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A part eight day Longcase Clock Movement and Dial, (associated), the dial signed ‘William Draper, Maldon, with silvered and engraved decoration, to a painted ship automaton, titled ‘The Royal George’, over an engraved Roman and Arabic chapter ring, with subsidiary seconds and date sector, to an associated movement with four knopped pillars and anchor escapement, with pendulum bob and single weight
An unusual late 19th Century French lacquered brass Carriage Alarm Clock, with pin escapement and strike on a bell, to a Roman and Arabic chapter ring, (hairlines), with blued steel hands and centre seconds, over an alarm subsidiary, in a cornice case with presentation inscription, height 7”; Together with its original outer travel case
A late 19th Century black slate and variegated marble Mantel Clock, the case of plinth form, with inlaid panels and gilt highlights to a cast brass bezel, enclosing an Arabic chapter ring and matted centre with blued steel fleur de lys hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 12”
An early 20th Century mahogany cased Mantel Clock, WinterHolter and Hoffmeir, the lancet shaped case with boxwood detail, on a plinth base with four compressed bun feet, to a single arched glazed door, enclosing a 5” silvered dial with subsidiary for regulation over a Roman chapter ring with outside minute track and blued steel hands, signed ‘Edwards & Son, 161 Regent Street, London’, to a square brass movement with anchor escapement, (strike work removed), height 10 ¼”
A late 17th century ebonised table clock. By Jonathon Lowndes, London. the twin train fusee movement with pull cord repeat, the profusely engraved back plate, decorated with border and flowering foliage and inscribed 'Jonat Lowndes, London', the dial with silvered chapter ring and subsidiary date aperture, the caddy top case with embossed brass surmount and brass finials above sides pierced with brass 'fish scale' ornament 34.5cm high
A rare and unusually small George III period miniature longcase regulator clock. By Sam Brown, Edinburgh. the single train movement with dead beat escapement, the broken triangular key fret cornice with anthemion finial above a circular silvered dial with roman chapter ring and subsidiary seconds dials, engraved with maker's signature, between fluted columns the ogee bracket trunk door between moulded angles, flanked by rosette carved volute scrolls, on panelled base with shaped bracket feet 38cm wide x 185cm high x 23.5cm deep
A mid 18th century mahogany and giltwood astrological longcase clock. By Thomas Ogden, Halifax. the triple train movement with anchor escapement striking on bells, the arched brass face with urn and eagle cast spandrels, silvered Roman chapter ring with subsidiary seconds dial and date aperture, the arch with silvered and painted solar phase dial, centred by an engraved map of the northern hemisphere and with dials to either side marked "for sunrise, sunset" and with the signs of the zodiac, the hood with caddy top surmounted by a flaming urn finial, above a verre eglomise swan neck pediment with further finials, the arched glazed door flanked by fluted Corinthian columns, the case with crossbanded shaped trunk door flanked by fluted Corinthian quarter column angles, the base with moulded crossbanded panel on moulded plinth 67.5cm wide, 270cm high, 31cm deep
An early 19th century mahogany and line inlaid longcase clock. the twin train movement with anchor escapement, the swan neck pediment with ball finials, above an arched Roman enamel dial with subsidiary seconds and calendar dials flanked by 'thistle and rose' spandrels and a coastal scene with ship and lighthouse to the arch, the chequered and crossbanded front with plain quadrant corners on shaped apron and tapering bracket feet 213cm high
An early 18th century walnut oyster veneered and floral marquetry longcase clock. the twin train movement with anchor escapement, the moulded ovolo cornice above a square 10" brass face with associated rococo spandrels. silvered roman chapters ring, calendar aperture and subsidiary seconds dial, with matted centre, flanked by twist-turned columns, the full height trunk door above inlaid apron and associated plinth base 202cm
An 19th century carved walnut chiming longcase clock, of impressive proportions . By Maple & Co. Ltd., London. in the 'Renaissance Revival' taste, the three train movement chiming on a nest of eight graduated bells and four graduated gongs with hour repeater, the floral engraved brass dial with silvered roman chapter ring and maker's plaque, the pediment carved with cupids flanking a cartouche above a frieze supported by a pair of bearded atlantes with carved claw feet, the case profusely carved with shells, strapwork and birds around a front panel decorated with central female mask above a grotesque satyr mask flanked by monopaedic caryatid uprights each having festoon-carved claw feet, the projecting leaf carved lower apron on lion mask carved scrolling pilasters and shell carved feet 271cm high, 70cm wide, 40cm deep
A George III period mahogany and line inlaid longcase clock Signed Chas. Campbell, Bo'ness. the twin train movement with anchor escapement, the swan neck pediment above a roman enamelled dial with subsidiary seconds and calendar dials between spandrels allegorizing the four seasons, the arch painted with Masonic emblems beneath swags of drapery, the shaped trunk door between foliate incised quadrant corners, on bracket feet 219cm high
A George III period mahogany longcase clock. the twin train movement with anchor escapement, striking the hours on a bell, the key fret cornice above an arched roman enamel dial painted with floral spandrels, the strike/silent dial with a female figure bidding farewell to a Man O' War to the arch, flanked by ho-ho birds, between reeded Corinthian columns, the ogee arched trunk door decorated with shell paterae between reeded quadrant corners, on inlaid plinth base, raised on bun feet 207cm high
A circa 1800 long case clock, the eight day movement with square silvered dial, the chapter ring with Roman and Arabic numerals within foliate engraved spandrels, inscribed "Rich. Honeybone, Fairford", housed in a figured mahogany case, the hood with broken arch pediment and gilded flower head motifs over a dentil frieze and plain glazed door flanked by tapered lacquered brass capped columns over a plain main body, the rectangular door with moulded edge on a plain base to bracket feet, 119 cm high (including two brass sheathed weights and pendulum)
An 18th century oak and cross banded long case clock, the eight day movement with 12" square brass dial and chapter ring enclosing a seconds dial and date aperture, the chapter ring inscribed "Josiah Stringer, Stockport", the case with arched door above plain rectangular base, 202 cm high (ILLUSTRATED)
A late 17th century English lantern clock with foliate scroll pierced pediment, inscribed "Tho Powell 1689" above an urn and floral engraved dial with 9" chapter ring set with Roman numerals and trident half hour divisions, the domed main bell above eight graduated smaller bells being struck by eleven hammers, crown wheel with short pendulum and three train verge escapement musical movement played by an 11 cm barrel, the movement supported by four turned uprights and raised on four squat turned supports, overall height 41 cm (Also included in this lot is an associated 17th century embossed clock plate centred with a crown and flanked by angels (ILLUSTRATED)
A large late 19th century French gilt metal and porcelain mounted mantel clock with flaming torch finial above floral decorated panel and similarly decorated circular dial set with Roman numerals, the central oval plaque decorated with three figures in a landscape flanked by floral decorated pillars and by gilt metal cherubic figures raised on a similarly decorated shaped base, the reverse of the case stamped "P.H. Mourel?", the movement stamped "Oppenheim, Londres-Paris", together with a similar pair of gilt metal and porcelain five light candelabra, each piece raised on a gilded shaped wooden support, clock 58 cm high (ILLUSTRATED)
Maugham (William Somerset, 1874-1965). A group of three autograph letters signed, Villa Mauresque, St Jean-Cap Ferrat, 17th January, 25th January & 20th December, no years given, all to Miss Vallette, thanking her in each for one present or another, one for a clock, one for a silver cup and silver bowl and one for a tablecloth, two letters with brown spots over salutation, each one page, 8vo (3)
A late George III thirty hour longcase clock, the painted 12 arched dial signed Joseph Lawley, Wellington (indistinct), with ring of Arabic numerals, date aperture, florally painted corner spandrels under a painted arch, the hood with swan-neck pediment over turned front corner hood pilasters, flanking an arched glazed hood door, over a shaped crossbanded short trunk door, flanked by reeded front corner trunk pilasters on a tall crossbanded box base and cut-out plinth, 220 cm high
A William and Mary walnut and marquetry longcase clock, the 11 (28 cm) square brass dial signed Nicholas Masey, London, with silvered chapter of Roman numerals, subsidiary seconds dial, date aperture, twin winding holes and cherub-moulded pierced corner spandrels, the five pillar movement striking on a single bell, the hood with ebonised and walnut crossbanded cornice over a marquetry and stained ivory leaf frieze, over a square glazed door with matching surround and three quarter front corner spiral-turned hood pilasters with glazed hood sides and back corner quarter spiral mouldings, over a long trunk door with gilt-metal key escutcheon, lenticle within moulded ebonised frame, the door inlaid with two panels of marquetry and stained ivory depicting birds and bowl overflowing under a pointed arch with top corner floral inlays, all within an ebonised rectangular moulded surround, on a box base with marquetry and stained ivory panel matching the panel to the door on later ebonised ball feet (restored), 198 cm high
A Persian designed champleve enamel mantle clock, early 20th century with urn finial over caddy top and 4 enamel dial with Arabic numerals, the key wound movement stamped CHLES M striking on a single bell, the case with front corner column pilasters on a stepped plinth and four short turned feet, 37 cm high
A Welsh oak clock dresser, first half 19th century, with central 13 (33 cm) white painted clock face with ring of Roman numerals, signed Richard R *****, Welshpool, under a stepped cornice over a short fielded rectangular panelled door revealing a twin weight driven eight-day movement flanked by a two-panel cabinet door to each side over a base of a central twin-panel cabinet door flanked by three short drawers, all fitted with turned wooden handles raised on shaped bracket feet, 158 cm wide, 222 cm high, 55 cm deep (in need of restoration)

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460327 item(s)/page