' cups and saucers, each with deep blue grounds and tooled gilding, one painted with hunting scenes, the other with military subjects, blue crossed swords and dot and other painted marks, one saucer impressed "43B", 2 3/4in. (7cms) high. Provenance Collection of the Earls Erne, Crom Castle, presented to Earl Erne by a member of the Polish Royal family.
Thomas "Tom Carr" (1912-1977) "SPORTING SKETCHES" - A STUDY FOR THE TITLE PAGE OF A BOOK signed, inscribed and dated 1951/2 pencil 20 x 28cms; 8 x 11in.; offered together with a book Hoof Prints on Parchment: Hunting Poems, by Stanislaus Lynch, illustrated by Tom Carr, published by Irish Tatler & Sketch, Dublin, c.1952. (2)
A collection of fifteen sporting books by The Badminton Library, subjects to include riding, mountaineering, yachting, big game shooting, skating, billiards, hunting, fishing etc, published by Longmans, Green & Co, London 1905, bound in half black calf with orange boards with gilt lettering and decoration (af) (15) .

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