We found 74922 price guide item(s) matching your search

A late 20th Century Stourbridge clear cut crystal glass goblet, the ovoid bowl with a central oval cartouche panel engraved by Steve Piper with a hunting scene with further cut and polished panels, above a knopped stem and radial star cut foot, signed to the body, height 21cm.

A 19th Century bronze cup and cover by Pierre Jules Mene (1810-1877), modelled as a segmented tusk, the cover surmounted with a heron above dead fish and game in relief, the body with fox and stag hunting to each side in a woodland scene, the pedestal worked with a lizard attacking a bird's nest and bird chasing a beetle, on leaf cast oval base, signed and dated twice 1849, height 40cm.

A collection of six 19th Century scrap albums containing cuttings of fox hunting and the Warwickshire hunt, early photographs of the Beechwood theatre theatrical group, military photographs and photographs of the village of Lighthorne. (6)

A 1930s silver novelty table lighter, Chester 1933 by E.J. Clewley (Birmingham) in the form of a hunting horn, bearing a presentation inscription, 23 cm high. Together with a heavy silver ladies' hinged card case with a fitted interior, a modern heavy silver tankard, a silver tumbler, and a small hinged sweet cashew box embossed with cherubs. 18.4 ozt gross weight.

Various equine prints, pictures, frames, etc., after Cooper, water marked print, a quantity of other prints, pictures, frames, after Turner, other hunting prints, after Watteau print, various others, etc. (a large quantity)

Le Poitevin 1987 Hermes 65% cashmere scarf designed by Hubert de Watrigant. Hunting hound pattern. L.86 W.86cm.

Melchior d'Hondecoeter (1636-1695), A hunting still life with a pigeon, partridge, finches and a kingfisher on a stone ledge, oil on canvas, 69x59 cm, This graceful still life is exemplifying for Melchior d’Hondecoeter’s early work. The artist specialized in painting hunting still lifes, birds, poultry, and elegant landscapes with exotic birds. Following up on his Flemish predecessors, Frans Snijders (1579-1657) and Jan Brueghel II (1601-1678), d’Hondecoeter has elevated the theme of bird concerts and hunting still lifes in the Netherlands together with his cousin Jan Weenix (1641-1719).This well-balanced composition shows the qualities of d’Hondecoeter as a still life painter. The sceneis set in subtle brownish tones with, in the centre, the white wing of a pigeon, drawing our eyes into the composition. The pigeon and partridge, delicately placed on the stone ledge, dominate the painting. Yet, some smaller birds such as finches and a kingfisher are cautiously placed around them, completing the scene harmoniously. Behind the birds, some hunting equipment is visible with a large bird’s cage to the left. The very subtle muted palette and unity of the composition make this painting a typical work by one of Holland's master painters of hunting still lifes.

A pair of vintage opera glasses with relief brass hunting scenes

Arthur F. Tait (American/British, 1819-1905) for Currier and Ives, United States. Group of three prints depicting hunting dogs including:"Wild Duck Shooting: A Good Day's Sport," lithographed by Otto Knirsch (American/German, 19th c.), 1854.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 7212, page 748."American Field Sports: 'Retrieving'," lithographed by Charles R. Parsons (American/British, 1821-1910), 1857.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0164, page 22."American Field Sports: 'A Chance for Both Barrels'," lithographed by Charles R. Parsons (American/British, 1821-1910), 1857.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0161, page 22.Sight; height ranges from 20 in to 21 in; width ranges from 26 1/2 in to 27 1/2 in. Framed; height ranges from 29 3/4 in to 32 1/4 in; width ranges from 36 1/4 in to 38 1/2 in.

Currier and Ives, United States. Group of four hunting lithographs including:"Brook Trout - Just Caught."Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0790, page 82."Salmon Fishing," 1872.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 5759, page 591."Wild Turkey Shooting," 1871.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 7219, page 749."The Life of a Sportsman: Coming into Camp," 1872.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 3793, page 404.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Sight; height ranges from 10 in to 12 1/2 in; width ranges from 12 3/4 in to 17 1/2 in. Framed; height ranges from 15 into 16 1/2 in; width ranges from 18 in to 21 1/2 in.

Frances "Fanny" Flora Bond Palmer (American, 1812-1876) for Currier and Ives, United States. Lithograph titled "Rail Shooting: On the Delaware," depicting two men and a hunting dog on a boat shooting two rails flushed from the reeds, 1852.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 5481, page 561.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Sight; height: 15 in x width: 21 1/4 in. Framed; height: 23 1/4 in x width: 29 1/2 in.

Currier and Ives, United States. Group of four lithographs including:Arthur Fitzwilliam Tait (American/British, 1819-1905). "American Forest Scene: Maple Sugaring," 1856.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0170, page 22."Mr. Wm. H. Vanderbilt's Celebrated Road Team, Lysander and Leander," 1879.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 4630, page 469."Hunting on the Plains," 1871.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 3244, page 333.Frances "Fanny" Flora Bond Palmer (American, 1812-1876). "Winter Morning," 1861.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 7277, page 754.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.(Sight) height ranges from 9 3/4 in to 22 in; width ranges from 12 3/4 in to 29 in. (Framed) height ranges from 15 in to 35 1/2 in; width ranges from 18 3/4 in to 42 1/4 in.

Sue Warner, 21st Century "Out Hunting," O.O.P., landscape with man holding gun aloft and two black labradors at his feet, by a weir in wooded area, approx. 46cms x 36cms (18" x 14"), signed  and dated lower right, mounted and framed. (1)

STEYNING. A collection of approximately 60 postcards of Steyning, West Sussex, including photographic postcards titled 'Steyning Hospital Parade', 'We'll Go a Hunting Today', 'High Street, Steyning', 'Chantry Green, Steyning' and a few of social history scenes. Provenance: the estate of the Late Rendel Williams.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

HUNTING. A group of three game books, circa 1902-1980, probably compiled by Lt. Col. A. Forrest Harper, regarding hunts, shoots and fishing trips in Britain and overseas.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

BEXHILL-ON-SEA. A collection of 20 postcards of hunting interest, all relating to the Bexhill Harriers. Provenance: the estate of the Late Rendel Williams.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Henry Samuel Alken, Jnr, British 1810-1894- Hunting Scenes: Setting out; Taking the fence; Breaking cover; and The kill; oils on canvas, each 25 x 35.2 cm., a set of four (4). Provenance: with Arthur Ackermann & Son, London.; where purchased in June 1950. Note: We are grateful to Jamie Rountree for confirming the attribution of the present lot. Henry Samuel Alken was the eldest son of Henry Thomas Alken (1785-1851), and grandson of Samuel Alken Senior (1756-1815). He tended to paint in sets and usually depicted sporting scenes. Paul Mellon KBE’s collection of the artist’s original drawings, watercolours and oils was immense. Perhaps the most renowned of Henry Alken Jnr’s four paintings sets is that recording the hunt at Belvoir Castle, which was also handled by Arthur Ackermann & Son. These oils reflect the palette and feeling of the artist’s work, as well as displaying his respective strengths in capturing horses and their movement, and weaknesses in the portrayal of human faces. The owners of the country house, depicted in the left background of ‘Setting Out’, may point to the origins of the commission. It has been suggested that the house is Woburn Abbey, the family seat of the Duke of Bedford.Please refer to department for condition report

Dean Wolstenholme, Snr,British 1757-1837-Hunting Scenes: Setting Out; Flushing Out; On the Scent; and The Kill;oils on canvas, each 47.4 x 65.5 cm., a set of four (4).Note: The present paintings, presumably taken in or around Essex or Hertfordshire, are characteristic of Wolstenholme’s oeuvre, with the artist acting as a key figure in the development of the hunting picture, a genre which had a significant impact on the artistic landscape of 18th-century Britain. This set of four pictures exhibits the characteristics which define the artist’s distinct, somewhat stylised, approach. This is evident in the long, sinuous lines of the trees, alongside the elongated bodies of the hounds which are depicted throughout. Indeed, these exaggerated forms imbue the scenes with a palpable sense of energy and momentum. A comparable set of four oils by the artist of 'The Essex Hunt' sold at Christie's, London, 13 November 2019, lot 206 (£15,000).Please refer to department for condition report

Maurice Etienne Dantan, French, late 19th / early 20th century- Pointers flushing out a pheasant; oil on canvas, signed 'Dantan' (lower left), 54 x 65 cm. Provenance: Private Collection, UK. Note: Maurice Etienne Dantan, not to be confused with Edouard Joseph Dantan (1848-1897), specialised in hunting and sporting scenes, alongside genre scenes and landscapes, executed in oils and watercolour. In the present work, he effectively conveys the restrained energy of the dogs through their alert posture and their intense focus on the bird in flight. Please refer to department for condition report

Early 20th century and later lacquered boxes & bowls, Heredities bronzed hunting group, pair of graduated carved and painted cockerels etc in one box

Pine three legged stool, the leather seat painted with a hunting scene, signed 'Chack'

Three modern loose leaf albums containing a large quantity of cigarette and trade cards by Wills, Players, Godfrey Phillips, Brooke Bond, Gallahers, Senior Service, R.&J. Hill, etc including photographic and printed views, military and aircraft, jockeys and horses, natural history, hunting etc (3)Condition Report:Cards look to be in reasonable condition.

A late 19th/early 20th century diamond set bar brooch, modelled as a hunting horn and fox's mask, pavé set with rose and lasque-cut diamonds and highlighted with circular-cut red stone eyes, enclosed by an old-cut diamond set horseshoe, gold and silver mounted, length 4.1cm

Joliffes of Marlow-A gents 3-piece formal outfit comprising Sinclair Hunting tartan trousers 32" waist, a black waistcoat 32" chest and black tails 32" chest x 21" long, with silver tone square formed buttons together with a black leather Yves belt. Location:Rail1

A set of eight framed and glazed various Ackermann hunting prints. Est. £40 - £60.

RHODESIAN REPRINT LIBRARY. Vols. 1-3, 5-22, 24, 25, 27-29, 31, 34, 35 plus 2 duplicates, 1968-74, plus African Hunting Reprint Series vols. 1,2,4 & 6, plus 6 similar all with d/ws (41). Est. £100 - £200.

HUNTING & EQUESTRIAN BOOKS. 1 box. Est. £20 - £30.

A Crown Devon John Peel hunting jug, with fox handle, polychrome decorated, printed marks beneath, 23cm high.

Various cigarette cards, Sinclair Picture Puzzles and Riddles Series single card, Ogden's Victoria Cross Heroes single card, St Julian's Opera House Jersey, War Portraits Tetley and Sons single card, various other part sets, Franklyn Davey and Co Hunting, Klondyke, Ringer and Big Dogs, Hignett Turn Pikes, Gallaher Trains of the World, Dogs, Carroll Birds, etc. (1 album)

A leather powder flask, of teardrop form, with iron top, 20cm high, a resin and brass powder flask heavily decorated with huntsman and dog in a forest landscape, and a part powder flask raised with hunting scene. (3, AF)

* Equestrian. A collection of approximately 50 horseracing and hunting prints and engravings, mostly 19th & 20th century, lithographs, engravings, original drawings and prints of racehorses & racing, coaching, portraits of jockeys, huntsmen and horses, with examples by or after R. G. Reeve, Juliet McLeod, Finch Mason. 'Vanity Fair', Charles Hunt, John Harris, and A. C. Havell, many mounted, various sizes and conditionQTY: (approx. 50)

Tempesta (Antonio). Septum Orbis Admiranda ex Antiquitatis Monimentis Collecta, et Oblectationi Publicae in Aereas Tabulas, 1st edition, Rome 1608, and sold in Antwerp by Franc van den Wyngaerde, etched title, 7 etched plates depicting the Seven Wonders of the World, small wormtracks at foot and to the right side of images, bound with Avorum Societas Romanorum et Bat., Ant. Tempesta, 1611, engraved title, 36 engraved plates, a few small marginal wormtracks and holes, bound with 6 etched plates of hunting scenes by Antonio Tempesta, trimmed and window mounted (mounts loosening or breaking), all bound in later bindstamped calf gilt, upper joint cracked, spine ends chipped, oblong 4to, 29.5 x 23 cmQTY: (1)NOTE:Provenance: Sir William Whitfield CBE (1920-2019), one of the most significant British architects of the second half of the 20th century, notable for his ground-breaking designs for major public projects including Glasgow University Library, the Hunterian Art Gallery (1960-1968), Richmond House in Whitehall (1982-1984), recently selected as one of London’s ten most iconic Postmodern Buildings, Hereford Cathedral’s Mappa Mundi Library (1996), and Hawksmoor’s Baroque masterpiece Christ Church Spitalfields, slowly and carefully restored over three decades from 1970 to 2000 under his direction. He was Surveyor of the Fabric of St Paul’s Cathedral between 1985 and 1990.Series of engravings by Italian artist Antonio Tempesta (1555-1630). His themes include the classics, histories and battles.

A NORTH EUROPEAN BEAKEROf tapered cylindrical form,decorated with a boar hunting scene with dogs, gilt within, the foot pierced with triangles, height 4.8cm, probably Scandinavian, circa 1800, marked C H, weight 22 gms

THREE FOREIGN BOXES (3)Comprising; a rectangular niello decorated box, probably French, wooden lined within, length 7cm, a rectangular hinge lidded snuff box, with engine turned decoration, length 6.7cm and an oval hinge lidded box with engine turned decoration, length 6.3cmCondition Report; The niello box;  wooden interior lining is later, lid decoration rather rubbed, but shows a deer hunting scene, hinge in good condition, some wear to the niello sides and corners. The rectangular snuff box; a bit dirty to the corners of the interior, but looks original condition, foreign marks to front interior edge of base, exterior engine turning is a little rubbed, there are initials to the lid.  The oval box; hinge is good, interior gilding a little weak, exterior in good condition.All boxes would benefit from careful professional cleaning.

A GOLD HALF HUNTING CASED PENDANT WATCH WITH A GOLD NECKCHAIN (2)With an unsigned jewelled movement, the gold inner and outer case detailed 18 K, the case front with blue enamelled Arabic numerals on a pink enamelled ground, case diameter 32.7mm, as converted from a lady's fob watch, gross weight of the watch 30.3 gms, with a 9ct gold oval link neckchain on a boltring clasp, weight 8.5 gms

AFTER JOHN FERNLEY, SET OF EIGHT PRINTS, 'HUNTING RECOLLECTIONS' 19TH CENTURY hand-coloured aquatints, engraved by Edward Duncan, depicting falls, flying dismounts, awkward jumps and fording ditches, mounted and framedDimensions:each 27cm x 35cm (10.5in x 13.75in)Provenance:Provenance: Collection of the late Sir Richard Shepherd, MP

PAIR OF BLACK FOREST CARVED HUNTING TROPHY WALL PLAQUES LATE 19TH CENTURY with hanging game and powder flasks, on shaped shield-backsDimensions:each 64cm high

MEISSEN FIGURE OF AUGUSTUS THE STRONG WITH HIS HUNTING DOG EARLY 20TH CENTURY modelled seated wearing a green jacket, his hound staring up at him, on a moulded rocaille scroll base with gilt highlights; underglaze blue crossed swords with dot, incised 1476Dimensions:19.5cm high

TABRIZ BENLIAN 'HUNTING' CARPET NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the cream field with slate blue medallion, within bottle green border, signature star to one cornerDimensions:325cm x 223cmNote: Note: The Anglo-Armenian firm of Benlian was founded between the two World Wars by Edward Benlian (d.1972) and lasted until the 1960s. It specialised in high quality versions of Safavid designs. Benlian carpets can be recognised by the star-shaped signature cartouche found in one corner.

Three Various Knives consisting Tibetan knife.  6 inch, single edged blade.  White metal wire grip.  Embossed white metal pommel.  Contained in its white metal scabbard embossed with mythical figures ... German hunting knife.  Single edged blade.  Composite horn slab grips.  Rear edge with fold out spike and corkscrew.  Contained in leather scabbard ... Taylor Sheffield hunting knife.  Horn grips.  Contained in a leather scabbard.  3 items.

Royal Scots Fusiliers Highland Pattern Field Officer Sword34 1/2 inch, single edged blade with large fuller.  Etched thistle panels, St Andrew and cross, flaming grenade with "Royal Scots Fusiliers".  Family cartouche with a hunting dog.  Forte with maker "Henry Wilkinson Pall Mall London".  Back edge numbered "33525".  Steel scroll pierced guard.  Steel checkered pommel and half checkered backstrap.  Shagreen covered grip with twist wire binding.  Contained in its steel scabbard with two loose hanging rings.  

English School (19th century)A set of three, Hunting Scenesoil on metal panel, 26.5cm x 38cm

Sturgess, A Pair, The Hunt, 20cm x 14.5cm; Comical Hunting Prints, Dispatched To Head Quarters and A Rare Sort For The Downs, coloured engravings (4)

A Mason's Ironstone hunting jug; another Ironstone jug; a Royal Doulton Pansy dish; a Coopercraft model of a spaniel; a Woodsware Clovelly pattern tea for two; Wedgwood blue and white; etc

A mixed lot, consisting of a white metal double-sided box, the glazed lids depicting hunting/horse racing scenes; a leather-cased Cambridge Disappearing Filament Pyrometer; cased microscope by Cooke, Troughton & Simms Ltd., boxed chessmen, boxed child's gyroscope, cased hydrometer etc. Condition Report:Available upon request

Arthur Willott, pair, watercolours, signed, 'Hunting Scenes', 12 x 45cm

A CHINESE BLUE AND WHITE 'HUNTING' BOWL LATE QING DYNASTY The exterior painted with a scene of hunters, including a decoy dressed in a deer skin, the base with a Xuande mark, 30cm.

A PAIR OF CHINESE BLUE AND WHITE MOULDED 'HUNTING' DISHES KANGXI 1662-1722 Each depicting equestrians in pursuit of their quarry, the borders with stylised lotus and scrolling tendrils, each with a six character Chenghua mark, 20cm. (2) Provenance: a British private collection, formed 1970-2003.

A CHINESE BLUE AND WHITE BOTTLE VASE AND A TEAPOT AND COVER 18TH AND 19TH CENTURY Each mounted with metal, the bottle vase painted with peonies growing from leafy branches below a pine tree, with a paper label for Christie's to the base, the teapot decorated with a hunting scene, the base with a Kangxi mark, 23.5cm and 18cm. (3) Provenance: from a British private collection, formed 1970-2003, the bottle vase purchased from Christie's London, 5th February, 1998, lot 416.

Peter Messer The Devil's Thoughts, 2022 Egg Tempera on Gesso Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Peter Messer's paintings are mostly on a domestic scale, resolutely figurative and, by implication, narrative. He paints in the historic medium of egg tempera which he prepares in the studio using egg yolk and raw pigment. The resulting paintings tend to be intense and meticulous, with a flat, arrested, deadpan quality. Often they contain wry or unsettling elements and, although the painter emphatically rejects the epithet 'quirky', it is still frequently applied. Many, though not all, draw on the fabric of Peter Messer's home town of Lewes, Sussex. Born in 1954, Peter Messer studied Fine Art at the University of Brighton and has paintings in collections in Belgium, France, Germany, Holland, Spain, Sweden and the US, as well as the UK. In 2007 he published "On the Way to Work. The Lewes Paintings of Peter Messer" and, in 2021 "A Thin Place In Lewes". Education   Studied Fine Art at the University of Brighton   Select Exhibitions/Awards   His work has been often exhibited at the Royal Academy Summer Exhibition and the New English Art Club and he has been a finalist in the Hunting, Garrick Milne, Lyn Painter-Stainers and Singer and Friedlander Prize exhibitions. In 1998 he won the Sotheby's -sponsored Chichester Art Prize and in 2000 was commissioned to provide twelve paintings for the Sussex Book of Revelations, an Arts Council Millennium Project which toured Sussex libraries. In 2004 he completed a commission for the House of Lords. Gallery Representation   The Star Brewery Gallery, Lewes   Statement about AOAP Submitted Artwork   A small tempera painting, the title derived from a poem by Samuel Taylor Coleridge Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Mar. Storr, London. An 18K gold key wind quarter repeating pair case pocket watchDate: Circa 1710Movement: Gilt full plate fusee, pierced and engraved balance cock, diamond end stone, silver regulation, two polished hammers striking on a bell secured to inner caseDial: White, black Roman numerals, black outer minute track, gilt spade handsCase: Pierced and engraved inner, engine turned outer, signed cap numbered 10025Signed: Inner cap, stamped DA beneath bellSize: 47mm Accompaniments: Fitted LeRoy & Fils caseFootnotes:Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

J & W Howden, Edinburgh. An 18K gold key wind open face pocket watchDate: London Hallmark for 1823Movement: Gilt full plate English lever, 3-arm balance, diamond end stone, No.2085Dial: Engine turned gilt, applied gilt Roman numerals, outer gilt dot minute divisions, applied three colour foliate decoration to border, gilt spade handsCase: Engine turned consular, foliate engraved band and bow, inner cap numbered 2085, case numbered 5883Signed: Movement & inner cap, case stamped LCSize: 47mmFootnotes:Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

Thomas Hamlet, Princes Street, Leicester Square. An 18K gold key wind open face pocket watchDate: Circa 1810Movement: Cylinder, 3-arm balance with compensation curb, diamond end stone, two polished hammers striking on two gongsDial: Guilloche engraved gilt, black Roman numerals to brushed surround, offset subsidiary seconds at 3, blued steel Breguet style handsCase: Engine turned hinged round, No.4149Signed: Case stamped NSize: 47mm Accompaniments: Fitted original box with M of L monogram and coronetFootnotes:The accompanying box is monogrammed M of L in relation to the Marjoribanks family of Lees near Coldstream in the Scottish borders. The Hon Alicia Marjoribanks was the youngest daughter of David Robertson MP (of Ladykirk) and married Sir Henry Day Ingilby of Ripley Castle and Harrington Hall (Lincs) on 26th June 1862. Her father was the Lord Lieutenant of Berwickshire and his portrait can still be found at Ripley. Alicias uncle Edward Robertson was appointed as a partner of Coutts Bank by Thomas Coutts in 1797. He remained partner until his death in 1836 and similarly a portrait of him also hangs at Ripley, presently in the dining room. Alicia and Henry had two children, Henry and Mary: tragically in the space of just 14 months in 1872/3 both children died of meningitis aged four and nine respectively. Shortly after this Alicias father was run over by a horse drawn bus just 7 days after being ennobled as Lord Marjoribanks of Lees. The M or L on this original box is thus very unique as it was commissioned just before his untimely passing which also saw the extinction of the title. Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

An 18K gold key wind open face pocket watchDate: Circa 1820Movement: Cylinder, 3-arm balanceDial: Guilloche engraved gilt, black Roman numerals to arcaded surround, subsidiary seconds at 6, gilt handsCase: Engine turned round hinged, No.2315Signed: Case stamped EPSize: 39mmFootnotes:Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

Charles MacDowall, 26 Jermyn St, St James. An 18K gold keyless wind half hunter pocket watchDate: London Hallmark for 1868Movement: Gilt 1/2 plate English lever, cut and compensated bi-metallic balanceDial: White, black Roman numerals, black outer minute track, subsidiary seconds at 6, gilt double spade handsCase: Polished round, snap on front with Roman numeral chapterSigned: Movement, case stamped W.RSize: 46mmFootnotes:Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

An 18K gold keyless wind quarter repeating chronograph full hunter pocket watchDate: Circa 1900Movement: Swiss lever, cut and compensated bi-metallic balance, flyball governor, two polished hammers striking on two gongsDial: White, black Roman numerals, black outer minute and 1/5th second divisions, subsidiary seconds at 6, blued steel spade hands, centre chronograph handCase: Polished round hinged, Ingilby family crest of a boars head to front, repeat button at 6, start/stop button at 2, inner front engraved 'S. Africa 1899-1902, No.311979Size: 52mmFootnotes:The current lot belonged to Sir William Henry Ingilby (1874-1950) who served as a lieutenant in the first battalion of the Scots Guards in the Boer War (1897-1900). He saw action at the battles of Belmont, Modder River, Diamond Hill and in the relief of Pretoria and was awarded the Queen's Medal with six clasps and the Kings Medal with two clasps. Upon the inner front of this watch is engraved 'S. Africa 1899-1902'.Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

Benson, London. An 18K gold key wind open face fob watchDate: Circa 1830Movement: Cylinder, 3-arm balanceDial: Guilloche engraved gilt, black Roman numerals to brushed surround, outer minute divisions, blued steel spade handsCase: Foliate engraved hinged, metal cuvette, No.3802 42627Signed: Dial, movement & cuvetteSize: 30mm Accompaniments: J.W. Benson case, two 18K gold chainsFootnotes:Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

An 18K gold keyless wind half hunter pocket watch with gold chainsDate: Circa 1890Movement: Swiss lever, cut and compensated bi-metallic balance, No.247238Dial: White, black Roman numerals, black outer minute track, blued steel double spade handsCase: Polished hinged, Roman numeral chapter to front, No.282630Size: 32mm Accompaniments: An 18K gold chain and a 9K gold chain, various sized winding keysFootnotes:Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

QUANTITY OF WHITE METAL HUNTING THEMED ITEMS

REGENCY CHINA HUNTING TEASET