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Lot 099
ITEM: Piriform aryballos depicting bands and running dogsMATERIAL: PotteryCULTURE: Greek, Proto-CorinthianPERIOD: 675 - 650 B.CDIMENSIONS: 72 mm x 37 mm diameterCONDITION: Good condition, repairedPROVENANCE: Ex Swiss private collection, Dr. R.H., acquired in the Swiss art market in the 1980sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.Proto-Corinthian piriform aryballoi depicting running dogs are captivating examples of ancient Greek pottery that offer insights into the artistic and cultural milieu of the early Archaic period. These vessels, typically crafted from clay and adorned with intricate painted designs, feature scenes of hunting or animal motifs, such as running dogs. The piriform aryballos, with its distinctive pear-shaped body and narrow neck, was commonly used for storing perfumed oils or other precious liquids in ancient Greece.The depiction of running dogs on proto-Corinthian aryballoi suggests a connection to the world of hunting and outdoor pursuits, which held significant cultural and symbolic importance in ancient Greek society. Dogs were valued companions and skilled hunters in Greek culture, often portrayed in art and literature as faithful allies of heroes and gods. Scenes of running dogs on pottery may have served as visual representations of the hunt or as symbols of strength, agility, and loyalty.Proto-Corinthian aryballoi with running dog motifs also showcase the artistic techniques and stylistic conventions of the time. The intricate designs were painted using a black-figure technique, where black pigment was applied to the clay surface using fine brushes or incised lines, creating detailed patterns and images against a reddish-orange background. These vessels were produced in workshops throughout the Greek world, with distinctive regional variations in style and iconography.
Lot 023
ITEM: Mummified Falcon (Kestrel, Falco Tinninculus) with X-RayMATERIAL: Bone and linenCULTURE: EgyptianPERIOD: Late Period, 664 - 332 B.CDIMENSIONS: 160 mm x 75 mm x 55 mmCONDITION: Good condition. Includes digital copy of the X-ray test PROVENANCE: Ex French private collection, Auvergne, acquired before 1980sPARALLEL: The Science Museum Group, Object number: A634912Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.In ancient Egypt, mummified falcons held deep religious significance, as they were associated with the god Horus, one of the most important deities in the Egyptian pantheon. Horus, often depicted as a falcon or a man with a falcon's head, symbolized kingship, the sky, and protection. Mummifying animals, especially sacred ones like the falcon, was a way of honoring the gods and ensuring divine favor. These falcon mummies were often placed in temples dedicated to Horus or other gods linked to falcons, such as Ra or Montu, reflecting their role in the religious practices of ancient Egypt.The process of mummifying a falcon was similar to the methods used for humans. Embalmers would remove the internal organs, dry the body with natron, and then wrap the bird in linen strips. In some cases, falcons were even buried in small, intricately designed coffins, demonstrating their revered status. Archaeological finds reveal thousands of mummified falcons, suggesting that these birds were bred and sacrificed specifically for ritual purposes. Their mummification was believed to ensure their role as intermediaries between humans and the gods, as well as to provide the deceased with protection in the afterlife.Beyond their religious significance, mummified falcons also highlight the complex relationship the ancient Egyptians had with the natural world. Birds, particularly falcons, were not only important symbols but also vital components of Egypt's ecosystem. The falcon’s hunting prowess and its ability to soar through the sky aligned with the Egyptian concept of divine power and kingship. By preserving these creatures through mummification, the ancient Egyptians sought to maintain balance and harmony between the human, natural, and divine realms, making falcon mummies a reflection of their deeply interconnected worldview.
Lot 035
ITEM: Ibex figurineMATERIAL: BronzeCULTURE: Bronze Age, LuristanPERIOD: 1600 - 1000 B.CDIMENSIONS: 42 mm x 30 mmCONDITION: Good conditionPROVENANCE: Ex Dutch private collection, collected before 1990sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.Ibex figurines from the Luristan period are fascinating artifacts that provide insights into the artistic and cultural achievements of ancient civilizations in what is now modern-day western Iran. These figurines, typically crafted from bronze using the lost-wax casting technique, depict ibexes with distinctive curved horns and stylized features. They were produced during the Iron Age in the region of Luristan, which was home to a diverse array of peoples and cultures known for their metallurgical skills and nomadic lifestyles.The ibex, with its graceful form and imposing horns, held symbolic significance in the religious and cultural beliefs of ancient societies in the Near East. In Luristan, ibex figurines may have been associated with rituals, ceremonies, or beliefs related to hunting, fertility, or spiritual protection. The choice to depict ibexes in bronze reflects the importance of these animals in the lives of the people of Luristan, who relied on hunting for sustenance and survival in their rugged mountainous environment.The craftsmanship and artistry evident in Luristan ibex figurines highlight the technical mastery and creative expression of ancient Luristan metallurgists. These figurines showcase the skillful manipulation of bronze to create lifelike representations of ibexes, capturing the essence of these animals with remarkable detail and precision. Additionally, the stylized and abstracted features of the ibex figurines suggest a symbolic or ritualistic purpose, inviting further exploration into the religious beliefs and cultural practices of the people of Luristan during the Iron Age.
Lot 19
Artist: Chikanobu Yoshu (1838-1912)Title: Hunting at KoganegaharaSeries title: The Outer Palace of ChiyodaPublisher: Fukuda HatsujiroDate: 1897Size: (L) 35.4 x 23.4, (C) 35.4 x 23.3, (R) 35.4 x 23.9 cmCondition: Stains, trimmed, some margin wear with loss and tears, small hole on left panel.Ref: CMAG279
Lot 3036
Konvolut Trachtenschmuck, 19./ 20. Jh., 5 Stück, Silber, partiell vergoldet, teilweise mit Grandeln und Horn verziert. Broschen, Anhänger und Armbänder in vegetabilen und floralen Formen, die sich auf das Thema der Jagd beziehen. Dazu 13 Knöpfe und Manschettenknöpfe aus Silber und Messing mit verschiedenen Verzierungen. Je Alters- und Gebrauchsspuren. | Mixed lot of traditional costume jewellery, 19th/20th century, 5 pieces, silver, partially gold-plated, partly decorated with grandels and horn. Brooches, pendants and bracelets in vegetal and floral shapes relating to the hunting theme. Also 13 silver and brass buttons and cufflinks with various decorations. Signs of age and use in each case.
Lot 42
Hunting / Equestrian Interest: a late Victorian silver novelty cigarette box and cover, the cover applied with fox and hound mask, stirrup and hunting horn motifs and inset with an oval watercolour of a hunting scene with Gentleman jumping a fence, the box with inscription: M.M AND H.M JANUARY 18TH 1918-1943 FROM MR & MRS A M LAMB, hallmarked by James Samuel Bell & Louis Willmott, London, 1894, approx 14cm x 11cm x 4.5cm Further details: horizontal crack to ivory sheet upper section, watercolour faded, the silver tarnished, hunting horn motif loose in setting, base loose a/f SUBMISSION REFERENCE: TKW52999
Lot 59
Hunting Interest: A William IV silver snuff box, of rectangular form with engine turned base and sides, foliate decorated clasp and hinged cover decorated in relief with hunting scene of two hounds running after a rabbit, with gilt interior, hallmarked by Edward Edwards II, London, 1835, approx. 10.5cm wide x 3cm high x 5.4cm deep. Weight approx. 209.4 grams (6.7ozt) Further details: patches of tarnish and marks to sides; tarnishing and surface wear / slight scratching and very minor loss to gilding.
![[Dodgson (Charles Lutwidge)], "Lewis Carroll". The Hunting of the Snark: An Agony in Eight Fits, first edition, frontispiece](https://cdn.globalauctionplatform.com/5467794f-dd1d-460d-85a7-b1da00f65bbf/77f8440a-4d59-4a2a-b37d-b1e000ea4e7e/468x382.jpg)
Lot 374
[Dodgson (Charles Lutwidge)], "Lewis Carroll". The Hunting of the Snark: An Agony in Eight Fits, first edition, frontispiece and illustrations by Henry Holiday, tissue-guard, spotting to half-title and advertisement f., the odd spot elsewhere, original buff pictorial cloth, very light toning to spine, slight bumping to spine tips, faint spotting to covers, a near-fine example, preserved in custom drop-back box, g.e., [Crutch 115], Macmillan and Co., 1876.
Lot 1169
20th century postcard collection containing around 250 postcards of the Scottish Borders towns and surrounding area, mostly topographical to include Paxton Cottage, Chain Bridge Berwick On Tweed, Hunting with the Duke of Buccleuch's Foxhounds, Lauder, Penielheugh, Yetholm, Leaderfoot Bridges, St Abbs Haven Coldingham, Coldstream, Easter Howgate Roslin, Twizel Bridge and Castle, Skirling, Edinburgh, Heston Island, Rockcliffe, Lockerbie, etc. held in a blue leatherette covered ring binder album.
Lot 550
Five Victorian and later cast iron doorstops including a hunting example with central fox head resting on hunting boot, height 30cm (5).Condition Report: Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Pack & Send for postage of this lot: Pack & Send (Salford Quays) Email: salfordquays@packsend.co.ukWebsite: www.packsend.co.uk/salfordquaysTel: 0161 393 5740
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74922 item(s)/page