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Lot 37
A French lacquered brass carriage clock with push button repeat Drocourt, late 19th century The eight-day gong -striking movement with platform lever escapement and rectangular white enamel Roman numeral dial, in a corniche type case with hinged carrying handle, 14cm high excluding handle, with original leather-covered outer case.
Lot 39
A French brass carriage clock with push button repeat Unsigned, late 19th century The eight-day gong-striking movement with silvered platform lever escapement and rectangular white enamel Roman numeral dial in a Corinthian pillars type case with hinged carrying handle, 16cm high excluding handle.
Lot 42
A French brass carriage clock with push button repeat Indistinctly signed, circa 1900. The eight-day two-train gong-striking movement with lever escapement and rectangular white enamel Roman numeral dial indistinctly inscribed JOSEPH GACHM...., GIBRALTAR, in an obis type case with hinged carrying handle, 14cm high excluding handle.
Lot 43
A French gilt brass carriage clock with push button repeat Unsigned, late 19th century The eight-day bell-striking movement with replaced platform lever escapement and circular white enamel Roman numeral dial within a rectangular engine-turned gilt mask, in corniche type case with hinged carrying handle, 14cm high excluding handle, with original green morocco leather covered travelling case.
Lot 49
A French Empire ormolu and white marble small mantel clock. Antoine Guiot, Paris, early 19th century The eight- day countwheel bell-striking movement with circular white enamel Roman numeral convex dial signed Ant.ne Guiot A PARIS to centre and with red Arabic five minute numerals to circumference, the rectangular case with urn surmount and pineapple finials above lozenge pierced fretwork overlaid half-round side uprights and laurel spray beneath dial, on shaped marble base with foliate decorated panel to apron and on disc feet, faults, 31cm high.
Lot 50
A French porcelain inset gilt metal mantel clock Unsigned, circa 1880. The eight-day gong-striking movement with circular foliate painted maroon ground Roman numeral cartouche dial in a rectangular case with twin cherub and vase surmount to the fluted cavetto moulded and panel fronted upstand, above Corinthian corner columns flanking panel polychrome decorated with a courting couple beneath dial, the sides with putto mounts, on cast feet, 52cm high, with separate giltwood stand
Lot 51
A French porcelain mounted gilt brass mantel clock in the Japanese taste Unsigned, late 19th century The eight- day gong-striking movement with stylised black on silver faux Japanese numerals within a gilt ground porcelain panel painted with a Geisha at her easel, the rectangular case with shaped surmount above dragon and swirling cloud mounted front and porcelain side panels painted with ceremonial figures on a gilt ground, on ogee shaped base with cast apron and bracket feet, 45cm high.
Lot 52
A French Louis Philippe ormolu figural mantel clock Bearing signature for Overklift, Dordrecht, mid 19th century The eight-day outside countwheel bell-striking movement with silk suspension and silvered engine-turned Roman numeral dial bearing signature OVERKLIFT, DORDRECHT, the case with surmount of a reclining gypsy girl with tambourine above repeating leaf carved apron and on scroll feet, 38cm high.
Lot 53
A French Louis Philippe ormolu figural mantel clock Unsigned, mid 19th century The eight-day countwheel bell- striking movement with silk suspension and engine-turned silvered Roman numeral dial, the case with surmount of a girl in Renaissance style dress seated resting on a portfolio within a naturalistic leafy outcrop, the swept plinth base with stylised foliate relief cast infill on scroll feet, 38cm high.
Lot 55
A French ormolu and patinated bronze portico mantel clock Charles, Paris, mid 19th century The eight-day countwheel bell-striking movement with gilt rosette and signed CHARLES, PARIS to the centre of the silvered Roman numeral dial, with foliate chased bezel supported between the columns of the portico case with floral swag frieze and finely chased Corinthian capitals, on conforming stepped base with block feet, pendulum incomplete, 48cm high.
Lot 56
A fine French ormolu mantel clock with perpetual calendar and centre seconds Retailed by Aubert and Klaftenberger, London, late 19th century The eight-day two-train gong-striking movement with hammer shaped pendulum and visible brocot escapement to the recessed centre of the dial with seconds ring to circumference and an inset small Roman numeral enamel dial signed AUBERT & KLAFTENBERGER 157 REGENT ST. to lower section, the rectangular foliate engraved gilt mask with subsidiaries for day of week, date of month and month of year to leading edge, the rectangular case with foliate central finials and scroll cast crest to the panelled top above shaped foliate engraved side panels and Renaissance style bird, flower and dolphin cast canted angles, on ivy leaf decorated moulded base with foliate pierced and cast feet to the curved angles, 46cm high.
Lot 57
A French brass-mounted tortoiseshell mantel clock in the form of a miniature longcase clock Unsigned, circa 1900. The eight-day gong-striking movement with white enamel Roman numeral simulated thirteen-piece cartouche dial in a waisted case with acanthus scroll surmount and dolphin edge mounts above moulded brass throat and vase shaped bevel glazed panel flanked by conforming mounts, on panel fronted plinth base with scroll cast feet, 49cm high.
Lot 61
A French ebony and brass Religieuse style bracket clock Unsigned, late 19th century, probably incorporating earlier components The eight-day two-train movement rack striking the hours on a bell mounted within the caddy above, with 10.5 x 6 inch blue velvet covered dial applied with brass Roman numeral chapter ring with every minute numbered above foliate festoon swag and scroll cast mount, the caddy-top case with flambeau finials and gilt balustrade frets above Corinthian pilasters to the brass line inlaid front and conforming arch glazed sides, on moulded base with lambrequin panel to apron and on brass ball feet, some damage and losses to case, 53cm high overall.
Lot 63
A Regency brass-mounted mahogany bracket clock with wall bracket Dawson & Peene, London, circa 1825 The five-pillar twin fusee bell-striking movement with anchor escapement and signed Dawson & Peene, London to backplate, the 7.5 inch circular cream painted Roman numeral convex dial indistinctly inscribed HALES & McCULLOCH, CHEAPSIDE, LONDON, the single pad top break-arch case with brass carrying handle above rectangular side windows and fishscale frets beneath dial, on moulded base with ogee bracket feet, 36cm high excluding handle; with a later(?) mahogany wall bracket, 57cm high overall. Both the partnerships Dawson & Peene and Hales & McCulloch appear to be unrecorded, the latter were probably the original retailers of the clock.
Lot 66
A William IV mahogany bracket clock with original wall bracket Richard Widenham, London, circa 1830. The five -pillar twin fusee bell-striking movement with keyhole shaped plates, anchor escapement and signed Widenham, London to backplate, the 8 inch circular engraved brass Roman numeral dial (formerly silvered) signed Widenham, 13 Lombard St., London to centre and with Strike/Silent switch at 12 o’clock, the drum-head case with scroll moulding to apron above recessed panel to the plinth base with moulded skirt, the wall bracket with scroll support, the clock 45cm high, 63cm high including the bracket. Richard Widenham was a respected chronometer maker, winning an award at the chronometer trials held at the Royal Observatory in 1825. He was known to be working from his Lombard Street address by 1835 and began trading as Widenham and Adams in 1840.
Lot 67
A Regency brass inlaid ebony bracket clock French, London, early 19th century The five-pillar twin fusee rack and bell striking movement with anchor escapement and foliate trail border engraved shaped backplate signed French, Royal Exchange, London, with 8 inch circular cream painted Roman numeral dial in a case with brass ball finials to the domed stepped pediment and brass festoon decoration above dial, the apron with shaped geometric inlaid panel, the sides with brass lion mask ring side handles above brass Gothic arch pierced frets, on stepped base with engine-turned brass feet, 66cm high; with a contemporary brass inlaid wall bracket with line edged platform and stylised foliate scroll inlaid shaped strut, 97cm high overall. Santiago James Moore French is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Royal Exchange, London, circa 1810- 40.
Lot 68
A William & Mary ebony veneered bracket clock James Mitchell, London, circa 1695 and later The five (formerly six) finned pillar twin fusee movement with backplate engraved with a dolphin amongst flowering foliage and herringbone border, now with later anchor escapement and chiming the quarters on four bells, and with internal rack for the hour strike on a further bell, the 8 inch x 7 inch rectangular brass dial with foliate engraved calendar aperture, ringed winding holes and false bob . Aperture to the matted centre within an applied silvered Roman numeral chapter ring with cruciform half hour markers and Arabic five minutes, the angles with winged cherub head spandrels beneath signature James Mitchell, London within engraved foliate scrolls to upper edge of dial, the ebony veneered case with gilt foliate cast handle to the caddy top above horizontal sound frets and rectangular windows to sides, on moulded base, movement with alterations, case with restorations, 38cm high excluding handle.
Lot 71
A rare Regency Gothic revival gilt brass and ebonised miniature wall timepiece Thomson, Edinburgh, early 19th century The four-pillar single train movement with long pendulum and standing barrel wound via a pulley linked to a pull cord and dummy weight hanging below the clock, the 2 inch single-sheet silvered brass Roman numeral dial signed Thomson, PRINCES STREET within a chased gilt brass Gothic arch surround with pierced concave sided gabled pediment with foliate surmount flanked by spire finials, the case with grotesque dog’s mask decorated moulded under-brackets, 14cm high. Several makers with the surname Thomson are recorded as working in Edinburgh during the early 19th century however this clock was most likely supplied by either John Thomson who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working 1794-1814 or Archibald Thomson 1794-1836.
Lot 74
A brass lantern clock in the late 17th century style Paul Evans, Romsey, 20th century The posted weight-driven movement with verge escapement and countwheel striking on a bell mounted within a domed bearer above engraved dolphin frets and dial signed Paul Evans, Romsey to the foliate decorated centre within an applied Roman numeral chapter ring with cruciform half hour markers, on ball feet, with brass side doors and backplate, 37cm high.
Lot 75
A William & Mary gilt brass lantern clock William Reeve, Spalding, circa 1690. The posted countwheel bell-striking movement with original verge escapement and pendulum swinging within the frame behind the trains, the dial with fine tulip engraved centre, original steel hand and applied Roman numeral chapter ring with trident half hour markers and signed W’m Reeve, Spaldin to lower edge, with dolphin fret and bell supported in a domed bearer above, on ball feet, 39cm high. William Reeve of Spalding appears to be unrecorded however the frame design and dial engraving stylistically date this clock to around 1690 and is reminiscent of the work of Thomas Power of Wellingborough (see Lot 656 Dreweatt Neate, Apsley Road, Bristol 2nd November 2004). The gilding to the frame is highly unusual and appears to have been done very early in the clock’s life or possibly at the time of its manufacture. The current lot appears to have also survived in particularly original condition, the mechanism appears to be completely intact including the escapement and pendulum.
Lot 77
A thirty-hour longcase clock movement and dial Thomas West, Reading, mid 18th century The posted countwheel bell-striking single-handed movement with 10 inch square brass dial with matted centre, applied silvered Roman numeral chapter ring signed Tho’s West, Reading to lower edge, the angles with foliate scroll cast spandrels, with pendulum and weight.
Lot 79
A mahogany eight-day longcase clock William Mitchell, East Burnham, 18th century The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes, fleur de lys half hour markers and signed William Mitchell, East Burnham to the lower edge, the angles with applied twin bird and urn cast spandrels beneath STRIKE/SILENT dial flanked by foliate cast mounts to the added arch, in a break-arch pedimented case with reeded pilasters to hood above break-arch trunk door and shaped panel applied plinth base with moulded skirt, 209cm high.
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460315 item(s)/page