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Lot 16
An eight day Essex longcase clock with pillared arched hood and decorated with brass finials, the painted arched dial bearing Roman Numerals, painted pheasants at each spandrel and with reclining child above, inscribed WATKINS - MANNINGTREE, the mahogany trunk of rich colour, with quarter Corinthian columns, Gothic-arch door and cantered base, 85ins high (216cms)
Lot 43
A late 19c French garniture de cheminee in ormolu decorated with blue champlevee enamel. The clock element takes the form of a blue enamel urn supported by two cherubs on a rectangular plinth supported by four gilt feet. The urn has side handles and knop finial and is decorated in ormolu ribbons and garlands. The 3.5""diam gilt dial has an enamel centre and the circular movement has a silvered lever platform escapement and is rack striking on a bell. The side elements take the form of enamel pot pourri urns and covers and are supported by putti standing on circular bases with four gilt feet, the clock stands 17"" tall and the side urns 12"" tall.
Lot 44
A late 19c French garniture de cheminee in black polished slate and bronze. The clock element consists of a rectangular slate base containing the clock, with bronze paw feet and foliage side handles, surmounted by a good figural bronze of Thetis by Emile Hebert. She is depicted resting on an anvil with her sword and shield by her whilst she applies her leg armour. The 4""diam dial is bronze with gilt applied numerals and the movement rack strikes on a bell. The side elements have similar black slate bases supporting bronze Greek classical urns with applied masks forming the handles, the clock element stands 24"" high overall and the urns 15"" high.
Lot 45
A late 19c French boullework bracket clock in waisted case decorated with ormolu mounts and surmounted by a vase of fruit and flowers, the 4""diam gilded dial has inset enamel numeral plaques with blue Roman numerals, below the dial is a glazed aperture decorated with an ormolu mask through which the sunburst pendulum can be viewed. The circular movement is rack striking on a bell, 13.5"" tall overall.
Lot 49
A late 19c French mantel clock in tortoiseshell case with ormolu mounts. The case is rectangular with glazed side windows and a central rectangular dome top surmounted by a gilt carrying handle. The case corners are surmounted by ormolu finials and the base has a cast gilt outstand around it with gilt feet. The 4.5""diam white enamel convex dial bears the name `Planchon, A Paris` and has Roman numerals with Arabic outer minute numerals and fancy gilt hands. The movement bears the same name and is countwheel striking on a bell, the clock stands 13"" tall.
Lot 50
An unusual mantel clock with arched brass dial signed T Agius Melitae (Malta) fixed to a posted iron frame with brassed sheet side and rear covers, sitting on a wooden base with arcaded carving to the sides. The dial has a five sided arch and it is engraved all over with foliage, animals and birds and baskets of fruit and has an applied engraved chapter ring engraved with the above name. The case now contains a 19c British double fusee bracket clock movement rack striking on a bell, 13"" tall overall.
Lot 51
A late 19c English fusee dial clock, the 12"" flat white iron dial signed `Jump,London` and having Roman numerals and spade hands. The single fusee movement has rectangular plates, straight pillars and is chain driven. It is contained in a plain mahogany case with spun brass bezel and is 14"" diameter overall.
Lot 52
A mid 19c Black Forest wall clock with 9""diam white painted wooden dial, cast brass bezel and mahogany surround. The wooden frame movement has going, strike and alarm trains and has wooden arbors to the wheelwork. It has a long pendulum and two brass weights (alarm weight and striking bell missing), dial and surround 12.5"" diameter overall.
Lot 57
A late 18c eight day longcase clock, the 12"" arched silvered dial signed William Marsh, London and having strike/silent (mechanism removed) and seconds dials (the date aperture has been filled). The five pillar movement has rack strike and anchor escapement and brass bound weights and brass pendulum rod. It is contained in a black lacquered case with full arched hood and plain columns flanking the dial. The trunk door is divided into two transfer printed scenes, the top one of a shepherdess and her flock and the lower showing a domestic scene of a couple, these are divided by gold lacquered floral and geometric panels. The door has a raised edge London type moulding and the base has another transfer panel showing a bird and floral display. The clock has a plain plinth and stands 85.5"" tall.
Lot 58
An early 19c eight day longcase clock with 12"" square painted dial having florally painted corners and seconds and date rings. The dial centre has been re-painted and bears the spurius name Thomas Moore, Ipswich. It is contained in an oak case with swan neck pediments to the hood with a central ball and spire finial and the plain columns flanking the dial. The trunk has plain quartered columns and a long trunk door with wavy top and the base has an applied rectangular panel with indented corners and a wavy plinth, 85.5"" tall.
Lot 59
A mid 18c eight day longcase clock, the 12"" arched brass dial signed David Rivers, London and having a matted dial centre, scroll spandrels, date and seconds rings and a strike/silent in the arch (disconnected). The five pillar movement has rack strike and anchor escapement and the original bell strike has been converted to a gong in the back of the case. It is contained in a black lacquered case with chinoiserie decoration, the arched hood is surmounted by a pagoda top and has attached columns flanking the dial. The long arched trunk door has chinoiserie decoration of pagodas and trees and at the base a horseman. The base panel shows two lions and the base has a double plinth, 91"" tall overall.
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