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English: A gold half-hunting cased keyless watch, 1884. Movement: gilded three quarter plate, lever escapement. Dial: white enamel, Roman numerals Case: 18ct gold, gold cuvette, glazed aperture to the cover, blue enamel Roman numerals, engraved monogram to the rear cover, Glasgow hallmark for 1884, maker’s mark DD. Signed: unsigned. Dimensions: diameter 39.5mm. £300-£500 --- Condition Report Movement: running at the time of cataloguing. Dial: cracks across the dial. Case:scuffs throughout, scratch to the glass, engraved monogram worn. Gross weight: 57.5gm. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Klaftenberger, London. A gold hunting cased quarter repeating watch, 1871. Movement: gilded three quarter plate, lever escapement, repeating on coiled gongs Dial: white enamel, Roman numerals, subsidiary seconds. Case: 18ct gold, gold cuvette, blue enamel monogram with a coronet to the cover, London hallmark for 1871, maker’s mark AS (Alfred Stram). Signed: dial and movement signed Klaftenberger, 457 Regemnt Street, London, no. 10832, To The Queen. Dimensions: diameter 39mm. £1,500-£2,000 --- Condition Report Movement: fully wound and not running, the balance rotates for a short time, repeats slowing Dial: in good condition. Case: scuffs throughout, scratches to the blue enamel monogram. Gross weight: 69.4gm. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

J. Assmann, Glashütte, A gold hunting cased keyless watch, circa 1910. Movement: gilded, lever escapement, precision regulation, no. 17792. Dial: white enamel, Arabic numerals, subsidiary seconds. Case: 14ct gold, gold cuvette, covers with textured finish, applied initials to the front cover, no. 17792. Signed: case, dial and movement signed J. Assmann, Glashütte, I/Sachsen. Dimensions: diameter 52mm. Together with a gold mesh fob. £400-£600 --- Condition Report Movement: not running, balance does not rotate. Dial: hairline crack at 11 o’clock. Case: some wear to the textured finish, scuffs, gilt-metal bow. Gross weight: 118gm. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

James McCabe, London. A gold half-hunting cased keyless watch, No. 07691, 1873. Movement: gilded three quarter plate, lever escapement, no. 07691. Dial: white enamel, Roman numerals, subsidiary seconds. Case: 18ct gold, engine-turned covers, glazed aperture, blue enamel Roman numerals, engraved monogram to rear cover, London hallmark for 1873. Signed: dial and movement signed Jas. McCabe, Royal Exchange, London, no. 07691. Dimensions: diameter 47mm. £600-£800 --- Condition Report Movement: running at the time of cataloguing. Dial: small cracks to the edge at VIII. Case: engine-turning very worn, scuffs throughout, small indentations. Gross weight: 94.4gms. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Patek, Genewie. A gold hunting cased watch made for the Polish market with engraved portrait of the Polish General Tadeusz Kosciuszko, circa 1850. Movement: gilded, lever escapement. Dial: white enamel, Roman numerals, subsidiary seconds. Case: 18ct gold, gold cuvette, engine-turned covers, engraved portrait of General Tadeusz Kosciuszko, rear cover with coat of arms. Signed: cuvette signed Patek Genewie and numbered 56120. Dimensions: diameter 44mm. £800-£1,000 --- Tadeusz KoÅ›ciuszko (b. 1746) was a Polish general and statesman. Born into a noble family and educated at Warsaw’s military academy, his talents soon attracted the king’s notice and he was sent to Paris to further his studies. Returning to Poland in 1774, he took a position as a tutor in General Sosnowski’s household, but after an unsuccessful attempt to elope with one of his daughters, he fled to France, before heading to America in 1776 to join the Independence War and fight against the British. He was employed in the fortification of defences, and his state-of-the-art methods saw him made Chief of the Engineering Corps. In 1781, KoÅ›ciuszko conducted the Battle of Ninety-Six in South Carolina, and in 1783 was awarded US citizenship and promoted to Brigadier General in recognition of his services. KoÅ›ciuszko returned to Poland in 1784, but could not secure a military commission and found himself living on a small estate in relative poverty - exacerbated by his extraordinary (for the time) decision to free his serfs from service. With the arrival of liberal reforms, KoÅ›ciuszko returned to the military in 1789. Russia invaded shortly afterwards in 1792; using his talents and experience, KoÅ›ciuszko led the Polish to victory at the Battle of Dubienka on 18 July, despite being outnumbered by the Russians five to one. When the king eventually surrendered, however, liberal-minded statesmen such as KoÅ›ciuszko were forced into exile. After gathering support in Europe, he returned to Kraków in 1794 to launch an uprising. Despite gaining victories with their unconventional weaponry and battle tactics, the liberal army was finally defeated at Maciejowice, and KoÅ›ciuszko was taken to St Petersburg as prisoner. He was released after Catherine II’s death in 1796, and thereafter spent time in America - establishing a firm friendship with Thomas Jefferson - and later in Europe. He eventually settled at Solothurn in Switzerland, where he died in 1817, and is buried in Kraków - a large burial mound has been erected in his honour just outside the city. Condition Report Movement: not running, balance rotates for a short time. Dial: chip to the edge at IX. Case: movement loose in the case, lacking glass, bezel detached, engine-turning worn and with scuffs and indentations. Gross weight: 53.7gm. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

Swiss. A gold hunting cased keyless watch together with a lady’s gold keyless watch, circa 1900. Movement: lever escapement. Dial: white enamel, Arabic numerals, subsidiary seconds. Case: 14ct gold, gilt cuvette, engine-turned covers, monogram to the front cover, no. 55488. Signed: unsigned. Dimensions: diameter 48mm. Together with a lady’s 14ct gold hunting cased keyless watch. £300-£400 --- Condition Report Movement: runs however the winding is very stiff. Dial: in good condition, later plastic glass. Case: very worn and with indentations Gross weight: 1st - 76.5gm, 2nd - 17.8gm. Please note that the above condition report is a statement of opinion only and may not specify all mechanical replacements or imperfections. Watches are opened to examine the movements, no warranties are made that the watches are water-resistant. The watch has not been tested for the accuracy of its time keeping and would benefit from a service at the buyer’s expense.

A 19th century emerald and diamond brooch, the circular emerald cabochon inlaid with a cushion-shaped diamond, in a claw setting to a polished gold bar brooch, the reverse with engraved inscription ‘Presented / by / Emperor Napoleon III / to Tho’s Gullick / 16 May 1861,’ emerald dimensions 14.7 x 14.7 x 10.1mm, length 5.2cm. £1,000-£1,500 --- Provenance: By direct descent to the current owner. Thomas Gullick was a military boot and spur manufacturer based in Pall Mall, London. In the Official Illustrated Catalogue for the International Exhibition of 1862 he is recorded as being the ‘boot-maker to His Late Royal Highness The Prince Consort, and to His Imperial Majesty Napoleon III’. The emerald brooch offered here is referenced in the catalogue as follows: ‘Imperial Present - A very costly scarf pin, the head of which is of the form of an imperial crown, and consists of a large globe emerald with a fine brilliant set in its centre, was presented, May 16, 1861, by the Emperor Napoleon to Messrs. Gullick, as a testimonial of approval of their Patent Eclipse Spur Box, and their newly invented Lac Japan Leather (unequalled for hunting and riding), as supplied by them to His Imperial Majesty.’ Literature: International Exhibition of 1862; Official Illustrated Catalogue, Vol. 9, pub. Her Majesty's Commissioners, 1862, page 53.

A STONE COMPOSITION FIGURE OF HUNTING APOLLO WITH DOG IN THE MANNER OF AUSTIN & SEELEY, 20TH CENTURY 172cm high overall, the base 57cm wide, 57cm deep Provenance: Widden Hill House, Gloucestershire

PIERRE JULES MENE (1810-1879), AN ANIMALIER BRONZE 'CHIEN ÉPAGNEUL FRANÇAIS' (FABIO) MID/LATE 19TH CENTURY With hunting dog on naturalistic base, signed to the cast P J MENE 10cm high, base 19.5cm wide Condition Report: Mild wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some rubbing to patina as per age, handling and dusting, notably to upper areas of back, head. Naturalistic base dusty Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

PIERRE JULES MÊNE (1810-1879), A RARE ANIMALIER BRONZE 'CHASSE AU RENARD' FRENCH, MID 19TH CENTURY With two hounds and a fox by a tree stump on naturalistic oval base, signed and dated to cast P. J. MÉNE 1849, numbered '173' to reverse foot rim 25.5cm high, 49.2cm wide 'Renard Pris Per Deux Chiens' was first exhibited by Mene at The Paris Salon in 1849. One of the rarer hunting groups he executed- the majority of examples tend to be lifetime casts Literature: See Michel Poletti, Alain Richarme: "Pierre Jules Mene Catalogue Raisonne", Pub. Univers du Bronze, 2007, p.52

AFTER PIERRE-JULES MÊNE (1810-1879), AN ANIMALIER BRONZE CHIEN BRAQUE FRENCH, LATE 19TH CENTURY The hunting dog with head turned to right, on naturalistic base, signed to cast P J Mene 22cm long, 11.5cm high Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Has been handled a fair amount with paler patination to ribs, back, head. Some paint (?) small splashes to front right hand side. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

JULES MOIGNIEZ (1835-1894), AN ANIMALIER BRONZE OF A HUNTING DOG FRENCH, LATE 19TH CENTURY Signed to cast 28.5cm high, the base 39cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally good condition but with small mark to centre of shoulder blades, some scuffs and abrasion to left rear hind quarter. Base with wood inset, some paler patina to raised sections of anatomy such as muzzle, back Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Postcards, album including Louis Wain (x5), real photographic hunting other, farming and rural life and other plus two Victory stamp albums (sparsely) filled) (qty)

Two late Victorian/Edwardian photograph albums, photographs include More House and Sandhills Betchworth, family, tennis, boating, horse riding, hunting and hounds, Invergarry shooting party, Dunvegan Castle Skye, Military ARHA The Chestnut Group 1889, HMS Minotaur etc.

A group of hand painted silk mats, hunting illustrations inspired by the Mr Jorrock series of books.

Australian Day Bill Posters x 20 including Crocodile Dundee, Buster, Ghost, Fort Apache The Bronx, Dog Day Afternoon, Evil Under The Sun, French Connection 2, Julia, Sharky's Machine, Silent Rage, Breaker Breaker, Coming Home, Electric, Heartburn, Malibu beach, Easy Rider, Robin Hood Prince Of Thieves, Can I Do It Til I Need Glasses, The Hunting Party and Eyes Of Laura Mars, all generally Good to Good Plus. (20)

Ceramics - a Crown Staffordshire Hunting comport;  Spode The Hunt dinner plate, dessert plate and side plate;  Franklin Mint Nigel Hemming Lifelong Companions plate;  others, Sporting Companion, Canine Companions, Like Father Like Son;  a Spode Cabinet Collection teacup and saucer, boxed;  etc

A 20th Century Indian silver four-piece tea service, with oval bodies, waisted necks and bead borders, chased around the sides and on the covers with native scenes of figures engaging in daily rural life; drawing water from a well, hunting, harvesting, preparing meals etc., with elephants, oxen, and humble dwellings in a lush hilly landscape, the milk and sugar with hinged covers; together with a tea strainer and a drip dish, with similar decoration to match (the drip dish inset with a one rupee coin dated 1920), the hot water jug 24.5cm high, 90.6oz. (6)

A late 19th century oak side cabinet with raised back, relief-carved with celtic scrolls, hunting scenes, etc., the lower part with six panel doors & central fall-front compartment, 129cm wide x 155cm high x 48cm deep.

Style of HEYWOOD HARDY (1842-1933). A group of five small oil sketches of various hunting scenes, 8cm x 12.5cm & 14.5 cm x 11.8cm (on artist’s board), mounted together & framed (30cm x 52cm over-all – some minor flaking/craquelure).

A Mid 20th Century Bone Handled Hunting Knife by W R Fagan, with Leather Scabbard

After Lionel Edwards Colour print Five hunting scenes to include "The Belvoir", "The Meynell", The V.W.H (Earl Bathhurst) etc. All titled and signed in pencil within margin, framed and glazed, 38.5cm x 52cm (5)

Pair of Edwardian wood boot lasts, a Kohler & Son hunting horn, a Victorian brass telescope, a collection of vintage cameras including a Zenith, a pair of Luger binoculars and another set of binoculars 

Set of six 19th or early 20th Century cut glass drinking glasses, a set of five 19th Century wine glasses, two engraved beakers with hunting scene and another pair of wine goblets

Group of five coloured hunting prints after Alken, 10ins x 12ins each, in ebonised frames

Oil on canvas, study of a fox hunting a duck, signed Raymond, 61 x 91cm, together with an oil on board, figure in a mountain landscape, signed W. Byron, 60 x 45cm, gilt framed

Small Continental hunting knife by Fagan, the stag horn grip incorporating corkscrew etc. with the original leather sheath

James & Ralph Clews, blue and white plates, hunting scenes, ' Death of a Wolf ' and ' Death of a Bear ' (the latter with minor restoration), both bearing labels for Rhoda Cope Collection

Britains Hunting scene diorama. Bespoke and well made, comprising 8 mounted huntsman, 1 on foot, 12 dogs,1 Fox, mules, sheep, and goats. All contained within metal fencing. Some minor wear to paint and maybe some re painting. GC. £60-80.

Silbermontierter Hirschfänger, Frankreich, 2. Hälfte 18. Jhdt. Zweischneidige Klinge mit linsenförmigem Querschnitt, im unteren Drittel graviert und in Resten vergoldet, terzseitig allegorische Figur der Iustitia, terzseitig Bandeau mit Zahl "1305", Jagdhund und Trophäenbündel. Reliefierte Parierstange mit Dekor in Form eines Früchtebündels, Hilze aus bemaltem Bein, Vernietknauf. Braune Lederscheide (ein Bruch) mit en suite dekorierter Garnitur. Länge 73 cm. A French silver-mounted hunting hanger, 2nd half of the 18th century A French silver-mounted hunting hanger, 2nd half of the 18th centuryZweischneidige Klinge mit linsenförmigem Querschnitt, im unteren Drittel graviert und in Resten vergoldet, terzseitig allegorische Figur der Iustitia, terzseitig Bandeau mit Zahl "1305", Jagdhund und Trophäenbündel. Reliefierte Parierstange mit Dekor in Form eines Früchtebündels, Hilze aus bemaltem Bein, Vernietknauf. Braune Lederscheide (ein Bruch) mit en suite dekorierter Garnitur. Länge 73 cm.Condition: II -

Drei Hirschfänger, deutsch, 2. Hälfte 19. Jhdt. bzw. 1. Hälfte 20. Jhdt. Hirschfänger mit unterschiedlichen Klingen, einer mit gekehlter, zweischneidiger Klinge, ein weiterer mit doppelt gekehlter Rückenklinge mit zweischneidigem Ort, der dritte mit einschneidiger Sägerückenklinge. Gefäße jeweils aus reliefiertem Messing, zwei Hilzen aus Geweih (Zierniete bzw. Messingdrahtwicklung fehlen), die dritte aus gefärbtem Geweihimitat aus Bein. Zwei Hirschfänger mit geschwärzten Lederscheiden mit Messingbeschlägen (jeweils unterschiedlich craqueliert), ein Hirschfänger mit nicht zugehörigem Beimesser. Unterschiedlich starke Alters- und Gebrauchsspuren. Länge 63, 77 und 82 cm. Three German hunting hangers, 2nd half of the 19th/1st half of the 20th century Three German hunting hangers, 2nd half of the 19th/1st half of the 20th centuryHirschfänger mit unterschiedlichen Klingen, einer mit gekehlter, zweischneidiger Klinge, ein weiterer mit doppelt gekehlter Rückenklinge mit zweischneidigem Ort, der dritte mit einschneidiger Sägerückenklinge. Gefäße jeweils aus reliefiertem Messing, zwei Hilzen aus Geweih (Zierniete bzw. Messingdrahtwicklung fehlen), die dritte aus gefärbtem Geweihimitat aus Bein. Zwei Hirschfänger mit geschwärzten Lederscheiden mit Messingbeschlägen (jeweils unterschiedlich craqueliert), ein Hirschfänger mit nicht zugehörigem Beimesser. Unterschiedlich starke Alters- und Gebrauchsspuren. Länge 63, 77 und 82 cm.Condition: II

Hirschfänger, signiert G. H. Kohl in Stuttgart, 1. Hälfte 19. Jhdt. Gekehte, im Ortbereich zweischneidige Rückenklinge, die untere Hälfte fein geätzt, gebläut und vergoldet (Bläuung oberhalb der Fehlschärfe verfärbt). Eisernes, geschwärztes, nicht zugehöriges Gefäß mit muschelförmigem Stichblatt und leicht geschnittener Parierstange, Griff aus Hirschhorn. Länge 68 cm. A German hunting hanger, signed G. H. Kohl in Stuttgart, 1st half of the 19th century A German hunting hanger, signed G. H. Kohl in Stuttgart, 1st half of the 19th centuryGekehte, im Ortbereich zweischneidige Rückenklinge, die untere Hälfte fein geätzt, gebläut und vergoldet (Bläuung oberhalb der Fehlschärfe verfärbt). Eisernes, geschwärztes, nicht zugehöriges Gefäß mit muschelförmigem Stichblatt und leicht geschnittener Parierstange, Griff aus Hirschhorn. Länge 68 cm.Condition: II -

Jagdplaute, Frankreich, um 1780 Leicht gekrümmte Klinge à la Montmorency mit zweischneidigem Ort mit angedeuteter Hechtspitze, in den Hohlkehlen beidseitig Rocaillen- und Floralgravur (später?). Feinst geschnittenes und durchbrochen gearbeitetes Gefäß mit Dekor aus Bündeln von Trophäen, Musikinstrumenten, Jagdutensilien u.a. Klinge stellenweise leicht fleckig. Länge 70 cm. A French hunting hanger, circa 1780 A French hunting hanger, circa 1780Leicht gekrümmte Klinge à la Montmorency mit zweischneidigem Ort mit angedeuteter Hechtspitze, in den Hohlkehlen beidseitig Rocaillen- und Floralgravur (später?). Feinst geschnittenes und durchbrochen gearbeitetes Gefäß mit Dekor aus Bündeln von Trophäen, Musikinstrumenten, Jagdutensilien u.a. Klinge stellenweise leicht fleckig. Länge 70 cm.Condition: II -

Silbermontierter Hirschfänger, Frankreich, um 1780 Gerade Rückenklinge à la Montmorency, im unteren Drittel beidseitig verputzte Ätzungen. Parierstange und Griffknebel aus Silber, beide quartseitig gepunzt. Leicht beschnitzte Hilze aus Ebenholz mit silbernen Ziernieten. Länge 65 cm. A French silver-mounted hunting hanger, circa 1780 A French silver-mounted hunting hanger, circa 1780Gerade Rückenklinge à la Montmorency, im unteren Drittel beidseitig verputzte Ätzungen. Parierstange und Griffknebel aus Silber, beide quartseitig gepunzt. Leicht beschnitzte Hilze aus Ebenholz mit silbernen Ziernieten. Länge 65 cm.Condition: II -

Jagdliches Besteck, verschiedene Hersteller, deutsch, 20. Jhdt. Großes, ursprünglich nicht zusammengehöriges Besteck. Rostfreier Edelstahl mit Hirschhorngriff, neusilberne Zwingen bzw. Knaufkappen. Bestehend aus: 11 Messern, 11 Tafel- bzw. 12 Dessertgabeln, 8 Ess- bzw. 12 Teelöffeln. Dazu jeweils ein Butter- und Käsemesser, eine Obstgabel und paar Marmeladenlöffel. Außerdem ein Vorlegebesteck mit Messer und Gabel, ein Hackmesser und eine Geflügelschere, ein Set Salatlöffel, zwei Schöpfkellen, zwei Flaschenöffner und ein Flaschenverschluss. Herstellermarken von Solingen, Remalux, Roneusil. Länge Gabel/Vorlegegabel 19/27,5 cm. Länge Messer/Transchiermesser 19/32 cm. A group of German hunting cutlery, diverse manufacturers, 20th century A group of German hunting cutlery, diverse manufacturers, 20th centuryGroßes, ursprünglich nicht zusammengehöriges Besteck. Rostfreier Edelstahl mit Hirschhorngriff, neusilberne Zwingen bzw. Knaufkappen. Bestehend aus: 11 Messern, 11 Tafel- bzw. 12 Dessertgabeln, 8 Ess- bzw. 12 Teelöffeln. Dazu jeweils ein Butter- und Käsemesser, eine Obstgabel und paar Marmeladenlöffel. Außerdem ein Vorlegebesteck mit Messer und Gabel, ein Hackmesser und eine Geflügelschere, ein Set Salatlöffel, zwei Schöpfkellen, zwei Flaschenöffner und ein Flaschenverschluss. Herstellermarken von Solingen, Remalux, Roneusil. Länge Gabel/Vorlegegabel 19/27,5 cm. Länge Messer/Transchiermesser 19/32 cm.Condition: I - II

Drei Hirschfänger, deutsch, 18./19. Jhdt. Hirschfänger mit geraden, teils geätzten Rückenklingen und Gefäßen aus Messsing. Zwei Hirschfänger mit reliefiertem bzw. muschelförmigem Stichblatt. Hilzen aus Hirschhorn, Holz (Griffwicklung fehlt) bzw. Messing in Form eines Rehlaufes gestaltet. Länge 53, 59 und 74 cm. Alle Hirschfänger teilweise zusammengestellt und mit unterschiedlich starken Alters- und Gebrauchsspuren. Three German hunting hangers, 18th/19th century Three German hunting hangers, 18th/19th centuryHirschfänger mit geraden, teils geätzten Rückenklingen und Gefäßen aus Messsing. Zwei Hirschfänger mit reliefiertem bzw. muschelförmigem Stichblatt. Hilzen aus Hirschhorn, Holz (Griffwicklung fehlt) bzw. Messing in Form eines Rehlaufes gestaltet. Länge 53, 59 und 74 cm. Alle Hirschfänger teilweise zusammengestellt und mit unterschiedlich starken Alters- und Gebrauchsspuren.Condition: II - III

A collection of twelve vintage designer silk scarves, including examples by Liberty of London, Jean de Bahrein, Alexon and Jacqmar. With designs including paisley, duck patterns, maritime, hunting & coaching scenes. On average measuring approx. 85cm x 85cm.

Hunting interest - an early 20th century Swaine style hunting crop with leather whip end, produced by J. Schomberg of London, and a horn handled walking stick. The hunting crop with engraved antler handle, silver metal collar initialled R. C. W., and leather whip end (worn & loose). Longest to measure approx. 

Brass and copper hunting horn together with a reproduction sword

Jaques Du Fouilloux New Jägerbuch Von newem auß dem Frantzösischen in gut Weydmännisch Teutsch vertirt. 2 Teile in 1 Band. Straßburg, B. Jobin 1590. • Eines der berühmtesten Klassiker der Jagdliteratur • In zeitgenössischem Einband mit Blindprägung • Aus dem Besitz des Bibliophilen Ferdinand Hoffmann (1540-1607) 'Wegen der Holzschnitte eines der schönsten Jagdbücher in deutscher Sprache' (Kurt Lindner) Zweite deutsche Übersetzung der berühmten Vénerie von 1560/61, um die Chasse du Loup (Wolfsjagd) Clamorgans vermehrt. Die erste Ausgabe erschien 1582 bei Feyerabend in Frankfurt, sie wird von Lindner aber separat geführt (11.1525.01), da sie eine von Du Fouilloux lediglich stark geprägte jagdliche Kompilation sein soll. Das schöne Jagdbuch enthält im ersten Teil 54 eigens zu dieser Ausgabe geschaffene Holzschnitte von Stimmer und Maurer. Der zweite Teil mit der Wolfsjagd enthält weitere 15 Holzschnitte, die aus Libaults Feldbau von 1579 übernommen wurden. Das ganzseitige Exlibris von Ferdinand Hoffmann (1540-1607) ist eines von vier Kupferstich-Exlibris des Sammlers. Der gebildete Adelige und persönliche Freund Rudolfs II. war von 1580-1600 Präsident der Hofkammer. Drei seiner Exlibris ließ er von Lucas Kilian nach Matthäus Gundelach anfertigen. Das in unserem Exemplar vorhandene Exlibris ist mit 25,3 : 16,5 cm (Plattenformat) das Größte. EINBAND: Schweinslederband der Zeit mit reicher Rollenprägung, vord. Mittelstück mit schwarzgeprägtem Wappensupralibros von Ferdinand Hoffmann. 33 : 20 cm. - ILLUSTRATION: Mit Holzschnitt-Druckermarke auf dem Titel und 69 großen Textholzschnitten (tls. wdh.) von T. Stimmer und C. Maurer. - KOLLATION: 6 nn., 92 num. Bll.; 2 nn., 20 num. Bll. - ZUSTAND: Auf Anfrage.  - PROVENIENZ: Vorderer Innendeckel mit gestochenem ganzseitigen Wappen-Exlibris (gestochen von L. Kilian nach M. Gondelach) des Bibliophilen Ferdinand Hoffmann aus Österreich. LITERATUR: Index Aurel. 157.089. - VD 16, D 2871. - Muller 596, 208. - Lindner 11.0533.01. - Souhart Sp. 157. - Schwerdt I, 155. - Thiebaud 313. - One of the most famous classics of hunting literature from the collection of the bibliophile Ferdinand Hoffmann from Austria. 'One of the most beautiful hunting books in German because of the woodcuts' (Lindner). Second German edition. With woodcut printer's device on the title and 69 large text woodcuts (few rep.) by T. Stimmer and C. Maurer. Contemp. rollstamped pigskin, front center piece with black embossed coat of arms of Ferdinand Hoffmann from Austria. 33 : 20 cm. - Slightly browned and partly slightly stained, 1 leaf with restored defective corner. Edges rubbed, ties removed. Inside front cover with engr. coat of arms bookplate (25,3 : 16,5 cm) by L. Kilian after M. Gondelach of Ferdinand Hoffmann (ex libris with marginal defects, affecting illustration). Dieses Objekt wird regel- oder differenzbesteuert angeboten.

JOHN CHARLTON, RBA. (1849-1917) Hunting Scenes, a pair Watercolour, 35 x 50cms Each signed lower left(2)

HODGES SMITH & CO, (PUBLISHER), 104 GRAFTON ST, DUBLINA Map of the Meath & Ward Hunting District 57 x 42cm

A CHINESE GREEN AND BEIGE GROUND 'HUNTING' CARPET. 324 x 229cmthe rectangular field centred with a figural circular medallion and bordered by irregular panels of archers and hunting pursuits, within a plain outer border, fringed ends

A FINE 22-BORE PERCUSSION DOUBLE-BARRELLED SPORTING GUN, SIGNED LEGROS À PARIS, no visible serial number, circa 1800 with later conversion to percussion from flintlock, probably by the maker, blued 30in. barrels, the top of the left hand barrel signed in large gold-filled script 'LEGROS', the right barrel 'A PARIS' in a similar script, gold band at muzzle, white-metal blade fore-sight bisected lengthways by a gilt arrow device inlet to the rib, deeply struck oval French proof marks of a crown over 'HR' to both breech-blocks, engraved brushed bright top-tang featuring a depiction of a harpy and a portrait of a male within the carved sighting groove, engraved drum and nipple conversions, the radiused bevel edged locks engraved with partial borders of tulips and featuring an eagle above a recumbent rabbit on the left lock-tail and a lion on the right, both locks signed 'LEGROS A PARIS' below a floral flourish and retaining the rear half of the pan drains as fences, carved and engraved hammers featuring male portraits within a running vine of tulip flowers, finely chequered walnut half-stock carved with floral decoration around the top-tang and a realistic depiction of a wild boar's head to the base of the grip, raised cheek-piece with gadrooned border, engraved iron furniture, the capped heel-plate featuring masks of wild beasts blowing hunting horns, the pillared trigger-guard bow with a hunter and his dog within a woodland setting and a vase finial, a further eagle and stag engraved to the complex fore-end cap, turned ramrod thimbles and probable original worm-ended ramrod with gilded tip, fitted with iron swivels.

TREFF D.R.G.M. A 16-BORE / .22LR PUSH-FORWARD UNDERLEVER NON-EJECTOR DRILLING, serial no. 46306, circa 1925, 26 3/4in. nitro reproved (in 1977) barrels, rifle barrel tubed to .22LR from 9x72mm, raised matt rib with folding open sight, bead fore-sight, the breech end mounted with a Carl Zeiss Zielsechs telescopic sight in quickly-detachable mounts, treble-grip action with cocking-indicators, shot/ball selector switch, manual side-safety, set front trigger, carved with foliate motifs surrounding game scenes of fox with hare and hunting hounds, bright and blued finish, 14 5/8in. figured pistolgrip stock carved with floral designs at the hand, the fore-end decorated en suite, cheekpiece, sling swivels, the heel with sprung steel ammunition trap engraved with scrolls and a stag, fluted horn pistolgrip-cap, 3/4in. rubber recoil pad, weight 8lb. 15oz., in a lightweight leather case. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

A CASED 14-BORE PERCUSSION SPORTING GUN SIGNED WILLIAMS & POWELL, serial no. 5120, circa 1850, with 30in. barrels signed on the top-rib 'WILLIAMS & POWELL, LIVERPOOL', bead fore-sight, engraved band and platinum plugs to breech, fully engraved top-tang, border and scroll engraved bar-action locks also engraved with hunting dogs and signed 'WILLIAMS & POWELL', chequered walnut half-stock with iron furniture and brass mounted ebony ramrod, together with its original mahogany guncase, lined and compartmented in green baize, trade label inside lid (stained and faded) and complete with period shot and powder flasks, an oil bottle, cap pouch and sundry accessories.

A 14-BORE FLINTLOCK FOWLING PIECE WITH SILVER MOUNTS, SIGNED WILLIAMSON, serial no. 18, almost certainly John Williamson of London circa 1776, with 36in. octagonal to round barrel, engraved band and moulded girdle at the intersection, bead fore-sight on star ground, London proofs, makers mark 'I.W' (rubbed) and a large number '18' to the left top-flat, top-tang with sighting groove ground flat in antiquity, bevel-edged stepped tailed lock signed 'WILLIAMSON' below the rainproof pan, swan necked cock and roller to the frizzen-spring, walnut one-piece hand-rail 'banana' full-stock, iron galleon-hull heel-plate, iron trigger-guard with acorn finial, finely cast and pierced silver sideplate featuring hanging game and a hunting dog, rococco silver escutcheon to the wrist surmounted by an eagle, three plain barrel keys and replacement wood ramrod.

FORMERLY THE PROPERTY OF MAJOR-GENERAL N. BANKS, U.S. ARMY AN ENGRAVED .36 PERCUSSION COLT 1851 NAVY REVOLVER, serial no. 100878, for 1861, with 7 1/2in. octagonal barrel, the top-flat signed 'ADDRESS SAML COLT HARTFORD CT.' within an engraved border, engraved band at muzzle, scroll engraving at breech, the left side inhabited with the head of a hunting dog, plain cylinder with traces of roll engraved scene, open iron colour-hardened frame with borderline and scroll engraving, the left side marked 'COLTS PATENT', scroll and border engraved silver plated brass back-strap and trigger-guard (much plating remaining), the back-strap mostly vacant, smooth walnut one-piece grip (small losses to heel), hinged under-barrel rammer with scroll engraved joint, the whole retaining traces of original finish and together with a framed illustration of Major-General Nathaniel Prentiss Banks including a synopsis of his life and a small daguerreotype of the officer and a file of paperwork relating to the Major General and the revolver.

A leather album of scraps with gilding finish to paper and covers fill with mostly Victorian scraps of various themes including clowns, birds, oriental, military, hunting, cats, butterflies, dogs etc

3 Peter Scott prints, 4 hunting prints, a record- Die Jags mit dem Hirschrut 

A framed hunting trophy

ROYAL WORCESTER FOX HUNTING DESIGN PLATE BY T. IVESTER LLOYD

Engraving after T Glater 'Jem Burn's Four Pets........' showing three old fashioned English bull terriers, and a framed hunting print ( 2)

Framed print  'The Heythrop near Stow on the Wold' , limited edition print  E. R Gemmell 'The Heythrop Hunting Country' 107/800. signed in pencil by the artist and another framed print of a parrot with tropical plants  ( 3)

Various framed prints to include Michael Lyne 'Salukis hunting' and 'Greyhound hunting' , framed print of a hare, print after Robert E. Fuller ' Head of a Lurcher' no 147/850, signed in the margin lower right and others (8)

A set of four framed hunting prints , a pair of framed coloured photographs of hunting scenes and one other other hunting print (7)

Equestrian/Hunting/ Sporting interest to include Edwards Lionel 'A Leicestershire Sketchbook' Eyre and Spottiswoode 1935, col plates and black and ills thoroughout, inked name inside front board, blue cloth , spine chipped on ends, Edwards Lionel ' Famous Foxhunters' Eyre and Spottiswoode 1932, col and black and white plates. red cloth, gilt titles, dust wrapper , not price clipped, other vols ills by Lionel Edwards include 'Scattered Scarlet' ' Songs and Verses' ' Galloping Shoes'  Holiday Gilbert 'Hunters Moon...' Constable and Co. n.d. maroon cloth with silk ribbon marker, various editions of Anna Sewell's 'Black Beauty' , Dawson 'Son of a Gun', two vols of 'Moorland Mousie' , childrens stories by Mary O'Hara, Christine Pullein Thompson, Cooke 'Observations on Hunting'  Aldin Cecil 'Dog Days' (af) and many other related volumes ( 4 boxes) 

TAPESTRY, depicting a medieval hunting scene, 127cm x 165cm.

Surrealismus - - Max Ernst. (1891 Brühl - 1976 Paris). 22 Lithographien. In: The Hunting of the Snark. An Agony in Eight Fits. Die Jagd nach dem Schnark. Agonia in 8 Krämpfen. Je (Farb)lithographie auf Arches Velin (mit Wz.). Blattmaß je 33 x 25 cm. - Lose Lagen in orig. Leinen-Chemise in OLwd.-Schuber - Chemise minimal berieben, Schuber berieben und lichtrandig. Wenige Bll. im unteren Rand minimal bestoßen. Insgesamt sehr gut erhaltenes Exemplar mit durchweg prächtigen Lithographien, farbsatt im Druck. Eines von 97 nummerierten Exemplaren auf Arches (GA 130). - Spies/Leppien 124. Brusberg 137. - Im Druckvermerk von Max Ernst signiert. - Erschienen in Stuttgart, Manus Presse, 1968. With 22 mostly full page orig. lithographs by Max Ernst. Each (colour)lithograph on Loose quires in orig. cloth chemise in orig cloth slip-case. - Chemise minimally rubbed, slipcase rubbed and with light margins. - A few fols. minimally bumped in lower margin. Overall well preserved copy with throughout splendid (colour)lithographs in colour saturated print. - One of 97 numbered copies (total ed. 130). Colophone signed by Max Ernst.

A 14ct Gold Lady's Fob Watch, by Waltham, model "Lady Waltham", 14ct gold full hunting case, 40mm diameter, heavily embellished with coloured golds and small diamonds set to centre, keyless action, 14ct gold dust cover, white enamel dial with black Arabic numerals and subsidiary seconds dial, total gross weight 50.4g