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Lot 1205
A cased portable "His Masters Voice" Picnic Gramaphone, including a quantity of 78's records, a telescopic Chesham reading/music stand with mahogany table, an early 20th-century bakelite radio, a cased Hohner "The 64 Chromonica Professional Model" Harmonica, another, an Acadamy Gramaphone in cabinet and an oak cased Grandmother clock (qty)
Lot 417
Very important pair of large oil paintings on canvas, together with 18th C italian giltwood period frames. Framed measurements: 165 x 243, canvas measurements: 143 x 219 cm (each). Where we see, a carpet covering a table in the left corner where rest, respectively, a globe, an oval portrait, a sculpture, various books, a planetarium, a table clock and a world map, and another in which the viewer You can see the armor of a complete knight resting on the same table covered with a carpet, and, next to it, a jug, both inside separate Caprices. Work typically associated with the artistic canons of the Italian Baroque that directly connects with similar models of the famous painter of the Roman school Francesco Noletti, called il Maltese and born in Valletta, Malta (Valletta? c. 1611-Rome, 1654) Noletti was an Italian Baroque painter, born as his nickname indicates, in Malta and specialized in still life painting. Noletti's still lifes have been attributed to the so-called Francesco Fieravino or Fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the Foundation for International Studies of La Valletta, in the building of the old university. His biography shows that around 1640 or something before he settled in Rome, where he married and collaborated with Andrea Sacchi, and died there on December 4, 1654. The death certificate he called him a "famous painter". Although his last name was soon forgotten, he was praised, always by his nickname, by Cornelis de Bie and Joachim von Sandrart and later also by Joshua Reynolds, among several others. In the absence of signed works, two engravings published in 1703 by Jacobus Coelemans on paintings by the Maltese, entitled Omnis salus in ferro est and Quaedam sensum instrumenta, have served as the basis for establishing his style, in which some elements are repeated.5 His Rich still lifes are always characterized by the presence of Turkish rugs, tapestries and curtains covering the tables and shelves on which rest pieces of crockery, flowers and fruit arranged next to some precious object, musical instruments and framed paintings or mirrors. Three still lifes by the Maltese master are preserved in the Bilbao Fine Arts Museum, where they entered in the 1920s with attributions to Antonio de Pereda and Pieter Boel. Origin:
Lot 295
A pair of gilt metal sculptures of women on marble plinth bases, 43cm high together with a mantle clock, the enamelled dial marked with roman numerals and signed 'Thomas B * & Son', 17.5cm high and a bronze figure of a bull on an oval graduated wooden plinth base, 20cm high (4)Gilt statue in good condition, some small chips and repairs to the marble bases; mantle clock with repair to cracks to the wooden frame, chips the enamelled dial, not currently working; bronze bull with surface marks, dents and scratches to the plinth
Lot 365
Andrew Grey, Aberdeen: A late 18th century mahogany longcase clock, the arched gilt dial with silvered chapter ring, seconds and calendar apertures, and with pierced gilt spandrels, the case with blind fret carved hood and shell inlaid door, 224.5cm high With associated movement. From Wick Hall, the estate of Patrick Dockar-Drysdale.At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
Lot 371
A gilt Spelter mantle clock, possibly French, topped with a figure of a cherub covered in scrolling and floral decoration, the white enamelled dial marked with blue roman numerals, 27cm wide x 14cm deep x 39cm highCracks and marks to the enamelled dial, some scratches to the spelter and cracks to the reverse of the clock mechanism, pendulum present, not tested
Lot 63
A mixed group to include a silver and tortoiseshell cased mantle clock, 9cm wide x 11cm high; a cut glass perfume bottle with silver rim, 20cm high; four small silver topped bottles; a further perfume bottle and a Fly Fishers Club mascotAt present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
Lot 404
George Smith, Beaminster - George III oak-cased 8 day brass dial longcase clock, circa 1780, 12-inch square dial, signed chapter ring with Roman hours and Arabic minutes, centre with subsidiary seconds dial and calendar crescent between engraved columns, within scroll spandrels, in, a caddy-top case, 205cm high
Lot 2900
A French repeating carriage clock, by E. Maurice & Co, for T. R. Russell, Paris, circa 1900, the silvered dial with Arabic numerals with ornate pierced gilt mask and engraved ivory backing, number 2692, height 13.5cm.When wound the movement appears to function and runs. The repeat mechanism operates but is rather muffled at present. There is no obvious damage to the clock although some tarnishing is visible on the face and case.
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460307 item(s)/page