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Lot 34
Tiffany & Co.: A white gold and diamond 'Atlas' wristwatch The square dial with polished dagger hands, the 18 carat white gold bezel featuring Roman numerals, within a border of brilliant-cut diamonds, to concealed lugs and a black crocodile strap, diamonds approx. 0.65 carat total, case, strap and clasp all signed Tiffany & Co., numbered, European convention mark, Swiss assay mark, case width 2.1cm, maximum strap length 19.0cm Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/The Atlas collection was introduced in 1995 and was an iconic range of Tiffany & Co. until July 2024 when it was discontinued. The collection took its inspiration from the Roman numerals on the 9 foot tall Atlas Clock, held aloft by a wooden figure of the Greek mythological titan, Atlas. In 1853 Charles Lewis Tiffany commissioned the clock from Henry Frederick Metzier, who mostly made figureheads for ships. This clock has become a symbol of the firm and has stood above the doors of four historic New York City Tiffany & Co. flagships including 550 Broadway, Union Square and 37th Street and now its current home on Fifth Avenue.In 1983, twelve years prior to the jewellery collection however John Loring, Tiffany's design director emeritus, created the first Atlas watch. Ultimately receiving a patent from the US government, this watch launched the fanfare for the Atlas collection and neatly bridged the gap between Tiffany's horological and jewellery savoir-faire.Also see lots 35 and 97
Lot 35
Tiffany & Co: A diamond 'Atlas' bracelet Composed of rectangular links with Roman numerals linked by panels set with three brilliant-cut diamonds, diamonds approx. 1.35 carats total, signed Tiffany & Co., length 18.5cm The Atlas collection was introduced in 1995 and was an iconic range of Tiffany & Co. until July 2024 when it was discontinued. The collection took its inspiration from the Roman numerals on the 9 foot tall Atlas Clock, held aloft by a wooden figure of the Greek mythological titan, Atlas. In 1853 Charles Lewis Tiffany commissioned the clock from Henry Frederick Metzier, who mostly made figureheads for ships. This clock has become a symbol of the firm and has stood above the doors of four historic New York City Tiffany & Co. flagships including 550 Broadway, Union Square and 37th Street and now its current home on Fifth Avenue.Also see lots 34 and 97
Lot 97
Tiffany & Co.: A pair of gold 'Atlas' bangles Each 18 carat yellow gold bangle with a central recessed line of brushed finish, overlaid throughout with Roman numerals, both signed Tiffany & Co., one with maker's mark T&Co.; and UK import mark, inner diameters 6.4 and 6.5mm (one slightly misshapen), maker's box (2) The Atlas collection was introduced in 1995 and was an iconic range of Tiffany & Co. until July 2024 when it was discontinued. The collection took its inspiration from the Roman numerals on the 9 foot tall Atlas Clock, held aloft by a wooden figure of the Greek mythological titan, Atlas. In 1853 Charles Lewis Tiffany commissioned the clock from Henry Frederick Metzier, who mostly made figureheads for ships. This clock has become a symbol of the firm and has stood above the doors of four historic New York City Tiffany & Co. flagships including 550 Broadway, Union Square and 37th Street and now its current home on Fifth Avenue.Also see lots 34 and 35.
Lot 43
THOMAS GRIGNION LONDON- A GILT BRONZE MANTEL CLOCK IN THE ROCOCO TASTE LATE 18TH/EARLY 19TH CENTURY 3.5" white enamel dial, signed twin fusée movement 36cm high overall, base 24cm wide Provenance: Acquired from Sotheby's, Clocks, 10 May 1990, Lot 324 Condition Report: Movement appears to be early 19th century hence probably later than the case. We have not removed the movement form the case to investigate further. Mechanism is in clean working order; there are spare holes towards the top of the plates suggesting that the movement may well have originally had a verge escapement. The dial has some chipping around the winding holes and some hairline cracking at three o'clock. The hands appear to be replacements. The surround and bezel are of a more copper-gilt tone than the case itself so may be non-original to the case. The case has overall rubbing and oxidation to the gilding otherwise is in sound original condition. The frets appear complete and are of good quality with engraved detail.Clock has pendulum and a winding key. Condition Report Disclaimer
Lot 121
A GEORGE III ORMOLU AND WHITE MARBLE CLOCK CASE BY MATTHEW BOULTON AND JOHN FOTHERGILL, CIRCA 1771 Formerly with clock or timepiece movement to interior and on figural mounted base, the ovoid body inscribed "Αϊ Αϊ / Ταύ Κυθέρϵιαν /Απώλϵτο /Καλοṡ Ἀδωνιs" above pedestal mounted with a medallion, later plinth 28cm high, base 10.5cm wide Literature: N. Goodison, 'Matthew Boulton's Allegorical Clocks', Connoisseur, February 1973, pp. 106-111. N. Goodison, Ormolu: The Work of Matthew Boulton, London, 1974, p. 127 and p. 308, plate 44. For a complete version of this case by Boulton and Fothergill and with the clock movement attributed to John Whitehurst of Derby, please see Christie's London, The Exceptional Sale, 6th July 2023, lot 32. Condition Report: Good, structurally secure. The lid is removeable and although of roughly the same colour and form- almost certainly a replacement being not quite for the "leaf clasp" form of known examples. The clock mechanism and dial are missing. As per cataloguing plinth is associated with vacant holes visible from previous mount points. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 275
A George III mahogany 8 day longcase clock, the case having a broken swan pediment with two turned pillars flanking the arched top dial having Roman numerals, subsidiary seconds dial and a date aperture, the movement striking on a single bell, 214cm high x 46cm wideLocation: If there is no condition report shown, please request
Lot 487
A George III mahogany 8 day longcase clock, having a silvered arched top dial, signed 'John Clement, Tring' with Roman numerals, subsidiary seconds dial and date aperture, the movement having anchor escapement and striking on a single bell, 217.5cm high x 44.5cm wide If there is no condition report shown, please request
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Lot 36
Mandey (Ven[terus]). Mechanic Powers; or, the Mystery of Nature and Art Unvail'd... Together, With a Treatise of Circular Motion artificially fitted to Mechanic use, and the making of Clock-work, and other Engines...London: Tho. Shelmerdine, 1709, quarto, advertisement leaf before title, seventeen folding engraved plates, 5pp. catalogue/errata at end, few marks to preliminary leaves, thin strip of toning to head of pages, contemporary panelled calf re-backed (retaining original backstrip).Provenance: The Property of Sir Brooke Boothby, ex Fonmon Castle.
Lot 103
An Art Deco ceramic clock garniture with "silver" panthers, square dial and two vasesClock is 8 1/4" high overall, garnitures are 6"hCondition:Slightly crazed, some of the silvering around the rim of the garnitures is rubbed. The backs and tails of the jaguars are also rubbed. No apparent major condition issues.
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