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An early 20th century Indian hand painted wooden pen case box being decorated with two individua vignettes  to depict a courting marriage scene aside hunting scene with to the lid, with florals and foliates painted to the outer edge. Measures approx 3cm x 15cm x 5cm.

Coloured print, fox hunting scene, framed and glazed

TWO BOXES OF CERAMICS AND TWO OAK FRAMED PICTURES, to include a pair of vintage Koha New Zealand Paua Shell salt & pepper pots, a boxed Caithness glass paperweight, a Susie Cooper 'Green Feather' design sauce jug (small crack on handle), a Beswick - 482 vase, a green Sylvac -1590 'Bunny' vase, a hand painted Noritake cream jug, a Hornsea 'Toffee & Mallow' egg cup, a Keele St. Pottery 'Sooty' egg cup, a boxed pair of Rington's picture card jugs, a Wade Nat West ' Sir Nathaniel' and 'Woody' both with original stoppers, a Sylvac swan- 1127, a Victorian 'Cold Cream' pot lid, a Sylvac -4377 swan vase, a brown glaze Arthur Wood vase 'Ye Old Hunting and Coaching Days', boxed collector's plates, boxed Royal commemorative mugs, a boxed Wedgwood 100 years of Motoring plate, a late 1920's family portrait photo framed in oak, an oak framed print of 'The Boyhood Of Raleigh', etc (s.d) (2 boxes + loose)

Panzer-Armkette mit Halskette 333 Gelbgold, dazu ein Anhänger 375 GelbgoldCirca 8,3 Gramm die Ketten. Circa 2,9 Gramm der Anhänger. Schmuck. Halskette im geschlossen Zustand circa 24 cm. Armkette im geschlossen Zustand circa 9,5 cm lang. Anhänger wohl aus Südafrika in Form des Afrika Kontinents. Handarbeit. Durchbrochen gearbeitet. Jagdszene. Circa 30 mm x 25 mm. Jeweils gestempelt. Gold geprüft.Armour bracelet with necklace 333 yellow gold, plus a pendant 375 yellow goldApprox. 8.3 grams for the chains. Approx. 2.9 grams of the pendant. Jewellery. Necklace approx. 24 cm long when closed. Bracelet approx. 9.5 cm long when closed. Pendant probably from South Africa in the shape of the African continent. Handmade. Open worked. Hunting scene. Approx. 30 mm x 25 mm. Each hallmarked. Gold tested.

Selection of 4 hunting scene prints largest measures approx 17.5 inches wide by 15 inches tall

A group of hunting related items, including a pair of leather riding boots, style 5802, size 7, two pairs of boot trees, one from L. J. Watkins, a copper hunting horn and three crops, two with horn handles. (1 box)

Lionel Edwards and Frank Wallace, Hunting and Stalking the Deer, 1927, first limited edition of 156 copies, signed by both authors.

Pears marked hunting scene print titled a winter morning 25.5 inches wide 20 inches tall

Vintage merry James Street London hunting horn small

Geschnitzter musikalischer Kleiderhaken, um 1890Emil Schürch, Schweiz. Darstellend einen anthropomorphen Fuchs im Jägerkostüm, mit Walzenspielwerk, das ausgelöst wird, wenn ein Kleidungsstück an die beiden Hörner gehängt wird, Rückseite mit Plakette: "E. Schürch, Schloss Laufen, Patent 6442", Höhe 35 cm. Das Uhrwerk läuft, startet aber nur zögernd. Start Price: EUR 200 Zustand: (3+/3-)Carved Musical Coat Hook, c. 1890Emil Schürch, Switzerland. Depicting an anthropomorphic fox in hunting costume, with cylinder musical movement activated when a garment is hung upon pair of pendant antlers, the reverse with plaque: "E. Schürch, Schloss Laufen, Patent 6442", ht. 13 ¾ in. (35 cm), movement playing but reluctant to start. Start Price: EUR 200 Condition: (3+/3-)

Continental machine made tapestry panel, of a hunting scene within a floral border Dimensions: Height: 130cm  Length/Width: 175cm 

Motivational Poster. - Wildern Pytlactvi, artwork by Ziri Zidlicky (Czech,1895-1950) issued by the Supreme Hunting Office, Protectorate, c.1943, rolled, 91 x 60 cm. *** Jiri Zidlicky was a Czech artist, draftsman, illustrator and an editor of the Odeon Publishing House. Zidlicky, whilst employed at the State Statistical Office, was commissioned by the Protectorate Supreme Hunting Office to create posters for the campaign against poaching. Condition Report: 3 holes to centre fold, further loss to centre r.h. edge, creasing and some staining to corners, small pin holes to top corners, 4 clean edge tears to r.h. and l.h. edges.

SEKIGAWA KATSUNOBU: A RARE BLACK AND GOLD LACQUER FOUR-CASE INRO DEPICITING FALCONERSBy Sekigawa Katsunobu, signed Sekigawa Katsunobu 勝信saku 作 and sealed Ei 榮Japan, early 19th century, Edo period (1615-1868)Of upright rectangular shape and lenticular profile, the four-case inro bearing a fine roiro ground, decorated in gold and silver takamaki-e, hiramaki-e, mura nashiji, and with some kirigane, depicting a rather amusing scene of two falconers, one standing with a falcon resting on his arm, the other scrambling with outstretched arms after the falcon's prey, the two cranes escaping to the other side, fading away into the horizon. Signed underneath SEKIGAWA KATSUNOBU with red 'tsubo' pot seal EI – a seal used by the Kajikawa family of lacquerers. The interior of nashiji with fundame edges. With a spherical amber ojime.HEIGHT 7.5 cm, LENGTH 5.8 cmCondition: Very Good condition with minor wear to lacquer. Some tiny dents to the top case and some tiny chips to edges of cases.Provenance: Formerly the property of the Strong Museum, donated by Margaret Woodbury Strong (1897-1969), a prolific collector and founder and namesake of the museum. The interior of the bottom case with accession no. '75.1949'.For further information on the artist see Earle, Joe [ed.] (1995) The Index of Inro Artists, p. 118.Falconry (takagari) was introduced to Japan from China in the 4th century. Hunting with hawks and falcons is mentioned in the Kojiki (712). In the Heian period (794-1185), the sport of falconry was practiced by emperors and their courtiers. By the Kamakura period (1185-1333), samurai clans had established various schools, methods and traditions of hunting with falcons and hawks. By the Edo period (1615-1868), falconry was officially patronized by the shogunate and the position of master of falconry was established in the shogunate bureaucracy.

Mughal School (18th/19th century): Hunting Scene with Noblemen on Elephants Shooting Lion, illuminated leaf from a manuscript, pen ink and bodycolour heightened in gold with Arabic script 18cm x 10cm

Hunting The Great Escape Murderers Human Game Hardback Book by Simon Read. Published 2013. 330 Pages. Spine and Dust Jacket in Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

WW2 2 Signed Mark Postlethwaite Colour Print Titled Hunting Owls 106 of 500 Housed in a Presentation Frame. Signed by The Artist, Major Wolfgang Falck Knights Cross, Frame Measures Approx 20 x 23, Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Three stoneware jugs including Cadbury, hunting jug and "Take Courage" jug (3)

FRIDAY THE 13TH (2009) - Jason Voorhees' (Derek Mears) Hunting Bow and Two ArrowsJason Voorhees' (Derek Mears) hunting bow and two arrows from Marcus Nispel's slasher reboot Friday the 13th. Jason used a bow to kill Nolan (Ryan Hansen) by piercing his head with an arrow during the wakeboarding sequence with Chelsea (Willa Ford) at Camp Crystal Lake. One of the arrows originally came from the production's property master.Made of metal and wood, the black hunting bow consists of two limbs, a grip section and one cable. The hero arrow comprises a wooden shaft with white-and-brown feather fletching and a white nock. Completing the lot is a stunt rubber arrow featuring a rubber tip and identical fletching. Remnants of stage blood are present on the stunt arrow's feathers, and the lot is accompanied by two Platinum Dunes certificates of authenticity. Dimensions (bow): 25 cm x 4 cm x 144 cm (9 3/4" x 1 1/2" x 56 3/4"); (larger arrow): 87 cm x 3.5 cm x 3.5 cm (33" x 1 1/4" x 1 1/4")Additional Provenance:This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner. Estimate: £1,500 - 2,500 ΩThis lot will be auctioned on Saturday, November 5th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Sunday, November 6th.

FRIDAY THE 13TH PART VI: JASON LIVES (1986) - Hunting Knife and SheathA knife and sheath from Tom McLoughlin's slasher sequel Friday the 13th Part VI: Jason Lives. Jason (C.J. Graham) wore his sheath by his hip and used his hunting knife to murder Cort (Tom Fridley) by stabbing it through his head. Only one knife was used for the production; it is made from aluminium and features a blade with a serrated edge, and a cross-hatched grip painted black. It fits into a leather sheath that comes with a whetstone. The knife and sheath exhibit areas of rusting and abrasions to the leather from being submerged in water during production.Dimensions: 40 cm x 7 cm x 5 cm (15 3/4" x 2 3/4" x 2")Please note: Due to UK legislation, anyone wishing to buy this piece must be 18 years or over; see restricted ownership notice in the Buyer's Guide Estimate: £3,000 - 5,000 ΩThis lot will be auctioned on Thursday, November 3rd. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Friday, November 4th; Saturday, November 5th; or Sunday, November 6th.

ALIENS (1986) - Corporal Dwayne Hicks' (Michael Biehn) Hero ShotgunCorporal Dwayne Hicks' (Michael Biehn) hero shotgun from James Cameron's sci-fi sequel Aliens. Hicks wielded his shotgun during the Colonial Marines' first confrontation with the xenomorphs, culminating in his blasting the head off the xenomorph that blocked the door of their Armoured Personnel Carrier (APC), keeping it from closing.This 12-gauge Ithaca 37 has been sympathetically deactivated as confirmed by a Deactivation Certificate issued by the Birmingham Gun Barrel Proof House. It features a metal body with a custom cut-down barrel and hunting scenes engraved on the sides; an etched wooden forearm; ridged Bakelite plating around the custom-modified MP-40 pistol grip and trigger guard; and a hole through the back for attaching a folding stock.Black tape on the grip is no longer present, and the shotgun exhibits scuffing to the wood and nicks throughout the metal from production use. As this lot ships from Los Angeles, shipping should be arranged with Propstore prior to bidding. Dimensions: 58.5 cm x 5.25 cm x 18 cm (23" x 2" x 7")Firearm deactivated; see firearm deactivation notice in the Buyer's Guide.Special shipping required; see notice in the Buyer's Guide. Estimate: £40,000 - 60,000 USThis lot will be auctioned on Thursday, November 3rd. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Friday, November 4th; Saturday, November 5th; or Sunday, November 6th.

Dixon & Sons Patent copper and brass mounted powder flask with embossed panel of a hunter and gundog, a similar flask embossed with Pheasants, another with Gamebirds in a woodland setting and with three others decorated with Hunting scenes, three lacking nozzles, L20cm max (6)

A RARE HUANGHUALI 'FALCON STAND', YINGJIA18th centuryThe two slender posts, fitted with bronze 'mythical beast' finials, framing two horizontal stretchers, the top one fitted with a knob, enclosing a panel carved with a hunting scene on one side and a gilded landscape on the other, joined by two rails above and below the panel, framing 'cloud' and 'scrolling chrysanthemum' spandrels, the toprail padded with rope and fitted with a metal ring, all set on two solid feet decorated with two pairs of Buddhist lions. 114cm (44 7/8 in) high x 110cm (43 5/16 in) wide x 43cm (3 15/16 in) deep.Footnotes:清十八世紀 黃花梨鷹架Hunting and falconry were important pastimes of the Qing dynasty, both as a form of entertainment and as a way of learning military skills. It served to maintain and develop Manchu martial tradition. A related falcon stand with similar decoration is depicted in a painting by the Italian Jesuit Court painter Giuseppe Castiglione 郎世寧 (1688-1766), of a white falcon; see He Chuanxin, ed., Portrayals from a Brush Divine: a Special Exhibition on the Tricentennial of Giuseppe Castiglione's Arrival in China, Taipei, 2015, pp.228-231. The detailed line drawings of the bronze 'mythical beast' finials fitted to the posts and the two pairs of Buddhist lions on the stand are both similar to the present lot. The padded rope on the top rail is for the falcon to grip and protect its talons, while the knob on the horizontal panel is said to be for the hood for the bird.This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

BALDWIN WILLIAM CHARLES.  African Hunting & Adventure from Natal to the Zambezi. Frontis. Fldg. map & litho & other plates & illus. Worn & rubbed half calf with some splitting. 1863.

HALL LOWIE.  Fifty-Six Waterloo Cups (Coursing). Frontis & illus. Orig. green cloth. 1922; also Richard Clapham, Foxes, Foxhounds & Fox-Hunting, orig. red cloth, n.d.  (2).

ANONYMOUS, KANO SCHOOLEdo period (1615-1868), mid-17th/18th centuryTartars Hunting and Hawking in a Mountain LandscapePair of six-panel byobu (folding screens) painted in ink, mineral colours, gold, and gold leaf on paper with silk borders within black lacquer frames; the right-hand screen depicting Tartars on horseback hunting wild boars, rabbits, and a deer; at top right a Tartar leader looking on accompanied by his retinue including attendants holding a parasol and a banner, the lower foreground occupied by a group of mounted Tartars engaged in the hunt using bows and arrows and spears, at far left another group looking on, at top left a tiger and cub on a crag; the left-hand screen including two mounted falconers and a variety of wild birds, the three rightmost panels with a lake and rice paddies; all set against a background of Kano-style mountains, waterfalls, and trees interspersed with gold clouds and gold flecks. Each overall: 173.5cm x 353.8cm (68¼in x 139 5/8in); image: 158cm x 337.2cm (62 3/16in x 132¾in). (2).Footnotes:Painted screens depicting the northeast Asian nomadic hunters known as Dattanjin or Tartars (also written Tatars), although less numerous or well-known than the so-called Nanban ('Southern Barbarian') screens—with Portuguese ships, their exotic crews, and Christian priests arriving at Japanese ports—reflect the same global outlook that developed during the sixteenth century as trade in goods and information increased between Japan and the outside world, including both Europe and the Asian continent. Similar depictions of Tartars, based on Chinese paintings of the thirteenth to sixteenth centuries and identifiable by their dashing equestrian poses, prominent banners and weapons, and distinctive fur-trimmed hats (later also seen in netsuke and inro), are featured in several important examples preserved in Japanese and American collections. One of the earliest, in the Museum of Fine Arts, Boston and attributed to no less an artist than Kano Eitoku (1543-1590), shows Tartar envoys bringing tribute (inv. no. 11.4450), but Tartars are more usually shown—in contrast to Southern Barbarians—in their home country, either hunting or playing polo in wild mountain landscapes, often, as here, with senior groups viewing the proceedings from lofty positions. Along with other screens in Boston dating from the sixteenth and seventeenth centuries (see collections.mfa.org/search/objects/*/tartars), there are fine pairs in the National Museum of Asian Art, Washington D.C. (by Kano Jinnojo, active 1610s-1640s, asia.si.edu/object/F1968.62-63/) and Kyushu National Museum (bunka.nii.ac.jp/heritages/detail/514464). The present pair, of slightly later date, continues in a well-established tradition where Chinese prototypes are augmented by the use of mineral pigments and gold and shown in the much larger, and quintessentially Japanese, screen-pair format.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

UTAGAWA KUNIYOSHI (1797-1861), TOYOHARA KUNICHIKA (1835-1900), TSUKIOKA KOGYO (1869-1927), AND MIGITA TOSHIHIDE (1863-1925)Edo period (1615-1868) to Meiji era (1869-1912), mid-19th to early 20th century19 oban tate-e diptychs, some two sheets from triptychs, of various subjects, comprising: 16 diptychs from the series Meiyo juhachiban (18 Scenes of Honourable Acts) by Toshihide; two yakusha-e diptychs (two sheets from a triptych) by Kuniyoshi and Kunichika respectively; one of Momijigari (Red Maple Hunting) from the series Nogaku hyakuban (100 Noh plays) by Kogyo; variously published and variously signed; each in a plastic sleeve. The smallest: 35.5cm x 46.9cm (13 15/16in x 18 7/16in); the largest: 37.7cm x 50.8cm (14 13/16in x 20in) (19).For further information on this lot please visit Bonhams.com

ROBERT STONE (BRITISH 1820-1870) FOUR HUNTING SCENESOil on panelEach signed (two lower right and two lower left)15 x 31cm (5¾ x 12 in.) (4)Provenance: Arthur Ackermann & Son Ltd.Sold by order of a member of the de Rothschild Family

A COLLECTION OF SMALL WORKS OF ART AND COLLECTABLES OF HUNTING INTERESTTo include a fox-mask door porter, 37cm high, a shoe-horn and button-hook each with a handle cast as a horse's fetlock, two riding crops, a leather cylindrical spirit flask case, and a hornTogether with two pairs of hunting boots, and two pairs of riding boots, all with trees Provenance: Sold by order of a member of the de Rothschild FamilyCondition Report: All items with marks, knocks, scratches, abrasions consistent with age and use, these are country sporting items and the condition reflects this.Door porter with loose handle, pitting to the metal, signs of age and useHunting horn with wear, dents, solder, discolouration to the metalCrops in used condition overallThe leather case with wear, marks, signs of use, some staining to the leather, strap with creasing and crackingThe horn/button hook with dirt and discolouration to the metal surfaceThe hunting boots:One pair: 46cm high, 29.5cm long (toe - heel), approx 36cm circumference at the topThe other pair: 48cm high, 29.5cm long (toe - heel), approx 37cm circumference at the top The riding boots:One pair (black): 46cm high, 30.5cm long (toe - heel), approx 36cm circumference at the topThe other pair (oxblood): 48cm high, 30.5cm long (toe - heel), approx 37cm circumference at the topThe measurements of the boots are a guide only and Dreweatts make no guarantees as to their sizes or any guarantees as to wearability - they are sold purely on a decorative display basis as a work of art only. All clearly with signs of previous use. Please see additional images for visual reference to condition Condition Report Disclaimer

A PAIR OF METAL TRIPLE ARM WALL LIGHTSEARLY 20TH CENTURYEach in the form of a hunting trophy with horn pattern arms, deer leg and oak mantel91cm high, 41cm wide, 25cm protuberance

A late Victorian rectangular silver box, the lid embossed figures, the sides boar hunting, and the underside engraved with a monogramme, Birmingham 1898, 4.5 ozt, 15.5 cm wide

A set of six picture back spoons, with matching sugar tongs, including a dolphin and fox hunting, Sheffield 1902, cased

2 brass and copper bed warming pans and a copper hunting horn

Armour G. D., Humour in the Hunting Field, London: Country Life Ltd, 1935 edition

A quantity of hunting and racing related prints

Pair of vintage copper & brass hunting horns

Well framed picture by L. Edwards of hunting scene ‘Forrard On, Forrard’ signed bottom right (74cm x 57cm)

Large red trunk containing various clothing incl. Hunting jacket with gilt buttons, Devlin & Co. blue cape with Excelsior National Guard buttons, another blue cape, two small Eastern mats, blue pelmet, Egyptian style headband, beadwork belt etc (qty)

Victorian naïve walking stick, handle carved as a male face with glass eyes, all over penwork decorated with Military figures incl. Dundas, Napier, Nicholas, Canrobert etc, Hunting and Rural scenes, Dragon and Snake etc, inscribed 'Woodman Spare the Tree Cut with a knife by J & J 1855' L89cm

Victorian Chang pattern part tea service (30), Sunderland Lustre Ironbridge bowl, Victorian stoneware Hunting tyg, other Victorian and later ceramics, pottery Death type mask etc (A/F) (2 boxes)

A reproduction oil on canvas copy after Stephane Oliver Paris, hunting dogs in ornate gilt frame W:69cm x H:78cm

A large quantity of hunting, shooting and horse related prints.

[SPORTING] Baillie-Grohman, Wm A. & F., editors. The Master of Game by Edward, Second Duke of York, The Oldest English Book on Hunting, limited edition 19/600, Ballantyne, Hanson & Co., London, 1904, full reversed leather gilt, fifty-two photogravure plate illustrations and monotint reproductions (including frontispiece, as called for), folio. Condition Report : Upper cover loose; spine ends and corners worn; foxed. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

[MISCELLANEOUS] Sheringham, George, & Morrison, R. Boyd, editors, for Mason, Rupert. Robes of Thespis. Costume Design by Modern Artists, Benn, London, 1928, original blue cloth gilt, plate illustrations, quarto; together with Black's Picturesque Guide through North and South Wales, eleventh edition, Black, Edinburgh, 1861, original green cloth, map endpapers, engraved frontispiece, vignette title page, two folding maps, thirty-six page Black's Guide Book Advertiser dated 1862, octavo; M. Harris & Sons. An Abridged Introductory Catalogue of Antique Furniture and Works of Art, no date, original cloth-backed boards, illustrations throughout, quarto; and ten assorted other works, including those of hunting interest, (13).

A COLLECTION OF SPOONS TO INCLUDE 19TH CENTURY SILVER A silver serving spoon with figural terminal and chased pattern to the bowl, London (Leopards Head Crowned) hallmark, faded date letter, a similar serving spoon in white metal unmarked, a silver tea caddy spoon embossed stag hunting scene to the bowl, stamped 925, a white metal cruet spoon, stamped silver with a water bird at the terminal, a blue enamelled teaspoon unmarked, marked silver weight 100g

A TRAY OF ASSORTED CERAMICS TO INCLUDE A SET OF HUNTING THEMED CABINET PLATES, VARIOUS TEAPOTS ETC

A LARGE MODERN EASTERN SILK RUG DECORATED WITH A MOUNTAINOUS HUNTING SCENE 250 X 360

A BOX OF ASSORTED VINTAGE HUNTING / RIDING ATTIRE TO INCLUDE TWO JACKETS, A HUNT WHIP ETC, TOGETHER WITH A VINTAGE TENNIS RACKET AND CHILDS CONEY AND LEATHER WAISTCOAT

[HUNTING] Welcome, John and Collens, Rupert 'Snaffles, The Life and Work of Charlie Johnson Payne, 1884-1967, published by Stanley Paul, London, green cloth cover and dust jacket

AFTER CECIL ALDIN (1870-1935) Hunting Countries Series - 'The Pytchley - Gone Away from Crick', coloured lithograph, signed in pencil, published 1912-13 by Lawrence and Jellicoe, 38 x 67cm, and After Aldin (1911), 'The Quorn - Away from Billesdown Coplow, 1912-13, colour print, 27.5 x 57.5cm ; The Pytchley, Gone Away from Badby Wood' and The Companion - 'The Warwickshire Away from Watergall', coloured lithographs, signed and numbered in pencil, plates 15 x 30cm, and similar - 'Who - Whoop near Solom Wood', and 'The V.W.H. (Cricklade) into the Vale from Blunsdon', unsigned, plates 15 x 30cm, all published Richard Wyman & Co., London'; The First Fence', photolithograph, 41.5 x 72.5cm, 'A Pytchley Wednesday, Gone Away from Crick', and 'The Meynell Hunt, Away from Ash Gorse, Sutton', similar 18 x 31.5cm and After Frank Algernon Stewart, 'The old Surrey and Burstow Hunt', colour print, 40 x 63cm (9)

A DRIVING/LUNGING WHIP With plated shaft, a child's hunting crop with antler grip and bamboo shaft and a black riding crop (3)

THE LONSDALE LIBRARY 'The Lonsdale Library', three volumes: Fox Hunting, The History of Hunting and Shooting by Moor, Field and Shore, together with An Encyclopaedia of Sports, Games and Pastimes and three works on Deer Stalking and Management (7)

A GEORGIAN GOLD BROOCH SET WITH A CARNELIAN CARVED INTAGLIO DEPICTING A GEORGIAN MAN IN A HUNTING SCENE WITH DOG AND MUSKETT 25 X 30 MM

A vintage 20th Century glass hunting scene decanter with six drinking glasses with silver overlay. Large round silver stopper. Measures approx. 23cm tall. 

Two leather powder flasks, together with a brass and copper example, a hunting knife with deer hoof handle and a Khedive's Star medal (5) Condition Report:Available upon request

A bottle of Spirit of Robyn Hoode single malt scotch whisky, in an English porcelain hunting horn, decorated with 22ct gold, 70cl, boxed.

A Victorian silver snuff or patch box of hunting interest, of rectangular form, the hinged lid bright cut decorated depicting a gentleman in a rural scene with shot gun and two hunting dogs, Pair Point Brothers, London 1870, 2.64 oz, 8cm wide.

A silver plate mounted hunting horn, 31cm wide, gilt wall mirror inset bevelled glass, 37cm x 31cm, and a giltwood and gesso framed print of a Renaissance lady. (3)

A Victorian travelling cup, in a hunting pocket watch case, patent EJT 15061, two further travelling cups and a Spanish grenade form table lighter. (4)

A large thatched black and white cottage Doll's House, 'The Hunting Lodge of Henry VIII', 68cm wide

A pair of early 20th Century brown leather ladies hunting boots with trees 25.5 cm long x 8.5 cm wide CONDITION REPORTS 41 cm high from heel to the top of the leather directly at the back. 25.5 cm sole length. At widest point point is 9 cm.One boot is heavily scuffed. Leather is peeling. Staining to both and creasing. There are a couple of lumps on either side of the boots where there are leather tags on the inside which have been folded over and are pressing against the trees. General wear and tear conducive with age and use. See images for further detail.