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AN MID 19TH CENTURY MAHOGANY LONGCASE CLOCK, with eight day movement, the circular brass dial with second dial, the arched hood with fretwork pediment surmounted by gilt metal finials and with spirally turned angle pillars, the trunk with short rectangular door flanked by spirally turned quadrant pilasters, the plain base on bracket feet. Dial Width.12". Width 14.5". Height 86".
A MID 19TH CENTURY NORTH WALES OAK AND WALNUT LONGCASE CLOCK, with 8 day movement, the arched painted dial with phases of the moon, second dial, calender aperture and roman numerals, signed "Thomas Evans, Bangor", the hood with swan neck pediment, the turned half pillars on the door flanked by similarly turned free standing pillars, the trunk having a short rectangular door with octagonal moulded panel above a similar panel, with vase turned angle pillars, the base also panelled, on bracket feet. Dial Width. 13.5". Width 18". Height 90".
A MID 18TH CENTURY OAK LONGCASE CLOCK, with thirty hour movement, the square brass dial with rococo spandrels and roman numerals, the square hood with turned angle pillars, the ogee arch moulded trunk with a similarly arched long door, the base now with a projecting square panel. Dial Width 9.5". Width 12". Height 85".
An Early 20th Century French Spelter & Coloured Marble Clock Garniture, the Timepiece with single train movement, the ceramic dial floral decorated and with arabic numerals, the rectangular case surmounted by a female figure with grapes, and raised on foliate scroll feet, Height 24", the two Side Pieces in the form of urns, on similar bases, Height 18". (3)
AN EARLY 20TH CENTURY ARCHITECTURAL POLISHED SLATE AND COLOURED MARBLE MANTEL CLOCK, the eight day movement half hour striking, the dial with exposed escapement and arabic numerals, contained in a drum shaped case above a glazed front enclosing a mercury compensated pendulum, on a rectangular base. Height 18.5". Width 15".
A LATE 19TH CENTURY FRENCH POLISHED SLATE & BRONZED SCULPTURAL MANTEL CLOCK, by Martin Baskett, Martin, Paris, the two train movement half hour striking on a bell, the circular white enamel dial with roman numerals, contained in a rectangular case surmounted by a seated bearded figure with sword and book. Height 21". Width 11".
A GEORGE III WALNUT & EBONIZED BRACKET CLOCK, by Joseph Williams, London, the twin fusee movement hour striking on a bell, the back plate engraved overall with foliate scrolls, birds and figures, the arched brass dial with convex label inscribed with makers name, gilt metal spandrel, the silvered chapter ring with roman numerals, the centre with mock pendulum and calendar apertures, contained in a domed case, the sides and back glazed with brass carrying handle, raised on gilt brass ogee bracket feet. Height 17.5". Width 11.5".
An early 19th century oak longcase clock, the broken swan-neck pediment above a pair of columns and a rectangular trunk door, the panelled base with plinth, the square white painted dial signed Elliott and Son, Ashford, with subsidiary seconds and date dials, the single train brass movement with anchor escapement and outside countwheel with passing strike on a bell, (base damaged), 202cm high
Mahogany and brass mounted longcase clock, circa 1910, in George III style, the arched hood mounted by three ball finials above an arched trunk door flanked by stop fluted canted corners, on a moulded panel base and bracket feet, the circular white painted dial inscribed Maple & Co Ltd London, with roman hour numerals and silent strike lever, the two train brass movement with anchor escapement striking half hourly on a gong, 210cms high
A large German oak mantel clock, early 20th century, of architectural form, the carved pediment above a pair of fluted plasters within faux brickwork borders, on a plinth base and block feet, the rectangular brass dial with silvered chapter ring and subsidiary silent chime and slow/fast dials, the two train brass movement striking on two gongs, 45cms high
A George III Scottish mahogany and line inlaid longcase clock, the flat topped hood above a rectangular trunk door and a panelled base on a moulded plinth, with marquetry reserves of thistles, a parrot and a stag, the 14inch painted dial with subsidiary seconds and date dials, decorated with a scene depicting the death of the Duke of Wellington to the arch, the two train movement with anchor escapement striking on a bell (restored) 212.5cms high
A George III stained mahogany and fruitwood banded longcase clock, the arched hood with gilt painted frieze above a pair of columns, the trunk with arched door above a panelled base on bracket feet, the 13 inch arched painted dial with subsidiary seconds dial and date aperture and a moon face to the arch, the two train brass movement with anchor escaspement striking on a bell, (restored) 221cms high
A George III north country mahogany long case clock, the eight day striking movement with 14 inch white enamel dial with moon face and date apertures, the hood with brass mounted broken swan neck pediment over a tole paint shell frieze, the trunk with double arched door between reeded jams, the box base with canted corners on ogee bracket feet, 232cms
A fine quality 19th century repeater and alarm carriage clock, the gilt brass 5ins gorge case fitted 8 day movement striking on half hour gong, the front plate with engraved scrolls. Circular white enamel above subsidiary alarm dial, complete with original morocco leather case - by Chas.Frodsham & Co. (19134)
19th century oak cased German bracket clock, the architectural shaped top with turned finials, above a glazed door, gilt brass dial and corner spandrels, the silvered chaper ring engraved R.H. Halford and Sons, Fenchurch Street, London. The 2 train movement, strinking on 2 gongs. Stands 12ins.
DICKENS (CHARLES) MASTER HUMPHREY'S CLOCK, 3 vol., illustrations by George Cattermole and Hablot Browne, frontispieces, illustrations, slight thumb markings to fore-edges, original ribbed, embossed cloth, gilt, faded, extremities worn, spine ends chipped, 1840-41; Our Mutual Friend, 2 vol., illustrations by Marcus Stone, slight foxing to plates, original embossed cloth, spine gilt, corners bruised, extremities frayed, spine ends chipped, 1865, FIRST EDITIONS IN BOOK FORM, 8vo & 4to (5).
Dickens (Charles) Master Humphrey's Clock, 3 vol. in 1, first edition in book form, woodcut frontispieces and text illustrations, contemporary half calf, spine gilt with double morocco labels, 1840-41; Little Dorrit, first edition, engraved plates by H.K.Browne, slight preliminary staining, ownership signature scored out on front free endpaper, bookplate, contemporary half calf, rebacked, morocco label, 1857; The Nine Christmas Numbers of All the Year Round, contemporary half calf, spine gilt with double morocco labels, n.d. (c.1870); The Life and Adventures of Nicholas Nickleby, portrait and engraved illustrations by H.K.Browne, bookplate, ownership signature on front blank, contemporary half morocco, spine gilt, n.d. (c.1880); and 6 others, by and about Dickens, 8vo (10).

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460327 item(s)/page