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Lot 1630
Antique chiming German bracket clock with gilt decorated face single brain movement and walnut case CONDITION REPORT: Clock winds and ticks. Chime does not appear to work but vendor assures us the clock is in good working order. Time keeping unchecked. Various slight use wear to corners and very slight paint spots. Varnish crazed in places. Keys are present.
Lot 260
An Empire ormolu mantel clock, the eight day brass drum cased movement, with an outside countwheel striking on a bell, with silk suspension, the white enamel annular dial with Roman numerals, with a scale centre, the case modelled with Arion playing the lyre and riding a dolphin, above a relief tablet depicting Arion escaping from the pirates to be saved by a dolphin, 53cm high, 36.5cm wide. Provenance: The Collection of Sir Jeremy Lever.
Lot 250
A late 19th century French repeating carriage clock with alarm by Drocourt, with a platform lever escapement striking the hours and half-hours on a gong, the backplate stamped with 'D G' flanking a clock and the numbers '9574', the white enamel circular dial with Roman and Arabic numerals, inscribed 'HOWELL JAMES & CO. TO THE QUEEN, LONDON & PARIS', above a subsidiary alarm dial, the gorge case decorated with a blue enamel ground with white flowers and leaves, with five glazed bevelled panels, 13.5cm high, with an associated leather travelling case. (2) See Derek Roberts, Carriage and other Travelling Clocks, p.179, fig.11-4 for a similar clock.
Lot 230
An 18th century black japanned longcase clock by Joseph Grey of Durham, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the arched dial with a silvered chapter ring and seconds dial, with Roman and Arabic numerals, with a date aperture, with scrolling foliage, masks and dolphin spandrels, signed 'JOSPH GREY DURHAM', the case decorated in gilt with chinoiserie scenes of figures, birds, pagodas and trees, with blind-fret carved panels and giltwood urn finials, 260.5cm high. Provenance: W. A. Pinn & Sons, Sible Hedington, Essex, 5th March 1990. Baillie records Joseph Grey as working before 1756 and died in 1768.
Lot 256
A Louis Philippe mahogany portico clock by Stevenard of Boulogne, the eight day brass drum movement with an outside countwheel striking on a bell, the backplate signed and numbered '1955', the circular brass dial with Roman numerals, signed 'STEVENARD BOULOGNE', within a moulded leaf border, the flame veneered conventional case with four columns and applied ormolu mounts, 42.5cm high.
Lot 254
A late 19th century French rouge griotte marble mantel clock, the eight day brass cased drum movement with an outside countwheel and striking on a bell, the backplate numbered '629' and with a pastille for 'A. D. MOUGIN', the circular dial with Arabic numerals and signed 'Hre PACQUIER', the case with an urn surmount and with lion's masks issuing garlands, on paw feet, 49cm high.
Lot 236
A mahogany bracket clock, the later eight day brass movement with a verge escapement, with an arched brass dial, with a silvered chapter ring with Roman and Arabic numerals, with cast gilt brass foliate spandrels and signed 'Nath. Style London', the bell-top case with a brass handle, with fret carved spandrels, solid sides and back door, 18th century and later, 51.8cm high, 29.5cm wide.
Lot 237
A George IV mahogany mantel clock by Roskell of Liverpool, the eight day brass movement with four turned pillars and an anchor escapement striking on a gong, the painted dial with Roman numerals and signed 'ROSKELL LIVERPOOL', in a leaf, flower and scroll carved pagoda shape case, on scroll feet, 59.5cm high, 45.6cm wide.
Lot 259
An Empire ormolu mantel clock by Beijar, the eight day brass cased drum movement, with an outside countwheel striking on a bell, with silk suspension, the enamel dial with Roman and Arabic numerals with pierced hands, signed 'N. F. Beijar a Mons', the case depicting the toilet of Venus, with Cupid holding a mirror, with a hinged box and other accoutrements, the front with relief decorated tablets with a pair of griffins and cupids, applied with palmettes, on claw and ball feet, 47.9cm high, 39cm wide. Provenance: The Collection of Sir Jeremy Lever.
Lot 255
A late 19th century French gilt metal mantel clock, the eight day brass movement with an outside count wheel and striking on a bell, the backplate stamped 'BLOT & DROUARD PARIS 965', the brass circular dial applied with blue enamel Roman numerals, the case in the form of two classical maidens supporting a globe decorated with the signs of the zodiac, on a black marble plinth base, 53cm high, 41.3cm wide.
Lot 228
A George III mahogany longcase clock by John Smith of Chester, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the arched dial with a silvered chapter ring, with Roman and Arabic numerals, the recessed centre with a subsidiary seconds dial and date aperture and engraved with scrolling leaves and flowers and with an eagle, with gilt brass foliage and mask spandrels, the arch with a painted moonphase, with figures gazing at sailing ships and signed 'JOHN SMITH CHESTER', with a swan neck pediment with eagle brass ball finials, above a shell and verre eglomise panels and Corinthian capital columns, with a conforming trunk, with a crossbanded and a panelled plinth, 242.5cm high.
Lot 229
A George III mahogany longcase clock by William Smith of London, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the arched dial with a chapter ring and seconds dial, with Roman and Arabic numerals, with a date aperture, with scrolling foliage, urn and dolphin spandrels, with strike/silent dial, signed 'Wm Smith LONDON', the arched pagoda hood with brass finials and a later fretwork panel, above a moulded edge trunk door and a plinth base, 248.5cm high.
Lot 227
A George III mahogany bracket clock, the eight day brass twin fusee movement with a verge escapement and striking on a bell, with a painted arch dial with Roman numerals and subsidiary calendar and strike/silent dials, the case with brass mounts and a swing handle and glazed fret carved side panels, 37.8cm high, 26.2cm wide.
Lot 255A
A late 19th century French marble and ormolu mounted clock garniture, the eight day brass cased drum movement with an outside countwheel striking on a bell, stamped 'PARIS THREE STARS' and numbered '569', the white enamel dial with Arabic numerals, the Louis XVI style case in the form of a temple, with a cherub surmount, together with a pair of twin-light candlesticks, 44.6cm high. (3)
Lot 145
A George III oak and mahogany longcase clock, the 28cm brass dial with silvered chapter ring inscribed Ashton, Ashburn (sic) Roman numerals, date aperture, 30-hour movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist centred by an oval shell patera, bracket feet, 207cm high, c.1800The signature is that of Samuel Ashton the younger born at Macclesfield 1828, apprenticed to father at Tideswell 1742-49, and moved to Ashbourne c. 1750, leaving his brother Aaron to succeed to their father's business at Tideswell. The two son,s Thomas and Martin, the former working from Tideswell and the latter in partnership with his father from 1791 and his successor until his own death in 1829 [Craven, M & Hughes, R G 'Clockmakers & Watchmakers of Derbyshire' (Mayfield 1998) 57-58.] Condition Report: Generally good. Dial and movement associated with case.
Lot 493
Richard Hackett of Harringworth. A George III mahogany longcase clock, square brass dial with embossed urn spandrels, circular dial bearing Roman and Arabic numerals, date aperture, two train eight day movement with bell strike, the case with brass embellished open neck pediment, over a hood with fluted columns, plain trunk and base raised on bracket feet. 220cm H, 47cm W, 23.5cm D
Lot 57
A French late 19thC gilt metal mantel clock, the circular porcelain dial painted with flowers and Roman numerals, eight day French movement with bell strike, the case with a figure of a girl holding floral sprigs, raised on a scrolling base inset with porcelain panels, on a wooden stand, 34.5cm high.
Lot 108
A group of Mason's ironstone pottery, comprising a mantel clock, hydra jug and two further jugs decorated in the Mandalay Red pattern, cylindrical dressing table box and cover decorated in the Blue Mandalay pattern, 19thC trumpet vase decorated with birds and flowers, and plates, etc decorated in the Regency pattern. (qty)
Lot 258
An Empire ormolu mantel clock by Le Roy of Paris, the twin train eight day brass drum cased movement with an outside countwheel striking on a bell, with silk suspension, the circular annular enamel dial set within a chariot wheel with the movement visible through the spokes, with Roman numerals and signed 'LEROY PALAIS ROYAL No.114 A PARIS', the classical case depicting Minerva standing holding her shield, riding the lion chariot Diomedes, the plinth base applied with wreaths, the corners modelled as fasces with halberd finials and with a central scene of classical figures in a landscape setting, 45.5cm high, 49.2cm wide. Provenance: Purchased at a Christie's House sale. The Collection of Sir Jeremy Lever. Basile Charles Le Roy (1765-1839) founded The Maison de Le Roy in 1785 at Palais Royal in La Galerie de Pierre, Paris and was well known for producing fine quality clocks to the aristocracy and wealthy elite. He was the Master Clockmaker to Napoleon and worked for the King of Westphalia, Princess Pauline and the Duc de Bourbon. See Elke Niehuser, French Bronze Clocks, p.69.
Lot 263
A Napoleon III ormolu cartel clock in Louis XV style, the eight day brass cased drum movement striking on a bell, the backplate stamped 'A1' and numbered '7220' also stamped 'MEDAILLE ARGENT 1855 VINCENTI & CIE', the circular white enamel dial with Roman and Arabic numerals, with pierced scroll hands, the case in the form of a winged Chronos or Father Time figure holding a scythe and with a cherub surmount, 83cm high. Provenance: Published in Augsburg. The Collection of Sir Jeremy Lever.
Lot 266
A Louis XVI Sevres biscuit porcelain mantel clock, the eight day brass cased drum movement with an outside countwheel striking on a bell, with silk suspension, the enamel dial with Roman numerals within a leaf cast bezel, the white and lilac case with Venus seated on a tasselled cushion accompanied by Cupid, above an ormolu relief tablet decorated with flowers and cherubs, with impressed interlaced 'S' mark and 'W', 44.3cm high, 25cm wide. Provenance: Purchased from Gavin Douglas, Fine Clocks. The Collection of Sir Jeremy Lever.
Lot 264
An Empire ormolu mantel clock by Claude Galle, the eight day brass cased drum movement with an outside countwheel, striking on a bell, with silk suspension, the circular enamel dial with Roman numerals and signed 'Galle Rue Vivienne No. 9', the case surmounted with Apollo with his lyre, bow and quiver of arrows seated beside a flaming urn, the dial surround decorated with a snake, insects and lyres above a relief tablet depicting Apollo and Daphne, on lion's paw feet, 53.7cm high, 38.8cm wide. Provenance: The Collection of Sir Jeremy Lever.
Lot 248
A French gilt brass oval carriage clock, with a platform lever escapement, the enamel rectangular dial with Roman numerals and inscribed 'DREW & CO. 156 & 157 LEADENHALL ST. LONDON E.C. FRENCH MADE', the case with five bevelled glass panels, late 19th / early 20th century, 12.4cm high, together with it's leather travelling case. (2)
Lot 226
A late Regency mahogany quarter striking bracket clock, the eight day brass movement with four turned pillars and an anchor escapement, striking two bells, one for the hours and one for the quarters, the 12in painted dial with Roman numerals and worn maker's signature, the oversize case with an inverted bell shape top with a brass ring handle and a nulled edge above brass acorn finials, the front carved with corner rondels, leaf spandrels and quoins, on carved paw front feet, possibly Irish, 58.1cm high, 39.5cm wide.
Lot 265
An Empire ormolu mantel clock by de Verberie, the eight day twin train brass cased drum movement, with an outside countwheel striking on a bell, with silk suspension, the white enamel dial with Arabic numerals, pierced hands and signed 'de Verberie', the case depicting allegories of music and theatre with a classical lady playing the lyre accompanied with a cherub holding a Punch puppet and a mask, above a central tablet with caryatid figures supporting swags and garlands flanked by classical figure on a white marble plinth, 52cm high, 41.5cm wide. Provenance: The Collection of Sir Jeremy Lever.
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460327 item(s)/page