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A 19thC French mantel clock, with elaborate marble gilt metal case, surmounted by quill and garland, above a four sided glass section, on scroll feet, holding a 11cm Dia. dial, signed HII MARC Paris, Roman numeric dial, pendulum swung movement striking on a bell on the hour and half hour, no. 4173, 49cm H.
A late 19thC Gustav Becker walnut cased Vienna wall clock, of rectangular form, with urn and sun patera finial, quarter columns and gadrooned under section, with a three part glazed case housing a 19cm Dia. Roman numeric dial marked GB, with subsidiary Arabic second hand, 8-day movement with twin weights, 112cm H.
A George III oak longcase clock with automaton by George Hewett of Marlborough, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the arched twelve inch dial with a silvered chapter ring and centre, with Roman and Arabic numerals, the centre with subsidiary seconds dial and date aperture and engraved with a church, figures, trees and buildings, signed 'George Hewett MARLBORO', the arch with a 'TEMPUS FUGIT' automaton figure with a painted landscape, with a gilt dolphin and shell Rococo spandrels, the arched hood with brass ball and eagle finials, on bracket feet, 227cm high. Provenance: The estate of the late Professor Rodney Fitch CBE. Items removed from Court House, Aldbourne, Wiltshire, the interior designed by Robert Kime.
An early 19th century mahogany watch stand, inlaid with stringing and brass mounts, the triple arched top above baluster ring turned supports, later mounted with a 1920's car clock by Watford, inscribed 'NORTH & SONS LTD. WATFORD & LONDON', 20.9cm high. 20cm wide. Provenance: 'A Lifetime of Collecting'-The property of a gentleman.
A George III mahogany repeating bracket clock by John Taylor of London, the eight day brass movement with a verge escapement and striking on a bell, with a pull-repeat, the backplate engraved with Rococo scrolls and leaves, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals and with an inner date ring, with a matted centre and a recessed panel, inscribed 'John Taylor London', with Rococo spandrels and a conforming strike / silent dial, the bell top case with a brass handle and cone finials, the sides with pierced gilt brass panels decorated with terms, cherubs and foliage, 47cm high.
A brass lantern clock, the eight day brass twin fusee movement with an anchor escapement and striking on a bell, with a circular dial with Roman numerals and an engraved centre, signed 'Smorthwaite Colchester', the case with urn finials and pierced fret panels, the front engraved with dolphins, on ball feet, early 18th century and later, 37.2cm high.
A late 19th century French pink marble and ormolu clock garniture in Louis XVI style, the lyre shape clock with an eight day brass movement striking on a bell, the backplate stamped 'MADE IN FRANCE 31911', with a painted enamel dial with Roman and Arabic numerals and swags of flowers, the case with a Sun God mask surmount, above a paste jewel ring pendulum, together with a pair of naturalistic four-light candelabra with satyr masks, 46.7cm high (max). (3)
A Regency mahogany chiming bracket clock, the eight day brass three train movement with an anchor escapement and a two inch cylinder striking on eight bells, the re-painted dial with Roman numerals and signed 'J. Sharp Fish Street Hill London', the arched case inlaid with brass with a cone finial, fish scale panel sides and brass carrying handles, on ball feet, 58.9cm high
A late 19th century French white marble and ormolu clock garniture in Louis XVI style, the lyre shape clock with an eight day brass movement striking on a bell, the backplate stamped 'FRANCE 43423', with a painted enamel dial with Arabic numerals, the case with a Sun God mask surmount, above a paste jewel ring pendulum, together with a pair of naturalistic three-light candelabra with satyr masks, 36cm high (max). (3)
A modern French brass repeating carriage clock by L'Epée, with a platform lever escapement striking on a gong, the backplate stamped 'Made in France', the white enamel dial with Roman and Arabic numerals, with a subsidiary alarm dial, signed 'L'Epée, Fondée en 1839 Saint Suzanne France', in a corniche case with Corinthian capital columns, 16.5cm high. (2)
A late 19th century French boulle marquetry mantel clock in Louis XIV style, the eight day brass movement striking on a bell, the backplate stamped 'A1' and '9348 48', the circular brass dial with Roman enamel numerals, the arched ebonised case with a cherub finial and cut-brass panels, 39.5cm high.
λ A late 19th century French boulle marquetry mantel clock in Louis XV style, the eight day brass drum movement striking on a gong, stamped '47704 A & N PARIS' and with a pastille stamped 'A. D. MOUGIN', the enamel dial with Roman and Arabic numerals, the Rococo tortoiseshell and brass marquetry case with a dragon finial, 31cm high.
A Victorian oak architectural bracket clock by James Williams, Castle Street Liverpool, the architectural pediment with brass frieze and turned finials surmounts a gilt dial set with Roman numerals and silvered chapter ring, above a Gothic frieze and with mounted plaque stating 'Presented to Mr James Scott of the Cunard Office staff on the occasion of his marriage, 21st June 1894', height 43.5cm. CONDITION REPORT Small chips from both finials and from around the rear door clasp, piece of the classical pediment missing.
A Christie & Wilson maritime bulkhead clock, the dial set with Roman numerals and subsidiary seconds dial, with single-train movement, diameter of dial 17cm, with brass stand, overall height 45cm (2). CONDITION REPORT No matching holes, this is a marriage, enamel dial does not run. The works are no accessible, thought not to be a fusee movement.
A late 19 th century French cast metal mantle clock with hand painted porcelain mounts, the powder blue porcelain dial with white apertures accommodating black Roman numerals, decorated throughout with gilded and polychrome floral borders with vignettes painted with putti, 37 cm high, 21 cm wide.
A George III oak cased eight day long cased clock by Winstanley of Holeywell, with a swan neck pediment above reeded free standing columns flanking a brass dial with painted rolling moon movement, the dial centred with subsidiary second and date dial and signed with makers name, the case with a shaped door flanked by reeded, 200cm high.

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460327 item(s)/page