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Lot 404
A Royal Crown Derby rounded rectangular trinket tray, 1128 pattern, solid gold band, first quality; an 1128 pattern oval trinket box and cover, second quality; a Mason's Mandalay pattern mantel clock; Aynsley Pembroke, a Somerset pattern mantel clock; a George V Royal Doulton Silver Jubilee 1935 commemorative pot and cover; Royal Crown Derby Posies pattern; qty
Lot 24
DUTCH OAK CLOCK DRESSER 18TH CENTURY the moulded cornice above a shaped frieze, with a central moulded arch cupboard fitted with a longcase clock flanked by open shelves; the 10 inch brass dial signed 'Humpiennens, Haels, Orven', the twin-train movement striking a bell; the base with three drawers over a shaped apron, raised on five cabriole legs with moulded pad feet 168cm wide, 205cm high, 51cm deep Provenance: Property from a Scottish country house
Lot 29
18TH CENTURY the breakarch brass dial with silvered chapter ring with Roman numerals and pierced spandrels, signed on a silvered roundel to the arch ‘In Chapman, Sheerness’, with solid brass side doors, mounted on an oak bracket with breakarch backdoor, the twin train cord weight driven movement with verge escapement and fixed short bob pendulum, striking on a bell the clock 13cm wide, 23cm high, 12cm deep Provenance: Property from an East Lothian deceased estate
Lot 309
VICTORIAN CARVED OAK QUARTER CHIMING TABLE CLOCK, BY CLERKE, LONDON 19TH CENTURY the silvered arch dial with Roman numerals, signed ‘Clerke, 1 Royal Exchange, London’ and numbered ‘5030’, engraved foliate spandrels, the arch with subsidiary ‘Chime/Silent’ and ‘Westminster Chimes/Chime on Eight Gongs/Chime on Eight Bells’ dials, the large bell top case with carved female mask foliate pediment, the front flanked by carved acanthus caryatids, the sides with pierced foliate grills, on a breakfront plinth base with bracket feet, triple train chain fusee movement, striking the full hour to a large coiled blued steel gong, chiming the quarters to either a pin wheel activated nest of eight coiled blued steel gongs or nest of eight bells, the backplate also signed ‘Clerke, Royal Exchange, London’ and numbered ‘5030’ 44cm wide, 65cm high, 31cm deep The Estate of Sir John and Lady Clare Keswick at Portrack House, Dumfriesshire
Lot 342
FRENCH LOUIS XVI GILT BRONZE AND WHITE MARBLE MANTEL CLOCK BY LEPINE CIRCA 1780 the white enamel dial with black Arabic numerals and Arabic quarter markers, signed in puce ‘Lepine, A Paris’, the white marble pendule d’officer style case with beaded door with rose branch bow swag below, surmounted by a figure of winged Cupid descending on billowing clouds to greet a figure of Venus with two doves between them, mounted on a white marble inverted breakfront plinth base with acanthus moulding, the front with a classical frieze of putti, on front toupie feet flanked by two pairs of column base feet, the twin barrel movement with silk suspended pendulum and outside countwheel, striking on a bell, the backplate signed ‘Delaruelle AParis’ 32cm wide, 39cm high, 14cm deep There is a limited corpus of known Lepine clocks from the same period with a similar composition to the present clock, all featuring a pair of gilt bronze figures representing allegories of love flanking the case incorporating doves. A similar model, signed Lépine, can be seen in the collection of the Residenzmuseum, Munich, another housed in identical case can also be found at Château de Fontainebleau [See Hans Ottomeyer and Peter Pröschel, “Vergoldete Bronzen”, 1986, p. 248, pl. 4.6.13]. That model also features an allegory of Cupid, this time in the guise of a putti, descending from the opposite side. The modelling and chasing of the clouds is nearly identical to the present clock and the framing of the figures around the case is similar. Another similar model, signed Lépine, resides in the Collection of the Louvre Museum, Paris, and came from the collection of Queen Marie-Antoinette [See P. Kjellberg, La pendule française du Moyen-Age au XXe siècle, Les Éditions de l’Amateur, 1997, p.251 (pendule C) et 246 (pendule A), Archives nationales O13510)]. That model represents the “Return of Love" and shows figures of a winged putti offering a dove to a young maiden arranged in a similar posture around the clock. Both of those signed Lepine examples have very similar dials to the present clock, with the style of both the Arabic numerals and the signature near identical.Jean-Antoine Lépine (1720-1814), was one of the most important Parisian clockmakers of the second part of the 18th century. He was appointed clockmaker to both King Louis XV and Louis XVI, to whom he supplied a large number of clocks to the Palais royaux. Lépine was also patronised by the French aristocracy as well as the Spanish, British and Swedish royalty. Lépine initially worked as an “ouvrier libre”, then became a master on March 13, 1762, and taking over the stock of his colleague Caron, who held the title of Horloger du Roi et du Garde-Meuble de la Couronne. Having settled in the rue Saint-Denis in 1756, the place Dauphine in 1772, the rue des Fossés Saint-Germain-l’Auxerrois in 1777, and then the rue des Vieux-Augustins during the Revolutionary period, Lépine led one of the most productive and renowned workshops of the reign of Louis XVI. He was also very aware of integrating scientific excellence with aesthetic beauty and thus only used cases by the finest bronziers such as Jean-Baptiste and Robert Osmond, Etienne Martincourt and Jean-Rémy Carangeot as well as the ébénistes Balthazar Lieutaud and Nicolas Petit and also employed the services of the gilders Noël, Martin and Henry. Lépine’s attention to detail also included the dial face, his early dials only had Arabic numerals for the hours and minutes. This was one of Lépine’s specialities, which he continued to use until about 1789 when he reverted back to the more usual combination of Roman and Arabic numerals.In the late 18th century there were two clockmakers named De La Ruelle that were active in Paris. The first being André De La Ruelle (born in 1740), was apprenticed in 1754, registered his letters of mastery on October 13, 1762 and set up his workshop on rue Saint-Martin from 1772 to 1789 (See P. Verlet, Les bronzes dorés français du XVII siècle, Paris, 1999, p. 435). The second, Nicolas De Là Ruelle, seems to have started his career at the end of the reign of Louis XV and set up his workshop successively in Enclos des Quinze-Vingt, rue Croix des Petits-Champs and rue Richelieu at the Revolution.
Lot 186
VICTORIAN GOTHIC REVIVAL CARVED OAK QUARTER CHIMING BRACKET CLOCK BY WILLIAM ROSKELL & CO, LIVERPOOL, 19TH CENTURY the cream enamel dial with Gothic Roman numerals, signed ‘Wn. Roskell & Co., Liverpool’ and numbered ‘2684’, with a ‘Strike/Silent’ level to the top, the architectural case with Gothic spire surmounted with three trifid berry finials and Gothic tracery, flanked by quatrefoil columns on a plinth base with bracket feet, the triple-train chain fusee movement striking on a coiled steel gong and chiming on a nest of eight bells 38cm wide, 77cm high, 20cm deep
Lot 360
FRENCH LOUIS PHILIPPE GILT AND PATINATED BRONZE PORTICO CLOCK MID 19TH CENTURY the gilt Roman numeral dial with moon hands, the architectural case with a stepped pediment on Gothic arches frieze, supporting a cylinder case with foliate bezel flanked by Corinthian columns, raised on a rectangular plinth base cast with further Gothic arches panels, on gilt bracket feet, the twin-train movement with outside countwheel striking a bell 52cm high, 26cm wide, 15cm deep Provenance: Property from an East Lothian deceased estate
Lot 357
LATE 19TH CENTURY the porcelain dial with Roman numerals, the centre mask with a landscape scene with gilt borders and jewelling, the case surmounted by a twin lion ring handled urn, flanked by porcelain columns, on a shaped base with porcelain panels in beaded borders with toupie feet, further mounted on a purple velvet and giltwood stand and an associated large oval glass dome, the twin train movement signed ‘Hy. Marc, Paris’ and stamped Japy Freres, striking on a bell the clock 26cm high, 46cm wide, 12cm deep
Lot 157
SCOTTISH LATE REGENCY MAHOGANY LONGCASE REGULATOR CLOCK, BY WILLIAM ANDERSON, ST ANDREWS EARLY 19TH CENTURY the breakarch hood surmounted by three turned urn finials, enclosing a 12 inch silvered circular dial with Roman numerals, subsidiary second and date dials, signed ‘Anderson, St. Andrews’, with moon hands, the trunk with glazed arched door and moulding, flanked by fluted quarter columns, on a panelled plinth base with bracket feet, the twin- train movement with anchor escapement, striking a bell 214cm high, 44cm wide, 23cm deep Note: William Anderson was born 1790 and died 1867. His place of business is listed as South Street, St Andrews. In trade listing he is mentioned as a watchmaker and dentist.
Lot 226
VICTORIAN BRASS SKELETON CLOCK, WILLIAM BISHOP, BOND STREET 19TH CENTURY the silvered chapter ring with Roman numerals and signed 'William Bishop, Bond Street', held in a Gothic spire skeleton frame with visible movement, the single train chain fusée timepiece movement with anchor escapement, on an oval ebonised base with bun feet and a glass dome 29cm wide, 34cm high, 16cm deep (including dome) Provenance: Property from an East Lothian deceased estate
Lot 328
Schuco group of large scale clock work cars - Including (1) Schuco Matra-Ford Formel 1 1074 430PS 330 km/h; (2) Schuco 1081 Porsche Targa 911S; (3) Mercedes 250 SE - Good Plus to Excellent unboxed and re-issue old timer Mercedes Tim plex anno 1902 - Excellent to Near Mint in Good Plus box along with 5 spare keys and 2 spanners (see photo) - (7)
Lot 776
A Meissen mantel clock, late 19th century, a putto with a bow and quiver holding a torch, seated by a quadrangular timepiece decorated with applied garlands of flowers and oak leaves above a dial surrounded by a laurel garland, the pierced surmount with two pigeons, all raised on a quadrangular classical footed base decorated with a guilloche border centred with an acanthus leaf, blue crossed swords mark, incised 'F.36' to the base, some damages and repairs, 30cm high.
Lot 112
19th century gilded metal two train mantle clock in the form of a Carpisoned Indian Elephant with Mahout, having ceramic Roman numerals and French brass drum movement. Overall 44cm high approx. On wooden base. Lacks pendulum or glass dome. (B.P. 21% + VAT) No obvious damage - painted not gilded. No key - no dome.
Lot 127
Large 19th century French ormolu figure mounted two train mantle clock, the arched top surmounted by two cherubs, ceramic Roman face marked 'S Mayer', the case inset with painted French porcelain panels on a separate gilded base with ebonised platform, French brass drum movement . The clock overall 49cm high approx. complete with pendulum, no bell. (B.P. 21% + VAT) Very grubby - no glass - no obvious damage. Key, pendulum and bell. No dome.
Lot 115
Early 20th century bronzed metal globe clock, having single train movement with gilt Arabic numerals, exposed pendulum and two dancing cherub supporters, on alabaster base. 26cm high approx. complete with key and pendulum. (B.P. 21% + VAT) Overall good condition - a little grubby and minor wear in places.
Lot 126
19th century two train black slate drum head mantle clock with ceramic Roman face, having exposed escapement, scrolled base with visible pendulum behind glass panel. French brass drum movement strikes on one bell. 43cm high approx. (B.P. 21% + VAT) Door OK and intact on its hinges. No Key. Ticks.
Lot 411
FOUR VARIOUS DIALS FROM MILITARY CRAFT, a novelty pocket watch and a small quantity of inert bullets, the dials include a clock in a black case with a Royal Crown in the reverse, a MOD AMP meter 2400 LAP, a 8 day small clocl, the pocket watch comes ina white metal closed face with a ship on the cover, the dial is white with black numbers, the inert bullets are loose and in packets, the dials and the pocket watch have not been tested
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460327 item(s)/page