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Click here to subscribe18th Century Longcase Clock, the brass arched dial inscribed., "John Moore, Warminster", with secondary seconds dial and date aperture, the centre engraved with insects and scrolls, with cast and embossed spandrels and with moon phase in the arch, eight-day movement, contained within an oak case, with arched hood and door with moulded edge and on a plain base, 200cms, (6’7"). Footnote: John Moore is recorded as working in Warminster from 1780 to 1800.
19th Century Longcase Clock, with painted square dial, inscribed, "Jno Tasker , Falkingham", secondary seconds dial and date aperture, the spandrels painted with gilt conch shells, eight-day movement, contained within an oak case, swan neck pediment, the hood with inverted tapered columns, above an arched panelled door, on a plain base, 218cms, (7’2"). Footnote: The name Tasker is recorded as working at Falkingham circa 1780.
19th Century French Table Clock, the porcelain dial with Roman numerals, interspersed with painted floral swags, Continental movement and contained within a tortoiseshell and ormolu mounted balloon-shaped ------ with cartouche shaped glass panel exposing pendulum and on a square base, 44cms, (17").
Early 19th Century Longcase Clock, with square painted dial, inscribed, "Rea, Walton" and with secondary seconds dial, eight-day movement and contained within an oak case, the hood with dentil cornice, inverted tapered fluted pilasters, the door with rosewood crossbanding and central star inlay in satinwood and ebony, on a an associated base and bracket feet, 219cms, (7’3").
A George III Oak Longcase Clock, the square hood with chequer line inlays above a panel door with central star inlay, and above a conforming plinth base, the 29cm silvered chapter ring with Roman and Arabic numerals upon a brass dial with second subsidiary dial, the 30 hour movement by John Adams Hayles Owen See Illustration
A LONGCASE CLOCK by Lawrence Shakeshaft, Preston, the thirty hour movement with square dial painted with bird and flowers and with Arabic and Roman numerals, in oak case with mahogany and parquetry banding and stringing, broken pedimented top on turned columns, arched door with inlaid festoons over, and flanked by quarter columns with marquetry patera, canted panel base and bracket feet, 87" high (Illustrated).
A LONGCASE CLOCK by John Ellerby, Ashburn, the eight day movement with arched dial painted with flowers and with printed moonphase, in mahogany and crossbanded case, with stringing and parquetry banding, scrolled pediment with verre eglomise panels on fluted columns, arched door flanked by fluted pilasters, canted base with shell marquetry patera, on bracket feet, 93 1/2" high (Illustrated).
A LONGCASE CLOCK by William Smith of Huddersfield, the eight day movement with arched dial painted with a huntsman, game and spaniels, secondary dial, in mahogany and crossbanded case with scrolled cornice on baluster turned columns, canted trunk with arched door, the base with recessed circular panel, shaped apron and splayed feet, 94" high.
AN ART DECO BRONZED METAL AND BLACK MARBLE CLOCK GARNITURE comprising clock with eight day movement having oblong silvered dial mounted on a black marble disc with shaped brown marble supports and flanked by a figure of a semi nude male hunter kneeling and holding a spear, on oblong base, 30 1/2" wide, and a pair of bronzed urns to match.
A SMALL VIENNA TYPE WALL CLOCK, the eight day spring driven movement with two piece enamel and gilt metal dial, in glazed walnut case with turned finial on broken pediment, recessed pendulum panel flanked by brackets, the shaped base with spindle arcade turned finials and pendant, late 19th century, 29 1/2" high.
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