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Lot 2511
Original vintage travel advertising poster for the small town of Draguignan in southern France located between the Mediterranean Sea and the Alps (Entre Mer et Montagne), also famous for its clock tower, its dolmen, its closeness to the Verdon river and its impressive canyon, all depicted in the colourful design by Peyon. Draguignan is a commune in the Var department in the Provence-Alpes-Cote d'Azur region, in southeastern France. It is a sub-prefecture of the department and self-proclaimed "capital of Artillery" and "Porte du Verdon". The city is 42 km (26 mi) from St. Tropez, and 80 km (50 mi) from Nice.Year of printing: 1950s, country of printing: France, designer: G. Peyon, dimensions (cm): 100x80. Poor condition, folds, tears and paper losses, reinforced with water soluble glue tape on reverse. Silkscreen printed.
Lot 4400
Original vintage travel advertising poster issued during the Second World War and published by the Glasgow Corporation Transport offices: The Early Shopper gets the Empty Seat. It features an image of the transport offices clock alongside a short poem which read: 'She is a lady sweet and kind, who keeps the Workers in her mind, and hurries round from Store to Store, to reach her home by half past four'.Year of printing: 1940s, country of printing: UK, designer: Unknown, dimensions (cm): 18x43. Good condition, folded as issued, stains and creases in margins.
Lot 1203
Original vintage advertising poster for the Spanish alcohol Vermouth Perruchi featuring a beautiful design showing a young couple looking tenderly to Cupid, who is perched on top of the only text on the poster, and is rewarding himself for a job well done with a glass of Vermouth Perucchi, as he has once again brought a match together. Printed in Spain by J. Ortega. Vermouth is an aromatized, fortified wine flavored with various botanicals (roots, barks, flowers, seeds, herbs, and spices) and sometimes colored. The modern versions of the beverage were first produced in the mid to late 18th century in Turin, Italy. While vermouth was traditionally used for medicinal purposes, its true claim to fame is as an apéritif, with fashionable cafés in Turin serving it to guests around the clock. However, in the late 19th century it became popular with bartenders as a key ingredient in many classic cocktails that have survived to date, such as the Martini, the Manhattan, the Rob Roy, and the Negroni. In addition to being consumed as an aperitif or cocktail ingredient, vermouth is sometimes used as an alternative white wine in cooking.Year of printing: 1920s, country of printing: Spain, designer: Unknown, dimensions (cm): 110x76.5. Fair condition, tears and paper losses on margins
Lot 58
BEE GEES - UNRELEASED ACETATE LP - 'THE BEE GEES FIRST' SESSION - 9 TRACK SAMPLER (1967 IBC STUDIOS). Incredible to uncover 1967 demo acetate LP from the Bee Gees. Recorded at I.B.C. studios in March 1967, many of the songs would go on to feature on the band's third studio album 'The Bee Gees First'. All songs on the record are effectively demos and are all different to the final 'studio' recordings. The tracks were recorded in the very early sessions (likely dating from 7th to 13th March) - the additional orchestration was only added later on. The track listing is as follows: (Side 1) - Red Chair Fade Away, Turn Of The Century, House Of Lords, Mr Waller's Wailing Wall, I Close My Eyes, One Minute Woman and All Around My Clock, (Side 2) I've Got To Learn and Cucumber Castle. The acetate LP is graded as G. There are many surface marks to both sides with some light scratches too. The whole recording can be listened to and enjoyed with surface noise typically of a moderate level with occasionally a couple of small skips. A very special listen throughout, you are instantly taken back at the stripped back nature of the tracks - for us most notable on the track 'House Of Lords'; this track only released much later and remastered, this original version is without strings and instead at a higher tempo with semi-acoustic guitar backing, stylistically a complete 'Mod dancer!' A true piece of history. Consigned by Philip Dennys who has had an illustrious career in writing and arranging; a letter of provenance can be provided. More information on these 1967 sessions can be found here: http://www.columbia.edu/~brennan/bee gees/67.html.
Lot 21
A RARE 18K SOLID GOLD CARTIER TANK AMERICAINE WRIST WATCHCIRCA 1947Movement: 18J, manual wind, signed European Watch & Clock Co Inc, numbered 44x,xxx.Case: Approx. 34mm by 18.5mm, outside case numbered 44,xxx matching inside, lugs numbered 01x & 49x, 18k French hallmarks, missing glass, sapphire crown.Strap: Leather strap with original 18k solid gold deployment clasp, numbered 15,xxx, marked EJ.CONDITION REPORTDial: Dial in fair condition, showing signs of age.Movement: Running at present.Case: In excellent condition, with some light scratches due to general use, the watch is missing its glass.Strap/Bracelet: In excellent condition.This watch is to be sold without a glass.The timekeeping and accuracy of this watch has not been tested, therefore cannot be guaranteed.
Lot 138
SILVER PIN TRAY (DIA. 9.5 CM), 30 GRAMS, SMALL CLOCK IN SILVER FRAME (H. 6.5 CM), HOBNAIL CUT GLASS DRESSING TABLE JAR WITH SILVER LID, SCOTTISH AGATE DAGGER PIN BROOCH, STAMPED STERLING SILVER, 'MIRACLE' CIRCULAR AGATE PIN BROOCH, SILVER PENDANT AND NECKLACE, CHILD'S BANGLE, PAIR OF SILVER CUFFLINKS AND THREE OTHER ITEMS (A LOT)
Lot 231
LATE 19TH CENTURY FRENCH MANTEL CLOCK WITH A CIRCULAR WHITE ENAMELLED DIAL, BLACK ROMAN NUMERALS, ENCLOSING AND EIGHT DAY MOVEMENT STRIKING ON A BELL BY LINET FILS ET DELAFON, 192 RUE DE TEMPLE, PARIS, No. 2164 IN A GILT SPELTER ROCOCCO CASE SURMOUNTED BY A YOUNG MAN AND WOMAN WITH A BIRD, NEST AND CAGE, ON AN OVAL WOOD BASE BENEATH A GLASS DOME (H.45.5 CM OVERALL)
Lot 3263
A commercially built Art Deco garage comprising of wooden white building with enamelled clock face and garage sign to front, fitted with forecourt with petrol pumps attached. Positioned in the left window is a Triang Minic repainted saloon with various oil bins and tyre racks fitted for effect
Lot 229
Great Western Railway mahogany cased drop dial 14 inch fusee clock lettered on the dial G.W.R with. With a large rectangular plated English fusee movement stamped on the backplate 9943 in cleaned condition and with its original steel pendulum rod. The Mahogany case has a one piece turned surround with the bezel lock removed, one side door and a bottom door secured with a lock, the GWR ivorine clock numberplate GWR 1054 is screwed to the front. The characteristic of this clock point to it being supplied to the GWR by John Walker of London. In working condition complete with pendulum and key. Circa 1870.
Lot 254
London Brighton and South Coast Railway teak cased 18 inch dial weight driven regulator railway clock supplied to the LBSCR in 1889 at a cost of 11-0-0d by Grimshaw Baxter & Elliott Ltd of London. The original dial has been repainted by John Walker post 1948 style and is numbered 309B the case is also stamped 309B, the large brass rectangular plated movement has four spoke wheels, deadbeat escapement, Harrison's maintaining power, metal pendulum rod, weight, weight pulley and key complete but untested. in mainly original ex station condition stands 82in tall x 23in wide. The Southern railway clock records show it spent its entire railway working life at Queen's Road (Peckham) Platform.
Lot 179
Cardiff Railway 12in oak cased chain driven fusee railway clock. The oak case with eight piece surround has two side doors and a bottom door secured with the typical GWR ball bearing catch, the GWR ivorine numberplate 833 is screwed onto the right hand side and the rear of the case is hand painted CR Co 30. The rectangular chain driven fusee movement is in good clean condition and stamped 11.240, the original dial is painted with GWR in roundel style. Complete and in working condition with pendulum and key.
Lot 282
London and South Western Railway 8 inch Mahogany cased iron dial fusee clock with a cast brass bezel supplied to the LSWR circa 1870 by John Gaydon of Barnstaple. The English fusee movement with rectangular plates held together by turned tapered pillars has been recently overhauled and the white enamel painted dial lettered BR(S) John Walker 1 South Molton St London 5SW is in original condition complete with very unusual blued steel shaped spade hands which are also original to the clock. The Mahogany case is in original condition and stamped in the back 5SW. The Southern Railway clock records show that it was last in use at Barnstaple Junction B Box (West Signal Box). Complete and in working condition with pendulum and key. This is the only LSWR clock supplied by Gaydon of this type so far to surface and is of significant importance.
Lot 61
Great Western Railway 12 inch mahogany cased drop dial fusee railway clock with a rectangular plated English fusee movement, one piece wooden surround, two side access doors and a bottom door with the lock removed and replaced with a GWR ball bearing catch. The reproduction GWR ivorine clock numberplate GWR 1517 is screwed to the front of the drop and the original is included although it has been cut down. The nicely restored dial has GWR in the Roundel style. In very good working condition complete with pendulum and key. Circa 1870.
Lot 310
North Eastern Railway mahogany cased 10 inch fusee clock lettered on the dial BR 5205 with original spun brass bezel and a chain driven English fusee movement stamped in the back plate NER. In recently overhauled working condition complete with pendulum and key. The LNER clock records show it used at Morpeth Station Master's Office and then transferred to the Permanent Way Supervisors office at Thetford and was originally NER clock number 1206. Full Ian Lyman paperwork accompanies the lot, circa 1900.
Lot 132
Great Western Railway 14in Pine cased wall mounted Railway clock. The weight driven movement has rectangular plates with a steel pendulum rod and a circular brass bob. The Pine wall mounted case would have originally been painted and the original paint is still visible inside. The GWR ivorine clock numberplate 434 is screwed onto the front of the case and the dial has been restored to a high standard. A rare GWR clock in good working condition complete with pendulum, weight and key, stands 48in tall. The GWR clock winding records show this clock as located at Swindon works Oil stores and it was wound every Tuesday morning. Circa 1860-70.
Lot 450
British railways North Eastern region 6 inch mahogany cased mantle clock. With a Smiths going barrel movement and dial lettered BR(NE) 13063. The arched top case is stamped in the base BR(E) 13063 and is complete with its original cast brass bezel, the case stands 10 in tall. The LNER clock records show this clock as last being in use at York Traffic Headquarters Commercial Supt Freight Assistants Office. In working condition complete with key, circa 1948.
Lot 91
North Eastern Railway mahogany cased 10 inch fusee clock lettered on the dial BR 2697 with original spun brass bezel and a chain driven English fusee movement. In recently overhauled working condition complete with pendulum and key. The LNER clock records show it was last in use at Darlington Bank Top Station Telegraph Office Downstairs and was originally NER clock number 1338. Interestingly Broxbourne SM is marked on the back so it might have transferred down there late on in its railway life, circa 1900.
Lot 454
British Railways Travel Agents Clock BRITISH RAILWAYS SAVES TRAVEL TIME with a battery movement (not working) and a 240v mains light box at the top which illuminates the glass face. This has also not been tested and would need to be checked out by a qualified electrician. Measures 15in x 12in and is in original condition.
Lot 359
Midland Railway oak cased 12in dial fusee Railway clock by John Smith & Sons of Derby. Circa 1870. The English chain driven fusee movement with rectangular plates shaped shoulders and turned pillars has been recently oiled. The original dial is written John Smith & Sons Midland Clock Works Queen St Derby and the case has 2 side doors and a bottom door and is in good condition complete with the LMS brass oval numberplate LMS 10897 pinned onto the left hand side. A lovely clock in working condition, with pendulum and key.
Lot 133
Great Eastern Railway 6inch Mahogany cased Fusee Bracket clock manufactured for the G.E.R. by Bevan of Tottenham London circa 1880. The English chain driven fusee movement has rectangular snailed plates and the dial is written BR (E) 57 and retains its original cast brass bezel with a keyed lock and the Gothic style case has a glazed rear door. The L.N.E.R. records show that this clock was used at Liverpool Street Station Traffic Manager Room 4 and lastly Liverpool Street Motive Power. A rare and unusual Railway timepiece used by senior employees, complete with pendulum and keys and in working condition, stands 15in tall.
Lot 115
London and North Western Railway 5in slate cased railway clock. The French twin going barrel movement with strike on the quarter and half, the enamel dial is free from chips and the slate case has the LNWR enamel numberplate 3087 screwed to the back. A nice clock in working condition complete with pendulum and key. Circa 1880 and confirmed from having been used in the Station Masters office at Liverpool Lime street station.
Lot 157
London and North Western Railway 8in mahogany cased English fusee railway clock. The English fusee movement has rectangular plates held together by turned pillars, the dial has been professionally re written in the correct style by DR D.R. Parr and reads L&NWR JNo Walker 127 Fenchurch St & 63 New Bond St London 8138 (this number is the Walker clock number not the LNWR clock number). The case, with a turned surround and LNWR enamel numberplate 788 screwed to the right hand side has one side door and a bottom door secured with a catch. A nice clock in working condition complete with pendulum and key. Circa 1870 and from the Liverpool area.
Lot 204
Great Western Railway 6.5in dial bracket railway clock. The Mahogany arched top case has a rear door, glazed front and sides and its original cast brass bezel, the GWR ivorine numberplate 3342 is screwed onto the bottom of the case. The Lenzkirch going barrel movement is in good clean condition and stamped 832120 which dates it to between 1885-90 the original silvered dial has wax filled numerals and Kay Worcester. Complete and in working condition with pendulum and key.
Lot 338
Manchester Sheffield and Lincolnshire mahogany cased 12 inch fusee clock lettered on the original dial W. McFerran M.S. & L No 723 Manchester. With a large A frame chain driven English fusee movement in cleaned condition the Mahogany case has the original side flap door , bottom door secured with a ring pull catch and spun brass bezel. In working condition complete with pendulum and key. Circa 1870.
Lot 384
Great Western Railway 12 inch teak cased drop dial chisel bottom fusee railway clock with a large rectangular plated chain driven fusee movement. The one piece turned surround has had part of the top cut down and has one side door and a bottom door with the lock removed and replaced with a GWR ball bearing catch. The bezel, still with its wartime black finish, requires the hinge to be soldered back on. The GWR ivorine clock numberplate GWR 1192 is screwed to the front of the drop. The dial has been repainted BR-W post 1948 and has some areas of paint loss. A very early GWR clock supplied by John Walker of London circa 1860-1870. Requires some restoration but complete with pendulum and key and appears to be working.
Lot 38
Great Western Railway 12 inch mahogany cased drop dial trunk fusee railway clock with a large early A frame chain driven fusee movement, segmented wooden surround, two side access doors and a bottom door with the lock removed and replaced with a GWR ball bearing catch. The bezel still retains its wartime black finish. The GWR ivorine clock numberplate GWR 728 is screwed to the front of the drop. The original dial has GWR in block style and KAY & CO makers ghosted at the bottom. A superb example in excellent original working condition complete with pendulum and key. Circa 1870, originates from Cornwall.
Lot 583
~ A Good Chinoiserie Drop Dial Tavern Clock, signed Mark Hawkins, Bury St Edmunds, mid-18th century, the elaborate case with oriental gilt painted scenes depicting pagodas, figures, birds and floral decoration, topside of the trunk signed Mark Hawkins St Edmunds Bury, arched trunk door, 24-inch wide arched dial with a gilt painted Roman and Arabic chapter, gilt scroll decorated spandrels, large brass hands, turned gilt wooden finials, single weight driven A-framed movement with an anchor escapement, 158cm high see illustration 15.10.19 Case is nicely aged, chinoiserie decoration has been restored in the past but along time ago and to a high standard, gilt decoration is faded in parts, surfaces with crazing marks due to shrinkage, case with chips and scratches and some signs of old repair marks. possibly later finials, movement in going order, with pendulum and weight.
Lot 590
~ A Mahogany Eight Day Longcase Clock with Unusual Calendar and Zodic Displays, 18th century, flat top pediment, Corinthian capped columns, arched trunk door flanked by inlaid canted corners, 11-1/2-inch circular silvered regulator type dial inscribed Jno Wilson, Newcastle, large minute hand, three subsidiary dials for hours, seconds and a calendar dial for the date/month and signs of the Zodiac, floral swag engraved decoration and signed, four pillar movement with an anchor escapement and rack striking on a bell, dial is possibly later, 218cm high see illustrations 11.10.19 Hood door is bowed, case with small chips to edges, front of the base with cracks, trunk door is slightly bowed, feet with scuff marks, dial is discoloured, calendar hand is rusty, movement with one vacant hole in the front plate, possibly later dial to movement, one sign of repair to the dial plate next to one of the dial feet, calendar wheel is not connected properly to the movement and need attention, with pendulum and two weights.
Lot 572
A Brass Skeleton Striking Mantel Clock, circa 1890, 6-inch silvered chapter ring with Arabic numerals, twin fusee movement with an anchor escapement and rack striking on a gong, raised on an ebonised base and beneath a glass dome, 39cm high see illustration Movement is dirty and needs cleaning, chapter ring needs re-silvering, wooden base with small chips and is rubbed, glass is dirty but is complete.
Lot 585
An Oak Striking Drop Dial Wall Clock, signed Leffler, Bristol, circa 1870, side and bottom doors, carved scroll and floral ''ears'', 10-inch painted dial with Roman numerals, twin fusee movement with an anchor escapement and rack striking on a bell, 43cm high see illustration 11.10.19 Case has been cleaned, dial has been re-painted but to a high standard, movement is complete and in going order.
Lot 563
A French Bronze Ormolu Striking Mantel Clock, circa 1830, case is depicting a figure of a lady with her arms raised looking towards a bust of a centurion, base with applied mounts, 3-inch Roman numeral dial, twin barrel movement with outside countwheel striking on a bell, silk suspension, 38cm high see illustration 14.10.19 Ormolu surfaces are discoloured, case is slightly dirty in parts, movement is striking and in going order, with pendulum.
Lot 601
A Rare Walnut Seaweed Marquetry Quarter Chiming Eight Day Longcase Clock, signed David Hubert, Londini, Fecit, circa 1710, caddied pediment with ivory and tortoiseshell inlaid finials, blind fret side panels, elaborate seaweed marquetry inlay depicting floral and scroll decoration, trunk with a glass lenticle, trunk sides with inlaid rectangular panels, plinth with bun shaped feet, 12-inch square brass dial with a silvered chapter ring signed, matted dial centre with a seconds dial, date aperture, three ringing winding holes, five pillar triple weight driven movement with an anchor escapement, quarter chiming on a nest of six bells and striking the hours on a further bell, 262cm high see illustrations David Hubert is recorded as an eminent maker working at the Strand in London in the early 18th century. He was admitted to the Clockmakers' Company in 1714 and became master of the Clockmakers' Company in 1743. Some of his work are exhibited in some of the important collections such as the well known Ilbert and Buckley collections. 11.10.19 Top caddy has been later added, side panels with fret work missing, case with chips and small cracks in parts, hood door glass is cracked, hood with chips to the column capitals, trunk door is slightly bowed, later glass lenticle, re-built plinth, dial is discoloured, movement needs cleaning, with pendulum and three weights.
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