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An early George III flamed mahogany longcase grandfather clock by Joshua Harrocks of Lancaster, c.1760, dental pediment, above circular pilaster supports, square aperture, brass and silver face and dials, roman numerals and date aperture, above more dental pediment, platform base with carved bracket feet. 207cm H
sponsor's mark Henry Charles Freeman, with London import marks for Sterling silver, 1935, of rectangular form and decorated all over in brick red enamel, with two piano hinged covers, the first with black enamel thumbpiece and spring release to reveal a pop-up clock with unsigned cream coloured square dial, Arabic numerals and secondary seconds register, the second with mirrored interior and plain thumbpiece to reveal two inner compartments each with engine turned and hinged covers, one with black enamel interior and cork lined lid, the other with gilded interior, 4.3ozt gross (Dimensions: h: 1cm w: 9cm d: 4cm )(h: 1cm w: 9cm d: 4cm )
circa 1829, the outer (and inner) case by James Heales with Birmingham hallmarks for Sterling silver, the lid activated via a push button, the open faced pocket watch with unsigned white annular dial, 48mm diameter, black Roman numerals, gold coloured spade hands and chemin de fer chapter ring, engraved brass centre floral design and the brass edge to the dial engraved, 'Keep me clean and use me well and I to you the truth will tell', the signed front loading mechanical key wind fusée movement ornately engraved and numbered 1159, with pierced and engraved balance cock, gross weight 167.7g and presented with the winding keyFootnote: Other notes: Samuel Maddock was born around 1780 and was one of the famous Maddock family of clock and watchmakers of Winsford.
circa 1909, the front lid with blue enamel Arabic numerals and chemin de fer chapter ring, the signed white dial, 40mm diameter, with black Arabic numerals, blued spade hands, subsidiary seconds register and chemin de fer chapter ring, the signed mechanical crown wind movement additionally marked 'Watchmaker to the Queen', with hand setting button at 4 o'clock and onion shaped winder, the case, 48mm diameter, faintly numbered and with London hallmarks for 18ct gold, the cuvette similarly marked, gross weight 108gFootnote: Other notes: Established in 1814 by Edward J Dent, the company created precision chronometers to navigate the Royal Navy, and guide some of the most intrepid explorers on their voyages. In addition to making the Standard Clock at the royal Observatory, Greenwich, which keeps 'Greenwich Mean Time', Dent also made the clock for the Houses of Parliament, familiarly known as 'Big Ben'.
circa 1943, type Bo UK1, version 5, the unsigned black dial, 55mm diameter, with cream coloured hands, dot minute track with Arabic numerals at 12, 3 and 9, subsidiary minute register and chronograph centre sweep, rotating bezel with seconds/minute track, the crown wind mechanical movement, calibre J 30 BZ, with crown located at 6 o'clock and brass chronograph stop/start/reset button below, hand setting lever at 5 o'clock, the black case with grey coloured bayonet fitting back cover, stamped on the copper plate to the reverse ‘698217’ and presented with a simple aftermarket wood and metal desk standFootnote: The Bo-Uk-FI 23885 Blindfluguhr (blind-flight or instrumental flight) clock was used in the Messerschmitt ME BF 109 and specifically designed for low visibility flight. Although simple in appearance, it provided the pilot will all the necessary information for flying in more challenging conditions. The flight time was registered at take off by selecting the hour with the rotating bezel. The chronograph or timer had multiple uses, including use for the approach to land with no visibility, calculating airspeed and keeping track on fuel usage. The minute register records up to 15 minutes, the approximate amount of flying time left after the 'low fuel' warning lamp illuminates. This clock was an essential piece of kit for the pilots, who were instructed to remove it if they had time after an emergency landing, before leaving the wreckage. During the time the Me109 was in production, 5 models of this clock were used, some with brass bezels, others with bakelite. Fully wound, the Bo UK 1 has power for 36 hours.
OMEGA; a gentleman's vintage stainless steel wristwatch, the circular dial set with Arabic quarter markers and batons, with Omega brick link bracelet, diameter excluding winding crown 3.2cm.Additional InformationSurface scratches to the glass and the case, the clock ticks when wound but no guarantee of this being in working order, the bracelet is now quite loose due to wear.
A George V hallmarked silver cased travel clock, the circular white enamel dial with Arabic numerals and subsidiary seconds dial, maker's mark EFG, Birmingham 1911, height 11cm.Additional InformationThere is a 1cm hairline crack to dial, further spotting dirt and some rubbing to the numeral detail, numerous dents to the case with further scratches and nicks, the hands look like replacements, other than that no obvious replacement parts, does not run, feels overwound, mechanism will need attention.
A circa 1900 miniature brass carriage clock, the white enamel dial set with Roman numerals and the back plate stamped 'ACG' and no.058, height 9cm.Additional InformationPresented with a winding key, some tarnishing throughout and some surface rubbing. The balance wheel moves freely when gently shaken.
GURKHA INTEREST; a good and large late 19th century oak eight day mantel clock with carved case, arched dial set with silvered chapter ring, chime/silent, slow/fast, and Westminster chime subsidiary dials, the twin fusee movement striking on eight bells and with presentation plaque inscribed 'Presented to Lieut.Thor. Philipps. 5th. Goorkha Rifles by his Brother Officers on the occasion of his marriage 9th Sept 1891', height 58cm.
A late 19th century French alabaster and gilt metal eight day mantel clock, the circular chapter ring set with Arabic numerals and with exposed movement within, the base set with twin classical figures raising laurel wreaths flanking blue and gilt painted ceramic roundel, movement to back plate no.30, height approx 33cm, with shaped blue velvet lined and gilt painted stand. Additional InformationThe mounts have been regilded, not tested, no guarantee of working order, some relatively minor chips and nibbles to the alabaster, there is no backplate covering the movement to the reverse, the fabric of the stand somewhat tired, also the border and gilding fairly worn.
A circa 1900 French veined marble and brass three-piece clock garniture, the drum head eight day clock with white enamel dial set with Arabic numerals flanked by a pair of urns, height of clock 35cm.Additional InformationHeight of clock 34cm, width 21cm, depth 12cm. Dial with some rubbing to the details as well as small nibbles and chips to the dial rim with a hairline crack above the 12 numeral. Further surface scuffs, marks, dirt. Some small chips to the body, mostly to the rear section and some tiny nibbles to the front./ The applied gilt metal mounts are all quite loose in their fittings. General tarnish and wear to the metal work. Both garnitures with several cracks in the stone and both with quite large cracks to the upper sections. Runs when wound, but no guarantees that this is in working order.
A French Art Deco marble and slate mantel clock, the square dial set with Roman numerals set between two applied floral panels, height 14cm.Additional InformationHeight 13.5cm, width 21.5cm, depth 5.3cm. Ticks when would but no guarantees that this is in working order. Dial with discolouration and the dial surround is similar. All the applied metal mounts with quite heavy discolouration and the upper mount is set an an angle and off-centre. Some small chips to the clock body.
An early 20th century onyx mantel clock, with gilt metal applied urn finial and handles, the circular dial with Arabic numerals, height 43cm (af).Additional InformationHeight 43.5cm, width 25cm, depth 12.2cm. We have wound but it is not running. Chime mechanism has not been tested. The dial is completely at fault. It has been cracked throughout and crudely repaired. There is a crack running through the top section and further cracks and some small chips. Both the handles are quite loose in their fittings and the right handle especially. No visible maker's stamp on the rear plate, only a retailed label for Bryans of Disley. The rear plate is numbered 44.
RICHARD HORNBY OF OLDHAM; a 19th century oak cased longcase clock, the brass dial with applied filigree decoration to each corner and central moon phase, set with Roman numerals and subsidiary seconds dial, height 204cm.Additional InformationThe right segment is loose and could be glued back in place, though there would still be a split, re: general condition, not tested and there is no guarantee of working order, some quite heavy marks and blackening to the dial, hands probably replaced, spandrels similarly replaced, the glazed door to the movement possibly replaced again, there is a matching colour to the columns, this feels quite heavily varnished, there is the additional usual general wear and tear throughout with some chips, loss to mouldings, tarnish to brass, scuffs and scrapes, the right hand column is very loose in its fitting, the visible part of the moon phase also appears very dirty.
An early 19th century longcase clock movement, with painted dial set with Roman numerals, subsidiary seconds dial and date aperture, signed 'Row Griffith Llanrwst', diameter 36cm, now housed in a modern glazed display cabinet on a square section wooden base.Additional InformationDial crazed throughout with losses to painted details throughout and some surface losses, numerous losses to signature, numerals and further detail, not tested, no guarantee of working order, some repainting including probably to the birds, dirt, discolouration, replacement hands, general wear and tear.
Ash-Tree Press. A collection of 37 titles, Ash-Tree Press, Penyffordd, Chester/Ashcroft, British Columbia, 1996-2005, including Randalls Round, by Eleanor Scott, 1996 (limited edition 36/500), The Executor and Other Ghost Stories, by David G. Rowlands, 1996 (limited edition of 400), The Black Reaper, by Bernard Capes, edited by Hugh Lamb, 1998 (limited edition of 600), The Haunted Chair, by Richard Marsh, edited by Richard Dalby, 1997 (limited edition of 500), and The Clock Strikes Twelve and Other Stories, by H.R. Wakefield, 1998 (limited edition of 500), light toning to some spines, else all fine and limited editions (Qty: 37)

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460315 item(s)/page