We found 74924 price guide item(s) matching your search

Edwards, Lionel, 'Hunting Past and Presnt', Chalmers, Patrick, 'forty Fine Ladies' and R.S. Surtees 'Hunting with Mr Jorrocks'

George Wright (1860-1944)Fox Hunting Scenes, a pairwatercolour and gouche, 54 x 26cm, framed and glazed Further details: good condition to the image area, some mildrew to the mount and under the glass

A group of items comprising: large wooden-framed mirror (80 x 130cm), two further oval mirrors, old mirror frame with oil on board insert, 1930s painted plaster figure of a woman and hunting dog (slight loss to leg unseen from front), three large framed prints, resin mirrored wall sconce, modern resin 'Vittorio Tessaro' wall plaque and a framed oil on metal still life

A large circa 1930s marble and black slate table garniture, figure of Diana hunting bucks

Beswick: A collection of mostly hunting dog figurines, along with a dachshund, two foxes. Along with five koala figurines. (1 fox boxed and 1 koala boxed). 

A Royal Crown Derby red marked hand-painted large mug with hunting scene, signed lower right, possibly Barring, commemorating International Air Rally, 20th-21st June 1947, approx. 13.5cm high. Along with three 18th century Chinese export tea bowls (each approx. 5.5cm high) with two saucers (each approx. 14cm diameter), all depicting floral, figural and chinoiserie detail, and an early 19th century Derby pot pourri vase without cover, gilt detail to cobalt blue ground, marked to base, approx. 11cm high.(7)Condition: Derby mug = Scratch to bottom right of the mark to base but not running through the mark, slight staining but generally good condition.Bowls and saucers = One saucer cracked and glued in the past, hairline crack to base of one bowl, and a few hairline cracks to one other bowl. All stained and have general wear to rims, foot rim etc.Pot Pourri vase = cracked and chipped to sides (seen from inside), and some parts broken and glued, loss to gilding and paint in parts, staining, crazing and wear.

Two early 20th Century plaster figures of ladies with hunting dogs

Royal Crown Derby items comprising:1 cup & saucer- Brittany pattern1 cup & saucer- Brocade pattern3 side plates- Brittany pattern9 dessert plates- Brittany pattern2 dinner plates- Brittany pattern1 hunting scene plateNo damage to any item.

Shelley - A large two handled loving cup, with blue and white transfer printed Hunting scene design to body. With gilt decoration to rims and handles.Marked to underneath in green 'Shelley'.Approx. 19cm handle to handle x 12cm high.Condition: In good condition.

A Peggy Davies ceramics figure of an Art Deco lady with hunting dog.

A collection of 19/20th Century brass and copper wares, including a jam pan, bed pan, large post office scales, Victorian trivet, miners lamp, hunting horns etc

An unsigned oil on board of Hunting scene within elaborate gilt frame (small loss), approx. 39cm x 29cm, along with another oil on panel, initialled E L within cross, within gilt frame, also approx. 39cm x 29cm. (2)

After Alken. Fore's hunting sketches, The Right and Wrong Sort, etc., 29cm x 43cm, prints. (4)

Albert Clark (1843-1928). Harnessed horse breaking gate, with hunting party in the distance, oil on canvas, signed, 51cm x 83cm.

James W. Warren (20thC). Prince of Wales Hunting with the Grove and Retford Hunt, oil on canvas, signed, 50cm x 79cm, and a landscape print. (2)

A South-German polychrome painted and ebonised chest, Late 17th/18th century, 73x149x68 cm, Ripple-moulded overall, the rectangular moulded and panelled hinged lid enclosing a plain interior, with painted initials ‘MM’ and date ‘1686’, above a pair of panels depicting hunting scenes, with carrying handles to the sides, on later bun feet.

Klassizistische Bronze-Pendule mit Diana bei der JagdFrankreich. 1. H. 19. Jh. "FNI66" geprägtes Werk mit Halbstundenschlag auf Glocke, läuft. Zifferblatt mit römischen Zahlen und Minutenkranz, Breguet-Zeigern, bezeichnet "Michelez E[le]ve de Bréguet". Bronze, vergoldet und dunkel patiniert. Ca. 42 x 32 x 12,5 cm. 6,8 kg. Stufensockel mit Jagdfries und bekrönender Diana-Skulptur mit Hund, Pfeilköcher, Langbogen und Sonnenuhr Leichte Altersspuren. Glocke und Pendel mit Fadenaufhängung ergänzt. Mit Schlüssel. Classical bronze pendule with Diana huntingFrance. 1st half 19th c. "FNI66" stamped movement with half hour strike on bell, running. Dial with Roman numerals and minute crown, Breguet hands, marked "Michelez E[le]ve de Bréguet". Bronze, gilt and dark patinated. Approx. 42 x 32 x 12,5 cm. 6.8 kg. Tiered base with hunting frieze and crowning Diana sculpture with dog, quiver of arrows, longbow and sundial Slight signs of age. Bell and pendulum with thread suspension supplemented. With key. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HOMANN, Johann Baptist (Erben) Landkarte der Landgrafschaft Hessen-DarmstadtKolorierter Kupferstich. In der Platte datiert: [17]54.Blatt: 54 x 62 cm. Detailreiche historische Karte der Landgrafschaft Hessen-Darmstadt, Titelkartusche mit Jagdszene und ausführlicher Legende "Delineatio Geographica generalis comprehendens VI. Folis [...] Landgrafii Hasso-Darmstadiensis [...], gezeichnet von Christoph Pronner Bugfalte, etwas stockfleckig, lichtgebräunt und verschmutzt.Johann Baptist Homann (1664 - 1724), deutscher Kartograf, Kupferstecher, Verleger und Globenhersteller; bedeutendster deutscher Herausgeber von Atlanten und Landkarten im 18. Jh. HOMANN, Johann Baptist (Heirs) Map of the Landgraviate of Hesse-DarmstadtColored copperplate engraving. Dated in the plate: [17]54.Sheet: 54 x 62 cm.Detailed historical map of the Landgraviate of Hesse-Darmstadt, title cartouche with hunting scene and detailed legend "Delineatio Geographica generalis comprehendens VI. Folis [...] Landgrafii Hasso-Darmstadiensis [...], drawn by Christoph Pronner Buck crease, some foxing, light browned and soiled.Johann Baptist Homann (1664 - 1724), German cartographer, engraver, publisher and globe maker; most important German publisher of atlases and maps in the 18th century.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MCCARTAN, Edward (nach)(1879 Albany - 1947 New Rochelle) Große Gartenbronze: Diana mit JagdhundBronze grünlich patiniert. Bezeichnet. 156,5 x 92 x 80 cm. Fast lebensgroße Aktfigur der weit ausschreitenden Göttin, die in aparter Geste ihren Bogen hält, während der Windhund an der Leine voranstürmt. Neuzeitlicher Guss nach dem 1923 entstandenen Original, das heute im Metropolitan Museum New York steht Amerikanischer Bildhauer, Schüler am Pratt-Institute Brooklyn und der Art Students League of New York. 1907-10 in Paris, ab 1914 Lehrer am Beaux-Arts Institute of Design New York.Shipping not available MCCARTAN, Edward (after)(1879 Albany - 1947 New Rochelle) Large Garden Bronze: Diana with Hunting DogBronze greenish patinated. Inscribed. 156.5 x 92 x 80 cm.Almost life-size nude figure of the wide striding goddess, who holds her bow in a distinctive gesture, while the greyhound rushes forward on a leash. Modern casting after the 1923 original, which is now in the Metropolitan Museum New York American sculptor, student at the Pratt Institute Brooklyn and the Art Students League of New York. 1907-10 in Paris, from 1914 teacher at the Beaux-Arts Institute of Design New York.Shipping not available*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Hirschfänger mit ScheideGemarkt "W.K. & C.". Deutschland. L 57 cm. Gerade einschneidige Klinge mit jagdlichen Ätzmustern. Messinggriff und Beinschalen, Lederscheide Eine Eichelapplikation am Griff fehlt. Deer hunter with scabbardMarked "W.K.. & C.". Germany. L 57 cm. Straight single-edged blade with hunting etched patterns. Brass grip and leg scales, leather scabbard An acorn appliqué on the grip is missing. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

24 Zinndeckel von Bierkrügen, meist bemaltes PorzellanZinn häufig gemarkt. Zumeist 19. Jh. Zinn, Porzellan, meist kolorierte Vordrucke, teils vollständig gemalt. Zumeist jagdliche Motive, aber auch Hochzeit bzw. Handwerk Teils starke Defekte bzw. Lötreparaturen am Zinn, zumeist Alters-Gebrauchsspuren. 24 pewter lids of beer mugs, mostly painted porcelainPewter often marked. Mostly 19th century Pewter, porcelain, mostly colored preprints, some fully painted. Mostly hunting motifs, but also wedding or craft Partly strong defects or solder repairs on the tin, mostly age-use traces. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Radschloßgewehr - TschinkeLauf gemarkt "MW". Anfang 17. Jahrhundert. Schlesien. L 117 cm. Jagdbüchse mit sechszügigem Lauf, außen achtkantig, dieser dreifach mit gravierten Messingeinlagen geschmückt. Schaft reich mit Messing-, Perlmutt-, Bein- und grünen Steinintarsien belegt. Kimme und Korn sowie Ladestock vorhanden. Guter Erhaltungszustand und schöne Alterspatina Wenige Intarsien besonders am Kolbenende fehlen. Hahn lose, da die Schraube fehlt. Schieber funktioniert. Durchbrochen gearbeitete Abdeckung der Feder für den Hahn etwas verbogen. Kolbenkammer klemmt. Wird auch als Teschinke oder Kurländer Radschloß bezeichnet. Provenienz : Aus der Waffensammlung der Fürsten Reuß j.L. auf Schloss Osterstein Gera. 1945 fällt sie zum größten Teil dem Schloßbrand zum Opfer. Wheel lock rifle - Tschinkebarrel marked "MW". Early 17th century. Silesia. L 117 cm. Hunting rifle with six-groove barrel, octagonal on the outside, this triple decorated with engraved brass inlays. Stock richly inlaid with brass, mother-of-pearl, bone and green stone inlays. Rear sight and ramrod present. Good condition and beautiful age patina Few inlays especially at the butt end missing. Cock loose as the screw is missing. Slider works. Openworked cover of the spring for the cock somewhat bent. Piston chamber jammed. Also referred to as a Teschinke or Kurländer wheel lock. Provenance : From the weapons collection of the Princes Reuß j.L. at Osterstein Castle Gera. In 1945 it falls victim to the castle fire for the most part. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Barockes Kelchglas mit Jagdmotiv2. H. 18. Jh. Farbloses Glas. H 15,5 cm. Konische Kuppa mit eingestochener Luftblase im Kuppaboden, Balusterhohlschaft, Rundfuß; Abriss. Schauseitig die gravierte Darstellung eines springenden Hirsches, verso ein stilisiertes Blumenbukett Baroque goblet glass with hunting motif2nd h. 18th c. Colorless glass. H 15,5 cm. Tapered cup with pierced air bubble in the base of the cup, baluster hollow stem, round base; demolition. On the front the engraved representation of a jumping stag, verso a stylized bouquet of flowers .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Barocke Veilleuse mit JagdmotivenUngemarkt, 2. H. 18. Jh. Polychrom bemalt, goldstaffiert. H 23 cm. In Form einer Terrine gestaltetes Stövchen/Rechaud mit zwei Rocaillehenkeln, vier verdeckten Luftnasen und Deckel. Beidseitig die Darstellung von Jagdhunden bei der Vogeljagd. Ohne Einsatzschale Deckel restauriert und mit Randbestoßungen, beide Henkel und 1 Luftnase restauriert. Eine Veilleuse bestand aus einem Unterteil (réchaud), einer flachen Ölschale/Lampe/Brenner, einer Einsatzschale mit Handhaben und einem Deckel. Sie diente sowohl als Nachtlicht als auch zum Warmhalten von Speisen und Getränken, die Bettlägerige und Kranke aus dem eingesetzten Napf trinken oder löffeln konnten. Baroque veilleuse with hunting motifsUnmarket, 2nd half 18th century Polychrome painted, gold decorated. H 23 cm. Sculpted in the form of a tureen teapot/rechaud with two rocaille handles, four covered air noses and lid. On both sides the depiction of hunting dogs hunting birds. Without insert bowl Lid restored and with edge chips, both handles and 1 air nose restored. A veilleuse consisted of a base (réchaud), a shallow oil bowl/lamp/burner, an insert bowl with handles and a lid. It was used both as a night light and to keep food and drink warm, which bedridden and sick people could drink or spoon from the inserted bowl. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Biedermeier-Tasse mit JagdmotivUngemarkt, um 1830/40. Polychrome Malerei über Vordruck, Goldstaffage. H Tasse 6,5 cm, Ø ergänzte Untertasse 13,5 cm. Zylindertasse mit Ohrenhenkel. Schauseitig die Darstellung eines Jägers mit zwei Jagdhunden Biedermeier cup with hunting motifUnmarket, circa 1830/40. Polychrome painting over pre-print, gold staffage. H cup 6.5 cm, Ø supplemented saucer 13.5 cm. Cylindrical cup with ear handle. On the front the representation of a hunter with two hunting dogs .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Tisaniére veilleuse mit JagdmotivUngemarkt, 1. H. 19. Jh. Polychrom bemalt, goldstaffiert. H 16 cm. In Form eines Turmes gestaltetes, zweiteiliges Stövchen mit der umlaufenden Darstellung einer Waldlandschaft mit Jagdszene. Ohne Teekanne 1 minimale Bestoßung am Innenrand. Tisaniére veilleuse with hunting motifUnmarket, 1st half 19th c. Polychrome painted, gold decorated. H 16 cm. Designed in the form of a tower, two-piece teapot with the surrounding depiction of a forest landscape with hunting scene. Without teapot 1 minimal bump on the inner rim. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 Teller mit JagdmotivenMeissen. Knaufschwerter, ab 1850-1924, 1. Wahl. Polychrom bemalt, goldstaffiert. Ø 25 cm. Form "Neuer Ausschnitt". Im Spiegel die Darstellung eines Rehkopfes bzw. eines röhrenden Hirsches 2 plates with hunting motifsMeissen. Pommel swords, from 1850-1924, 1st choice. Polychrome painted, gold decorated. Ø 25 cm. Form "New Cutout". In the mirror, the representation of a deer head or a roaring deer .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 LaubenleuchterSchierholz. Gekreuzte Strichmarke, 2. H. 19. Jh. Polychrom bemalt, goldstaffiert. H ca. 30 cm. Je einflammiger Leuchter mit einer, in einer Muschel- und Blütenrankenlaube sitzenden Diana mit Jagdhunden bzw. Amorknaben Restauriert, Bestoßungen am Belag. 2 pergola chandeliersShearwood. Crossed line mark, 2nd h. 19th c. Polychrome painted, gold decorated. H approx 30 cm. Each single-flame chandelier with a, in a shell and flower tendril sitting Diana with hunting dogs and Cupid boys Restored, bumps on the coating. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Paar große Jagdfiguren an VasenJean Petit. Doppelschwertermarke, Jean Petit, Fontainebleau, um 1860/70. Frankreich. Modell-Nr.: 403 und 404. Polychrom bemalt, goldstaffiert. H 38 und 39 cm. An einem Baumstamm als Vase stehender, ein Jagdhorn blasender Jäger bzw. stehender Jäger mit erlegtem Fasan Bestoßungen am Gras- und Blütenbelag, 1x Hasenköpfe und -vorderpfoten restauriert, 1x beide Hände, Fasanenbeine und -flügel restauriert, Gewehr eines Jägers fehlt, 1x mit farbretuschiertem Chip am Stand. Pair of large hunting figures on vasesJean Petit. Double sword mark, Jean Petit, Fontainebleau, circa 1860/70. France. Model no.: 403 and 404. Polychrome painted, gold-studded. H 38 and 39 cm. At a tree trunk as a vase standing, a hunting horn blowing hunter or standing hunter with killed pheasant Distresses on the grass and flower coating, 1x hare heads and front paws restored, 1x both hands, pheasant legs and wings restored, rifle of a hunter missing, 1x with color-retouched chip on the stand. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

JagdgruppeAugarten. Blaumarke, 2. H. 20. Jh. Modell-Nr.: 1662. Weiß. H 19 cm, L 26,5 cm. Hirsch und Hirschkuh auf einem Natursockel Hunting groupAugarten. Blue mark, 2nd h. 20th c. Model no.: 1662. White. H 19 cm, L 26,5 cm. Stag and hind on a natural base .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Vase und "Rohtraut-Schale"KPM Berlin. Zeptermarke, 2 H. 20. Jh. Weiß. 1x gedrungene Balustervase (H 18,5 cm). / 1x innen glasierte Kraterschale, Entwurf 1936 von Gerhard Gollwitzer (1906-1973): auf der Wandung ein zartes Biskuit-Jagdrelief, nach dem Gedicht "Schön-Rohtraut" von Eduard Mörike (1804-1875); (H 12 cm) Vase and "Rohtraut bowl"KPM Berlin. Scepter mark, 2 h. 20th c. White. 1x squat baluster vase (h 18,5 cm). / 1x inside glazed crater bowl, design 1936 by Gerhard Gollwitzer (1906-1973): on the wall a delicate bisque hunting relief, after the poem "Schön-Rohtraut" by Eduard Mörike (1804-1875); (h 12 cm) *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

7 verschiedene JagdbücherCa. 23 x 15 cm. Frehse: "Bewährte Fang- und Jagdmethoden gegen Füchse, Marder, Wiesel, Fischotter, Dachse, Wildkatzen, Raubvögel, wilde Gänse ... Hasen und anderes Wildpret aus der Ferne herbeizulocken ... Abrichtung Hunde ...", Quedlinburg 1886, 160 Seiten, ohne Einband. / Neumeister: "Laub- und Kalk-Fütterung des Edel- und Rehwildes", Tharand 1891, 15 Seiten. / "Anordnung der fürstl. Stolberg-Wernigerode'schen Kammer über Rothwildfütterung, Fragment. / Caspaul: "Finessen vom Raubzeugfang", Selbstverlag, 421 Seiten und Abbildungen. / Mahnkopf: "Der Fuchsfang", 64 Seiten. / von Dombrowski: "Die Birsch(!) auf Rot-, Dam-, Reh-, Schwarz- und Gemswild", Neudamm 1903, 227 Seiten. / Regener: "Jagdmethoden und Fanggeheimnisse", Neudamm 1903, 450 Seiten, lose Starke Alters- und Gebrauchsspuren, teils lose Seiten, alles Broschur. 7 different hunting booksCa. 23 x 15 cm. Frehse: "Proven trapping and hunting methods against foxes, martens, weasels, otters, badgers, wild cats, birds of prey, wild geese ... Luring hares and other wild game from a distance ... Training dogs ...", Quedlinburg 1886, 160 pages, no cover / Neumeister: "Laub- und Kalk-Fütterung des Edel- und Rehwildes", Tharand 1891, 15 pages. / "Anordnung der fürstl. Stolberg-Wernigerode'schen Kammer über Rothwildfütterung, Fragment. / Caspaul: "Finessen vom Raubzeugfang", self-published, 421 pages and illustrations. / Mahnkopf: "Der Fuchsfang", 64 pages. / von Dombrowski: "Die Birsch(!) auf Rot-, Dam-, Reh-, Schwarz- und Gemswild", Neudamm 1903, 227 pages. / Regener: "Jagdmethoden und Fanggeheimnisse", Neudamm 1903, 450 pages, loose Strong signs of age and wear, some loose pages, all paperback. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Bildnis eines jungen Adligen im JagdornatÖl/Leinwand/Sperrholz. Links unten undeutlicher Schriftzug, verso als "J.M. Nattier" bezeichnet. Wohl 18. Jh. 87 x 68 cm. Porträt eines jungen Mannes mit geschultertem Gewehr vor Wolkenhimmel Altersspuren. Picture of a young nobleman in hunting regaliaOil / canvas / plywood. Indistinct lettering lower left, inscribed on verso as "J.M. Nattier". Probably 18th c. 87 x 68 cm. Portrait of a young man with shouldered rifle before cloudy sky Traces of age. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Altmeistergemälde: Großes JagdstilllebenÖl/Leinwand. Unsigniert. Um 1700. 121 x 99 cm. Gerahmt135 x 114 cm. Qualitativ hervorragende Darstellung der Beutevögel mit Gewehr an einem Baum in weiter Gebirgslandschaft unter wolkigem Himmel Leinwand doubliert, ein kleines Loch. Provenienz : Fürsten Reuß j.L., Schloss Osterstein Gera. Shipping not available Old Master Painting: Large Hunting Still LifeOil / canvas. Unsigned. Circa 1700. 121 x 99 cm. Framed135 x 114 cm. Quality excellent depiction of prey birds with rifle on a tree in wide mountain landscape under cloudy sky Canvas doubled, a small hole. Provenance : Princes Reuss j.L., Osterstein Castle Gera. Shipping not available.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

EGGENA, Gustav(1850 Marburg - 1915 München) Mutter mit KinderÖl/Leinwand/Karton. Links oben signiert. 21 x 22,5 cm. Junge Frau mit zwei Kindern in der Küche vorm Tisch Leichte Altersspuren. Maler in München, studierte an den Akademien Kassel und München (Diez). Malte häufig Jagd- und Kriegsszenen aus dem 17./18. Jh. Literatur : Thieme/Becker. EGGENA, Gustav(1850 Marburg - 1915 Munich) Mother with childrenOil/canvas/cardboard. Signed in the upper left corner. 21 x 22.5 cm. Young woman with two children in the kitchen in front of the table Slight signs of age. Painter in Munich, studied at the academies of Kassel and Munich (Diez). Frequently painted hunting and war scenes from the 17th / 18th century Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Jagdszene im WinterÖl/Leinwand. Unsigniert. Ende 19. Jh. 55 x 68,5 cm. Gerahmt73 x 86 cm. Mehrere Jäger bei der Wolfsjagd auf einem verschneiten Feld am Waldrand Restauriert mit Hinterklebungen, Farbabsplitterungen. Hunting scene in winterOil / canvas. Unsigned. Late 19th c. 55 x 68.5 cm. Framed73 x 86 cm. Several hunters hunting wolves in a snowy field at the edge of the forest Restored with backstaining, paint chips. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MAILICK, Erik(*1869 Dresden) Jagdhunde und WildsauGouache. Rechts unten signiert.Passepartoutausschnitt 26 x 31,5 cm. Gerahmt & hinter Glas43 x 48 cm. Zwei Hunde neben einer Sau im Schnee an einem Baum Dresdner Jagd- und Landschaftsmaler, studierte an der Akademie Dresden.Literatur : Dressler. MAILICK, Erik(*1869 Dresden) Hunting Dogs and Wild SowGouache. Signed lower right.Passepartout cut 26 x 31.5 cm. Framed & behind glass43 x 48 cm. Two dogs next to a sow in the snow at a tree Dresden hunting and landscape painter, studied at the Dresden Academy.Literature : Dressler.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Jagdflasche mit Silberdeckel, dazu 3 SilberbecherAlle gepunzt. Um 1880-90. England und Dänemark. Silber, farbloses Glas. Becher zusammen 69 g. Langes Glasgefäß mit verschlungener Monogrammätzung auf dem Glas und Scharnierdeckel, L 30 cm. 3 kleine Becher mit floralen Gravuren, 2x mit Monogramm (WM bzw. HM), H 4 - 6,5 cm Becher leicht verbeult, 1x Lötspuren im Boden. Hunting bottle with silver lid, plus 3 silver cupsAll hallmarked. Circa 1880-90. england and denmark. Silver, colorless glass. Cup together 69 g. Long glass vessel with intertwined monogram etching on the glass and hinged lid, L 30 cm. 3 small cups with floral engravings, 2x with monogram (WM and HM respectively), H 4 - 6,5 cm Cups slightly dented, 1x solder traces in the bottom. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SilberetuiUngepunzt. Ende 19. Jh. Silber geprüft. 14 x 6,5 x 2,5 cm. 83 g. Mit Jagdmotiv und Rankendekor verziert. Scharnierdeckel an der Schmalseite Gebrauchsspuren, minimal gedellt. Silver caseUnmarked. Late 19th c. Silver tested. 14 x 6,5 x 2,5 cm. 83 g. Decorated with hunting motif and vine decoration. Hinged lid on the narrow side Signs of use, minimally dented. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Historismus-DeckelpokalFirmenzeichen Neresheimer, Hanau und Artur Otto, Lippstadt gepunzt. Um 1900.Silber, teilvergoldet. H 22,5 cm, Ø 8 cm. 456 g. Reich reliefierter Trauben-Pokal mit Jagdszene Kaum Gebrauchsspuren.Historicism lid cupCompany mark Neresheimer, Hanau and Artur Otto, Lippstadt punched. Circa 1900.Silver, partially gilded. H 22.5 cm, Ø 8 cm. 456 g.Richly relieved grape goblet with hunting scene Scarcely any signs of use.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Großer silberner Jagdpokal in Form eines Kluftbechers800/Halbmond/Krone gepunzt. Ende 19. Jh.H ca. 27,5 cm. 552 g. Kunstvoll gestalteter, konischer Becher mit historistischem Reliefdekor und teilplastischen Tierköpfen, umlaufend eine reliefierte Jagdszene mit Jägern, Hunden und einem Hirsch Large silver hunting trophy in the shape of a gulf cup800/crescent/crown hallmarked. Late 19th c.H c. 27.5 cm. 552 g. Artfully designed conical cup with historicist relief decoration and partially plastic animal heads, surrounding a relief hunting scene with hunters, hounds and a stag *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Kleines Charivari und Krawattennadel, um 1900 Roségold 333/585 geprüft. L 7,5 cm. Nadel 8 cm. 6,8/2,7 g. Ringfederschließe mit 2 abgehängten, kleinen Geweihstücken und Jagdhorn. Nadelkopf mit 3 Opalcabochons an langer Nadel Small charivari and tie pin, circa 1900 Rose gold 333/585 tested. L 7.5 cm. Pin 8 cm. 6,8/2,7 g. Ring spring clasp with 2 suspended small antler pieces and hunting horn. Pin head with 3 opalcabochons on long needle .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 Soldaten und Hund für die PuppenstubeUngemarkt. Um 1900.Biskuitporzellan, Masse, Stoff, Metall. Blonde Brustkopfpuppe mit blauer Uniformjacke und Degen. H 15 cm. Kleine Ganzbiskuitpuppe mit modelliertem Helm und Schnurrbart. In originaler Filzkleidung. H 10 cm. Dazu kleiner Jagdhund mit Samtfell Altersspuren, Kleidung mit Defekten.2 soldiers and dog for the dollhouseUnmarket. Circa 1900.Biscuit porcelain, mass, fabric, metal. Blond chest head doll with blue uniform jacket and rapier. H 15 cm. Small whole bisque doll with modeled helmet and mustache. In original felt clothing. H 10 cm. In addition, small hunting dog with velvet fur Traces of age, clothing with defects.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ROWLING (J.K.)Correspondence from J.K. Rowling to the parents of her ex-boyfriend, and a presentation copy to him, comprising: i) Autograph letter signed ('Jo') to Brenda and Ken ('Dear Brenda & Ken'),writing shortly after the publication of book four, Harry Potter and the Goblet of Fire ('...madness...'), and now bracing herself '...for the announcement of the boy who is playing Harry in the film...', expecting the Daily Mail to turn up at her door '...to find out whether I hate him or not...' but says she is delighted with him, 2 pages, creased at folds, 297 x 210mm., Edinburgh, [no date but 2000]; ii) Autograph letter signed ('Jo') to Brenda ('Dear Brenda'), a fond letter thanking her for her kind words about the books and hoping that Mike (her ex-boyfriend and Brenda's son) will read his copy of the first one ('...I'm thinking of pretending there's a character based on him in the next one, just to fool him into ploughing through it...'), ending with news of her daughter Jessica and recommending Harry Potter et l'Ecole des Sorciers to her family in France, 2 pages, creased at folds, 297 x 210mm., Edinburgh, 14 December 1998; iii) Pictorial greetings card depicting a row of owls, signed ('Jo') to Brenda ('Dear Brenda'), on her return from a US tour and telling her she is about to move house ('...Daily Mail journalists keep turning up at this one and I'd like a bit more privacy!...'), delighted that Mike has finally read the books ('...He seems to think he deserves a dedication for this – or possibly some sort of medal...'), 2 pages, 178 x 210mm. closed, Edinburgh, 11 September [19]99;iv) Harry Potter and the Chamber of Secrets, first paperback edition, first printing, INSCRIBED BY THE AUTHOR on the dedication page 'To Micky, who learned to read late in life and should be encouraged. Love Jo', with the number sequence 10 to 1 on the reverse of title page, slight toning to margins, publisher's pictorial wrappers, spine and adjacent strip of front cover slightly faded, corner tips knocked, 8vo, Bloomsbury, [1998] (4)Footnotes:'THE BOY WHO IS PLAYING HARRY IN THE FILM... I'M DELIGHTED WITH HIM': J.K. ROWLING WRITES TO THE PARENTS OF HER EX-BOYFRIEND, WHO WITNESSED THE GENESIS OF HARRY POTTER, and jokingly inscribes a copy of the Chamber of Secrets for him.Jo Rowling met Michael, the son of the recipients of our letters, whilst they were students at Exeter University in the mid-1980's. After university he travelled the world on a gap year and returned to study in Manchester, where the couple resumed their relationship. Rowling was at the time living in London, working for Amnesty International, and regularly took the long train journey from London to Manchester to visit him whilst they were looking for a flat together. It was on one of these delayed journeys that, famously, the inspiration for Harry Potter came to her: '...It was after a weekend's flat-hunting, when I was travelling back to London on my own on a crowded train, that the idea for Harry Potter simply fell into my head. I began to write 'Philosopher's Stone' that very evening... I moved up to Manchester, taking the swelling manuscript with me...' (J.K. Rowling, biography, online). Indeed, Brenda recalls how Rowling was constantly scribbling down ideas for the books and leaving pieces of paper everywhere when she went to stay. However, at the end of December 1990 Rowling's mother died and she describes the following year as one 'of misery'.By November 1991 she and Mike had split up and she had moved to Portugal. As our letters attest, she kept in touch with Mike and his parents throughout her troubled first marriage and the birth of her daughter Jessica up until her second marriage in 2001. Throughout the letters, the last written during the frenzy that accompanied the making of the first film, there is a glimpse of her new life as a celebrity author, with mention of trips to Cannes, book tours and frustrations with the press, particularly the Daily Mail (notably newspaper of choice for the odious Dursley family). She writes with evident fondness to Brenda and Ken, who witnessed the genesis of the Harry Potter books, and gently teases Mike for finally getting round to reading them ('...He seems to think he deserves a dedication for this – or possibly some sort of medal...'). It was after a row with Mike that Rowling invented the sport of Quidditch whilst staying in a Manchester hotel: '...It [sport] infuriates men... which is quite satisfying given my state of mind when I invented it...' she later wrote.For further information on this lot please visit Bonhams.com

CROMWELL (OLIVER) - GLOUCESTERSHIREExemplification under the Great Seal of the Lord Protector referring to the letters patent granted by Henry III to the Abbot and monks of the Abbey of Flaxley, in English and Latin, docketed 'An Exemplification at the Request/ of William Boeve[y] Esq from Oliver Cromwell/ Abbotts Woods...'; decorated initial letter 'O', surrounded by elaborate strapwork and foliate design with capital letters on the upper line; signed at foot as examined by William Glascock and Thomas Bulstrode as Masters of Chancery in Ordinary; with the Great Seal of the Protectorate in brown wax, held by red and white silk and string ties, obverse depicting the coat of arms flanked by the lion and unicorn, reverse depicting Oliver Cromwell on horseback, seal complete, images worn, on one skin of vellum, initial and first line slightly rubbed, light dust-staining particularly at folds, pin holes to vertical edges, 432 x 740mm., seal 145mm. diameter, Westminster, 22 June 1657Footnotes:Flaxley Abbey in the Forest of Dean is a former Cistercian monastery, founded in 1151 by Roger Fitzmiles, 2nd Earl of Hereford, allegedly on the spot where his father was killed in a hunting accident. Henry II and Henry III used the abbey as a hunting lodge and, as this document shows, Henry III gave a grant to Flaxley Abbey of Abbot's Woods in 1227. After the Dissolution, the Abbey and lands were granted to Sir William Kingston, Constable of the Tower of London, who oversaw the execution of Anne Boleyn. James Boevey (1622-1696), a London merchant, lawyer and philosopher, purchased the Abbey in 1648 with his half-brother William, the 'William Boeve' mentioned in our document.For further information on this lot please visit Bonhams.com

Two early 19th century aquatint engravings published by Edward Orme, The Dead Tiger and Hunting Jackalls, both 31cm x 43cm (2)both framed and glazed some signs of foxing and disclouration.

The Indian Mutiny medal awarded to Corporal W. G. Morey, who was wounded in action while serving with the Bengal Yeomanry Cavalry; a civilian who rose from a humble draper’s assistant in Tasmania to become a well known adventurer, sportsman, and one of India’s finest exponents of the hazardous sport of ‘Pig-Sticking’ Indian Mutiny 1857-59, no clasp (Corpl. Wm. Morey, Bengal Yeo. Cavy.) together with contemporary dress miniature, fitted with ribbon brooch buckle, named on the edge ‘Sergt. W. G. Morey B.Y. Cavy.’, nearly extremely fine and scarce (2) £800-£1,000 --- William George Morey was born circa 1837 at Chichester, Sussex, the 8th of 10 sons and 3 daughters to James Morey, a shoemaker, later a relieving officer and his wife Martha (née Bullbeck). After the death of his mother on 8 March 1854, James, with a large portion of the older members of his family, emigrated to Australia. The Hobart Colonial Times, dated 10 October 1854, lists among the new arrivals on the City of Hobart from Melbourne, James Morey senior, sons Charles and Josiah together with their wives, daughter Amelia, and two younger sons William and Walter. James opened a drapery store, assisted by William, but it went into liquidation shortly afterwards. With the family situation tenuous William, seeking adventure, travelled to Melbourne where he boarded the American owned ship Rowena and sailed to Calcutta arriving in October 1855, aged just 17. Papers Past in the New Zealand Archives has an article from the Grey River Argus titled “Incidents of the Indian Mutiny”, dated 14 April 1888, by a certain ‘J.P.’ who relates the following: ‘Previous to my becoming a Govern[ment]-employee I held a situation in a Calcutta house, and among others in the same store was a young man named Fred (sic) Morey. Born and bred in London he had served some time as a draper’s assistant but the spirit of adventure and the desire of seeing foreign countries was too strong within him to allow him to remain as such. As soon as the mutiny broke out he threw up his situation and went up country, where he joined the irregular cavalry. During the period he and I were together I had conceived a friendship for him and he stated when leaving he would correspond with me. Soon after his departure I resigned my situation and went up country and heard no more of him. Some days after the arrival of the Lucknow-wounded Mr Carter, a Calcutta merchant, he told me that Morey was among the wounded in Fort William, and was desirous of seeing me, having called upon him and expressed that wish. I went and saw him more than once and happy to say he afterwards recovered and accepted a situation in the same house that employed him before becoming a sabreur.’ It is unclear if this article was written in 1888 or earlier which may account for the inconsistencies of the text but it is clearly referring to William Morey. The Bengal Yeomanry Cavalry was a melange of incongruous men with little or nothing known of each participant other than their name on a medal roll. Raised as early as 23 July 1857, it consisted of strays, adventurers, merchants, planters, teachers, clerks, seafarers, Eurasians ‘of good character’ and ‘homeless’ British or H.E.I.C. army officers who were without a regiment. The only criteria was the ability to ride a horse which understandably confounded the mariners amongst their number. Interestingly the corps members elected their own Lieutenants. They wore a practical ostentatious uniform of corduroy breeches with knee high boots, loose blue flannel blouses and grey felt helmets enveloped in a huge white pugree, their personal arms comprising a heavy sabre, a light carbine and a formidable revolver. The B.Y.C. joined the operational Sarun Field Force at Chatra on the Nepal border in January 1858, serving under Colonel (later Brigadier, C.B.) Rowcroft. The medal roll shows Morey listed as a Corporal serving in the 2nd Troop. The mutineers gave the B.Y.C. the soubriquet “Shaitan-i-Pultan”, the “Devil’s” or “Satan’s Regiment”, due to the ferocity of their charges. With a lack of mounted units the B.Y.C. protected the flanks of various British columns, sharing the trials of climate, exposure, disease and terrain. The BYC fought in 17 actions during the campaign but perhaps their greatest triumph came at Almorah on 5 March 1858, when they made three successive and successful charges to protect the flanks of the column, while Pearl’s Naval Brigade led the forward assault. They were to perform further good services and charges at Tilga (17 April), Deamureagunj (26 November), Toolsipore (23 December), and Kandi Koti (4 January 1859). The Bengal Yeomanry Cavalry was disbanded in the spring of May 1859. Quite when Morey was wounded is unknown as he does not appear in any official casualty figures. After the mutiny Morey returned to Calcutta and according to ‘J.P.’ returned to his job in a Calcutta trading house. The directories of 1861 and 1863 show Morey working in the Indian silk industry as an assistant in R. Watson & Co’s silk filatures at Surdah and Motehar, and concerns at Rajshahi, West Bengal, later becoming Manager of the Radnagore Silk and Indigo concerns at Panchkoorah, Midnapore in 1873. In 1875 the Bengal Directory shows him as the manager of the Fureedpore silk concern. Morey was to become a leading expert in the silk trade comparing the quality of Indian silk to that produced in Italy. In 1871 William married Frances Sophia daughter of Thomas Tweedie, a deputy magistrate in Bengal, who had inherited large indigo estates from his father. He continued working in West Bengal until 1900 before retiring to Ootacamund (Ooty) in the Nilgiri Hills, living in a house called Sydenham. Here he was to become a well loved member of the Nilgiri and Bangalore community. He died on 7 May 1905, on Ootacamund racetrack riding a horse belonging to his son-in-law Captain Gordon-Price when, between the 3rd furlong and half mile posts, he fell from his horse. He was 68 years of age. One might say that he ‘died in harness’ but racing and hunting were indeed his passions. In 1871 the South Australian Chronicle records that Morey sold 31 horses in Colombo for £906, so it is clear he was trading in Indian and Australian horses, if not breeding them, for many years. He was described as genial and fond of the society of men, and his accounts of the Nilgiri racing and hunting scene for the South India Observer were jovial and racy. He was a wonderful rider and just a year before his death he won a race with his country-bred ‘Kunigal’. However, it was the sport of ‘Pig-Sticking’ that he loved most. Ferocious and dangerous, it was not for the faint hearted. Pig-Sticking in Bengal by Raoul, 1893, devotes his book to the best known exponents of this art including William Morey. Raoul gives dozens of pages to the hunts that relate to Morey ‘whose blood is always up when he sees pigs’. It tells a rollicking yarn of the shikari and hunter against a formidable foe. Raoul also provides us with a full length photograph of Morey. The danger is emphasised in an article from The Queenslander, 6 September 1890, which relates: ‘Mr Morey, a well known planter and sportsman in Bengal, was out hunting lately, on horseback, with his daughter, when a wild boar suddenly sprang from the jungle, and making for Mr Morey, threw over both horse and rider with a severe crash. The brute was on the point of tearing his victim with his formidable tusks, when Miss Morey sprang to the ground and placed herself between him and her father, who had been stunne...

Ornithology and natural history Collection of works Maxwell, Sir Herbert. Memories of the Months. First [-Seventh] Series. London: Edward Arnold, 1900-22. First editions (except volume 1: third edition), 7 volumes, 8vo, original green cloth, numerous plates (mainly photogravures), volumes 1-6 each with a tipped-in autograph letter signed from Maxwell to J. Logan Mack (Edinburgh solicitor and author of The Border Land: From the Solway Firth to the North Sea, 1926), volume 7 inscribed by Maxwell, Mack's bookplate to each volume, volume 3 half-title repaired, bindings slightly rubbed and marked;Scott, Sir Peter. Wild Chorus. London: Country Life, 1938. First edition, deluxe issue, one of 1,250 copies signed by the author, 4to, original blue cloth, top edge gilt, others untrimmed, 24 mounted colour plates, numerous halftone plates;Seebohm, Henry. Coloured Figures of the Eggs of British Birds. Edited (after the Author's Death) by R. Bowdler Sharpe. Sheffield: Pawson and Brailsford, 1896. 8vo, original red cloth, 60 chromolithographic plates, binding slightly marked, plates spotted, rear inner hinge cracked;Armour, G. Denholm. Thoughts on Hunting. In a Series of Familiar Letters by Peter Beckford. London: Hodder and Stoughton, c.1910. First edition, deluxe issue, one of 350 copies signed by the artist, 4to, original brown pigskin gilt, 25 tipped-in colour plates, spine sunned and rubbed and with loss to head;and 5 others similar

Chapman, Abel Collection of works On Safari. Big-Game Hunting in British East Africa with Studies in Bird-Life. London: Edward Arnold, 1908. First edition, 8vo, original pictorial cloth, 2 photogravure plates including frontispiece, 32 halftone plates, 4 pp. advertisements to rear, inscribed to 'The skipper, from the author' on the front free endpaper, rubbing to extremities, split to head of front joint, spotting to endpapers [Czech Africa p. 59];Savage Sudan. Its Wild Tribes, Big-Game and Bird-Life. London: Gurney and Jackson, 1921. First edition, 8vo, original pictorial cloth gilt, map frontispiece, 29 halftone plates from photographs, cloth slightly rubbed and marked [Czech Africa pp. 59-60];First Lessons in the Art of Wildfowling. London: Horace Cox, 1896. First edition, 8vo, original cloth, all plates as called for (several folding), occasional spotting to text;Wild Spain (España Agreste). London: Gurney and Jackson, 1893. First edition, signed by the author on the front free endpaper ('Abel Chapman, nest off Crowhall Moor, June 23, 1927'), original cloth (recased), folding map, all plates as called for;Unexplored Spain. London: Edward Arnold, 1910. First edition, 4to, original pictorial cloth gilt, all plates as called for, spine slightly rubbed.Together with 12 others (these not collated), including: Abel Chapman, The Borders and Beyond, 1924, Retrospect, 1928, Wild Norway, 1897, Memories, 1930 (all first editions, original cloth), and Bird-Life of the Borders, 1907 (second edition, original cloth); Frederick Courtenay Selous, Travel and Adventure in South-East Africa, 1893, A Hunter's Wanderings in Africa, 1893, Sport and Travel East and West, 1900 (first, third and first editions, all in original cloth); J. G. Millais, The Mammals of Great Britain and Ireland, 1904 (first edition, one of 1,025 copies, 3 volumes, large 4to, original cloth, plates, cloth mottled, wear to spines), The Wildfowler in Scotland, 1901 (first edition, 4to, original half japon, mottled), Life of Frederick Courtenay Selous, 1918 (first edition, original cloth, ex Aberdovey Literary Institute), Wanderings and Memoires, 1919 (first edition, original cloth)Note: Note: '[Chapman's] African adventures culminated in On Safari (1908) and Savage Sudan (1921) - the first natural history book about this area - which were entertaining and vivid accounts of east Africa and the Anglo-Egyptian Sudan' (ODNB).

Scott, Sir Walter The Waverley Novels Edinburgh: Adam and Charles Black, 1871. Centenary Edition, 25 volumes, 8vo (18.3 x 11.7cm), contemporary blue half calf by Zaehnsdorf, spines decorated in gilt and with twin red and olivine morocco labels, marbled sides, endpapers and edges, half-titles, steel-engraved frontispieces and numerous plates after Sir David Wilkie, J. M. W. Turner, David Roberts and others, wood-engraved vignettes to title-pages, ownership ink-stamps to half-titles. Together with a set of the Jorrocks novels by R. S. Surtees, c.1875, 5 volumes, large 8vo, contemporary red half morocco, hunting motifs gilt to spines, hand-coloured etched plates, housed in a contemporary walnut box

Indian Company School paintings On mica and paper 52 paintings on mica, comprising: 18 loosely inserted into a blue morocco gilt album (snake charming, funeral procession, Hindu marriage procession, tiger hunting, Rajah going to hunt, mallakhamb scene and others), 28 loose paintings (dancing girl and band, ploughing scene, market scene, school scene, rural funeral procession, religious processions, mallakhamb, birds) and 6 paintings loosely taped onto paper (man with shisha pipe, sati (suttee) scene, a scribe, a servant, a tailor, a gardener), the largest measuring 20 x 15cm and the smallest 7 x 11cm;9 loose paintings on paper (mother and child, dancing woman, butler, man with dead birds, ayah with child, hunter, woman with basket, scribe at desk, barber)

Two vases and a pair of copper hunting horns

An Indian silver Jug and small oval Tray embossed and chased hunting scenes, landscape frieze, etc

Mauchline ware - three wooden hinge snuff boxes, comprising a curved example (soldiers with boar / Tiens Ferme / feather work to sides and base), 30% foil, 8.2cms, another (stag hunting with sportsman and dog), 20% foil, 8.7cms, and another (dog putting up duck), 30% foil, 7.2cms. (3) From the collection of the late Christabelle and David Davey.

Three 19th century daggers, one with heavily figured foliate decorated blade and brass mounted bone handle, a second with steel blade, not edged or pointed, probably theatrical and a continental hunting knife with single edged blade having serrated top edge, steel cross piece and bone handle. Over 18s only. (3) (B.P. 21% + VAT) No shipping on this item.

Two trays of Royal Doulton items to include: a Roger de Coverley vase, coaching scenes items, fox hunting ashtray and bowls, series ware bowl, plates, trio, various trinket trays, centre bowl, square shaped vases; 'Ophelia', 'English old scenes The Cleaners' dressing table items etc. (2)(B.P. 21% + VAT)

Art Deco design silver plated cocktail shaker, together with a silver plated monogrammed hunting flask of conical form with detachable cup to the base. 27cm high approx. (2)(B.P. 21% + VAT)

A QUANTITY OF JUGS ETC, TO INCLUDE A WEDGWOOD HUNTING JUG, SYLVAC PLANTER, SADLER VASE, ETC

A LARGE BRASS TABLE LAMP, PLANTERS AND A COPPER PLATE WITH CERAMIC HUNTING SCENE

A GROUP OF THREE FRAMED HUNTING PRINTS TO INCLUDE WOODEN EXAMPLES