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Lot 1
A Fine 18th Century Musical Bracket Clock, the arched brass and silvered dial signed Benj Barber LONDON, in a cartouche in the arch, flanked by subsidiary dials for "CHIME/not CHIME", and "A JIG/Country Dance", the chapter ring with Roman numerals and central sweep calendar hand, the substantial three train triple fusee musical movement playing a choice of two tunes on a nest of graduated small bells, verge escapement, fully engraved back plate, and repeat cord at the side, in a bell top chinoisserie decorated case, having pineapple and crescent finials, glazed windows to the sides, two carrying handles, gilt metal mounts decorated flowers musical instruments etc to the fronts, on ogee bracket feet, 61 cm
Lot 1
A Late 18th Century/Early 19th Century Bracket Clock, the arched silvered dial signed "S & C Joyce Lombard St LONDON" with subsidiary dials in the arch for "strike/silent" and pendulum regulation, the substantial three train triple chain fusee movement striking the hours on a single bell and the quarters on a nest of eight graduated smaller bells, with an anchor escapement and fully engraved back plate, in a mahogany dome top case surmounted by three brass bordered pads and central carrying handle, 47 cm with associated wall bracket (2)
Lot 1
A Late 18th Century Bracket Clock, the arch square brass and silvered dial signed on an applied bow "Saml Goujan London" above a calendar aperture, the arch with "strike/silent" subsidiary dial in the arch, the twin fusee movement with verge escapement striking on a bell, with repeat arm (cord missing) and engraved back plate, in a mahogany bell top case, with central carrying handle and four pineapple finials 51 cm, with associated wall bracket (2)
Lot 1
A French Empire Portico Clock, the circular enamel dial signed "Barnou a paris" with Roman numerals, fitted an 8 day movement with outside count wheel striking hours and half hours on a bell, the case with eagle surmount, the dial held in place by four winged mythical beasts, the main section of the clock veneered in burr walnut and mounted with gilt brass motifs, 59 cm
Lot 1
A Late 18th Century/Early 19th Century Bracket Clock, the convex painted dial with Roman numerals, and four opening door to the front, the 8 day twin fusee movement with anchor escapement and applied cartouche on the back plate signed Robt Bowers CHESTER, in a mahogany dome top case, the carrying handle on a single pad top (pad missing), fish scale side frets, and ogee bracket feet, 44 cm
Lot 1
A Late 18th Century Bracket Clock, the silvered arched square dial signed Thos Sutton MAIDSTONE with Roman numerals and sweep calendar hand, the arch with strike/silent, fitted an 8 day twin fusee movement with engraved back plate (now with anchor escapement), in a mahogany dome top case, with single pad and carrying handle on top, fish scale side frets, and ogee bracket feet, 46.5 cm, with associated mahogany bracket (2)
Lot 1
A Late 18th/Early 19th Century Bracket Clock, the convex painted dial with subsidiary alarm dial in the centre, fitted an 8 day fusee and chain movement signed on the back plate Thos Campbell STRABANE, in an ebonised dome top case, with single pad on top, two carrying handles, and gilt brass ogee bracket feet, 44 cm
Lot 1
A Late 18th Century Mahogany Bracket Clock, the 17 cm arched square brass and silvered dial signed Thomas Wild Reading, with Roman numerals, the centre with rococo style engraving, false pendulum aperture, and calendar aperture, the arch with strike/silent subsidiary dial, the 8 day twin fusee movement with a verge escapement and engraved back plate, in a bell top mahogany case with fish scale side frets and brass carrying handle, 48.5 cm
Lot 1
A 19th Century Regulator Longcase Clock, the circular silvered dial signed "SIMMONS COLEMAN Stt LONDON" with subsidiary dials the hours and seconds, and minute markings around the circumference, the substantial heavy plated five pillar movement with deadbeat escapement and maintaining power, the steel pendulum supported from a brass holding bracket mounted on the case back board, in a mahogany case, the hood with shallow dome top, the trunk door with a bevelled glass panel, on a plinth base, 197 cm
Lot 1
A 19th Century Longcase Clock, the 32 cm arched square painted dial signed "A &W Marshall Wishaw" with Roman numerals, subsidiary seconds and calendar dials, the arch painted workers resting, with the four seasons to the spandrels, fitted an 8 day movement, in a mahogany case with a swan neck pediment, 217 cm
Lot 1
AN EARLY 20TH-CENTURY INLAID MAHOGANY 8-DAY MANTEL CLOCK in the late Georgian taste, having a humped top with brass carrying handle between four pine cone finials, the arched chequer-strung front with burrwood patera between canted boxwood-strung corners, on brass ogee bracket feet, the white enamelled convex dial with Arabic numberals, additionally numbered with seconds to the four quarters, inscribed "Tempus Fugit" within, the movement, striking the half hours on a coiled gong, stamped "VINCENTI & Cie, MEDAILLE D'ARGENT 1855", plus '98' and '57', 28cm, (11in) high excluding handle (veneer split to top)
Lot 1
AN EARLY 20TH-CENTURY WALNUT-CASED SPRUNG-DRIVEN VIENNA WALL CLOCK, the surmount having a ceramic prancing horse above a shell and twin urns on reeded half-columns, the arched door between well-turned and reeded half-columns with ribbed oviform pendants, the enamelled dial having Roman numerals with red dividers framing an Art Nouveau-style flower-decorated brass centre, the movement striking the half hours on a coiled gong, 139cm, (54.7in) high
Lot 1
AN EARLY 20TH-CENTURY FRUITWOOD-CASED SPRING-DRIVEN VIENNA WALL CLOCK having a prancing horse surmount (repaired) between turned finials, the arched door between reeded half columns, above turned pendants, the white-enamelled dial with Roman numerals framing a crossed arrows motif, the five-bar compensating pendulum with enamelled bob, 86.5cm, (34in) high
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460315 item(s)/page