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Lot 198
KOHLER & SONS, LONDON: A SILVER HUNTING HORN hallmarked London 1908, "Presented with 700 Sov's to George Allcock by the Landowners, Subscribers, Farmers and other friends in the Blackmore Vale as a token of their regards and appreciation of his brilliant services as a huntsman, April 29th 1909", 24cm long; accompanied by an album with a list of subscribers to the George Allcock Testimonial; an oak framed certificate to George Allcock; and two black and white prints of George Allcock (5)
Lot 216
ALEXANDER MACKAY-SMITH MFH: AMERICAN FOX HUNTING: AN ANTHOLOGY author of American Foxhound 1947-1967, 1970; American Foxhound Club, Millwood, Virginia; Hunting in the United States and Canada, by Wilson & Chamberlain; A Month in the Midlands by G. Bowers; and Thoughts on Hunting by Peter Beckford, Esq. illustrated in colour by J. Denholm Armour (4)
Lot 70
HUNTING FLASK AND CUP SET BY MAPPIN & WEBB,comprising a clear and cut glass flask with silver plated top and twin silver plated cups, these marked to bases, all of tapered form and housed in original fitted leather caseCondition report: Condition generally good. Each piece subject to light surface wear. Tarnish to cups and mount. Light residue to flask. More noticeable wear to leather. Additional images now available.Leather case 15.5cm highThe cups 10.4cm highThe flask 12.5cm high
Lot 1369
A collector's lot to include: a pair of brass candlesticks; a Victorian style brass oil lamp with glass shade; two German china figures of Lady and Gentleman (AF - broken); box of bone handled cutlery; small brass jardinieres; pair of mottled glass posy vases; an Edwardian oak cased aneroid barometer (glass broken) and a pair of coloured prints after S Sanderson Wells depicting Hunting Scenes, in oak frames ( 1 box, 2 prints & barometer {4})
Lot 091
Terry McKivragan (1929 - 2012) 'Peter Pan at Kensington Gardens' oil on board, signed, 25cm x 25cm, exhibited at The Chelsea Art Society, art work number 3, paper label on reverse.Terry McKivragan was a member of the Royal Institute of Painters in watercolours and also the Chelsea Art Society. He won the Best Acrylic Award at the Britain’s Painters, also the Hunting Prize and exhibited at the Royal Academy Summer Exhibition. His work has also been exhibited the Mall Galleries in London and is still on show at other galleries across the UK. This collection has been consigned by the family.
Lot 094
Terry McKivragan (1929 - 2012) 'Royal Naval College, Greenwich' watercolour, signed, 24cm x 44cm, framed and glazed.Terry McKivragan was a member of the Royal Institute of Painters in watercolours and also the Chelsea Art Society. He won the Best Acrylic Award at the Britain’s Painters, also the Hunting Prize and exhibited at the Royal Academy Summer Exhibition. His work has also been exhibited the Mall Galleries in London and is still on show at other galleries across the UK. This collection has been consigned by the family.
Lot 095
Terry McKivragan (1929 - 2012) 'Mother and Daughter, Mother and Son' acrylic on board, 23cm x 42cm, framed.Terry McKivragan was a member of the Royal Institute of Painters in watercolours and also the Chelsea Art Society. He won the Best Acrylic Award at the Britain’s Painters, also the Hunting Prize and exhibited at the Royal Academy Summer Exhibition. His work has also been exhibited the Mall Galleries in London and is still on show at other galleries across the UK. This collection has been consigned by the family.
Lot 096
Terry McKivragan (1929 - 2012) 'Temple Island, Henley, July', signed, watercolour, 24cm x 44cm, framed and glazed.Terry McKivragan was a member of the Royal Institute of Painters in watercolours and also the Chelsea Art Society. He won the Best Acrylic Award at the Britain’s Painters, also the Hunting Prize and exhibited at the Royal Academy Summer Exhibition. His work has also been exhibited the Mall Galleries in London and is still on show at other galleries across the UK. This collection has been consigned by the family.
Lot 097
Terry McKivragan (1929 - 2012) two art works, 'Jug and Pear' and 'The Vase' watercolours, signed, 23cm x 44cm, framed and glazed.Terry McKivragan was a member of the Royal Institute of Painters in watercolours and also the Chelsea Art Society. He won the Best Acrylic Award at the Britain’s Painters, also the Hunting Prize and exhibited at the Royal Academy Summer Exhibition. His work has also been exhibited the Mall Galleries in London and is still on show at other galleries across the UK. This collection has been consigned by the family.
Lot 099
Terry McKivragan (1929 - 2012) 'Across to Salcombe', oil, signed, 35cm x 59cm, framed and glazed.Terry McKivragan was a member of the Royal Institute of Painters in watercolours and also the Chelsea Art Society. He won the Best Acrylic Award at the Britain’s Painters, also the Hunting Prize and exhibited at the Royal Academy Summer Exhibition. His work has also been exhibited the Mall Galleries in London and is still on show at other galleries across the UK. This collection has been consigned by the family.
Lot 186
Large group of federal duck stamps, together with prints of the designs of the duck stamps. Includes two books: "Duck Stamps and Prints: The Complete Federal and State Editions," New York: Park Lane, 1988; and "White Ace United States Migratory-Bird Hunting Stamp Album," Newark: The Washington Press. Includes works by artists Maynard Reese, Les Kouba, Francis L. Jacques, Roger Preuss, Edward J. Bierly, Edward A. Morris, John H. Dick, Jackson M. Abbott, and others.Height: 14 1/4 in in x width: 11 1/4 in x depth: 1 in.
Lot 335
A late 19th/early 20th century Indian silver tankard, the body chased with figures in village scenes, flanked by simulated bamboo handle, detailed 'Grish Chunder Dutt Bhowanipore Calcutta' to base, weight 219g, height 9cm, together with an Indian silver double spirit measure, decorated with hunting and village scenes, weight 76g, height 9.8cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 167
Two 19th century coloured engravings, The Death of The Roebuck, engraved by H Allen & R. Greene after the drawings by W.P Hodges, pub 1834, 38.5cm x 53cm x 5cm, glazed frame, and Hare Hunting, plate 2 War - Turnips, engraved by R A Reeve from drawing W.P Hodges, 38.5cm x 52.5cm, glazed framesLocation:
Lot 59
λ Fred Uhlman (British 1901-1985)Le Chateau de Grand MeaulnesOil on board 54 x 66cm (21¼ x 25 in.)Provenance:The Zwemmer Gallery, London The collection of Eardley Knollys (1902-1991), friend and associate of the Bloomsbury Group, artist, critic and owner of the Storran Gallery, London, from 1936 to 1944Bequeathed to Mattei Radev (1927-2009) and, subsequently, to the present ownerEardley Knollys (1902-1991) was born in Alresford, Hampshire. He studied at Winchester College and continued his education at Christ Church College in Oxford. Knollys interest in the arts and his reputation as an art critic grew during the 1920s and in 1936 Knollys opened The Storran Gallery, opposite Harrods with his partner Frank Coombs. The gallery exhibited renowned artists such as Amedeo Modigliani, Maurice Utrillo, Ivon Hitchens, Pablo Picasso and Victor Pasmore to name just a few. Coombs tragically passed away in an air raid during World War II in Belfast in 1941. Knollys closed the gallery shortly afterwards. In 1945, Knollys along with music critic and novelist Edward Sackville-West and music critic Desmond Shawe-Taylor purchased a Georgian rectory in Long Crichel, Dorset. Along with James Lees-Milne, literary critic Raymond Mortimer and gay activist and eye surgeon Patrick Trevor-Roper, the house became a centre for young creatives, where these young men and their friends could immerse themselves in books, music, art, and poetry. These passionate young men hosted guests such as Ben Nicholson, Duncan Grant, Sibyl Colefax and film director Anthony Asquith. Knollys joined James Lees-Milne working for the National Trust during World War II and published diaries recording their trips to some of the most renowned British country houses. In 1965, Knollys, a well-respected art critic and member of the Bloomsbury art group inherited a collection of artworks which had belonged to Edward Sackville-West. In 1967 Knollys and Mattei Radev purchased a hunting lodge in Hampshire and they both painted and worked in the artist's studio attached to the lodge. Knollys' interest in the arts continued and he added to the collection right up until his death in 1991. Knollys' collection was bequeathed to Mattei Radev, who continued to grow the important collection. Mattei Radev became an iconic member of the artistic and literary Bloomsbury group. Radev was a Bulgarian émigré who settled initially in Glasgow after escaping Bulgaria through Turkey. When he first arrived in London, he started working at Whittington Hospital as an orderly and met eye surgeon Patrick Trevor-Roper. Trevor-Roper was a gay activist and introduced Radev to likeminded friends in London. Influenced by these new acquaintances in artistic circles Radev decided to pursue an apprenticeship in framing. In 1960 he set up his own workshop in Fitzrovia with the help of a financial loan from Eardley Knollys. Clients included John Banting, Graham Sutherland, and Duncan Grant. The framers continued under Radev's management until the 1990s. Radev visited Long Crichel many times and met his life-long lover E.M. Forster, the notable novelist and literary critic. The Radev collection represents the three strong individuals involved, Sackville-West who championed Modernism, Eardley Knollys whose passion for French Impressionism shines through and Radev for his loyalty to British artists with whom he was friends and in business with.Condition Report: Surface dirt throughout. There are some very small scattered losses, the most obvious to the lower right quadrant with associated diagonal scuff marks. Inspection under UV reveals and uneven varnish and light scattered retouching. Condition Report Disclaimer
Lot 273
TWO INDIAN MINIATURES: MUGHAL EMPEROR HOLDING COURT; EMPEROR JEHANGIR AND NOUR JEHAN ON A BOAT gouache and gold on paper, the court scene inscribed in ink on a blue ground with one line in nasta’liq, floral border; boat scene with a wide border containing sixteen inscription-filled cartouches in nasta’liq; this lot includes a PERSIAN 20TH CENTURY MINIATURE depicting a hunting scene with riders holding umbrellas(largest: 30.1cm x 24.1cm)Provenance: Private English collection, acquired before the First World War in India, thence by descent
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74922 item(s)/page