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A 19th Century French Oak Longcase clock, the white dial inscribed "Brehier, a Sartilly" Brass Surround, the case with an arched hood, carved and pierced top, inlaid decoration carved throughout, contrasting inlaid marquetry and parquetry throughout, complete with weights, joined construction
A 19th century oak and mahogany longcase clock, the arched dial painted with landscape scene, supporting eight day movement striking on a single bell, with seconds subsidiary and calendar painted Hurt and Wray, Birmingham. The case with quarter length door crossbanded flanked by half turned pilasters. 223cm
A 17th Century brass lantern clock by Deodatus Threlkeld (1658-1723), Newcastle, circa 1680, strapped bell over urn finials, foliate frets, turned columns and ringed ball feet, the top plate with hoop over a pair of spikes set into the column bases, the 6.25 inch Roman numeral chapter ring with D. Threlkeld, Newcastle engraved with foliate decoration, the weight driven movement with two independent wheel trains, the later restored verge escapement with balance wheel control and countwheel strike on the bell. 36cm HDeodatus Threlkeld did his apprenticeship with London clockmaker Abraham Fromanteel at the age of 14 until he was 21, then he set up his own business based in Newcastle in 1680. His business outwitted competitors with Threlkeld’s craftsmanship and his shrewd business skills, the likes of John Davies, George Carter and John Carter in the early years of Threlkeld’s business.
A 19th Century Fruitwood and gilt quarter chime bracket clock by Tiffany & Co model 393, mounted with pointed floral in classical urn finials to each corner, flanked with side handles above pierced grills, with arched glazed panel door enclosing a silver chapter and gilt metal 8.5inch dial engraved with Arabic numerals, twin wind-up movement holes, flanked by fluted outset columns on plinth base, arch glazed rear door enclosing one gong and four chime with pendulum and key. 48cm H x 31cm W x 21cm D
A 19th Century and later mahogany 8-day longcase clock by D Sutherland Keith, arch form 12 and quarter inch silvered dial, Roman and outer Arabic five minute Numerals, subsidiary seconds dial over date aperture, flanked by twin wind up keyholes, above a moulded panel door enclosing weights, pendulum and key present, raised on carved bracket feet. 207cm H
A 19th century oak 30-hour longcase clock, by Bullen of Hempnall, circa 1860, scrolling broken pediment, on a 12inch square dial, Roman numerals, Arabic subsidiary seconds over date aperture, flanked by turned brass topped pillars, above carving of a head on trunk door enclosing weight and pendulum present. 197cm H
A late 19th Century French gilt spelter and porcelain mantle clock, porcelain urn finial, above a 3.5inch dial, roman numerals, twin 8 day movement keyholes, flanked by a beaded frame, over a painted porcelain plaque of a loving couple, raised on serpentine base, mounted with a glass dome. 43cm H (50cm H with glass dome) x 33cm W (41cm W with glass dome)
A George III mahogany crossbanded 8-day longcase clock, circa 1820, three brass mounted hawk on globe finials, flanked by a scrolling swan neck broken pediment, above an arched hood, enclosing a painted dial of female figures in country scene, Roman numerals, subsidiary seconds dial with Arabic numerals and date aperture, inscribed as Westons, Newark, flanked by brass capped twisted pillars, arched crossbanded trunk door and case with conforming skirted base. 223cm H
A George III revival brass mounted ebonised quarter chiming bracket clock, unsigned, chiming graduated nest of bells and an hour gong, brass urn finials and brass foliage mounts on a moulded top, above an (18cm H x 12cm W) arched brass dial with matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, foliate scroll cast gilt spandrels beneath arch incorporating subsidiary chimes or silent and chime on eight bells/Cambridge chimes, flanked by pierced handles, above foliate sound frets, winged by brass female cherubs on foliate decoration to the angle, on a plinth apron raised on scrolling feet. 41cm H x 21cm W x 16cm D
A George III oak, satinwood and olivewood crossbanded 8-day longcase clock by D Hastings, Alnwick, circa 1770, scrolling swan neck pediment inlaid with foliage brass decoration, centred with a brass eagle on globe finial, over arch glazed hood enclosing with a 12 and a quarter inch brass dial, mounted foliage spandrels and silver chapter, engraved with makers name, Roman numerals and Arabic minute numerals, subsidiary dial, twin 8-day keyholes, flanked by brass top fluted columns, above a moulded panel door with shell decorated satinwood strung throughout, enclosing a pendulum and two weights with keys, flanked by quarter fluted columns, moulded plinth apron, raised on ogee feet. 237cm H x 47cm W x 23cm D
A Regency mahogany and brass inlaid 8-day bracket clock by James Bidlake, London, striking to a bell, circa 1790, brass handle top mounted on a moulded top, flanked by brass finials on a moulded edge, above a glazed door flanked by brass foliate decoration, enclosing an arch dial (24cm H x 16.5cm W), strike/silent dial above Roman hourly numerals with Arabic outer minutes, engraved with "James Bidlake, London", over a date aperture flanked by twin 8-day movement keyholes, pierced brass sound panels, raised on a moulded plinth on ogee brass feet. 48cm H x 29cm W x 21cm D
A George III oak and mahogany 8-day longcase clock by Jesse Torkington, Newcastle under Lyme, circa 1775, moulded cornice above a square form glazed hood, enclosing a 13inch brass dial, mounted with foliage spandrel, silver chaptered ring engraved with Roman numerals and quarter an hour Arabic numerals, subsidiary seconds dial, engraved with the makers name and town, twin wind up keyholes, date aperture, flanked by fluted brass top columns, over a single panel door, above a skirted base, raised on carved bracket feet. Note:Jesse Torkington was an apprentice to John Whitehurst (Derby) in 1762. Torkington was active from 1762 working in Newcastle under Lyme in Staffordshire until 1789, then worked in Whitchurch in Shropshire until 1799.
A 19th century pot lid featuring an image of Queen Victoria and the phrase 'England's Pride', together with a lidded pot from F. & R. Pratt & Co Fenton, Manufacturers to HRH Prince Albert, decorated with the interior view of the Crystal Palace, another lidded pot depicting children skating, and a novelty clock

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460315 item(s)/page