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A Good Quality Brass Repeating Carriage Clock, retailed by J.W. Benson, 25 Old Bond St, London, the white enamel dial with Roman numerals and three smaller dials for date, day and alarm, in a leather carry case, 14cm high handle down.no guarantees regarding working order but wheel on top moving and hands moving serial number 24808 - S F to top, can't see any makers mark, scratches to gilding at front of clock. Back door won't open, there is an oval to the left hand side but unable to reads letters, alarm hand at the bottom.
Resin display of an office chair and desk with books, inkwell and telephone on top; 7"L x 5.75"W x 3.25"H. Within the desk sits a clock. This item has its original box: 9"L x 5.5"W x 7.75"H. Hand painted porcelain figurine, HUM 124/0, of a young boy standing holding the receiver of a traditional telephone; 7.5"L x 5"W x 4"H. Goebel backstamp. This item has its original box: 3.5"L x 5.75"W x 3.5"H. Certificate of Authenticity included. Issued: 2001Manufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear. Clock has not been tested. Functionality not guaranteed.
An English black japanned longcase clock, mid-18th century, the case with chinoiserie decoration of figures, buildings and floral motifs, the moulded cornice above columns, the trunk with moulded door, on plinth base, the brass break arch dial with a plaque signed JONATHAN LEES BURY in the arch, the silvered chapter ring enclosing subsidiary seconds dial and inscription Lo here,, I Stand,, all in thy Sight / To tell the hours of day and night / Do thau a warning take by me / And serv thy God and serv thee, with cast cherub head and foliate spandrels, the four-pillar eight day movement striking a bell, with pendulum and weights, 221.5cm highPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: Jonathan Lees is recorded as working in Bury (Lancs) c.1730-c.1760, then Middleton (Lancs) where d.1785 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, p.474.
A Jaeger-LeCoultre 'Atmos' mantel clock, c.1977, the brushed brass case with five glass panels, the square white enamel dial with alternating Arabic numerals and dagger markers, with skeleton movement, numbered 475082, the underside stamped LECOULTRE & CIE / METAL / CALIBER 528-8 SWISS, 23.5cm high, 21cm wide, 16cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A Meissen porcelain rococo clock-case and a stand, 19th century, traces of blue crossed swords mark to clock, blue crossed swords mark to stand, the central part modelled as a waisted rocaille-moulded plinth edged with scrolls, the fielded panels painted with hunting scenes, a dog seated at the front, the upper right-hand corner with a winged head of Time, Diana seated on the left with a bow and a quiver, her left arm supporting a scroll-moulded case fitted with a movement, the enamel dial with Arabic numerals and outer minute track, with timepiece movement, signed Terond & Delorme No.1170? signed to reverse, a hinged pierced circular gilt-metal door at the reverse, a pierced aperture above, the shaped rectangular spreading stand with shells at the canted corners, the moulded panels painted with further vignettes, 49.7 cm high, (2)Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A French gilt-bronze and pâte-sur-pâte mantel clock, third quarter 19th century, the arched case surmounted by a floral urn and flanked by female masks and fruit swags, the porcelain panels with figural and floral decoration on a celadon ground, on leaf cast toupie feet, the porcelain dial with black Roman numerals and gilt-painted outer minute track, with scrolling gilt hands, the twin train eight day movement striking a bell, the backplate stamped JAPY FRERES ET CIE / EXP 1855 / GRD MED D'HONN, numbered 6449 and 5819, with associated pendulum marked THIEBLE, 34cm high, 29.5cm wide, 13.5cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A French Second Empire gilt and patinated bronze mantel clock, by Joseph Pierre, Paris, mid-19th century, the case surmounted by a possibly associated bronze model of Napoleon, with foliate friezes, above laurel wreath dial surround, the base with front eagle on ball feet with central oak leaf swag, the dial with Roman numerals and engine turned centre signed Joseph Pierre a PARIS, the eight day countwheel bell striking a bell, with corresponding signature to backplate, 62cm high overallPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: The original statue of Napoleon by sculptor Charles Émile Seurre was commissioned by Louis-Philippe (the last French king) and was installed at the top of the Vendôme column. It was inaugurated on July 28, 1833 in the presence of Louis-Philippe, for the 3rd anniversary of the 1830 revolution which brought him to the throne. The vendome statue was replaced with one of Napoleon draped in a Classical toga, and eventually was installed at the Cour d’Honneur at the Invalides on March 11, 1911, where it still stands today.
Enicar; A c.1960's Sherpa Super Jet (33) Automatic Gent's Wristwatch, the signed black and white dial with Arabic numerals and date aperture, the movement stamped "Enicar" "Thirtythree 33 Jewels", with a 'Seapearl' screw down case back (40mm case) (case lacking one push button), on a bracelet.the top 'button' when turned clockwise/anticlockwise turns the black/white chapter ring, clock/anticlock bottom button lacking crown/cannot test if working - when gently rocked - the seconds hand is going - however cannot guarantee accuracy/timekeeping.
George III oak and mahogany-cased 8-day brass dial longcase clock, Seddon and Moss, Frodsham, the 13-inch break-arched having a silvered chapter ring with Roman hours, Arabic minutes and ogee minute track framing a lunar calendar ring, subsidiary seconds dial, engraved folate scrollwork and signed cartouche, within scroll spandrels, the arch painted with a fortified country house or castle and a tavern, beneath 'Halifax' axe-head rolling moon phase, the knopped four-pillar movement countwheel-striking on a bell, the case with swan-neck pediment and brass ball finials over simulated verre églomisé panels and fluted columns, the trunk with conforming quadrants flanking crossbanded long trunk door on panelled canted base and ogee bracket feet, 220cm high (sold with two weights, pendulum, key and winder)
Welsh Interest - George III 8-day brass dial longcase clock, the 11-inch square dial with silvered chapter ring having Roman hours, Arabic minutes, and inner quarter hour track framing a matted centre with silvered subsidiary seconds dial and oval cartouche engraved 'Wm. Sproston Trellegg', [Trellech / Trelleck, Monmouthshire], within baroque urn spandrels, the knopped four-pillar movement countwheel-striking on a bell, the later case with carved cresting, moulded hood door and spiral columns over dentil throat moulding, long door and palin base on splayed bracket feet, 222cm high, (sold with two weights, pendulum - lacking feather - and key)
Early 19th century mahogany twin fusée bracket clock with pull repeat, Barrauds, Cornhill, London, No. 563, the signed 7-inch break-arched painted Roman dial with Strike / Silent ring to the arch, the chain fusée movement numbered and engraved to backplate, having shouldered plates with scroll borders, the case with carry handle and moulded arch over brass fish-scale side frets and pull repeat cord on brass ogee bracket feet, 38cm high (handle down), sold with original engraved adjustable pendulum, and two windersPaul Philip Barraud (d. 1820) was Master of the Clockmakers Company in 1810 & 1811. His sons Frederick Joseph (free 1806), John (free 1813) and James (free 1815) continued the family business and their clocks were signed 'Barraud & Sons' after 1813.
Early 19th century French Empire patinated bronze and ormolu figural mantel clock, circa 1810, in the manner of Alibert or Lesieur, modelled 'au negre portefaix' as a barefoot and bare-chested slave with brimmed hat, carrying a bale of cotton on a frame upon his back, a gourd water bottle tied around his waist, a detached (but present) sugar cane walking stick to reattach to his left hand, his right hand now empty, the 3.25-inch convex white-enamelled dial with Roman hours and Arabic minutes, the anonymous two-train movement, numbered 1685, with silk suspension, outside countwheel-striking on a bell, the canted rectangular plinth base with three applied mounts; a monkey between palm fronds, and two baskets with perching birds, on toupie feet, 33cm highThe form of the current lot is based on a design registered by Jean-Andre Reiche in January 1808. Literature: see Niehuser, Elke, 'French Bronze Clocks' p.149)
Late 19th century French red boulle mantel clock, Japy Freres & Cie, Paris, with 4.75-inch cellular Roman dial, the two-train movement additionally stamped H.P. & Co 11011, the waisted case with cast seated Cupid surmount over red boulle case with cinvex-glazed bezel and cast borders, 40.5cm high, sold with original sun-cast pendulum plus winder
Late 19th century French brass and champlevé enamel mantel clock, retailed by Finnegans, Manchester, with inscribed gilt 2.25-inch / 5.7cm Arabic chapter ring and enamel rosette centre, the unmarked timepiece movement, numbered 1373, now with verticallly-mounted lever platform escapement, the arched case with free-standing columns on a bow-breakfront base and button feet, 18.5cm high

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460327 item(s)/page