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Lot 30
Hunting rolled gold fob – comprising a stirrup mounted with a swivel glass intaglio depicting a hound on the obverse and hunting horn on the reverse together with a silver and yellow metal brooch mounted with an enamel plaque depicting a sheep and tree and inscribed "Vi et Vincimus Industria" and engraved below 1888. (2)
Lot 523
* THE FEODOROVSKAYA MOTHER OF GOD WITH TWELVE SCENES OF THE ICON`S LEGEND KOSTROMA, END OF THE 18TH TO FIRST QUARTER OF THE 19TH CENTURY 66 by 52 cm. THE CONTENTS OF THE SCENES: 1. St.Theodore Stratelates brings the icon of the Mother of God to Kostroma; 2. Vasiliy Kvashnya, Prince of Kostroma, sees the icon in a tree whilst hunting; 3. The icon is translated in sacred procession to the church of Theodore Stratelates in Kostroma; 4. Prayers are offered before the icon in the church; 5. Fire in the church; 6. The icon is found unharmed after the fire; 7. The icon is translated to a new church, built of stone; 8. Another church fire and the icon is saved by being borne aloft into the air; 9. Victory over the Tatar enemy by virtue of the icon’s intercession; 10. Joseph is healed of palsy before the icon; 11. A youth is healed of possession by demons before the icon; 12. Tatiana is healed of possession by demons before the icon.The original icon of the Feodorovskaya Mother of God is the Protectress of the City of Kostroma and was created around the mid-13th century and kept in Kostroma’s main cathedral. It was revered throughout Russia after the early 17th century when Mikhail Feodorovich, the first Romanov Tsar, was blessed by it. The iconography of the icon’s miracles was developed according to the established Legend in the latter 17th century. Initially, the miracle scenes related to early 13th century events and the icon’s history, but later scenes included the wonders it had worked from 1636 to 1646.17th century Feodorovskaya icons depict the Legend in twenty scenes, but 18th century abbreviated versions depict only twelve scenes, as with our icon.The icon was created in Kostroma, which is associated with a vast majority of similar works. The painting style conforms to late 18th-early 19th century classicism, as shown by the elongated figure proportions, the 17th century techniques for writing faces and the particular colours used. This artefact is a shining example of highly professional icon painting from Kostroma in the modern age.
Lot 585
[ALBERT STEWART BARROW] “SABRETACHE”; HUNTING THE FOX [1926], 1st edn, orig cl bkd bds, ptd paper label to top bd, d/w (tatty) + CHARLES SIMPSON: TRENCHER AND KENNEL, 1927, 1st edn, orig cl, ex-lib + [ALBERT STEWART BARROW] “SABRETACHE”, 2 ttls: STAND TO YOUR HORSES, 1932, 1st edn, orig cl gt worn + A GENTLEMAN AND HIS HOUNDS, 1935, 1st edn, lacks ffep, orig cl gt + GEORGE DENHOLM ARMOUR: SPORT “AND THERE’S THE HUMOUR OF IT”, [1935], 1st edn, orig cl (5)
![[NICHOLAS COX]: THE GENTLEMAN’S RECREATION: IN FOUR PARTS VIZ HUNTING, FOWLING, HAWKING, FISHING ……, L 1707](http://lot-images.atgmedia.com/SR/10006/2827786/593-20111122172759_468x382.jpg)
Lot 607
ROBERT SMITH SURTEES: MR JORROCK’S LECTORS, 1910, 1st edn, orig pict cl gt + PETER BECKFORD: THOUGHTS ON HUNTING, ill G Denholm Armour, 1911, orig pict cl gt, spine slightly faded + CECIL ALDIN: RATCATCHER TO SCARLET, 1927, 2nd impress, orig cl + M J FARRELL AND [CHARLES JOHNSON PAYNE] “SNAFFLES”: RED LETTER DAYS, 1933, orig pict cl gt + J K STANFORD: THE TWELFTH, 1944, orig cl, d/w (tatty) + LIONEL EDWARDS: BEASTS OF THE CHASE, 1950, orig cl + ROBIN PAGE: THE HUNTING GENE, 2000 reprint, sigd and inscr, orig cl gt, d/w (7)
Lot 210
HARRY BLAMIRES: THE DEVIL’S HUNTING GROUNDS, 1954, 1st edn, sigd, orig cl, d/w + ELLIOTT O’DONNELL: THE SORCERY CLUB, 1923, bkplt and ownership sig of Alex Bridge, orig cl worn and soiled, inner jnts weak + G CORNWALLIS-WEST: THE WOMAN WHO STOPPED WAR, [1935], 1st edn, orig cl + ALGERNON BLACKWOOD: THE TALES OF, 1938, 1st edn, orig cl worn and soiled (4)
Lot 1421
A Nymphenburg porcelain jug and matching custard cup and cover, late 18th Century, both painted with elaborate `S` monograms formed from gilt enriched foliate wreaths, the jug with opposing floral bouquets, impressed marks to bases, together with a small group of other mostly Continental 18th and 19th Century porcelain, including a Vienna cup and saucer painted with hunting and fishing Cupids, and a Nyon cup (faults).
Lot 317
AN 18CT GOLD QUARTER REPEATING HUNTING CASED KEYLESS LEVER CHRONOGRAPH WATCH with enamel dial, subsidiary seconds dial and filigree and blued steel hands, in plain case engraved with a monogram, the dust cap stamped with medallions and inscribed Repetition Chronographe, control marks, numbered 126825, late 19th c ++The enamel dial undamaged and in apparently going order when wound and the repeating mechanism functioning, sold without warranty. The back dented in a couple of places. The dust cap applied probably in the early 20th c with a small gold overlay engraved with a name, presumably over that of an earlier owner
Lot 320
AN 18CT GOLD HUNTING CASED KEYLESS LEVER WATCH with enamel dial and subsidiary seconds dial, signed POWELL & JONES SHREWSBURY, the movement similarly signed and numbered 4186, in plain case, casemaker JA in an ellipse, London 1891 ++In fine original condition, the dial undamaged, the movement running when wound sold without warranty. The hinges closing tightly, a few light scratches from normal wear. A very well preserved example
Lot 321
AN 18CT GOLD HALF HUNTING CASED KEYLESS LEVER WATCH with enamel dial and subsidiary seconds dial, numbered 56763 on the three quarter plate movement, in plain case numbered as movement, casemaker Philip Woodman & Sons, London 1900 ++In very good condition the dial undamaged, the movement running when wound, sold without warranty, the case closing tightly, the back less so but satisfactorily. Light case wear in good average overall condition
Lot 324
AN 18CT GOLD HUNTING CASED LEVER WATCH with enamel dial and subsidiary seconds dial, signed on the three quarter plate movement Jas Hux 20 Down St Piccadilly LONDON CHRONOMETER MAKER TO THE ADMIRALTY 13372, in engine turned case, marks rubbed, London 1861 ++Dial with faint hairline. Hour hand damaged and wear to the engine turning of the case
Lot 375
A MEISSEN GILT-METAL MOUNTED PORCELAIN SNUFF BOX, with a hinged cover, of oblong serpentine form, painted with hunting scenes in puce to the cover, inner cover and sides, the underside with a figure in a landscape, blue crossed swords mark to base, 7.5cm diameter (hinges defective). See illustration
Lot 2161
A small collection of Fox Hunting related Wares, includes: a Paperclip formed from a fox’s paw with brass mount on an oak base by Rowland Ward Ltd, 187 Piccadilly, London; a Fox’s Head hanging on an oak shield plaque with a leather strap, inscribed verso “Lamerton Fox Hounds, Seccombe Cross 14.3.38” and also with impressed taxidermist’s P Spicer & Sons Taxidermists Leamington; a Silver plated mounted Fox’s Brush, also inscribed “Lamerton Bratton-Clovelly 27.1.34 Brenda”; together with a further leather plaited Whip (4)
Lot 499
A collection of eleven Royal Doulton Collectors Plates: The Admiral, The Mayor, The Falconer, The Parson, Shakespeare, The Hunting Man, The Squire, The Doctor, Burns, Dickens (the last two with border decorated with various characters); together with two further Royal Doulton Series Ware Tankards, (Dickens Ware and Old English Coaching Scenes respectively)
Lot 528
Fine quality George IV silver gilt harvest / hunting cup of cylindrical form, with engraved floral decoration and a chased border with scenes of harvest and hunting, on a cast foot decorated with signs of the zodiac (London 1827) - maker John Bridge, all at approximately 9ozs, 9cm overall height Further images and condition reports are available at www.reemandansie.com
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74924 item(s)/page