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Click here to subscribeCartier, a travel alarm clock, no. 35512240, the polished brass case with a folding front cover and red lacquered baton details, the white dial with blued steel hands, the bezel with red enamel Roman numerals, 7 jewel Swiss quartz movement cal. ETA 926311, the case 65mm long, in an associated red leather Must De Cartier box, with instruction booklet
Cartier, an onyx and gilt quartz alarm clock, circa 1990, no. 901700999, the shaped square onyx case with gilt metal handle and bezel, the white dial with wave pattern, black Roman numerals and luminous tipped hands, Cartier Swiss quartz movement, on a rectangular foot, the case 9cm high, with an instruction booklet
A silver gilt mounted tortoiseshell travel clock, the case by William Comyns & Sons, London 1916, the French brass timepiece movement with integral folding winding key, the white enamel 1 3/4in dial with Roman numerals dial with blued steel spade hands, in a rectangular tortoiseshell case with silver gilt handle, hinge and ball feet, 11.5cm (4 1/2in) high
Asprey, a Swiss silver and guilloche enamel miniature travel clock by the Geneva Clock Co., import marked for London 1924, sponsor`s mark of Stockwell & Co. (George Stockwell), retailed by Asprey & Co., the Swiss 8 day timepiece movement with lever platform escapement, 11 jewel bimetallic split balance, flat balance spring and integral winding key, the plain backplate with a steel winding mechanism, blued steel screws and signed JTC within a double lozenge, no. 56622, the 3.5cm white enamel dial signed ASPREY, black Roman numerals, gold dot minute index and blued steel spade hands, the rectangular case with light grey sunburst guilloche enamel, the stepped block feet with foliate scrolls, the interior gilt, the case stamped J T C within a double lozenge, G.C.Co. and numbered 10546, 6.5cm (2 1/2in) high in a green leather covered lined travel case from Asprey, 166 Bond St., London, 8.5cm (3 3/8in) high
An Edwardian silver miniature travel clock, the case by William Comyns & Sons, London 1908, the French 8 day timepiece movement with lever platform escapement, with integral winding key, the 3.5cm white enamel dial with black Arabic numerals and blued steel spade hands, the rectangular case with engraved chequering overall, the interior gilt, on bun feet, 6.5cm (2 1/2in) high with handle down
A fine and impressive late Victorian mahogany musical longcase clock the gilt arched dial with silvered Roman chapter ring, subsidiary seconds at noon, matted gilt centre, pierced foliate and dolphin spandrels, chime/silent and Whittington/Westminster chime dials to arch, the eight day movement striking on nine tubular bells, the ornately carved case with arched moulded cornice on pierced foliate scroll canted pilasters, the hood with shaped scroll edge door, fretwork grilles to sides (one a/f), the trunk with glazed scroll astragal door, flanked by spiral reeded, foliate and turned columns, the base with scroll fielded panel enclosing a lion mask, on ogee bracket feet, 94½in. (240cm.) high, 26½in. (67.25cm.) wide.
A chinoiserie decorated mantel clock early 20th century, brass movement with platform escapement, no.81728`, in green lacquered case with stylised oriental decoration in raised gilt, arched top with gilt brass swing handle, silvered and engine turned Roman numeral dial, on inverted saucer feet, 8¼in. (21cm.) high.
A green onyx and ormolu portico clock garniture late 19th century, the clock with porcelain dial signed `Paris 86 Rue de Rivoli`, with enamelled swags of flowers and Arabic numerals, supported within a portico beneath an urn of gilt bronze flowers and flame urn finials, the break bow fronted base on five gilt toupie feet, the gilt movement striking on a bell, signed `A. Chapus, Paris, A La Gerbe D`Or, Rue de Rivoli, 86`, and numbered 21159, with sun mask pendulum, 18½in. (47cm.) high, together with a pair of matching two branch garnitures on stepped square bases, 13¾in. (35cm.) high. (3)
A Jaeger-Le-Coultre `Marina Bees Black` Lucite Atmos clock the case of upright rectangular form with gilt metal frame, clear lucite front, side and top panels, these panels over a black ground inset with gilt painted bees with silvered wings, hovering over and among fine gilt budding flowers and grasses, the signed matted white dial with applied arabic numerals at 3, 6, 9 and 12, 9¼in. (23.5cm.) high, contained in original case, complete with original instruction manual.
A Regency mahogany quarter chiming eight day bracket clock circa 1820, the circular white painted dial with Roman numerals and plain twin fusée movement striking the quarters on nine bells, within a rectangular case with brass mounts, the stepped top with gilt brass urn finial, the front with gilt brass mounted panelled spandrels within fluted borders, floral rosette ring handles and pierced gilt brass grilles to sides, on gilt brass ball feet, 20in. (51cm.) high.
A miniature brass carriage clock second quarter 20th century, the plain lacquered brass case with turned swing handle. white enamel Roman dial, single train movement with platform escapement and integral key, marked `J F French Movement`, 2 3/8in. (6cm.) high excluding handle, in the original maroon leather travel case. * Condition: In very good condition. Minor scratching to underside. In working order. Case in good condition, with rubs to leather on corners.
A gilt brass eight day carriage clock early 20th century, with Anglais Riche case with fluted columns and unusual raised light to the top, scroll swing handle, white enamel Roman dial, twin train movement with platform escapement, coil strike on the hour and half hour, signed `R & Co Made in Paris`, 4¾in. (12cm.) high excluding handle. * Condition: Chip and associated hairline crack to top left corner of dial. Some tarnish spots and rubbing to gilt on case. Chip to one corner of glass to top. Movement in working order. With key.
Victorian figured walnut drop dial wall clock, white painted dial, Roman chapters, double fusee movement with anchor escapement and shaped plates striking on a top bell, in a case with carved leaf scroll brackets, length 68cm. *See clocks and watches proviso. Condition report: ticks, winds, strikes the hour; hour hand mis-shapen; with winding key and pendulum but lacking the suspension. Case good, bezel has old gold paint.
L`Epee French brass carriage clock, 20th century, white enamel dial with subsidiary day, alarm set and date rings, gilt platform with compensation balance, hour repeat on a coil, in a gorge case, height 15.5cm (with winding key). *See clocks and watches proviso. Condition report: Ticks, winds and adjusts; strikes and repeats.; knob missing from back door. Serial number 00116264 ,"Made in France"
George III mahogany longcased clock, brass dial with painted rolling moon, silvered Roman chapter ring with Arabic minutes and dates, the field engraved with huntsmen, four pillar movement striking the hour on a bell, the backplate engraved No 67, in a swan neck hood with glass panels, fluted columns, on a quarter column trunk and cut corner plinth, height 220cm (pendulum and two weights). *See clocks and watches proviso.
Oak longcased clock banded in mahogany, signed Thos Holmes, Cheadle, painted dial with rolling moon, Roman chapters, seconds dial and date aperture, eight day movement, in a swan neck hood on quarter-column trunk and cut corner plinth, height 216cm (pendulum and two weights). *See clocks and watches proviso
William Speakman, London, a double basket top three train bracket clock, the ebonised case with 4 turned finials above and repousse gilt metal mounts, the 7inch (18cm) dial with winged mask spandrels, mock pendulum and date aperture, silvered chapter ring, signed to a rectangular brass strip above the dial, having verge escapement, chime silent lever, the well engraved backplate signed `Wm Speakman London`, chiming and quarter repeating on a nest of 5 bells, the upper left backplate corner cut to accommodate the hammers, pierced heart-shaped pallet cock, all upon 4 disc feet. *William Speakman was apprenticed in 1654, and free of the Clockmakers Company in 1661, and Master in 1701 43cm (17in) Condition report: Some alterations / work have taken place on this clock. It has been suggested that the clock may originally have been a simple timepiece, later adapted to a three train movement and dial. The engraving of the signature above the dial is not of the same quality as the backplate signature, and may be later added. The striking and chiming needs some attention, but was working quite recently. The case looks to be old. The clock is therefore being offered `as seen`. Provenance: According to a hand written note, this clock was bought at Sothebys, lot 65, sale 4 October 1968. Note: for a clock by Speakman of similar design, see Skinner, Boston, sale of November 2, 2013, lot 284
A Regency mahogany triple pad top bracket clock signed Thomas Holmes Cheadle, the silvered one piece dial signed in the arch above two subsidiaries, wavey hands, Roman numerals, three train fusee movement chiming and repeating on 6 bells, the backplate signed to a curved plate, with brass scale side fret panels, folding carrying handle above, on ogee bracket feet, 43cm (17in)
William Wright of Cambridge, a Regency stained wood and brass inlaid bracket clock, the typical rectangular case with brass finial above 8inch (20cm) painted signed dial, the shaped top backplate also signed and with engraved border, the twin fusee movement lacking holdfast screw, adjustable pendulum, pull repeat cord, raised on four ball feet, 47cm high. Provenance: Formerly the property of Henry Franklin (1877-1950), Mayor of Cambridge in 1929-30, one foot is loose; one or two empty holes to plates; signs of previous repairs to movement and age wear to case
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