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A repeating carriage clock, early 20th century, lacquered brass with 2.5 silvered dial, having a ring of Arabic numerals, the movement striking on a blue coiled gong, stamped no. 9409 to the back, the case with bevelled glass panels between quarter baluster moulded corner pilasters under a leaf moulded swing handle, 16cm high, with original leather covered carry case and numbered key
A George III thirty hour longcase clock, oak, the 12 brass dial signed ‘Ezek Hughes, Machynlleth’, with outer ring of Arabic numerals, inner ring of Roman numerals and date aperture, within pierced scrolling leaf spandrels, the hood with turned tapering front corner pilasters over a long shaped trunk door, flanked by quarter fluted pilasters on a box base, lacking feet, 204cm high
A Victorian single fusee wall clock, rosewood mother of pearl inlaid, the 12 circular enamelled dial signed ‘Shepherd, Walsall’ with ring of Roman numerals, lacking glass to the door, and an octagonal frame over a rectangular glazed pendulum aperture, flanked by scrolling leaf mouldings (a/f), 75cm high
A Victorian eight day longcase clock, oak, the 14 square painted dial signed ‘Owen Thomas, Festinog’, with ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels and centre painted with summer blooms, the hood with swan neck pediment and moulded front corner rectangular pilasters over a short trunk door on a box base and cut out plinth, 211cm high
A late Victorian bracket style chiming mantel clock, mahogany, the 7 arched brass and silvered dial with ring of Arabic numerals under three subsidiary dials for chime and silent, slow/fast adjustments and Whittingham chimes and Cambridge chimes, the key wound movement striking on eight graduated bells and five coiled gongs, the case of architectural form with scrolling leaf pediments flanked by turned urn finials, over an arched bevel glass door, flanked by three quarter fluted pilasters, 58cm high
An eight day longcase clock, mid 19th century, oak crossbanded mahogany, the 14 arched painted dial signed ‘Benj Evans, Chester’, with outer ring of Arabic numerals, inner ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels painted with summer blooms and strawberries under a rolling moon (face indistinct), the hood with swan neck pediment over fluted front corner pilasters, above a crossbanded long trunk door and box base, with later skirting, lacking feet mouldings, 225cm high
An eight day longcase clock, 19th century, mahogany, the 12 arched painted dial indistinctly signed with ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels painted in the Chinese taste, the arch painted with a conch shell, the hood with swan neck pediment over slender baluster turned front corner hood pilasters, above a long arched trunk door, on a box base and cut out plinth, 212cm high
A Victorian eight day longcase clock, mahogany, the 14 arched painted dial with ring of Roman numerals, subsidiary seconds dial and date aperture with painted architectural ruins to the spandrels under an arch painted with central figure between a lion and lioness, the hood with swan neck pediment and turned front corner hood pilasters, over a short trunk door on a box base and ogee moulded bracket feet, 230cm high
A George V blue chinoiserie cased mantel clock with eight day movement striking on a gong, the silvered dial with Roman numerals and inscribed 'Chas Frodsham, 27 South Molton St, London', the rectangular case with pagoda shaped top decorated with figures and buildings, on bracket feet, height approx 23cm.
A 20th Century Continental longcase clock with eight day chiming movement playing 'Whittington' and Westminster' Chimes, the gilt brass square dial with pierced scroll and mask spandrels and silvered chapter ring with black Arabic and Roman numerals, the case with stylized scallop shell surmount above a glazed door with reeded sides, on a rectangular base and bun feet, height approx 198cm.
A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with pierced spandrels, and silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and inscribed 'Geo Green, Cirencester', the hood with moulded top above turned pilasters, plain trunk and base, height approx 206.5cm. (See illustration)
A George III oak longcase clock with thirty hour movement, the painted square dial with black Roman numerals, date aperture and inscribed 'W. Lancey, Wivelscombe', the hood with arched pediment above a glazed door, the trunk door with mahogany crossbanding on a plain base and stepped plinth, height approx 197cm (faults).
A mid/late 19th Century French bronze and rouge marble mantel clock with eight day movement striking on a bell, the circular brass dial with Roman numerals, the rose encrusted drum case flanked by a reclining maiden wearing draped robes, on a cavetto shaped rouge marble base, length approx 52.5cm. (See illustration)
A George III oak longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals and inscribed 'Thos Vurley Wisbeach', beneath a flower festoon to arch, the pagoda top hood with glazed door and fluted pilasters above an arched trunk on a plain base and bracket feet, height approx 215cm. (See illustration)
A late 19th Century Black Forest carved softwood cuckoo wall clock, with eight day double fusee movement, the circular dial carved with leaves and applied with bone Roman numerals, the case with pitched roof top above a rectangular case and shaped apron with overall carved fruiting vine decoration, height approx 68cm (lacking cuckoo and faults).
A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with silvered chapter ring inscribed 'Thomas Ramsbottam', framing subsidiary lunar calendar and date dial, cornered by pierced gilt scroll and urn spandrels, the case with carved decoration and rectangular trunk door on bracket feet, height approx 219cm (faults and alterations). (See illustration)
A mid to late 19th Century red tortoiseshell boulle cased mantel clock with eight day movement striking on a bell, the cast relief moulded brass dial inset with enamel hour plaques with blue Roman numerals, the balloon shaped case with cherub finial above a mask, glazed lenticle and applied foliate scrolls, terminating in scroll feet, height approx 41cm (minor faults). (See illustration)
A mid/late 19th Century red tortoiseshell boulle cased mantel clock with eight day movement striking on a bell, the backplate stamped 'Pert Bally Brevete a Paris', the enamel dial with Roman numerals, Arabic minutes and inscribed 'Martin & Co, Paris & Cheltenham', the balloon shaped case with flower cluster finial above a mask, glazed lenticle and applied foliate scrolls, on scroll feet, height approx 30cm (some faults). (See illustration)
A 19th Century red tortoiseshell boulle cased mantel clock with eight day movement striking on a bell, the silvered dial with Roman numerals and inscribed 'Fearn a Paris', the case decorated with engraved brass flowers and scrolling foliage, formed as a drum with pineapple finial above a scroll support on a rectangular pedestal and scroll feet, height approx 26cm (some faults). (See illustration)
A George III mahogany bracket clock with eight day double fusee movement striking on a bell, the gilt breakarch dial with strike/silent indicator above a silvered chapter ring with black Roman numerals and Arabic minutes, framing a matt gilt centre with mock pendulum aperture, date aperture and applied silvered plaque inscribed 'Robt Thorne London', framed by pierced gilt foliate scroll spandrels, the backplate floral engraved, the case with caddy top above a moulded pediment and glazed door, flanked by brass carrying handles and glazed panels on a rectangular base and brass bracket feet, height approx 48cm (faults). (See illustration)
An 18th Century brass thirty hour bell strike clock movement, the break arch dial with single hand and alarm setting disc framed by a silver chapter ring with Roman numerals and lozenge half hour marks, beneath a silvered boss inscribed 'Philip Greathead, London', surrounded by mask and scroll spandrels, the later mahogany wall clock case with glazed door, dial width approx 14cm.
A late 19th Century oak cased mantel clock with eight day movement striking on two gongs, the square brass dial with slow/fast and chime/silent indicators above a silvered chapter ring with Roman numerals, the backplate stamped 'W & H Sch' (Winterholder & Hofmeier), the case with glazed door flanked by Corinthian capitals and fluted pilaster on an inverted breakfront base, height approx 37cm.
A pair of Langley Ware pottery vases, each ovoid body painted with a riverside landscape within incised foliate scrolls, impressed factory marks to bases, together with a 19th Century Continental porcelain clock and stand surmounted by cherubs, a Tunstall jasper ware biscuit barrel and a collection of decorative ceramics (faults).
A George III mahogany longcase clock, the hood with Pagoda top and fretted panel at front with side brass decorated pillars, the trunk with arch top long door and quarter column sides on square base with applied panel, the 12 inch arch brass dial signed Jno Taylor, Bath with silverised chapter ring and Roman and Arabic numerals and lunar calendar and phase of moon in arch with seconds and date indicators, the eight day movement striking on a bell with pendulum and two brass cased weights, 256cm high
A Victorian carved oak longcase clock, the hood with glazed door, the trunk deeply carved with ribbons, flowers and fruit, the 12 inch arch brass dial with strike/silent in arch and Roman numerals, signed Thomas Sone, Fareham and date and seconds indicators, the eight day movement striking on a bell, 250cm high

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460327 item(s)/page