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Lot 76
An unusual George III 8-day longcase clock with alarum, 12in. arched, silvered dial signed Plowman, Chichester, with subsidiary date and seconds dials, moon phases to arch, movement striking on a bell, movement with separate alarum train controlling strike, mahogany case with three brass pommel finials, trunk door with ebony stringing, with weights and pendulum, 7ft. 2in.
Lot 398
An early 20th century chiming oak long case clock with a square hood, carved roundel frieze and blind fretwork to the door and base terminating on bun feet. The silvered dial has a Roman chapter and an outer minute Arabic ring. There is a brass presentation plaque 'Presented to Mr and Mrs Charles Arthur Freeman by the parishioners of Greenford on the retirement of Mr Freeman after 30 years service as headmaster of Betham Schools May 28th 1925'
Lot 392
A Victorian chiming bracket clock in an ebonised case, the silvered Roman chapter with outer ring at five minute intervals, date aperture, gilt cherub masks to the spandrels, the top with a brass handle moulded as branches with bird's heads, the side panels with gilt brass frets and fabric backing, the brass back plate engraved with foliage, one of the retaining brackets engraved T CL3875, overall height 30cm, width 25.5cm, depth 16cm, with pendulum (key in safe) Condition report: The clock has not been seen working. There is damage to the keyhole to the back. The ebonised case is worn in parts. The back door has become detached (it looks like an old repair has failed), however a 1cm approx plinth remains attached to the hinges
Lot 391
Mahogany striking bracket clock with domed top, hinged brass carry handle, the top with three brass edged panels, sound grilles with fabric lining, standing on brass bracket feet, the silvered dial with Roman chapter and signed George Turner Honiton, strike/silent dial and date dial numbered 1-9 then 11 - 31 in two day increments, verge movement, the backplate of the movement has foliate engraving and a retaining hook for the pendulum, height 40cm width 28cm depth 19.5cm, winding key and key to front case
Lot 390
French style ormolu and enamel mantel clock of lyre shape, the white enamel dial (diameter 5cm) with ring of flowers, Arabic chapter and filigree hands behind a hinged glass, the clock surmounted by a sunburst mask and bow, standing on a shaped oblong onyx base with four gilt brass feet, the movement stamped 1107, the base marked 313 with initials (see illustrating photographs), height 20.5cm (key in office)
Lot 399
A Victorian circular dome faced wall clock with an eight day fuse movement. The mahogany case is trimmed with ebony and boxwood lines. There is a label within 'From L. Reich watchmaker 109 and 111 Camden Road, Tunbridge Wells. The white enamel dial has a Roman numeral chapter of five minute intervals. Diameter 40cm
Lot 396
A thirty hour striking long case clock in an oak case with a blind fret frieze to the hood. The square brass face with brass spandrels and a Roman chapter bearing the name Thomas Dicker of Silchester (from the label within Thomas Dicker Silchester 1736-1756 died 1774). The inner ring is tooled with circular pattern and engraving. The hour hand has a fixed half hour hand
Lot 935
Samuel Marti, a French boulle-cased mantel clock: the eight-day duration movement striking the hours and half-hours on a gong, with a Brocot regulation adjustment to the pendulum, the backplate stamped with the trademark of S. Marti, Paris along with the serial number 106, the round cream dial with black Arabic numerals and decorative brass hands, the shaped boullework case of red tortoiseshell inlaid with brass decoration and having gilt-metal cast mounts, height 39.5 cms.* Biography; Samuel Marti was one of the prolific French makers of the 1800's and was known to be working circa 1860 at Le Pays de Montbeliard, Paris making roulant blancs. Along with Japy frères and Roux they set up a business in 1863 to market their movements to such firms as L'Epee. Their Paris address was Rue Vieille-du-Temple from 1870.
Lot 950
William Gray, London, a contemporary brass lantern clock: the thirty-hour, weight-driven movement having a verge escapement and striking the hours on a bell, with countwheel strike, the dial engraved with floral decoration to the centre, the silvered chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and having a single blued-steel hand, the centre engraved with the name William Gray, London, the brass case with turned pillars to the four corners, a silvered bell below the bell straps, and cresting to the front and sides, height 38 cms.
Lot 939
Delepine-Canchy, an ormolu mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with the backplate stamped with the trademark for Delepine, the name Pons within a roundel and dated 1827 (see note below) along with the serial number 783, and retailer's name Deniere à Paris, the round white enamel dial having black Roman hour numerals and blued steel spade hands, the decorative ormolu case with ormolu floral and c-scroll mounts with a silvered figure of a cherub sat to the front holding a wine goblet and bunch of grapes, height 35 cms.* Biography Delepine-Canchy of Saint-Nicolas-d'Aliermont took over the movement making business of Honore Pons in circa 1846 before becoming Delepine-Barrois, supplying movements to amongst others Henri Jacot. They continued to use the Pons trademark stamp which shows the award in 1827 of a gold medal. They were themselves taken over by their near neighbours in the town, Couaillet frères, in circa 1913, headed by Armand Couaillet.
Lot 936
An enamelled four-glass mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped with the trademark of the maker Mougin à Paris, with a twin mercury jar pendulum with enamelled decoration, the round gilded dial having black Arabic hour numerals to each roundel with the centre and bezel with champleve enamelled decoration, with blued steel hands, the four-glass case with further enamelled decoration to the turned corner pillars, top moulding and plaque to the front, standing on cast feet, height 40 cms.* Notes For details of Mougin see lot no.930
Lot 955
Stephen Crunn, Haverfordwest, a chiming mahogany longcase clock: the flat-top mahogany case with inlaid oval decoration either side of the arch to the hood, with ebony and boxwood stringing to the trunk door and base, the fluted pillars to the hood with cast-brass capitals, the later associated eight-day duration Victorian movement striking the hours on a gong and the quarters on four bells, the twelve-inch flat brass break-arch dial having engraved black Roman hour numerals, Arabic outer five-minute numerals, a subsidiary seconds dial, date aperture and engraved to the centre with floral decoration and the name Stephen Crunn, Haverfordwest, with engraved decoration to the four corners and arch, depicting a bird above a ribbon engraved with the Latin motto Tempus Fugit, with two subsidiary dials to the lower part of the dial for strike/silent and chime/silent, height 216 cms.* Biography Stephen Crunn is recorded as working at Haverfordwest, Pembrokeshire in the 19th century.
Lot 954
J. Jennens, Skinner Street, London, a chiming longcase clock: the eight-day duration movement striking the hours on a large tube gong and the quarters on a further eight large tubes, the thirteen-and-a-half brass break-arch dial profusely engraved with rococo and floral decoration, having a raised chapter ring engraved with black Arabic numerals, with a subsidiary seconds dial and two further dials to the arch for 'Strike/Silent and 'St Michael Chimes/ Westminster Chimes/ Whittington Chimes', engraved J. Jennens, Skinner Street, London,with three brass bound weights, the mahogany case having chequered cross-banding to the hood, trunk and base, the shaped glazed trunk door with applied mahogany moulding and decoration, with applied ebonised ball moulding to the shallow arch, height 228 cms.
Lot 949
Obren, Croscombe, a Georgian wooden dialled wall clock: the eight-day duration, single-fusee movement having A-shaped frames and an anchor escapement, the fourteen-inch round wooden dial painted with black Roman hour numerals, Arabic twenty-four hour inner numerals and the maker's name Obren, Croscombe, with blued steel spade hands, the minute hand with counter-weight, and having a heavy cast brass 'Georgian' bezel, the mahogany case having a turned surround with the backbox having a shaped top to the backboard, diameter: 45 cms.* Biography John Obren is recorded as working in Shepton Mallet in circa 1850 having moved from Croscombe, Somerset where it is reported that from 1824 until 1841 he cleaned and repaired the clock, being paid 5-0 in 1830.
Lot 930
A. Mougin, Paris, an inlaid mantel clock: the eight-day duration movement striking the hours and half-hours on a gong, with a Brocot regulation adjustment to the pendulum, the backplate stamped with the trademark of the maker A.D. Mougin, Paris, along with the serial number 47198 and the initials A & N for the retailer, the round ivorine dial having black Roman numerals, Arabic outer numerals and decorative blued steel hands, the shaped rosewood case inlaid with floral marquetry and having gilt-metal mounts and feet, height 31cms.A.D. Mougin is recorded as a good maker of French clocks in the late 1800's working at Rue de Turenne, 75, Paris.
Lot 942
Congreve rolling ball clock: a brass reproduction of a rolling ball clock as first devised by William Congreve, with three dials showing hours, minutes and 'thirty-seconds', the ball rolling on a tray beneath the dials and triggering the single-fusee, skeletonised movement, the case with turned brass pillars, brass finials to the corners and standing on a wooden base, height 43 cms (inc. base)
Lot 948
Heal and Son, an oak 'arts and crafts' wall clock: the eight-day duration movement striking the hours on a gong, the round silvered dial having black Arabic numerals and blued steel spade hands, the oak case having a shallow curve to the top and a panelled front door the inside of which bears a small bone dot stamped Heal & Son Ltd, London W., height 64 cms.
Lot 934
Japy freres a Paris, A French Victorian ormolu mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped with the trademark for Japy frères à Paris and numbered 9799, with a starburst bob to the pendulum, the grey marble dial signed for the retailer James Neill & Co, Belfast, and having applied raised gilt Roman numerals and blued steel moon hands, the ormolu case with three cherubs at play around four fluted pillars to which the clock movement is seated and a further truncated pillar between, height 45 cms.* Notes For details of Japy frères see lot no. 929
Lot 943
Richard Chater, London, a pad-top late-Georgian bracket clock: the eight-day duration, double-fusee movement with anchor escapement, border engraving to the backplate and striking the hours on a bell, the silvered brass break-arch dial engraved with black Roman numerals, a strike/silent dial to the arch and the maker's name to the centre Richd Chater, London, with blued steel spade hands, the break-arch mahogany case having a cast brass handle to the top of the brass bound pad, fishscale frets to the sides and standing on brass bracket feet, height 40 cms.* Biography Two Richard Chater's are recorded as working in London in the late Georgian period, the first apprenticed in 1774, free of the Clockmaker's Company in 1781 and died in 1811, the second working from circa 1785, being the son of James Chater.
Lot 928
B. Benjamin, London, a small carriage clock: the thirty-hour timepiece movement having arched plates, with a plain balance to the verge escapement and an engraved balance cock, the backplate having an engraved signature in script B. Benjamin, 126 Minories, London, No.449' the brass dial having engraved decoration to the centre, black Roman numerals and blued steel spade hands, the brass case with a decorative cast bezel to the dial, a fixed handle to the top and standing on bun feet, height 13 cms.
Lot 946
An English double-fusee striking skeleton clock: the eight-day duration, double-fusee movement striking the hours on a gong, the highly decorative pierced silvered dial engraved with black Roman hour numerals and having blued steel fleur-de-lys hands, the steeple-shaped brass frames standing on turned feet, standing on an oval white and grey marble base with glass dome, with a silvered plaque engraved with the retailer's name J.H. Forsyth, King's Heath, height 54 cms (not including dome).
Lot 944
Nathaniel Style, London, an ebonised bell-top bracket clock: the eight-day duration, double-fusee movement fully engraved to the backplate with rococo decoration, with the anchor escapement having rise and fall regulation to the pendulum and striking the hours on a bell, the brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and outer Arabic five-minute numerals, the matted centre with date aperture and 'false-pendulum' aperture with an engraved rear, with cast-brass spandrels to the four corners, the arch engraved with rococo decoration and with two raised silvered subsidiary dials for 'strike/silent' and regulation, with an inset silvered plaque between engraved with the maker's name Nathl. Style, London, the bell-top ebonised case having curved canted corners, brass fret-work to the front and sides, a brass carrying handle to the top and wooden feet, height 49 cms.* Biography Nathaniel Style is recorded as working at Wood Street, Cheapside, London becoming free of the Clockmakers Company in 1725 and retiring in 1773.
Lot 958
Thomas Hully, London and Edward Foster, Carlisle, a marquetry longcase clock: the eight-day duration, weight-driven movement now striking the hours on a gong, the break-arch brass dial having a raised chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, with engraved decoration and signed within a scroll Edward Foster, Carlisle, with cast brass 'female-head' spandrels, the arch having a round brass boss engraved with the name Thomas Hully,London, with decoration blued steel hands, the walnut case inlaid with floral marquetry decoration to the trunk door and base, with barley-twist columns to the hood, a caddy top and standing on bracket feet, height 225cms.* Biography Edward Foster was a member of a prominent clockmaking family whose members worked in Carlisle, Whitehaven and London. Edward was born in circa 1727, married in circa 1754 and died in 1809 and was recorded as being 'an outstanding maker' whose sons John, Henry, Thomas, William and Richard also became clockmakers, as did grandsons Robert, Thomas and William, the latter moving to London where he died in 1830. A number of fine longcase clocks are known signed either E. or Edward Foster and often without seconds dials.*Notes Exhibited. Leeds City Art Gallery, 1930.
Lot 926
A French engraved miniature carriage clock: the eight-day duration timepiece movement having a platform lever escapement and stamped to the backplate with a trademark depicting fleur-de-lys along with the serial number 230, the ivorine chapter ring within a decorative mask and having Arabic numeral and decorative blued steel hands, the fully engraved gilded and silvered Anglaise-riche case having decorative columns with cast Corinthian capitals and a Greek-key handle, height 11 cms (handle up) 9.5 cms (handle down). Complete with a leather travelling box having a trade label affixed to the underside which includes the wording Conrad Felsing, 20 Unter den Linden, Berlin W.
Lot 933
A. Carlhian & Beumetz à Paris, a giant four-glass mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel and Brocot regulation adjustment to the pendulum, signed on the backplate A. Carlhian & Beumetz à Paris along with the serial number 11904, the two-piece white enamel dial having a visible escapement with jewelled pallets, black Roman numerals and blued steel moon hands, the large four-glass case having black marble top and base and brass pillars and doors, height 47 cms.
Lot 932
J.Ullman, a French enamelled four-glass mantel clock: the eight-day duration movement striking the hours and half-hours on a gong, with a Brocot pendulum regulation adjustment, the backplate stamped with the trademark for Japy frères à Paris along with the serial number 10363, the round gilded dial having black Roman numerals, with a surround of cut brilliants, the centre decorated with coloured floral swags and having decorative blued steel hands, the brass four-glass case with champlevé enamel decoration inset to the pillars, base and top, with gilded flying pillars to each side and surmounted by an enamelled cast urn, height 37 cms.* Biography J. Ullman & Co are recorded as being retailer jewellers with outlets in Hong Kong, Shanghai, and Tieintsin, China from before 1890 until at least 1900.* For details of Japy frères see lot no. 929
Lot 940
Samuel Marti, Paris, an ormolu mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the mark of the maker Samuel Marti à Paris along with the serial number 342 with the name of the retailer C.F. Petit, Establishment du Paris, the round white dial having black Roman numerals, blued steel trefoil hands and bezel set with white and red brilliants, the ormolu case of waisted form with floral and rococo cast decoration, standing on a cream marble base, height 26 cms (not including base)* Notes For details of Samuel Marti see lot no. 935
Lot 937
Samuel Marti a Paris, A four-pillar mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped with the trademark of the maker Samuel Marti a Paris, the round white enamel dial having black Roman hour numerals, decorative coloured floral swags between and decorative gilt-brass hands, the pink verigrated marble case having four pillars with cast-brass capitals, decorative gilt-metal mounts, the base standing on gilt-metal feet, height 29 cms.* Notes For details of Samuel Marti see lot no. 935
Lot 927
A Victorian French carriage clock: the eight-day duration movement having a platform lever escapement and striking the hours and half-hours on a gong with push repeat of the last hour, the backplate stamped Paris along with the serial number 1651, the ivorine chapter ring having stylised Arabic numerals with decorative blued steel hands and with a decorative mask, the brass case with beaded corners, scalloped moulding to the top and base and a fluted handle, height 18.5 cms (handle up) 16 cms (handle down). Complete with a wooden travelling box.
Lot 204
A GEORGIAN STYLE MAHOGANY FRAMED LONG CASE CLOCK, the broken scrolled pediment above the glazed case revealing brass dial black Roman numerals and foliate pierced corner mounts between an octagonal Corinthian column sides, the trunk decorated with an oval inlaid classical urn on outset base,210cms x 59cms x 25cms
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460315 item(s)/page