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Click here to subscribeA late 18th century oak longcase clock, the 8 day movement to a brass arched dial with subsidiary seconds dial and foliage engraved centre, the boss inscribed Richardson Bubwith, the case with a swan neck pediment, and fluted columns, a moulded edge serpentine top waist door to reeded quarter pilaster, to a panelled base, (plinth missing) 7ft 2in (218.5cm) high.
A mid 19th century mahogany veneered and oak longcase clock, the 8 day movement striking on a bell to a painted arch dial with subsidiary seconds dial and date aperture inscribed Bothamley Boston, painted a basket of fruit and roses, the swan neck pediment to reeded columns, the shaped top banded waist door, to inlaid stringing corners, the base with a moulded plinth, 6ft 8in (203cm) high.
A GLOUCESTERSHIRE OAK 8-DAY LONGCASE CLOCK WITH MOONPHASE, c.1820, the 4-pillar rack and bell striking movement with 12 white painted Arabic numeral break-arch dial with arch calendar aperture, subsidiary seconds dial and signed 'Sheppard & Potter, Wotton' to centre, with Four Continents figural spandrels and rolling moon to arch, in swan neck pedimented case with reeded hood pilasters, rectangular tall square-top trunk door and on plain plinth base with bracket feet, 214cm.
A Victorian mahogany small 8-day dial clock, the single fusee 4-pillar movement with 8 white painted Roman numeral dial within cast bezel and moulded surround, in saltbox style case with pendulum adjustment and side inspection hatches, now white painted, diam 27cm. NB: With GWR presentation plaque.
AN INTERESTING GLOUCESTERSHIRE PAINTED PINE 30-HOUR LONGCASE CLOCK WITH RACK STRIKING, c.1720, the 4-finned pillar movement with trip repeat lever and unusual motionwork layout, with 11 square brass dial applied with Roman numeral chapter ring, female head pattern spandrels and arched brass plaque inscribed 'John Voyce, Dean' to the matted centre, with ringed dummy winding holes, calendar aperture and pierced steel hour and minute hands, in flat-top naive case with integral hood pilasters, lenticle to the rectangular trunk door and on shortened plinth base, 200cm, (case AF).
A French Louis XVI style gilt metal and porcelain mounted mantel clock, the 8-day bell-striking movement with Roman numeral floral garland decorated cartouche dial, in plinth form case applied with side scrolls and twin putti surmount, the base inset with figural plaques, on toupe feet, 33.5cm.
A BRISTOL 8-DAY LONGCASE CLOCK WITH 'HIGH WATER AT BRISTOL KEY', the 4-pillar rack-striking movement now with passing half hour strike on a bell and gong for the hour, with 12 brass break-arch dial applied with silvered Roman numeral chapter ring with fleur de lys half hour markers and signed 'Jn. Williams, Bristol', with two birds and urn pattern spandrels, subsidiary seconds dial and calendar aperture to the matted centre and silvered moonphase to arch, in later carved oak caddy-top case with grotesque relief decoration to trunk door and plinth, movement c.1750, case c.1900, 230cm.
A QUEEN ANNE OAK 8-DAY LONGCASE CLOCK, the 5-pillar movement with inside countwheel strike and 12 brass dial applied with Roman numeral chapter ring with fleur de lys half-hour marks, seconds ring, female head pattern spandrels and oval plaque signed 'W'm Moore, London' to centre, with wheat-ear engraved border and calendar aperture, in caddy-top case with integral hood pilasters over long trunk door and plinth with double skirt base, case with alterations, 252cm.
A French gilt metal and alabaster figural mantel clock, the 8-day bell-striking movement with white enamel Roman numeral dial set into fluted drum surmounted by a child being attended by a classical maiden, on break-front panel-fronted base with scroll feet, 41cm; under glass dome with ebonised stand.
A French belge noir marble mantel clock garniture, the 8-day gong-striking movement with Arabic numeral chapter ring and gilt centre, in gilt line incised rectangular case with glazed pendulum aperture and flanked by shaped pilaster uprights with mottled marble panel inserts capped by C-scroll finials, 50cm; with a pair of tazza side pieces en suite.
A WEST COUNTRY INLAID MAHOGANY 8-DAY LONGCASE CLOCK, c.1830, the rack-striking movement with 12 white Roman numeral break-arch dial with subsidiary seconds dial, arch calendar aperture, rose painted spandrels and landscape to arch, in 'whales tail' fretwork arch pedimented case with wavy edge door and turned pilasters to hood, over short panel inlaid trunk door flanked by canted corners, on conforming plinth base with tall bracket feet, 220cm, (hood door AF).
A Bristol area inlaid mahogany 8-day longcase clock, c.1820, the 4-pillar rack and bell striking movement now with 12 brass break-arch dial applied with silvered Roman numeral chapter ring, subsidiary seconds dial, cherub head spandrels and 'Tempus Fugit' silvered boss to arch, in shaped crest pedimented arch-top case with wavy edge door and spiral turned pilasters to hood, over short line inlaid trunk door flanked by further pilasters, on conforming plinth base with tall bracket feet, 214cm.
An oak cased 8-day bracket clock by Winterhalter & Hoffmeyer, the two-train quarter striking movement with 6 brass break-arch dial applied with silvered Roman numeral chapter ring, foliate cast spandrels and subsidiary rise/fall regulation to arch, in break-arch pedimented case with gilt brass female caryatid mounted angles and foliate cast side frets, on brass scroll feet, 41cm.
A FRENCH LOUIS XV VERNIS MARTIN AND GILT METAL MOUNTED SMALL 8-DAY BRACKET CLOCK, c.1770, the two-train shaped circular movement with outside countwheel, bell strike and signed 'Boucheret a Paris', with 6.25 white Roman numeral dial signed 'Le Nepveu a Paris', in waisted case with festoon swag mounted cast urn surmount, acorn finials and scroll mounts applied to sides with festoon fronted glazed aperture to base, on scroll feet, the whole polychrome painted with floral decoration on an olive green ground, the case stamped twice with indistinct eboniste's signature, 50cm.
A GEORGE III MAHOGANY BRACKET CLOCK, c.1795, the 5-pillar twin fusee bell-striking movement now with anchor escapement and finely engraved foliate backplate, with 7 white break-arch Roman numeral dial with strike/silent subsidiary dial to arch and perpetual calendar to centre, in break-arch case with gilt brass carrying handle, rectangular side windows and on moulded base, ht excl handle 39.5cm.
A George III oak 8-day longcase clock, c.1790, the 4-pillar rack and bell striking movement with 'phase 1' type 12 white Roman numeral painted break-arch dial with subsidiary seconds dial, arch calendar aperture and delicate gilt foliate scroll decoration to centre, plain gilt edged spandrels and urn amongst foliage to arch, in well proportioned pagoda pedimented case with integral reeded hood pilasters, break-arch trunk door and on plinth base with two-tier apron, 216cm.
A GOOD SOMERSET OAK 30-HOUR LONGCASE CLOCK, c.1720, the posted countwheel bell-striking movement with 11 square brass dial applied with silvered Roman numeral chapter ring with lozenge half-hour markers and signed 'E. Rundell, Norton' to lower edge, with twin cherub and crown pattern spandrels and finely engraved tulip decorated centre with calendar aperture, in flat-top pedimented case of good colour with integral hood pilasters, rectangular trunk door and on plain plinth base, 197cm.
A REGENCY BRASS INLAID FIGURED MAHOGANY BRACKET CLOCK, the 5-pillar twin fusee rack and bell striking movement with anchor escapement, foliate border engraved shouldered backplate and 8 white painted Roman numeral dial signed for 'John Grant, Fleet Street, London' to centre, in break-arch pedimented case with brass carrying handle, fishscale arched side frets and brass inlaid panel beneath dial, on reeded border base with brass ball feet, ht excl handle 39.5cm.
A French Sevres style porcelain mounted gilt metal mantel clock, c.1880, the 8-day bell-striking movement with blue ground Roman numeral cartouche dial with rose painted centre, the plinth shaped case with urn surmount and porcelain medallions mounted within side scrolls, on panel fronted base with toupe feet, 35.5cm; on giltwood stand.
A good French ormolu and patinated bronze four-glass mantel clock, c.1860, the circular countwheel bell-striking movement with brocot escapement, stamped Ad. Mougin to backplate and with mercury compensated pendulum, in glazed flat-top pedimented case applied with gilt classical foliate decoration to frieze and with reeded pilasters to each corner, on conforming base with engine-turned bun feet, 34.5cm.
A Welsh oak 30-hour longcase clock, c.1820, the bell-striking movement with 12 white Arabic numeral break-arch dial with rose painted spandrels, arch calendar aperture and signed 'Jn. Lloyd, Brecon' to centre, with classical maiden resting in a garden to arch, in swan neck pedimented case with turned hood pilasters, rectangular trunk door and on plinth base, 205cm.
A LINCOLNSHIRE OAK 8-DAY LONGCASE CLOCK, c.1810, the 4-pillar rack and bell striking movement with 12.5 white Roman numeral break-arch dial, with subsidiary seconds dial and signed 'Lamb, Horncastle' to centre, with gilt scallop shell spandrels and painted scene of lion attacking a deer after Stubbs to arch, in good quality swan neck pedimented case with reeded hood pilasters, break-arch trunk door flanked by reeded canted corners, on plinth base with bracket feet, 224cm.
A GEORGE III MAHOGANY 8-DAY LONGCASE CLOCK, c.1760, the 4-pillar rack and bell striking movement with 12 brass break-arch dial applied with Roman numeral chapter ring, subsidiary seconds dial, two bird and urn pattern spandrels and plaque signed 'James Jones, London' to the matted centre, the arch with rocking figure of Chronos within bezel engraved 'Tempus Fugit' flanked by dolphin spandrels, in break-arch pedimented case with cavetto cornice and fluted pilasters to hood, break-arch long door to trunk and on plain plinth base, 210cm, (AF).
A SUFFOLK OAK 30-HOUR LONGCASE CLOCK, c.1725, the posted countwheel bell-striking movement with 10 brass dial applied with silvered Roman numeral chapter ring signed 'Sam'll Hart, Stonham' to lower edge, twin cherub and crown pattern spandrels and with matted centre, in a flat-top case with dentil cornice and turned pilasters to hood, mitred trunk with break-arch long door and on plinth base with bracket feet, 212cm.
A GOOD BRISTOL INLAID MAHOGANY 8-DAY LONGCASE CLOCK WITH MOONPHASE, c.1810, the 4-pillar rack and bell striking movement with 'Osborne's' falseplate and 12 white Roman numeral break-arch dial with subsidiary seconds dial, arch calendar aperture and signed 'James Clarke, Bristol' to centre, with rose painted spandrels and moonphase to arch, in fine swan neck pedimented case with fluted Corinthian pilasters to hood over shaped-top crossbanded trunk door flanked by fluted corner columns and on panel inlaid plinth base with tall bracket feet, 228cm.
A WILLIAM & MARY 8-DAY LONGCASE CLOCK MOVEMENT AND DIAL, c.1695, the 5-finned pillar inside countwheel striking movement with 11 square brass dial applied with silvered Roman numeral chapter ring signed 'Fab' Robin, Londini Fecit' along lower edge, with cherub head spandrels, subsidiary seconds dial, calendar aperture with unusual crown engraved surround, ringed winding holes and tulip engraved centre to the mated ground, with original blued steel hands and now in later North Country oak case with ogee caddy to the pedimented hood with break-arch topped trunk door and on plain plinth base, 207cm.
An early Victorian figured mahogany bracket clock, the 5-pillar twin fusee bell-striking movement with anchor escapement and shouldered plates with 8 circular white Roman numeral painted dial, in shallow arch-top case with gadroon moulded plinth upstand and acorn finial over acanthus carved front and ogee moulded base with turned feet, 56cm.
AN UNUSUAL 20TH CENTURY BOEHM MAYFLOWER CLOCK, the white metal galleon raised on a marble disc above a drum form clock, engraved with maps, mayflower ship, and mermaid, the seahorse form hand reading against a circular chapter ring, 14.5ins high, stamped K.J. Bradford, Clockmaker, Chelmsford, under a glass dome.
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