FOUR GERMAN HUNTING SWORDS, 18TH/19TH CENTURIES the first with etched blade double-edged towards the point, decorated with a doe and the inscription 'Weidmans Heil' on the respective sides, steel hilt including down-turned shell-guard and a pair of short moulded quillons, natural staghorn grip, and in its original leather-covered wooden scabbard with large steel mounts; the second with straight fullered blade double-edged towards the tip, retaining traces of etching at the forte, brass hilt, and natural staghorn grip, in its brass-mounted leather scabbard with suspension frog; the third with straight blade inlaid with brass ornament on its upper portion on each side, steel hilt, and natural staghorn grip, in its leather scabbard complete with two buckled loops for suspension; the fourth with robust blade, steel hilt including down-turned scalloped shell and a pair of acorn quillons, in its steel-mounted leather-covered wooden scabbard the first: 51.2cm; 20 1/8in (4)
We found 74924 price guide item(s) matching your search
There are 74924 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
74924 item(s)/page
A FRENCH HUNTING SWORD LATE 18TH CENTURY, AND AN AUSTRIAN EPÉE, MID-19TH CENTURY the first with tapering blade double-edged over its upper half, and shaped ivory grip with moulded borders (rivets missing), in a later velvet-covered wooden scabbard; the second with etched blade signed by 'R. W. Ohlig, Wien', and brass hilt cast in low relief including down-turned shell-guard the first: 41.7cm; 16 3/8in blade (2)
**A LEFT-HAND DAGGER IN 17TH CENTURY STYLE, 19TH CENTURY AND A HUNTING KNIFE, 17TH CENTURY the first with fullered double-edged blade steel hilt including a pair of straight writhen quillons with faceted button terminals, strongly up-turned guard pierced with foliage inhabited by exotic birds centring on a large oval warrior profile medallion, and wire-bound grip; the second with tapering blade of v-section, and steel hilt fitted with a bone grip panel on each side (worn) the first: 57.5cm; 22 5/8in (2)
A RUSSIAN HUNTING SWORD, ST PETERSBURG, LATE 19TH CENTURY with broad blade formed with a double-edged point, stamped with a mark at the forte including the Imperial double eagle and signed 'Schaf & Sons, St Petersburg' in cyrillic, gilt-brass hilt including a pair of short bud-shaped quillons, down-turned shell-guard decorated with a crowned Imperial double eagle enclosed by a hunting horn, cap pommel, and staghorn grip, in its leather-covered wooden scabbard with gilt brass mounts chased with scrolling foliage on a punched ground 47cm; 18 1/2in
[Fox hunting interest] A Victorian silver rectangular snuff box by Francis Clark, Birmingham 1843, the cover engraved with hounds chasing a fox, within flower and foliate chased shaped borders with chamfered edges and a conforming chased thumbpiece, the sides engine turned, the engine turned base engraved with a crest, the interior gilt, 9.8cm (4in) wide, 206g (6.5 oz)
C F G R SCHWERDT: HUNTING HAWKING SHOOTING ILLUSTRATED IN CATALOGUE OF BOOKS MANUSCRIPTS PRINTS AND DRAWINGS, Maurizio Martino, Connecticut circa 1996 (150), 4 Vols in 2, reprint, orig cl + M L BISCOTTI: A BIBLIOGRAPHY OF AMERICAN SPORTING BOOKS 1926-1985, Meadow Run Press, New Jersey, 1997, 1st edn, orig cl, orig s-c, (3)
A late Victorian lady's 18ct gold half hunting cased keyless lever pocket watch by J.W. Benson, 62 & 64 Ludgate Hill, London, No. 7858, the white enamelled dial with Roman numerals, contained in plain 18ct gold half hunting case with pink and blue enamel chapter ring with Roman numerals, 1.5in diameter, and with gilt metal short fob
A 19th century Dutch walnut and floral marquetry occasional table of circular form, the top inlaid in marquetry and ivory with penwork decoration of a hunting scene, all within four further marquetry inlaid reserves, the frieze having single blind drawer, further marquetry scroll leaf inlays, the whole raised upon square supports united by two platform undertiers, supported on four carved lion paw feet, diameter 57cm (Illus.)
Mahogany eight day longcase clock, the 13" painted arched dial signed W. Cox, Devizes, with subsidiary seconds dial, calendar aperture and an oval hunting vignette painted to the arch, the London style case with long moulded arched door, flanked by ormolu mounted quarter pilasters surmounted by a pagoda top with three ball finials, 99" high
A set of four Sabino Art Deco glass panels, circa 1920, all four panels set into a vertical frame, moulded decoration of a lady being presented with jewels, flanked by two kneeling art deco ladies, above a panel depicting a lady chasing six leaping gazels across a tree lined landscape below clouds, above a panel depicting a dancer in flowing dress between kneeling female musicians on a geometric floor, above a panel depicting two men with bow, arrow and spear hunting four running dear in a tree lined landscape, moulded signature Sabino Paris to bottom right corner of all four, 120 cm high, 70 cm wide including frame.
* A George Jones majolica hunting jug and cover, circa 1872, hinged cover with dog shaped final, above a floral moulded relief border, square handle wrapped in rope, central panel depicting dog chasing duck amongst long grass, verso dog has rabbit trapped under foliage, above a leaf border, standing on a rounded pedestal base with yellow border, stamped mark to base, 30 cm high.
A collection of silver, electroplate and other wares, including; a Victorian caddy spoon, London 1851, a pair of napkin rings, Chester 1904, a two handled cup, a bud vase, a small dish, cased for the Queen's silver jubilee, a Georgian cream jug, marks worn, an electroplated entree dish, coffee pot, cream jug, sugar basin, flat ware, four ivory napkin rings, a cut glass bowl and a ceramic mug transfer printed with a hunting scene. Best Bid
British School, late 19th century- Portrait of a gentleman, standing three-quarter length in a highland landscape, dressed in hunting attire and holding a shotgun, with his gun dog in attendance, traditionally held to be J C Tweedie/Tweedy of Rachan; oil on canvas, bears later inscription verso, 136x87cm. Note: Scottish tradition ascribes the origin of the Tweedie name to be that of a water sprite in the River Tweed. Legend tells of a husband who went off to fight in the crusades and while he was away his young wife became pregnant and so he returned home to find he had a son. His wife then told him that she had gone down to the banks of the River Tweed and had been accosted by a fairy of the river and become pregnant by him. Her husband, chose to believe this story but on the condition that the son kept the surname of Tweedie.

-
74924 item(s)/page