We found 74924 price guide item(s) matching your search

A collection of shooting and hunting related clothing including Visor Cap Camo Leaf Cover, Advantage Timber hats, Realtree Fleece Half Mask, wax studded leg slips, shooting jackets, John Field jacket, QuietWear Knit & Fleece Face Masks etc, all unused, some in original packaging. 

Czechoslovakia 1958 pattern bayonet with wood chip grips, 17cm blade and scabbard, AK47 bayonet with 14.5cm part serrated blade and scabbard, hunting knife with antler or similar grip, 16cm double edged blade and sheath etc. PLEASE NOTE: WE ARE NOT ABLE TO OFFER OUR USUAL POSTAGE SERVICE FOR THIS LOT

Apuleius. The Golden Ass, translated by William Adlington, Chiswick Press: George Bell & Son, 1904, woodcut architectural title page and portrait frontispiece, woodcut initials; title and headings printed in red throughout, publisher's original red cloth boards, tan buckram spine; original paper title label to spine and upper cover printed in red, somewhat dust-soiled, folio, limited edition, number 1 of 200 copiesSomerville (Edith). Slipper's A B C of Fox Hunting by E. OE. Somerville, M. F. H., Joint=Author of 'Some Experiences of an Irish R. M.' 'A Patrick's Day Hunt,' &c, 1st edition, London: Longmans, Green, and Co, 1903, title page vignette and 20 full-page colour plates, space spotting to endpapers, bookplate of Olive Guthrie of Torosay to front pastedown, publisher’s original pictorial cloth boards, somewhat dust soiled, folioFothergill (G. A.). A Gift to the State; The National Stud, A Memorial of it compiled, Edited & Decorated by George A. Fothergill with Portraits by Lynwood-Palmer & The Editor, 1st edition, Edinburgh: T. and A. Constable, 1916, numerous tipped-in colour plates, publisher's original blue gilt-blocked cloth, folio, limited edition, number 316 of 325, signed by Fothergill to limitation pageDryden (John). The Fables of John Dryden, ornamented with Engravings from the pencil of the Right Hon Lady Diana Beauclerc, London: T. Bensley, 1797, engraved plates and vignettes, space spotting and offsetting, contemporary full morocco, blind panelled calf, gilt lettering to spine, slightly rubbed, folio, together with: The Phil May Folio of Caricature Drawings, London: W. Thacker & Co, 1903, Cantabrigia Illustrata by David Loggan, Cambridge: Macmillan & Bowes, 1905, Tam O'Shanter by Robert Burns illustrated by John Faed, Royal Association for the Promotion of the Fine Arts in Scotland, 1855, plus 9 other large volumes QTY: (16)

Wellesley (Dorothy). Jupiter and the Nun, 1st edition, London: printed and published by Leonard and Virginia Woolf at the Hogarth Press, 1932, marbled endpapers, original marbled boards, light spotting and toning to boards, spine rubbed, slim 4to (limited edition 63/250 signed by Dorothy Wellesley), [Woolmer 313], together with:Trade Catalogue. Carrington & Co., Court Jewellers, Manufacturing Goldsmiths and Silversmiths, Watch and Clock Makers, Regimental Silversmiths, 130 Regent Street, London, c.1910, numerous monochrome illustrations from photographs, decorative printed endpapers, front free endpaper creased, original green cloth, title to upper board, few marks, slim oblong folio,Hunting Diaries. The Hunting Diary Illustrated for 1912-14, 1916-18, together 4 volumes, London: S. B. Vaughan, [1912-18], printed text and adverts, manuscript entries to sporting diaries at rear written by Alice Holroyd Smyth, husband of Rowland Holroyd Smyth, who owned Ballynatray House, County Waterford, Ireland, some dust-soiling and few marks, original cloth with monochrome pictorial panel to upper covers, slightly rubbed, some fading mostly to spines, 8vo,Almanack. The gentleman's and Citizen's Almanack, (as compiled by the late John Watson Stewart,) for the Year of our Lord 1824..., Dublin: printed by Stewart & Hopes, [1824], engraved frontispiece and additional title, light dust-soiling, contemporary red morocco, worn at foot of binding, 8vo, plus other antiquarian and miscellaneous books, including some Ireland interest, some wornQTY: (6 shelves)

Crealock (Henry Hope). Deer-Stalking in the Highland of Scotland, limited facsimile edition, London: Antony Atha, 1981, title printed in red and black, monochrome illustrations, minor spotting to endpapers, original cloth gilt, slight mottling to margins of covers, folio, 43 x 34.5 cm, together with Hunting & Stalking the Deer. The Pursuit of Red, Fallow and Roe Deer in England and Scotland, by Lionel Edwards and Harold Frank Wallace, 1st edition, 1927 QTY: (2)NOTE:First work limited edition 234/555. Facsimile reprint of the 1892 original edition.

A 30 hour arched dial grandfather clock featuring a hunting scene.

Assorted metalware to include: painted door stops modelled as a golfer and a horse, a large copper tray, a French hunting horn, a vintage boxed gold plated Bar set (1 piece missing), a gilt metal mounted 1914 walking stick etc

A kukri, wooden handled hunting knife with sheath, military bayonet blade with leather sheath, pair of aviator goggles, and a World War II military haversack, by RP Limited 1944, opening to reveal a map holder. (5)

Burrard,G.: Big Game Hunting in the Himalayas and Tibet. London, Jenkins Ltd. 1925. Mit Front., 23 Tafeln, 6 Textabb. u. 8 Karten. 320 S. Olwd. mit Rtit. (Etw. best. u. berieb., Schnitt etw. stockfleckig). - Erste Ausgabe. - Schwach gebräunt, tls. stockfleckig.

OLINA, Giovanni Pietro. Uccelliera overo discorso della natura, e proprieta di diversi uccelli e in particolare di que che cantano. Roma, A. Fei, 1622Contemporary full vellum binding, renewed endpapers. 6 unnumbered leaves, including Title page, pages 1-67 numbered at the opposite of the engraved plates, 68-81 with continuous numbering, 6 unnumbered ‘Index’ leaves. Ornamented and illustrated initials, woodcut ornaments. On the Title page, copperplate vignette with the Dedicatee’s coat of arms, 66 full-page copper-engraved plates. Handwritten inscription on the Title page with the name of the former owner. Traces of wear on the binding, browning, some stains and fingerprints, some skillful restoration on some plates, overall a good copy. First edition of this important ornithological book on songbirds. The work, magnificently illustrated with engravings by Antonio Tempesta and Francesco Villamena, illustrates the methods of capturing birds, keeping them and caring for them. 43 plates depict birds, 23 illustrate hunting scenes, cages, aviaries, hunting and capture apparatus: the representations are explained in the text opposite the plates. The work is partly based on “Il canto degl'avgelli” by Valli da Todi (Rome 1601). The beautiful engravings show various songbirds, falconry, the capture of birds with the help of traps, nets, cages and even the disguises of hunters, as well as hunting scenes by day and by night and a scene of a musician.Schwerdt: “A book on bird catching, delightful chiefly owing to Tempesta's spirited illustrations of the methods employed by fowlers in the beginning of the 17th century” Harting: “The engravings are much superior to the figures of birds by English and French artists of the same period”.Ceresoli: “Quest'opera, testo di lingua, è divenuta rara nel corso dei secoli, ed è ancor più difficile a trovarsi in buone condizioni, essendo quasi sempre deturpata da tracce d'uso... Non deve destare meraviglia la grande fama che l'Uccelliera ebbe in ogni tempo, se si ricorda che fu considerata e si considera tutt'ora il capolavoro dell'arte tipografica e figurativa del secolo XVII.” The work is dedicated to Cavalier Cassiano del Pozzo ‘mio Signore’ [my Lord]. Solinas: “Signed by his house master G.P. Olina and destined for the naturalistic research of the Accademia dei Lincei, primary European scientific institution, this is Cassiano Dal Pozzo’s first editorial work.”Nissen, IVB 693; Anker 380; Schwerdt II, 48; Ceresoli 386; Harting 278; Gamba 2029.See Francesco Solinas, L’Uccelliera. Un libro di arte e di scienza nella Roma dei primi Lincei, 2015.

GERMAN SCHOOL (CIRCA 1800) THE HUNTING PARTY'S RETURN Oil on canvas 83 x 110cm (32½ x 43¼ in.)

ATTRIBUTED TO MICHAEL DAHL (SWEDISH CIRCA 1659 - 1743) THE HONOURABLE JOHN SPENCER CIRCA 1732 Oil on canvas Inscribed (lower left) 240 x 144.5cm (94¼ x 56¾ in.) Unframed Provenance: Presumably commissioned by the sitters father-in-law, John Carteret, 2nd Earl Granville Thence by descent Lady Louisa Carteret, who married Thomas Thynne, 2nd Viscout Weymouth Thence by descent Henry Frederick Thynne, 1st Baron Carteret (1735 - 1763) Thence by descent His sale, Christie's London, The Thynne Heirlooms, 1 May 1911, lot 54 (to Cohen) Private Collection, England Sale, Christie's, London, 11 July 1997, lot 54 (as attributed to Stephen Slaughter) Private Collection, South AfricaLiterature: Herbert Minton Cundall, Handbook for Hertfordshire, Bedfordshire and Huntingdonshire; with Maps and Plans, John Murray, London, 1895, p.130The Honourable John Spencer was born on the 13th May 1708, and was the youngest son of Charles Spencer, 3rd Earl of Sunderland and his wife Anne Churchill, daughter of the 1st Duke and Duchess of Marlborough. John was only 7 when his mother died and he was consequentially bought up by his grandmother, the infamous Sarah, Duchess of Marlborough. Unlike his brothers, John had not inherited a title, despite this, his grandmother wrote that "I design to set up the only grandson I have now that is a commoner, John Spencer, who has a very considerable fortune for a younger brother, and I will it as good as most elder brothers". This was certainly the case and the inheritance from his grandmother allowed John to live an immensely comfortable life. After attending Eton, he undertook a Grand Tour between 1725 and 1727 going to France, Switzerland and Italy. In 1732, John Spencer succeeded his cousin, William Godolphin, Marquess of Blandford, as the Member of Parliament for Woodstock, a seat he held until his death in 1746. He is also listed as one of the founding governors for the Foundling Hospital, set up to educate and house deserted young children. On the death of his father, in 1722, he inherited vast swathes of land, notably the family estates in Northamptonshire, including Althorp, as well as already having the properties given to him by his grandmother, including Wimbledon Park. Shortly after he came into his inheritance, he married Georgiana Caroline Carteret, the third daughter and co-heir of John Carteret, 2nd Earl Granville.Michael Dahl (circa 1659 - 1743), moved to England in 1688, after spending time studying in Italy and France. His talent was much sought after and he painted portraits of the upper echelons of English society, including Queen Anne, and Prince George of Denmark. He also painted Spencer's brother, Charles Duke of Marlborough (1706 - 1758), in 1737 (see, Sotheby's, London, 24 November Charles Duke of Marlborough (1706 - 1758), in 1737 2005, lot 28). This interesting full-length portrait depicting John Spencer in Hussar's uniform was noted by art historian Minton Cundall as hanging in the drawing room at Haynes Park in 1895, alongside the portrait of Spencer's wife Georgiana Carteret, by Vanderbank and now in the collection of the Earl Spencer at Althorp. It is highly probable that these two works were commissioned by John Carteret, 2nd Earl Granville for the couple's marriage in 1732, and hung together as pendant works. John Spencer was a popular figure at Court and great friends with Frederick, Prince of Wales. Indeed, his portrait is also captured by the equestrian artist John Wootton in a series of works in the Royal Collection showing the Prince of Wales accompanied by courtiers whilst shooting and hunting. Spencer's position at Court was reflected in his appointment as the Ranger of Windsor Great Park, after the death of his grandmother in 1744, who held the position previously. Unusually, the rich Hussar's uniform which Spencer wears seems to have been chosen as Court fancy dress rather than to indicate a military position. Spencer was a politician and landowner rather than a military man and there does not appear to be any record of him serving with an Hussar regiment. Dahl's capability in recreating the rich materials and textiles of this exotic uniform gives the sitter an added gravitas and the size of the portrait gives additional swagger to an impressive composition. 

HENRY FREDERICK LUCAS LUCAS (BRITISH 1848 - 1943) THE HUNTING ALPHABET Pencil, pen and brown ink, heightened with bodycolour 26 signed with monogram (25 lower right, 1 lower left), the frontispiece signed (lower right) Each 37 x 53.5cm (14½ x 21 in.) (28)Provenance: By descent from the artist Sale, Christie's, New York, Sporting Art, 1 December 2006, lot 26 The Hunting Alphabet A Stands for ATHERSTONE Ladies are few distinguished by wearing the collar of blue. B Stands for BOOT with the Cream coloured top, the pride and the glory of many a Fop. C Stands for CUBBING when foxes abound and they rattle the Cubs and blood the young Hound. D Is the DANCER Flag flown in many a shire that warns reckless riders to beware of the wire. E Is the EARTH-STOPPER with his terriers and spade A hardy old veteran well up to his trade. F Is the FOX so game and so cunning, to get to his brush The Pack must make running. G Stands for "GONE AWAY!" the Whip on the Bay, has seen him break covert so "Forrard Away." H Stands for HORSE Huntsman and Hound All hard as nails and perfectly sound. I Stands for IRE shewn by the Master, when some of his Hounds meet with disaster. J Stands for JORROCKS a Master whose Name is high on the list of Sportsmen of Fame. K For the KENNELS the home of the Hound, where horseflesh and porridge in plenty abound. L Is the LEPPER in O ireland bred, with plenty of bone and a varininty head. M Is the MASK set up in the Hall, the best of the Season the gamest of All. N Is the NOODLE, a regular Shirk, who cares not at all for Hounds and their work. O Stands for OXER as strong as a wall, which has given to many a hunter a fall. P Is the PACE that kills in the end when both men and horses have bellows to mend. Q For the QUORN always game in a run and certain to shew us the best of the fun. R For the RIDER an old-fashioned sort, though he sticks to the roads he still sees some sport. S For the SOUND of the Horn that repays, Long waits by the Cover on cold rainy days. T Is the TERRIER put into the Earth, He'll give Master Reynard a very warm berth. U Is the UMPIRE at the Hunt Meeting, where all Sporting Farmers are sure of a greeting. V Stands for VIXEN who has been on the prowl, and returns to her Cubs with an Orpington Fowl. W The WHOOP at the end of the run, When riders and horses are thoroughly done. X Are the X ROADS and the Hounds going home, So good night to them, We must jog on alone. Y For the YOKEL who grins at the gate, For coppers bestowed by the Crowd that is late. Z Stands for ZETLAND, all the right sort, Z ends my book: so goodbye and good sport! FINIS The Fox Hunting Alphabet was published as a limited edition circa 1900 in London. Condition Report: On buff paper. Each sheet with varying degrees of discolouration, surface dirt, superficial creasing, minor water damage spots, and foxing. There are also several sheets with some spots of what appears to be, black mould. The worst affected bring 'I' (see online images). 'R' with several patches of water damage along the lower edge. 'Y', and 'Z' also with some black discolouration and staining to the lower right corner, and the lower left corner, and along the lower edge respectively. All framed and behind glass. All unexamined out of glazed frames.Condition Report Disclaimer

λ  JOHN SANDERSON-WELLS (BRITISH 1872-1955) SET OF FOUR HUNTING SCENES Oil on canvas Each signed (lower left or lower right) 39.5 x 59.5cm (15½ x 23¼ in.) (4) Provenance: Sale, Bonhams, London, 6 December 1973, lot 100 Acquired from the above sale by the late owner

After Cecil Aldin, fourteen 'Hunting Countries' series prints,published by Richard Wyman, unsigned,each image 14.5x30cm, and a duplicate of 'Pytchley Wednesday Gone Away from Crick'.Qty: 14

BRITAINS LEAD FOX HUNTING FIGURE ON HORSEBACK, together with eleven John Hill lead soldiersProvenance: private collection Denbighshire

GOOD QUALITY YELLOW & WHITE METAL HUNTING HORN BROOCH, marked 15, 6cms (l), 4.9gmsProvenance: private collection Wirral

TWO VICTORIAN STICK PINS, 15ct gold horseshoe and hunting horn design set with seed pearls, and yellow metal and green jadeite heart and leaf designProvenance: private collection Denbighshire

A COLLECTION OF GLASSWAREincluding a Baccarat decanter, a suite of 19th century table glasses, six hunting glasses etc.

Two Vintage Hunting Knives with Leather Scabbards

A Framed Hunting Pastel, Hounds and Huntsman, Tilted 'Where Next Boss', Subject 39x56cm

A Pair of Vintage Leather Gents Hunting Boots with Leather Trees by Maxwell of London

Two Vintage Copper and Brass Hunting Horns, Unstamped

A Collection of Three Vintage Copper And Brass Hunting Horns

A Pair of Large Framed Hunting Prints, "Morning" and "Evening" after E Douglas, Each 39x50cms

A Framed Hunting Print, Huntsman and Hounds, Subject 45x25cm

Samarkand yellow/black rug with horse and rider hunting scenes, 77" x 55.5"

G Spawton Callow, A Woodland Stream, watercolour, signed and dated 1886, Thatched Cottage, watercolour, set of seven hunting prints, pair drawings and needlework (12).

Box of LP records including Johnny Cash and The Eagles, Piquot teapot and hot water pot, Spode Hunting teaware, etc.

A French hunting diploma, dated 2000, 30.5cm x 44.5cm, in a glazed frame, & various decorative pictures.

Hunting interest. A carved polychrome oak cap rack, Swaine & Adeney Ltd, London, early 20th c, with four brass pegs, 12.5cm h, 56cm l, branded designer's initials S J T and manufacturer's name on the reverse lettered in gilt Good original condition, would benefit from a light clean, one of the brass pegs slightly bent but not fractured

An EPNS mounted glass hunting flask and set of four beakers, c1930, with bayonet cap, 13cm h, in chamois lined tan leather case Good condition, note leather a little dry in places

35mm scale demi-ronde Bavarian Hunting Scene - probably by Spenkuch, people and animals, (total 21 pcs), with flat trees (13), a house, and open landau-type coach, generally VG, shooting hunter and 2 animals repaired (36)

An 18th century silver hilted hunting sword, slightly curved saw back blade 22" with full length fullers marked "SAHAGUN" (faint), the silver hilt finely embossed with bearded masks on the backstrap and shell guard, and lion masks on the crossguard, the knucklebow bearing an indistinct hall mark (1783?), with nicely figured horn grips. GC (the inner grip strap replaced, the blade with dark patina and some pitting). £400-500

A mid 20th century Sheffield hunting knife by R. Middleton, double edged leaf shaped blade 6½", overall 11¼", the hilt with black ebonite grip and nickel silver mounts including cross guard with ball finials, in a leather sheath (no belt fittings) £50-60

Third Reich unused headed notepaper: embossed Luftwaffe eagle over "Der Reichsminister der Luftfahrt und Oberbefehlshaber der Luftwaffe" (two double sheets); embossed Hunting Association badge over "Der Reichsforft=und Reichsjagermeister" (two double sheets); brown eagle over "DER FUHRER" with duplicated message bearing facsimile of Hitler's signature (three single sheets); embossed eagle over "Der Pressechef der Reichsregierung" and Berlin address (single sheet); and similar eagle over "Der Reichspressechef der NSDAP Der Stabsleiter" and Berlin address (single sheet, slightly foxed). All unused condition, some with watermarks. (9) £80-100

In the manner of Pierre Jules Mene (1810-1879), a patinated bronze figure group of a hunting dog and hare on a naturalistic base with an indistinct signature. H.18.5cm

4 framed plates 'Fox Hunting' published by R.Ackermann, 191 Regent Street - printed by Dean Wolstenholme - engraved by Sutherland - approx. 74cm x 31cm

A hunting lamp (12V)

Three gilt framed prints: 'The Winds Tale', 'The Snow Queen' and 'Little Grey Men'; a framed print of a hunting scene together with another

Original Winchester hunting knife

TWO LATE VICTORIAN BROOCHES, the first a yellow metal bar brooch with a lovers knot and a heart dropper, set with three cabochon turquoise stones and a single seed pearl, approximate length 35mm, unmarked, approximate gross weight 2.1 grams, encased in its original box, together with a yellow metal fox hunting horn brooch, approximate length 46mm, stamped 9ct, approximate gross weight 1.5 grams, (condition report: general moderate wear, overall condition good)

A 19TH CENTURY ENGLISH SCHOOL PORTRAIT, a half-length portrait of a male figure wearing hunting pinks, he has a white scarf held in place with a gold pin in the form of a fox, no visible signature, oil on canvas laid on board, modern frame, approximate size 24cm x 19cm, Condition Report: painting appears to be in good condition, some splits to the frame

A 19th century brass bound oak ale beaker, decorated having three brass coopers and shield, h14cm, sold together with a pair of hunting horns, book ends, alarm clock, candlesticks ect, ( 20 ).

A Collection of Steins and Jugs including German Stoneware examples, Beswick Hunting Jugs, Lancaster Widdicombe Fair Jug together with Eight Novelty Teapots (2 Trays)

A rare and important pair of engravings from Grands Voyages, created by Jacques Le Moyne de Morgues and published by Theodor de Bry. These two prints depict significant aspects of Native American life in Florida during the early period of European exploration in North America. The first print, Florida Indians in a Canoe, shows a group of indigenous people in a traditional canoe. The second print, Florida Indians Hunting Deer, illustrates a scene of deer hunting, highlighting the hunting practices that were central to the indigenous peoples' sustenance and cultural traditions. These engravings are some of the earliest and most important depictions of Native American culture, created as part of Jacques Le Moyne's illustrations for the Brevis Narratio, which documented the French colonization attempts in the New World. Condition Report: Florida Indians in a Canoe: Small tear repaired to right margin. Florida Indians Hunting Deer: Right margin restored. Image Sizes: Florida Indians in a Canoe: 31 x 24 cm (12.2 x 9.4 inches). Florida Indians Hunting Deer: 33.5 x 24.5 cm (13.2 x 9.6 inches). Keywords: Jacques Le Moyne, Theodor de Bry, Native American canoe print, Florida Indians, hunting scenes, deer hunting, early North America, French exploration, 16th-century engravings, Grands Voyages, Florida, historical prints, indigenous life, 1609 prints, Brevis Narratio.

FINE HUNTING DESIGN QUM DESIGN CARPET. 360cm x 250cm.

A brass and copper hunting horn

An early to mid 20th century Cambodian hunting horn, made for the Ex-Pat community in the form of an opium pipe with dragon head trumpet.

A long copper hunting horn.

James Dixon & Sons, a hunting horn shaped plated spirit flask together with a copper and brass hunting horn.

A hunting knife with horn handle and leather sheath.

Early 20th Century Gents Costume comprising a pair of Bernard Weatherall Ltd breeches with suede knee pads, another pair in a brown ribbed fabric, and a pair of cream ribbed breeches, a pair of Daks cream wool trousers with turn-ups, and a similar pair labelled Maneson Clothes,two Andersons & Sons Hosiers & Shirt Makers York cream wool long sleeved shirts,another similar labelled 'Clydella', hunting stocks, Jaeger cream wool socks, gents gloves, pair of spurs, H. W. Hill Newmarket and Pentagon canvas spats and a pair of Tom Hill Ltd Brompton Road, London felt chaps with button fastening,and an Andersons & Sons Coney Street, York brass button polisher,(8 - part rail & 1 box)Cream Shirts - two shirts labelled '4', collar sizes 16", and inside sleeve and 22" - some storage dust marks on both and a couple of small holes overall.The other - some holes and discolouration 15.75" collar, 21" inside sleeve length.Maenson trousers - some small holes and slight discolouration, 38" waist and 30.5" inside leg.Daks trousers - brown leather pads to the inside of the waistband which has caused staining and yellow staining also to the trousers, 38" waist and 30" inside leg, some tiny holes.

Assorted 20th Century Gentleman's Clothing comprising a Bladen tweed jacket retailed by Fogg & Ellis, Newcastle, a Dunn & Co herring bone wool jacket, a Sam's Tailor Hong Kong checked tweed jacket, an Aquascutum rust coloured wool herring bone jacket, a Harvie Ann Hudson London cream cotton jacket, a Stewart Christe & Co Ltd, Edinburgh light brown two-piece suit, a Moss Bros dinner jacket with silk collar, and an earlier wool example,a Bernard Weatherill Ltd, London black hunting coat, dated 1935, and other items comprising a pair of Aquascutum camel coloured cord, and a pair of Ede & Ravenscroft brown cords,three other pairs of trousers, a pink canvas casual jacket and a stone coloured two-piece suit(16) Bladen jacket - 40"chest.Dunn & Co jacket - 42" chest.Sam's Tailor - 40" chestAquascutum jacket - 42" chest.Harvie Ann Hudson London jacket - 46" chest\Stewart Christe & Co Ltd, Edinburgh suit - 44" chest, 36" waist.Moss Bros dinner jacket - 40" chest.Dinner jacket - 38" chest.Hunting jacket - 42" chest - some damages and wear.Aquascutum cords - size 34R waistEde & Ravenscroft cords - size 31" waist

Royal Crown Derby, hunting cabinet plate with gilt and jewelled border. Diameter: 22cm

Beswick, Five Models of Hunting Dogs together with a Fox. (6)

Royal Doulton, Hunting Seriesware Cigarette Box

A Victorian serpentine rectangular form teapot and matching stand,  decorated with elephants, figures, and hunting dogs, Rg No 285771 for 1896, Regt Shape No 281720

Two Brass 17th Century Style Lantern Timepieces, Border Fine Arts terriers, a collection of hunting prints after Cecil Aldin, an unframed signed print after Diana Rosmary Lodge, an early 20th century portrait of a gentleman, printed on canvas embellished with oil (qty)

A George V Silver Candle-Snuffer in the Form of a Hunting-Horn, Chester, Circa 1910, of typical form, 30.2cm high; Together With a similar example, by E. Baker and Son, Birmingham, 1916, damaged, total weight 2oz 12dwt, 81gr (2)